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[5] 著有《壹斋集》40卷，其中《奏御集》2卷，杂篇6卷，《萧、汤二老遗诗合编》1卷，《画品》1卷。工诗文、书画，所绘山水，有萧云从余韵，“久邀睿赏，与富阳首相。国称董（浩）黄（钺）二家”，宫内名画，多为其鉴定真伪。诗词有苏东坡风韵，年九十一岁失明，自号“盲左”仍吟诗作画，故乡风情，吟咏殆尽，所作《于湖竹枝词》66首，亦诗亦史，富有深厚乡情。宋子才有“太白脱靴”，“山谷返棹”两图，石刻在太平府尊经阁内。《志》谓“子才七世孙，元太平路经历景阳刻”。嘉庆十七年（1812），黄钺在作此图时也注为元景阳刻。后觉有误，自责捉笔：“承讹袭谬，未暇深考。顷友人拓赠二纸，始知其谬，愧赧无已，爰记以诗，以志吾荒陋焉”。虚怀若谷，难能可贵。\n道光五年（1825），黄钺76岁，请求归休。宣宗“温旨慰留”。次年，又申前请，获准荣归。道光二十一年六月三十日申时（即1841年8月16日15时至17时）在芜湖家中逝世，享年九十二岁。宣宗悼惜，追封为太子太保衔，入祀贤良祠，按尚书条例抚恤，谥号“勤敏”。命史馆立传，赐祭葬，树石碑，葬于当涂南褐山下。同年，奉旨入芜湖乡贤祠。 [3]\n清代乾隆、嘉庆、道光年间，当涂出了一位赫赫有名的内阁尚书、军机大臣。黄钺，字左田，号左君，又号壹斋、左盲，生于乾隆十五年（1750年），卒于道光二十一年（1841年）。因其一生敏而好学，著述甚多，又“执掌皖南北书院十载”，对当地文化、教育做出了重要贡献。\n乾隆三十八年（1773年）十月，年仅23岁的黄钺在太平府学政使院参加岁试。安徽提督学政朱筠阅其卷，以为“奇才异能”，称道不止。朱筠在离开当涂回京都时，特地将这位年轻人带入京城应试，虽未中试，但得以在《四库全书》馆做誉录工作，因之学识大进。乾隆五十三年（1788年），黄钺考中举人，五十五年中进士，授户部主事。当时权臣和坤主管户部，因二人意见相左，借故请假回家，协助安徽巡抚李世杰在芜湖赭山谪翠轩创建中江书院，招员授业。嘉庆四年（1799年），仁宗亲政，黄钺奉命进京加封为“懋勤殿行走”。嘉庆九年（1804年），提升为“赞善，入直南书房”。嘉庆十年，出任山西学政，又特旨任湖北、山东、顺天等地的乡试主考官，后又兼任山西、山东学政，准予密折奏事。嘉庆十五年（1810年），迁侍讲学士，十八年擢升内阁学士，十九年升任户部侍郎，不久，又调任礼部侍郎。嘉庆二十四年（1819年），升任礼部尚书，并“赐紫禁城骑马肩舆入直，加封太子少保衔”。次年，升会试主考官。道光元年（1821年），宣宗亲政，封其为军机大臣，不久，又调任户部尚书，参与大典事宜，从事“京察议叙”。道光三年，宣宗“赐宴玉澜堂”，并给功臣绘像，黄钺是当时朝廷15名老臣之一。道光五年，黄钺已75岁，请求归休，宣宗又“温旨慰留”。次年，又申前请，始获准归乡。黄钺在朝廷历时27年。\n黄钺一生为封建统治阶级“矢勤矢慎”，但他笔耕不辍，在学术上也很有造诣。著有《壹斋集》四十卷、《壹斋诗集》三十六卷、《韩诗增注正讹》十一卷、《萧汤二老遗诗合编》二卷、《奏御集》二卷，另有《画友录》、《泛浆录》、《游黄山记》、《两朝恩赉记》、《二十四画品》等著作。他善画山水花鸟，尤长画梅，初学王 ，晚学王原祁，与“四王”末流董邦达并称山水画家。他的画，笔墨苍厚，他的字，既有书卷气，也有台阁气。他的诗，别具一格，很有气势。曾作的《花卉图》、《端阳佳景图》、《高冈长松图》等，无论青绿山水和水墨山水都很有特色。\n黄钺在绘画艺术上经过多年的实践和探索，将自己积累的经验进行理论概括，撰成画学专著《二十四画品》一书。《二十四画品》是仿照唐司空图撰写的中国古代文集约名著《二十四诗品》的体例而写成的。书中运用四言韵语，把各种绘画艺术风格概括为：一气韵，二神妙，三高古，四苍润，五沉雄，六冲和，七淡远，八补拙，九超脱，十奇辟，十一纵横，十二淋漓，十三荒寒，十四清旷，十五性灵，十六圆浑，十七幽邃，十八明净，十九健拔，二十简洁，二十一精谨，二十二隽爽，二十三空灵，二十四韶秀。整部著作文词典雅，清丽可诵，表现了栩栩如生的艺术形象。\n黄钺对谢朓、李白、黄庭坚十分崇拜，曾多次游览青山和采石矶。他颂扬谢朓“谢公爱青山，结宇恣啸咏”；在《咏李翰林》诗中讴歌李白：“仙骨埋青山，草木发灵异。”到采石矶“高怀吊古”，“掩英雄之泪，吟供奉之诗”。在他作的《采石矶赋》一文中，除了历数在这里发生的许多惊天动地的事件和英雄人物外，还特地为李白而感叹，说：“白也不群，宗之潇洒，着宫锦而扬帆，共兰舟而持 。旁若无人，歌清四野，当此之时，何其壮也！”黄钺又诗云：“平轩遥瞰一湖开，闻说涪翁守郡来。当日到官才九日，未应便起读书台。”该诗也附注曰：“赭山有滴翠轩，相传为涪翁读书处。李之仪跋山谷二词：‘鲁直请无为、当涂，而得当涂，犹蹭蹬一年方到官，既到九日而罢，又数日乃去。’“\n道光十一年（1831年），长江发生水患，回到家乡的黄钺 积极倡兴赈济，带头捐献俸银千两。道光十三年，濒临江淮的州县又遭水灾，黄钺又“捐百金助赈”，以救乡民。次年，当涂、芜湖一带饥荒，米珠薪桂，人民生计困难，黄钺又与王泽、许耕余等发动有田富户及绅士14家，按田交谷600担，兴办“丰备义仓”12座，当义仓上梁即将落成时，黄钺以诗记其事道：“成城缘众志，图匮在年丰。”并在“丰备义仓”的旁边建立私塾，招收蒙童，普及地方教育事业。\n道光十六年，88岁已不能认字，但仍吟诗咏物，所作《于湖竹枝词》66首，亦诗亦史，深入浅出，富有深厚的爱乡之情。",[24,25,68,26,69,70,71,72,7,73],"册","工笔","花鸟","花","枝叶","昆虫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4d45c47b40701175fd4b732a0849277.jpg",[],{"id":77,"slug":78,"title":40,"dynasty":18,"author":41,"museum":20,"description":42,"tags":79,"thumbUrl":85,"material":55,"size":56,"collection":33,"collections":86,"showCount":87,"zanCount":59,"manualWeight":11,"mainColor":60},245718,"jin-xiang-zhu-shi-qiu-ye-zhi-zhu-zan-yi-ming-245718",[44,46,45,80,81,47,7,82,83,84],"金镶","镶珠石","玉石","珍珠","宝石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce5ca46e92af50ed0f3b602eb8609080.jpg",[],4,{"id":89,"slug":90,"title":91,"dynasty":18,"author":41,"museum":20,"description":42,"tags":92,"thumbUrl":98,"material":55,"size":56,"collection":33,"collections":99,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":60},242044,"yin-du-jin-qian-bao-shi-fo-shou-zhi-zhu-wen-zan-yi-ming-242044","银镀金嵌宝石佛手蜘蛛纹簪",[44,93,45,82,84,94,95,96,97,7,46],"银器","珐琅器","雕刻","镶嵌","佛手","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb204ee50e16f6c07c754835fa4df0e07.jpg",[],3,{"id":102,"slug":103,"title":104,"dynasty":105,"author":41,"museum":20,"description":106,"tags":107,"thumbUrl":112,"material":55,"size":56,"collection":33,"collections":113,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":36},272221,"duan-shi-diao-zhi-zhu-chang-fang-yan-yi-ming-272221","端石雕蜘蛛长方砚","民国","此砚石质温润细腻，素方造型雅致内敛，砚池浅刻蜘蛛，暗喻知足常乐，藏着旧时文人安贫乐道的意趣。周身包浆沉厚莹润，带着经年研墨的时光印记，是案头相伴的实用佳器。\n\n原配硬木砚盒，木理流畅雅致，边角圆润过渡，与砚台严丝合缝，历经岁月仍紧实完好，足见昔人珍视。整器无繁饰雕琢，尽显素雅审美，将日常文具与吉祥寓意相融，简约间藏着东方雅致意韵，是兼具实用价值与人文意趣的文房旧物。",[108,109,95,7,110,111],"砚","端石","木质","文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3ed48ce49112169c7550e124ef0841d.jpg",[],{"id":115,"slug":116,"title":117,"dynasty":18,"author":41,"museum":20,"description":118,"tags":119,"thumbUrl":123,"material":55,"size":56,"collection":33,"collections":124,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":60},268512,"dian-cui-hua-hui-niao-die-wen-tou-hua-yi-ming-268512","点翠花卉鸟蝶纹头花","中国妇女最偏爱的头花当属绒花，尤其是在女儿出嫁时，头上必须戴红色绒花，图火红吉利。在中国妇女中，只要条件允许，不仅婚礼喜庆日时要戴绒花，而且一年四季都愿意头戴绒花，求谐音吉祥。尤其到应时节序戴应季绒花：立春日戴春幡，清明日戴柳枝，端阳日戴艾草，中秋日戴桂花，重阳日戴茱萸，立冬日戴葫芦阳生……。清宫后妃们的头花，还有大批的绒花、绢花、绫花流存于世，这些花色彩协调，晕色层次丰富，堪称“乱真”之花。清代遗留下来的绒、绢、绫、绸等质地的头花有白、粉、桃红三晕色的牡丹花，浅黄、中黄、深黄三色的菊花，白、藕、雪青三色的月季花及粉、白相间的梅花等等，历时百年不久，仍鲜艳悦人。",[46,120,121,7,122],"点翠","石榴","头饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2b136ed0b96c2a0f6554b178421930e.jpg",[],{"id":126,"slug":127,"title":128,"dynasty":18,"author":41,"museum":20,"description":129,"tags":130,"thumbUrl":137,"material":55,"size":56,"collection":33,"collections":138,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},269951,"huang-yang-mu-hu-lu-shi-he-yi-ming-269951","黄杨木葫芦式盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[110,95,131,132,133,134,7,135,136],"葫芦式","盒","木雕","木器","藤蔓","工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24fd7c266fee6f6edf4fe1c38e9e671f.jpg",[],1777535739251]