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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[58,60,7,23,59,44],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef31854adb69a541ad3fc3fc9d1e3495.jpg",[],"37474F",{"id":88,"slug":89,"title":90,"dynasty":18,"author":19,"museum":20,"description":52,"tags":91,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":94,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},248554,"qian-long-kuan-tuo-tai-zhu-qi-yu-zhi-shi-wan-yi-ming-248554","乾隆款脱胎朱漆御制诗碗",[58,23,60,7,92,93,44],"书法","印章",[],{"id":96,"slug":97,"title":98,"dynasty":18,"author":19,"museum":20,"description":99,"tags":100,"thumbUrl":101,"material":29,"size":30,"collection":31,"collections":102,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},248552,"tuo-tai-zhu-qi-ju-ban-shi-he-yi-ming-248552","脱胎朱漆菊瓣式盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[58,23,60,7,55,44],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5aa4b8b269216a62193366f52085fc90.jpg",[],1777535741390]