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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[7,58,59,60,61],"铅胎","供盘","器","礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0593db192d534af82000e2525e4ad17.jpg",[],1,{"id":66,"slug":67,"title":68,"dynasty":18,"author":19,"museum":20,"description":69,"tags":70,"thumbUrl":74,"material":32,"size":33,"collection":34,"collections":75,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},274957,"zhu-huang-qi-si-bian-yi-ming-274957","竹黄漆丝笾","此器物以竹黄为骨，篾丝细密匀整地编就整体，器型圆婉亭亭，似敛羽静立的灵禽，自带温雅气场。\n\n暖棕竹色自带自然肌理的温润，器身、盖沿与底足饰以彩漆花饰，朱红裹着柔婉卷草，石绿勾出轻浅轮廓，色彩晕染柔和不张扬，衬得竹材质朴底色愈显沉静。顶盖圆珠精巧收尾，将收纳实用与陈设意趣相融，尽显传统竹编细作里藏着的东方雅致，是指尖功夫凝住的清和之美。",[60,71,72,61,73,7],"竹制","漆器","彩绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27c50a84c66b33322c6a3cc8cb41dee3.jpg",[],{"id":77,"slug":78,"title":79,"dynasty":18,"author":19,"museum":20,"description":80,"tags":81,"thumbUrl":83,"material":32,"size":33,"collection":34,"collections":84,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},270185,"zhu-si-bian-shi-liu-hua-niao-tu-mian-qi-bing-tuan-shan-yi-ming-270185","竹丝编石榴花鸟图面漆柄团扇","以细若秋毫的竹丝经纬交错，将石榴花鸟的意趣隐入织纹。初看是匀净浅棕的素洁肌理，凝神便见饱满榴果、轻栖禽鸟随竹纹缓缓浮现，如晕开的淡墨小品，于含蓄间藏着精巧心思。\n\n黑漆扇柄雕作缠枝造型，线条柔婉古雅，与通透扇面相映成趣。它将竹编的清隽野趣与髹漆工艺的沉静雅致相融，把日常纳凉的器物，做成了可赏可玩的案头雅物，藏着旧时造物里的细腻匠心。",[23,26,82,7,72,30],"石榴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf4b02c4ef164a5700439cb9ac6107f3.jpg",[],{"id":86,"slug":87,"title":88,"dynasty":18,"author":19,"museum":20,"description":89,"tags":90,"thumbUrl":94,"material":32,"size":33,"collection":34,"collections":95,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},229974,"xi-tai-zhu-bian-gao-zu-wan-yi-ming-229974","锡胎竹编高足碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[91,92,7,60,30,93],"清代","锡胎","编织技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a527974492dbf3d9c0ae085359305d3.jpg",[],{"id":97,"slug":98,"title":99,"dynasty":18,"author":19,"museum":20,"description":56,"tags":100,"thumbUrl":102,"material":32,"size":33,"collection":34,"collections":103,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},229973,"xi-tai-zhu-bian-gao-zu-pan-yi-ming-229973","锡胎竹编高足盘",[91,7,92,60,101],"高足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0872f935bc2dce22cbd13cc3c6b10f4f.jpg",[],{"id":105,"slug":106,"title":107,"dynasty":18,"author":19,"museum":20,"description":89,"tags":108,"thumbUrl":112,"material":32,"size":33,"collection":34,"collections":113,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},229972,"xi-tai-zhu-bian-wan-yi-ming-229972","锡胎竹编碗",[91,92,7,60,109,110,111],"日用品","编织工艺","金属胎体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d1c855b90c27e5551e4697ee1f07be2.jpg",[],1777535740122]