[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"subject-zhu-cao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},11023,"zhu-cao","竹草","竹草画高清赏析","精选中国历代竹草题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a3c39b8e6c568204a3d0ea696b49683.jpg",0,2,[14,42],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":11,"mainColor":41},288274,"du-mu-shi-yi-tu-li-zhou-zou-yi-gui-288274","杜牧诗意图立轴","清","邹一桂","藏地不详","邹一桂（1688-1772），清代画家。字元褒，号小山、二知、让卿、乡森子，江苏无锡人。雍正五年(1727)进士，官至礼部侍郎。擅工笔花卉。尝作《百花》卷，各系一诗。传世作品有《白梅山茶图》、《太古云岚图》、《水仙红梅图》等。",[23,24,25,26,27,28,29,30,31,32,33,7],"高清","名画","国画","书画","立轴","花鸟","工笔","设色","花卉","枯木","顽石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feedd022cd80eec5e9b9f4773b20b52dd.jpg","未知","Xcm*Xcm","",[],153,5,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":18,"author":46,"museum":20,"description":47,"tags":48,"thumbUrl":10,"material":35,"size":36,"collection":37,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":41},263680,"ke-si-fo-shou-shuang-niao-tu-zhou-yi-ming-263680","缂丝佛手双鸟图轴","佚名","缂（kè，同：刻）丝（英文：K’o-ssu 、Kesi 或 Chinese silk tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[25,26,27,49,50,29,30,51,52,53,54,31,7,55,56],"缂丝","花鸟画","飞鸟","佛手","牡丹","湖石","蜜蜂","布料",[],35,1777535781643]