[{"data":1,"prerenderedAt":124},["ShallowReactive",2],{"subject-zhu-jie-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8655,"zhu-jie-shi","竹节式","竹节式画高清赏析","精选中国历代竹节式题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6557f24dbe0dda7883e1caecbbcc3de5.jpg",0,10,[14,34,47,55,66,72,80,94,103,114],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},272277,"duan-shi-zhu-jie-shi-yan-yi-ming-272277","端石竹节式砚","民国","佚名","藏地不详","此砚仿竹节为形，浑朴清雅暗合文人慕竹的高洁意趣。端石质地细腻温润，经年使用浸润出厚重包浆，晕开时光摩挲的痕迹。砚堂光素平整，发墨匀净，兼顾实用与雅赏之能。整体形制简素无华，静穆间带着旧时书斋的沉静气韵，藏着民国文房器物的内敛风骨，静静诉说着案头研墨濡毫的旧日时光。",[23,24,7,25,26],"砚","端石","器","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe25a48444c5219f04b3cf1439373b5c.jpg","未知","Xcm*Xcm","",[],1,"F48FB1",{"id":35,"slug":36,"title":37,"dynasty":38,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":45,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":46},245439,"xian-feng-kuan-yin-ke-wan-shou-zi-gou-lian-wen-zhu-jie-shi-hu-yi-ming-245439","咸丰款银刻万寿字勾莲纹竹节式壶","清","此器取竹节为形，分段叠起，暗含君子高节之韵。壶身錾刻团寿字，间以缠枝勾莲环绕，福寿吉意藏于寸厘之间。兽首形执柄与壶流，肌理分明，狞厉生动，柔化了制式规整的冷硬；盖沿浮雕云纹翻卷，添就华贵仙气。银质包浆沉厚古雅，錾刻走线利落流畅，将匠心藏于纹饰细节，把祈福寓意融于实用器物，是清代细作银器的精妙之作，兼顾审美意趣与日常功用，尽显传统工艺的雅致巧思。",[41,42,7,43,44,25],"银器","雕刻","万寿字纹","勾莲纹",[],"37474F",{"id":48,"slug":49,"title":17,"dynasty":38,"author":19,"museum":20,"description":50,"tags":51,"thumbUrl":52,"material":28,"size":29,"collection":30,"collections":53,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},272219,"duan-shi-zhu-jie-shi-yan-yi-ming-272219","砚台历经秦汉、魏晋，至唐代起，各地相继发现适合制砚的石料，开始以石为主的砚台制作。其中采用甘肃岷县的洮河石、广东端州的端石、安徽歙州的歙石制作的砚台，被分别称作洮砚、端砚、歙砚。史书将洮、端、歙称作三大名砚。清末，又将河南洛阳的澄泥砚与洮、端、歙，并列为中国四大名砚。也有人主张，以天然砚石雕制的鲁砚中的红丝石砚代替澄泥砚，合称四大名砚。\n谈起砚的种类有许多种，从砚的材质可分为：玉砚、银砚、铜砚、铁砚、陶砚、瓷砚、石砚、漆砚等，其中石砚是最为普遍，也最实用的一种砚。砚台起源于新石器时代。最早的砚是半坡村遗址出土的研磨颜料的研磨器，在1980年，大陆考古学家曾在陕西省临潼县姜寨一处原始社会的遗址中，发现了一套原始人用以陶器彩绘的工具，其中有一方石砚，砚有盖，砚面微凹，凹处并有一根石质磨杵，砚旁留存数块黑色颜料。很显然，这是先民们借助磨杵研磨颜料的早期砚的形制。由于这处遗址归属于母系氏族时期的仰韶文化，故这方砚台的实际寿龄已超过了五千年了。\n清代端石砚要求因材施艺，因石构图，在题材、立意、构图、造型、利用何种雕法都要精心推敲，刻划得当。保持了端砚的古雅、朴实，古色古香、形态自然的特点。如北京故宫收藏的「端石双龙砚」、「猫蝶砚」是端砚中的佳品。",[23,24,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e74b8771e334044e23864c60776b5f7.jpg",[],"BDBDBD",{"id":56,"slug":57,"title":58,"dynasty":59,"author":19,"museum":20,"description":60,"tags":61,"thumbUrl":64,"material":28,"size":29,"collection":30,"collections":65,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},271968,"zhang-de-tian-ming-she-shi-zhu-jie-shi-yan-yi-ming-271968","张得天铭歙石竹节式砚","宋","此砚仿竹节塑形，歙石质地凝润沉稳，砚面素净雅致，砚堂光莹，包浆醇厚，可见经年摩挲的温润质感，自带沉静文气。原配瘿木盒随形而制，高浮雕竹枝劲挺舒展，竹叶萧萧疏朗，将君子比德于竹的风雅意趣藏于刀工之中。瘿木纹理自然晕染，华美灵动，与墨色砚石冷暖相映，雅趣天成。器物兼具实用与赏玩之妙，暗合宋时文房含蓄内敛的审美意韵，尽显文房清供的沉静古雅。",[23,26,42,62,63,7],"竹","石砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f23da065a3be0c762e1f416fcd4c10e.jpg",[],{"id":67,"slug":68,"title":17,"dynasty":38,"author":19,"museum":20,"description":50,"tags":69,"thumbUrl":70,"material":28,"size":29,"collection":30,"collections":71,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},271553,"duan-shi-zhu-jie-shi-yan-yi-ming-271553",[23,24,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6cef591ddfb911e4304efd97ef2ae1e5.jpg",[],{"id":73,"slug":74,"title":75,"dynasty":38,"author":19,"museum":20,"description":50,"tags":76,"thumbUrl":78,"material":28,"size":29,"collection":30,"collections":79,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},271179,"she-shi-zhu-jie-shi-yan-yi-ming-271179","歙石竹节式砚",[23,77,7,26,25],"歙石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57b04c2ae1eafbfb3b68c8fb7bc6b27b.jpg",[],{"id":81,"slug":82,"title":83,"dynasty":38,"author":19,"museum":20,"description":84,"tags":85,"thumbUrl":91,"material":28,"size":29,"collection":30,"collections":92,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":93},269171,"liu-qing-zhu-diao-jiu-shi-tu-zhu-jie-shi-bi-tong-yi-ming-269171","留青竹雕九狮图竹节式笔筒","笔筒： 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。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[109,87,7,110,111],"陶瓷","白釉","开片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe486896c5617a25934c0ec16ae252a5.jpg",[],{"id":115,"slug":116,"title":117,"dynasty":38,"author":19,"museum":20,"description":118,"tags":119,"thumbUrl":121,"material":28,"size":29,"collection":122,"collections":123,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},258990,"yi-xing-yao-zi-sha-zhu-jie-shi-cha-hu-yi-ming-258990","宜兴窑紫砂竹节式茶壶","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有"宜钧"之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[109,120,7,38,25],"紫砂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0836aa68365209789db25c09f0f43281.jpg","瓷器精选",[122],1777535735311]