[{"data":1,"prerenderedAt":86},["ShallowReactive",2],{"subject-zhu-pi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},13538,"zhu-pi","朱批","朱批画高清赏析","精选中国历代朱批题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb531f19644a04dec24fe0bee630860fb.jpg",0,6,[14,38,51,61,70,79],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},290695,"tan-kuang-jin-gang-bo-re-jing-zhi-zan-juan-shang-yi-ming-290695","昙旷 金刚般若经旨赞卷上","不详","佚名","藏地不详","此卷写经以小楷为骨，暗随行意，墨色苍雅沉润，卷面朴古厚重。字形端稳匀整，却又暗含灵动韵致，笔笔敦和凝练，尽显写经典型风骨。朱笔圈注密密排布在字里行间，是旧时研读者的思索印记，经文与批注交织相融，将千年前的释典研读风貌鲜活呈现。全篇卷舒之间承载着佛学传承的厚重温度，既是虔诚的信仰载体，亦是写本时代学术与信仰共生的珍贵遗存。",[23,24,25,26,27,28,29,30,7],"写经","书法","楷书","长卷","佛教","典籍","经文","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97c8b0c5a984540bc1e8fef0863574eb.jpg","未知","Xcm*Xcm","",[],5,"BDBDBD",{"id":39,"slug":40,"title":41,"dynasty":18,"author":19,"museum":20,"description":42,"tags":43,"thumbUrl":48,"material":32,"size":33,"collection":34,"collections":49,"showCount":50,"zanCount":11,"manualWeight":11,"mainColor":37},287806,"yu-jia-shi-di-lun-sheng-wen-di-fen-men-ji-juan-zhi-bei-yi-ming-287806","瑜伽師地論聲聞地分門記卷纸背","这帧古卷是写经余料的二次复用，泛黄麻纸带着岁月浸淫的斑驳痕迹，朱墨二色字迹错落排布。朱笔醒目劲挺，标注着义学条目的层级分梳，墨笔字痕虽已漫漶轻浅，仍能窥见当时学人伏案抄录的专注。\n\n它是中古写本文化的微小缩影，古人惜纸的习性凝结其中，将讲论佛理的稿文誊抄于旧卷背面，带着千年前的伏案余温，纸页的毛边与暗斑，都是时光摩挲过的印记，静静述说着旧日的释门研学日常。",[44,26,24,23,45,25,46,47,7],"高清","佛教典籍","纸本","宗教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2781e832cf344bc81fa8e07feb93d11.jpg",[],3,{"id":52,"slug":53,"title":54,"dynasty":18,"author":19,"museum":20,"description":55,"tags":56,"thumbUrl":58,"material":32,"size":33,"collection":34,"collections":59,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":37},290693,"yu-jia-shi-di-lun-fen-men-ji-yi-juan-shang-bu-shou-gao-yi-ming-290693","瑜伽师地论分门记一卷上部 手稿","素纸铺陈，黑笔小楷瘦劲紧凑，字字排布密而不乱，通篇朱笔圈点勾注，红痕如星子落墨海，明暗相映层次斐然。\n\n这是沉潜佛典的心血注本，笔底藏着往复推演的思辨脉络，朱痕标记着义理津要，是研读时灵光乍现的留存。密密麻麻的字迹里，藏着古人逐字叩问经义的执着，红黑交织间，复刻了千年前灯下探幽的治学图景，让纸面成为盛放思想的容器，鲜活承载着彼时对唯识义理的沉潜求索。",[26,24,23,45,57,25,7,47],"手稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb18efd207034aff98c1e585f766deac2.jpg",[],2,{"id":62,"slug":63,"title":64,"dynasty":18,"author":19,"museum":20,"description":65,"tags":66,"thumbUrl":68,"material":32,"size":33,"collection":34,"collections":69,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},289847,"dun-huang-yi-shu-363-yi-ming-289847","敦煌遗书363","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[67,23,24,26,47,28,7,25],"敦煌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff375b0304d13bb7c358c8895ebd6035b.jpg",[],{"id":71,"slug":72,"title":73,"dynasty":18,"author":19,"museum":20,"description":65,"tags":74,"thumbUrl":77,"material":32,"size":33,"collection":34,"collections":78,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},287496,"dun-huang-yi-shu-139-yi-ming-287496","敦煌遗书139",[67,24,23,75,26,28,76,7],"草书","墨书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F796091cbf6eb80885c3f4e508e3a5846.jpg",[],{"id":80,"slug":81,"title":82,"dynasty":18,"author":19,"museum":20,"description":65,"tags":83,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":84,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},287473,"dun-huang-yi-shu-116-yi-ming-287473","敦煌遗书116",[67,26,24,23,28,7,76,47,25],[],"795548",1777535748386]