[{"data":1,"prerenderedAt":620},["ShallowReactive",2],{"subject-zhu-tai":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1972,"zhu-tai","烛台","烛台画高清赏析","精选中国历代烛台题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8ef3d5345c753ef3e8dcf72a730e643.jpg",0,56,[14,46,77,92,114,127,143,159,171,181,194,209,219,226,236,246,257,269,277,296,304,314,321,332,344,353,360,368,378,390,399,410,421,430,437,444,452,461,469,476,483,489,495,503,510,520,527,539,548,556,568,576,584,594,603,611],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":39,"material":40,"size":41,"collection":42,"collections":43,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":45},225616,"rembrandt-harmensz-van-rijn-020-lun-bo-lang-225616","Rembrandt Harmensz.van Rijn - 020","不详","伦勃朗","藏地不详","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,24,25,26,27,28,29,7,30,31,32,33,34,35,36,37,38],"油画","写实","明暗对比","人物","男性","女性","书籍","布料","室内场景","胡须","白发","帽子","白色衣领","桌子","蜡烛","肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F879cda8e31773dcf7ca7b39f3116a968.jpg","未知","Xcm*Xcm","油画精选",[42],127,"37474F",{"id":47,"slug":48,"title":49,"dynasty":50,"author":51,"museum":20,"description":52,"tags":53,"thumbUrl":69,"material":70,"size":71,"collection":72,"collections":73,"showCount":74,"zanCount":75,"manualWeight":11,"mainColor":76},231485,"gong-feng-tu-chen-hong-shou-231485","供奉图","明","陈洪绶","陈洪绶利用各种作画技法适应不同题材，如用折笔或粗渴之笔表现英雄、细圆之笔表现文士美人、用游 丝描表现高古，成为中国传统人物画法的丰盛宝库。陈洪绶一生秉性孤傲倔强，吞恨而终。他是一位擅长人物、精工花鸟、兼能山水的绘画大师，与北方崔子忠齐名，号称“南陈北崔”。当代国际学者推为“代表十七世纪出现许多有彻底的个人独特风格艺术家之中的第一人”。",[54,55,56,57,58,59,60,61,26,62,63,64,65,7,66,67,68],"高清","名画","国画","书画","立轴","设色","工笔","白描","美人","器","衣帽","案几","花瓶","印章","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb41f69a47f37ac516a406b8b50194ed5.jpg","绢本","95×44厘米","",[],26,1,"795548",{"id":78,"slug":79,"title":80,"dynasty":18,"author":81,"museum":20,"description":82,"tags":83,"thumbUrl":89,"material":40,"size":41,"collection":42,"collections":90,"showCount":91,"zanCount":11,"manualWeight":11,"mainColor":45},225824,"still-life-with-bible-october-fan-gao-225824","Still life with Bible (October - )","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,84,85,86,87,37,7,36,88],"厚涂","后印象派","静物","典籍","书本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c3aa4e9d613c061cd554434971d94be.jpg",[42],17,{"id":93,"slug":94,"title":95,"dynasty":96,"author":97,"museum":98,"description":99,"tags":100,"thumbUrl":108,"material":109,"size":110,"collection":72,"collections":111,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":113},238290,"yu-lan-shi-nv-qing-yu-tu-ce-yu-lan-238290","喻兰仕女清娱图册","清","喻兰","北京故宫博物院","此图册共八幅。从精美的器皿、工巧的家具、华丽的服饰可知作者表现的是富贵人家女子，通过女子在室内品茗、吹箫、梳妆、投壶等行乐活动，说明了优越的生活环境不仅保障了她们衣食无忧，亦为她们提供了种种休闲条件，从而令她们具有多方面的修养。",[59,60,26,62,101,102,103,29,104,105,106,7,107],"仕女","侍女","笔","家具","服饰","器物","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faae04ea9407f55992812e81b5bf39d82.jpg","纸本、设色","每开纵17厘米，横22.7厘米",[],11,"BDBDBD",{"id":115,"slug":116,"title":117,"dynasty":96,"author":118,"museum":20,"description":119,"tags":120,"thumbUrl":124,"material":40,"size":41,"collection":72,"collections":125,"showCount":126,"zanCount":11,"manualWeight":11,"mainColor":113},238948,"bu-gun-tu-ye-zhou-kai-238948","补衮图页","周恺","画面描绘一位女子端坐于方凳上，正神态专注地精心绣制龙纹衣装。女子头戴闪亮的簪钗，着交领淡蓝色上衣和白地方格纹长裙，一袭蓝色霞帔飘曳垂地。其面容娥眉杏眼，樱口桃腮，秀丽姣美。身边的几、案、插瓶、绣墩刻画细微，极具富丽之气。",[56,57,55,121,60,59,26,62,63,122,36,66,7,123,30,64],"册页","凳子","木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5499dd6049deb8aeb01c44d11afc3645.jpg",[],10,{"id":128,"slug":129,"title":130,"dynasty":50,"author":131,"museum":20,"description":132,"tags":133,"thumbUrl":139,"material":140,"size":72,"collection":72,"collections":141,"showCount":142,"zanCount":75,"manualWeight":11,"mainColor":113},216345,"xi-xiang-ji-cha-ye-5-min-qi-ji-216345","西厢记插页-5","闵齐伋","画面以雅致闺阁为景，半掩的纱帐轻笼床榻，帐内衾枕隐约，似藏未语心事。床侧女子衣袂素淡，身姿轻立，眉目间凝着幽思，恰如西厢故事里的婉转情愫。旁侧朱红桌案置瓶花，高烛台燃暖光，光影摇曳添静谧。屏风蓝底缀白梅，另一侧云气绕山水，纹样雅致与陈设相映。画作线条细腻流畅，淡彩晕染出明式版画的清雅韵致，以含蓄场景铺陈，将故事缱绻意绪融入细节，让观者于古典情境里感知西厢的温婉深情。",[56,57,134,59,135,26,62,136,36,7,137,138],"册","界画","床","梅","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcba74f34e3c87bab1813e783c7c15265.jpg","纸本,设色",[],8,{"id":144,"slug":145,"title":146,"dynasty":96,"author":147,"museum":20,"description":148,"tags":149,"thumbUrl":156,"material":40,"size":41,"collection":72,"collections":157,"showCount":158,"zanCount":11,"manualWeight":11,"mainColor":45},281456,"yin-zhu-ye-xiang-luo-dian-hu-die-hai-luo-zhu-tai-yi-ming-281456","银竹叶镶螺钿蝴蝶海螺烛台","佚名","银铸竹茎清挺疏朗，竹叶纤秀灵动，自带林下风雅之姿。蝶身以银料塑就，肌理写实如生，双翼裁取螺钿制成，凝着珍珠母贝的柔润珠光，随光影流转晕开细碎虹彩，仿佛振翅欲飞。顶端海螺自然蜷成烛盏，天然肌理带着海畔朴拙意韵。匠师巧夺天工，将金属的冷冽、螺贝的莹润与海错的朴拙融为一体，把书斋清供的含蓄意趣藏进每一处细节，静立之间，恍若能见旧日深夜，烛火明灭里，银辉与珠光交织的幽柔景致。",[150,151,152,153,154,155,7,138],"银器","雕刻","螺钿","蝴蝶","海螺","竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a855ee93e4ae7417e489aea4f2cae5a.jpg",[],7,{"id":160,"slug":161,"title":162,"dynasty":96,"author":147,"museum":20,"description":163,"tags":164,"thumbUrl":169,"material":40,"size":41,"collection":72,"collections":170,"showCount":158,"zanCount":11,"manualWeight":11,"mainColor":76},249860,"qia-si-fa-lang-qi-lin-shi-zhu-tai-yi-ming-249860","掐丝珐琅麒麟式烛台","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[96,165,166,167,168,7],"掐丝珐琅","琺瑯器","兽","麒麟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70d069cca7a96f427a698414c48b3714.jpg",[],{"id":172,"slug":173,"title":174,"dynasty":96,"author":147,"museum":20,"description":163,"tags":175,"thumbUrl":178,"material":40,"size":41,"collection":72,"collections":179,"showCount":180,"zanCount":11,"manualWeight":11,"mainColor":76},249085,"qian-long-kuan-qia-si-fa-lang-xian-he-shi-zhu-tai-yi-ming-249085","乾隆款掐丝珐琅仙鹤式烛台",[176,165,166,177,7],"清代","仙鹤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1389b10d03a675bc2cc39f8649088634.jpg",[],3,{"id":182,"slug":183,"title":184,"dynasty":185,"author":147,"museum":20,"description":186,"tags":187,"thumbUrl":191,"material":40,"size":41,"collection":72,"collections":192,"showCount":193,"zanCount":75,"manualWeight":11,"mainColor":76},262257,"san-cai-jia-lan-shi-xing-zhu-tai-yi-ming-262257","三彩加蓝狮形烛台","唐","瑞狮昂首怒目，鬃毛翻卷层次分明，躯体敦实威严，背插管台，将镇宅瑞兽的威仪与日用烛台的功用巧妙相融。\n釉色层次鲜活，米黄铺底，蓝彩晕染醒目跳脱，绿彩点缀四肢，褐彩勾勒肌理，三彩交融晕散，带着独有的斑驳古拙质感，明丽沉厚兼具。匠师将盛唐奔放的审美意趣，凝于方寸瓷身，让狞厉瑞气与灵动釉色共生，尽显大唐制瓷技艺的精妙造诣，虽经岁月摩挲，釉色依旧鲜活饱满，留存着独属于盛唐的瑰丽气韵。",[188,189,167,190,7,63,138],"陶瓷","三彩","狮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd19020f78246406f073a86e4da3320ff.jpg",[],2,{"id":195,"slug":196,"title":197,"dynasty":18,"author":147,"museum":20,"description":198,"tags":199,"thumbUrl":207,"material":40,"size":41,"collection":72,"collections":208,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":113},288886,"giovanni-battista-tiepolo-illustration-for-a-book-scene-of-a-murder-yi-ming-288886","Giovanni Battista Tiepolo--Illustration for a Book Scene of a Murder","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[200,61,201,202,203,31,204,205,7,206],"素描","人物画","书籍插画","谋杀场景","紧张氛围","桌案","座椅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2d15d54c191e52ce80ba49defc72373.jpg",[],{"id":210,"slug":211,"title":212,"dynasty":50,"author":147,"museum":20,"description":213,"tags":214,"thumbUrl":217,"material":40,"size":41,"collection":72,"collections":218,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":45},261926,"qing-hua-chan-zhi-lian-wen-ba-fang-zhu-tai-yi-ming-261926","青花缠枝莲纹八方烛台","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[188,215,216,7,138],"青花","缠枝莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc71535e4bd24ea9d54bdceb9bbe42a3c.jpg",[],{"id":220,"slug":221,"title":222,"dynasty":96,"author":147,"museum":20,"description":213,"tags":223,"thumbUrl":224,"material":40,"size":41,"collection":72,"collections":225,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":113},259299,"jia-qing-kuan-qing-hua-chan-zhi-lian-wen-zhu-tai-yi-ming-259299","嘉庆款青花缠枝莲纹烛台",[188,215,216,7,138,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab38ca17dcf7b6b4a27e9e748f55ae9a.jpg",[],{"id":227,"slug":228,"title":229,"dynasty":50,"author":147,"museum":20,"description":213,"tags":230,"thumbUrl":234,"material":40,"size":41,"collection":72,"collections":235,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":45},257140,"qing-hua-zhe-zhi-hua-wen-ba-fang-zhu-tai-yi-ming-257140","青花折枝花纹八方烛台",[188,231,7,232,233],"青花瓷","折枝花纹","釉下彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48701dee75c1db533216a0f8b7702577.jpg",[],{"id":237,"slug":238,"title":239,"dynasty":96,"author":147,"museum":20,"description":163,"tags":240,"thumbUrl":244,"material":40,"size":41,"collection":72,"collections":245,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":45},249971,"qia-si-fa-lang-xi-zi-zhu-tai-yi-ming-249971","掐丝珐琅喜字烛台",[176,165,166,63,7,241,242,243],"喜字","掐丝","珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a39122a4698668b8c900ea83b9c903c.jpg",[],{"id":247,"slug":248,"title":249,"dynasty":96,"author":147,"museum":20,"description":163,"tags":250,"thumbUrl":255,"material":40,"size":41,"collection":72,"collections":256,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":45},249855,"qia-si-fa-lang-xi-zi-gou-lian-wen-yuan-bao-shi-zhu-tai-yi-ming-249855","掐丝珐琅喜字勾莲纹元宝式烛台",[251,165,252,7,253,254],"珐琅器","铜制","喜字纹","勾莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72f078b4c869bb42f5f375dd10d7ccb3.jpg",[],{"id":258,"slug":259,"title":260,"dynasty":50,"author":147,"museum":20,"description":261,"tags":262,"thumbUrl":267,"material":40,"size":41,"collection":72,"collections":268,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":76},249114,"qia-si-fa-lang-gou-lian-long-wen-zhu-tai-yi-ming-249114","掐丝珐琅勾莲龙纹烛台","敞口浅盘承托鎏金三足，中心鎏金烛盏擎起灯针，器型端庄雅致。松石蓝釉铺为底色，掐丝勾勒缠枝莲纹婉转舒展，行龙隐于花蔓之间，朱红、娇黄釉色晕染花叶，浓淡相宜。鎏金边棱与足座提亮气韵，华贵不失沉稳。\n掐丝匀净利落，釉色莹润厚重，承元代珐琅遗风，融明代本土审美，将重工细作与典雅审美融为一体，尽显明初宫廷器物的雍容气度，藏着匠人的精妙巧思。",[263,165,166,252,7,63,264,254,265,266],"明代","龙纹","勾莲","龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d6c59e8466648295f011ec77038166f.jpg",[],{"id":270,"slug":271,"title":272,"dynasty":96,"author":147,"museum":20,"description":163,"tags":273,"thumbUrl":275,"material":40,"size":41,"collection":72,"collections":276,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":45},249097,"qia-si-fa-lang-bao-xiang-hua-wen-zhu-tai-yi-ming-249097","掐丝珐琅宝相花纹烛台",[176,165,166,7,274],"宝相花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6bbdd41514068a094ffcafba3b6100c7.jpg",[],{"id":278,"slug":279,"title":280,"dynasty":18,"author":281,"museum":20,"description":282,"tags":283,"thumbUrl":294,"material":40,"size":41,"collection":72,"collections":295,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":76},232408,"he-er-bai-yin-67-he-er-bai-yin-232408","荷尔拜因67","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[23,59,284,26,106,285,286,287,205,105,288,289,7,290,291,292,293],"宗教","狗","建筑装饰","柱子","光环","天使","盘子","壶","杯子","织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F806c37df932bf58a8ba25d124557efaf.jpg",[],{"id":297,"slug":298,"title":299,"dynasty":18,"author":19,"museum":20,"description":21,"tags":300,"thumbUrl":302,"material":40,"size":41,"collection":72,"collections":303,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":45},230609,"rembrandt-harmensz-van-rijn-0189-lun-bo-lang-230609","Rembrandt Harmensz.van Rijn - 0189",[23,25,26,87,7,37,36,64,301],"室内","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F262d405401387b829c0e19cb71145a81.jpg",[],{"id":305,"slug":306,"title":307,"dynasty":96,"author":147,"museum":20,"description":308,"tags":309,"thumbUrl":312,"material":40,"size":41,"collection":72,"collections":313,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},281500,"yang-ci-dou-hong-xiang-tong-shou-er-huo-huan-ping-shi-zhu-tai-yi-ming-281500","洋瓷豆红镶铜兽耳活环瓶式烛台","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[188,166,252,7,310,311,63],"兽耳","活环","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84b6a0556cd44d8ed829222e02423f02.jpg",[],{"id":315,"slug":316,"title":307,"dynasty":96,"author":147,"museum":20,"description":308,"tags":317,"thumbUrl":319,"material":40,"size":41,"collection":72,"collections":320,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},281499,"yang-ci-dou-hong-xiang-tong-shou-er-huo-huan-ping-shi-zhu-tai-yi-ming-281499",[188,166,252,7,167,151,138,318,311],"瓶式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc38ef651e71e294747adfd9edaf247a6.jpg",[],{"id":322,"slug":323,"title":324,"dynasty":96,"author":147,"museum":20,"description":325,"tags":326,"thumbUrl":330,"material":40,"size":41,"collection":72,"collections":331,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":113},270978,"cheng-fen-wen-ju-hua-fa-lang-zhu-tai-yi-ming-270978","成份文具-画珐琅烛台","三足鎏金支架弯卷灵动，纹饰雕琢细腻雅致，带着华贵温婉的宫廷气韵。黄釉珐琅盘面明丽鲜亮，缠枝花卉柔婉舒展，釉色莹润透亮，晕染匀净雅致，与鎏金的冷冽金相衬，柔媚与华贵相融无间。它既是实用的燃烛器具，亦是精巧的文房清供，将画珐琅的柔美彩饰与鎏金工艺的厚重华贵完美融合，细节处尽显匠人的悉心琢磨，静静彰显着清代金属珐琅工艺的精巧造诣，藏着旧时工坊里的细致工巧与审美意趣。",[166,327,7,328,329],"文具","金器","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66238f2418f2b5d7f8532fb153ba6484.jpg",[],{"id":333,"slug":334,"title":335,"dynasty":96,"author":147,"museum":20,"description":336,"tags":337,"thumbUrl":342,"material":40,"size":41,"collection":72,"collections":343,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},270337,"qian-long-kuan-bai-se-di-tao-lan-se-bo-li-chan-zhi-hua-hui-wen-zhu-tai-yi-ming-270337","乾隆款白色地套蓝色玻璃缠枝花卉纹烛台","此作以套色玻璃工艺成器，莹白素底托衬幽蓝纹饰，仿若素笺晕开青花墨色。缠枝花卉蜿蜒盘绕器身，卷舒灵动，将春日生机凝于莹润质地之中。\n\n造型层层递进，亭亭而立宛若仕女玉立，烛针纤细高挑，承盘与托盘敞口圆润柔和，立柱与底座线条舒展流畅。蓝白配色清新雅致，纹饰上下呼应统一，将实用功能与装饰美学巧妙相融，尽显清隽端庄的古典气韵，是手工技艺与审美意趣的绝佳结合，静静诉说着旧时造物的精巧匠心。",[338,7,339,340,341],"玻璃器","缠枝花卉纹","套色玻璃","日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a2e945ce36d2322f7072a370bd74bd1.jpg",[],{"id":345,"slug":346,"title":347,"dynasty":96,"author":147,"museum":20,"description":348,"tags":349,"thumbUrl":351,"material":40,"size":41,"collection":72,"collections":352,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":113},269446,"tian-ran-mu-diao-wu-gong-zhu-tai-yi-ming-269446","天然木雕五供-烛台","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[123,151,350,7,63,138],"木雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4b37918c0930927e0ff48775b5aa7ce.jpg",[],{"id":354,"slug":355,"title":347,"dynasty":96,"author":147,"museum":20,"description":348,"tags":356,"thumbUrl":358,"material":40,"size":41,"collection":72,"collections":359,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},269445,"tian-ran-mu-diao-wu-gong-zhu-tai-yi-ming-269445",[350,123,151,7,357],"供器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52ac1925d1ec2991ff49d413b526edd6.jpg",[],{"id":361,"slug":362,"title":363,"dynasty":96,"author":147,"museum":20,"description":213,"tags":364,"thumbUrl":366,"material":40,"size":41,"collection":72,"collections":367,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},259253,"qian-long-kuan-qing-hua-shi-ju-zhu-tai-yi-ming-259253","乾隆款青花诗句烛台",[188,215,7,138,365],"纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F642716527750c49449acaedf984a9745.jpg",[],{"id":369,"slug":370,"title":371,"dynasty":96,"author":147,"museum":20,"description":213,"tags":372,"thumbUrl":376,"material":40,"size":41,"collection":72,"collections":377,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},258580,"qian-long-kuan-qing-hua-hai-shui-wen-zi-zhu-tai-yi-ming-258580","乾隆款青花海水文字烛台",[96,373,188,215,233,374,375,7],"乾隆","海水纹","文字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ea9e6ddc937e84344482faa99413a61.jpg",[],{"id":379,"slug":380,"title":381,"dynasty":185,"author":147,"museum":20,"description":382,"tags":383,"thumbUrl":388,"material":40,"size":41,"collection":72,"collections":389,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},256733,"san-cai-zhu-tai-yi-ming-256733","三彩烛台","这件烛台造型规整秀挺，双层承盘搭配弦纹立柱，层层递进，亭亭然自有端庄气度。\n\n莹润浓烈的蓝釉如深海寒潭，晕染间裹挟着黄褐釉色肆意交融流淌，釉色层次饱满厚重，冷暖交织碰撞，尽现盛唐的奔放热烈。工匠巧思暗藏，弦纹立柱利落挺拔，让器物线条富有韵律感，兼具烛台的实用属性与陈设审美价值。古朴大气又不失精巧雅致，尽显彩釉烧制的超高水准，将日用器具淬炼成兼具时代气韵与艺术价值的珍品。",[384,188,189,385,63,7,386,387],"唐代","釉陶","低温釉陶","釉彩交融","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb43cb8bd82e4a76d4308d3ff2c832ae6.jpg",[],{"id":391,"slug":392,"title":393,"dynasty":50,"author":147,"museum":20,"description":213,"tags":394,"thumbUrl":397,"material":40,"size":41,"collection":72,"collections":398,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},256495,"qing-hua-a-la-bo-wen-zhu-tai-yi-ming-256495","青花阿拉伯文烛台",[188,215,395,263,7,396],"阿拉伯文","瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97d099569f9ba24411e27edf0f75d09b.jpg",[],{"id":400,"slug":401,"title":402,"dynasty":96,"author":147,"museum":20,"description":403,"tags":404,"thumbUrl":408,"material":40,"size":41,"collection":72,"collections":409,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":113},251152,"bi-yu-hai-yan-he-qing-shi-zhu-tai-yi-ming-251152","碧玉海晏河清式烛台","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[405,151,406,407,63,176,7],"玉石","鸟","龟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5c8db695c872b3642c033fa232adddd.jpg",[],{"id":411,"slug":412,"title":413,"dynasty":96,"author":147,"museum":20,"description":403,"tags":414,"thumbUrl":419,"material":40,"size":41,"collection":72,"collections":420,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},251151,"bi-yu-ju-ban-shi-pan-zuo-si-zu-zhu-tai-yi-ming-251151","碧玉菊瓣式盘座四足烛台",[405,151,63,7,415,416,176,417,418],"四足","菊瓣纹","玉器雕刻","碧玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11277b0ac9fe0e208293e0592bdfd50b.jpg",[],{"id":422,"slug":423,"title":424,"dynasty":96,"author":147,"museum":20,"description":403,"tags":425,"thumbUrl":428,"material":40,"size":41,"collection":72,"collections":429,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},250981,"qing-yu-jiao-ye-hai-shui-hua-hui-wen-zhu-tai-yi-ming-250981","青玉蕉叶海水花卉纹烛台",[176,405,151,426,374,427,7,63],"蕉叶纹","花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4844e5df6e61283714779981635e61e8.jpg",[],{"id":431,"slug":432,"title":433,"dynasty":96,"author":147,"museum":20,"description":163,"tags":434,"thumbUrl":435,"material":40,"size":41,"collection":72,"collections":436,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},250182,"qian-long-kuan-qia-si-fa-lang-hua-hui-wen-zhu-tai-yi-ming-250182","乾隆款掐丝珐琅花卉纹烛台",[165,166,427,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d2d42cc9d0ab015535d751991d206b5.jpg",[],{"id":438,"slug":439,"title":440,"dynasty":96,"author":147,"museum":20,"description":163,"tags":441,"thumbUrl":442,"material":40,"size":41,"collection":72,"collections":443,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},250049,"qian-long-kuan-qia-si-fa-lang-gou-lian-wen-zhu-tai-yi-ming-250049","乾隆款掐丝珐琅勾莲纹烛台",[176,165,166,7,254,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7b75c6614d80c9581e1697de572de84.jpg",[],{"id":445,"slug":446,"title":447,"dynasty":96,"author":147,"museum":20,"description":163,"tags":448,"thumbUrl":450,"material":40,"size":41,"collection":72,"collections":451,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},249858,"qia-si-fa-lang-hai-yan-he-qing-zhu-tai-yi-ming-249858","掐丝珐琅海晏河清烛台",[96,165,166,63,406,407,7,449,252],"金属胎珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F186645e1b5cac89e58692da605225ec8.jpg",[],{"id":453,"slug":454,"title":455,"dynasty":96,"author":147,"museum":20,"description":163,"tags":456,"thumbUrl":459,"material":40,"size":41,"collection":72,"collections":460,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},249854,"qia-si-fa-lang-chan-zhi-bao-xiang-hua-wen-zhu-tai-yi-ming-249854","掐丝珐琅缠枝宝相花纹烛台",[176,165,457,458,7,166],"缠枝纹","宝相花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fd5afb36f2adfc276073a20e1c4e64d.jpg",[],{"id":462,"slug":463,"title":464,"dynasty":50,"author":147,"museum":20,"description":465,"tags":466,"thumbUrl":467,"material":40,"size":41,"collection":72,"collections":468,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":113},249853,"qia-si-fa-lang-chan-zhi-lian-wen-zhu-tai-yi-ming-249853","掐丝珐琅缠枝莲纹烛台","整体造型秀挺端庄，以天蓝色釉为底，掐丝勾勒的缠枝莲纹婉转舒展，宝相花饱满富丽，纹饰繁而不杂，线条利落流畅。釉色鲜亮匀净，色彩搭配妍丽和谐，铜鎏金边饰温润雅致，衬出器物的华贵质感。实用功能与装饰美学相融，尽显明代珐琅工艺的精湛造诣，古朴雅致间晕染出旧日厅堂的暖光余韵，藏着古典工艺的隽永之美。",[165,216,251,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c7c9a11b9b96844027f4e756098e5c4.jpg",[],{"id":470,"slug":471,"title":472,"dynasty":96,"author":147,"museum":20,"description":163,"tags":473,"thumbUrl":474,"material":40,"size":41,"collection":72,"collections":475,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},249849,"qia-si-fa-lang-jiao-ye-hua-hui-wen-zhu-tai-yi-ming-249849","掐丝珐琅蕉叶花卉纹烛台",[165,251,252,426,427,96,7,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F822af7f0ed563325aa654562dffcfac9.jpg",[],{"id":477,"slug":478,"title":479,"dynasty":96,"author":147,"museum":20,"description":163,"tags":480,"thumbUrl":481,"material":40,"size":41,"collection":72,"collections":482,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},249845,"qian-long-kuan-qia-si-fa-lang-bao-xiang-hua-wen-zhu-tai-yi-ming-249845","乾隆款掐丝珐琅宝相花纹烛台",[96,165,251,274,7,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb35d1da52b74e341cd075fb16b80c74.jpg",[],{"id":484,"slug":485,"title":479,"dynasty":96,"author":147,"museum":20,"description":163,"tags":486,"thumbUrl":487,"material":40,"size":41,"collection":72,"collections":488,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},249844,"qian-long-kuan-qia-si-fa-lang-bao-xiang-hua-wen-zhu-tai-yi-ming-249844",[96,165,274,251,63,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F949a7be94432d028d3b24980cc28d4e6.jpg",[],{"id":490,"slug":491,"title":440,"dynasty":96,"author":147,"museum":20,"description":163,"tags":492,"thumbUrl":493,"material":40,"size":41,"collection":72,"collections":494,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},249840,"qian-long-kuan-qia-si-fa-lang-gou-lian-wen-zhu-tai-yi-ming-249840",[176,165,254,7,251],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba56d6127169e85b325a5e51b6c1632e.jpg",[],{"id":496,"slug":497,"title":498,"dynasty":96,"author":147,"museum":20,"description":163,"tags":499,"thumbUrl":501,"material":40,"size":41,"collection":72,"collections":502,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},249758,"qian-long-kuan-qia-si-fa-lang-wu-gong-gou-lian-wen-zhu-tai-yi-ming-249758","乾隆款掐丝珐琅五供-勾莲纹烛台",[165,500,254,216,7,251,176,106],"铜胎掐丝珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a960a3b87baf1907c39a0c3b52a30b2.jpg",[],{"id":504,"slug":505,"title":498,"dynasty":96,"author":147,"museum":20,"description":163,"tags":506,"thumbUrl":508,"material":40,"size":41,"collection":72,"collections":509,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},249651,"qian-long-kuan-qia-si-fa-lang-wu-gong-gou-lian-wen-zhu-tai-yi-ming-249651",[96,165,166,252,254,507,7],"礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff76438bb5d97cc8481bd6b17505eb4fb.jpg",[],{"id":511,"slug":512,"title":513,"dynasty":96,"author":147,"museum":20,"description":514,"tags":515,"thumbUrl":518,"material":40,"size":41,"collection":72,"collections":519,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},249590,"qian-long-kuan-yin-shao-lan-wu-gong-jiao-ye-shou-mian-wen-zhu-tai-yi-ming-249590","乾隆款银烧蓝五供-蕉叶兽面纹烛台","整体造型层叠有序，端方沉稳。银胎衬底，烧蓝晕染出幽谧宝蓝，冷暖相映更显华贵沉静。灯针挺括纤直，承托灯火的盏盘錾刻缠枝卷草，线条柔婉舒展，消解了器物的肃穆感。\n\n基座自上而下，先以覆莲瓣纹铺陈出清雅禅意，再以兽面纹样彰显威严古朴，回纹勾边周正规整，将祥瑞暗喻藏入细节肌理。金属细作的精谨，搭配烧蓝珐琅的明丽，尽显雍容考究的造物气度。",[516,251,517,426,63,7,150,507],"银烧蓝","兽面纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0f15aa3016b7056ab5d81ab93b14feb.jpg",[],{"id":521,"slug":522,"title":513,"dynasty":96,"author":147,"museum":20,"description":523,"tags":524,"thumbUrl":525,"material":40,"size":41,"collection":72,"collections":526,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},249586,"qian-long-kuan-yin-shao-lan-wu-gong-jiao-ye-shou-mian-wen-zhu-tai-yi-ming-249586","此烛台造型端庄层叠，节奏分明。银胎之上施以烧蓝工艺，宝蓝釉色沉静明丽，与银质底色交相辉映，尽显华贵雅致。纹饰排布颇具章法，自上而下饰以回纹、缠枝卷草、蕉叶与兽面纹，回纹古拙、卷草柔婉、蕉叶清雅、兽面威严，糅合上古礼器的肃穆庄重与清代造办处的精巧工细。烧蓝填色饱满匀净，走线利落流畅，细节处尽显匠者用心。整体既带着庙堂礼器的端方厚重，又不失金属细作的灵动精巧，是清代珐琅与银作工艺合璧的典范之作，尽显典雅雍容的气韵。",[176,516,251,150,517,426,7,507,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6ed030816bb323972fd82f3881f1cf9.jpg",[],{"id":528,"slug":529,"title":530,"dynasty":96,"author":147,"museum":20,"description":531,"tags":532,"thumbUrl":537,"material":40,"size":41,"collection":72,"collections":538,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},249490,"tong-liu-jin-qian-bo-li-wu-gong-zhu-tai-yi-ming-249490","铜鎏金嵌玻璃五供-烛台","整体造型端庄舒展，灯针利落高挑，塔柱挺拔纤秀，与宽沿烛盘、层叠底座上下呼应，刚柔相济。铜胎鎏金遍身生辉，暖金色调衬得器物堂皇大气，通体錾刻缠枝宝相花为地，以彩玻璃填嵌花心与开光饰纹，宝蓝、翠绿、朱红交织碰撞，玻璃的莹亮与鎏金的温润相映成趣。纹饰排布疏密相宜，塔柱开光内饰几何纹样，随形起棱的底座更添稳重，将清代重工细作的审美展现得淋漓尽致，尽显礼佛重器的华贵庄严。",[96,252,328,533,534,7,507,535,536],"鎏金","嵌玻璃","嵌饰工艺","鎏金工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed6eb327012c64e8c7d3cd4791e7959e.jpg",[],{"id":540,"slug":541,"title":542,"dynasty":50,"author":147,"museum":20,"description":543,"tags":544,"thumbUrl":546,"material":40,"size":41,"collection":72,"collections":547,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},249275,"qia-si-fa-lang-wu-gong-shuang-long-peng-shou-wen-zhu-tai-yi-ming-249275","掐丝珐琅五供-双龙捧寿纹烛台","此烛台造型端庄规整，四方制式层层递进，尽显礼器的沉稳大气。以宝蓝珐琅为地，掐丝走线流畅利落，双龙捧寿纹样遍饰器身，龙纹矫健灵动，寿纹饱满古朴，各色釉色鲜亮明丽，排布疏密相宜，华贵雍容之感扑面而来。\n\n厚重铜胎历经岁月晕染，凝出温润包浆，釉面细碎的岁月痕迹，更添古雅韵味。整体将精湛珐琅工艺与吉祥寓意相融，尽显当时工艺水准与审美意趣，是一件兼具礼制功能与艺术价值的古雅之作。",[165,166,266,545,7,63],"寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc14c3f52a29f6f7fbce33ce878440749.jpg",[],{"id":549,"slug":550,"title":542,"dynasty":50,"author":147,"museum":20,"description":551,"tags":552,"thumbUrl":554,"material":40,"size":41,"collection":72,"collections":555,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":45},249270,"qia-si-fa-lang-wu-gong-shuang-long-peng-shou-wen-zhu-tai-yi-ming-249270","此烛台古韵盎然，以铜为胎，掐丝勾勒缠枝纹为地，双龙矫健灵动，拱捧团寿纹样，饱满富丽。宝蓝釉色沉厚为底，朱红鎏金鲜亮点缀，冷暖碰撞间尽显古拙华贵。整体造型方正挺拔，自基座至灯台层层递进，线条刚劲规整，尽显庙堂礼制器物的庄重肃穆。\n\n纹饰排布疏密相宜，匠师以精细掐丝让龙纹张弛有神，寿纹圆满祥和，暗合福寿绵长的美好寓意，尽显成熟的珐琅工艺造诣，是兼具礼制功用与审美价值的精工之作。",[50,165,251,266,545,553,7,63,242,243],"双龙捧寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29806bc178f6d388f53bd5f484a7e41a.jpg",[],{"id":557,"slug":558,"title":559,"dynasty":96,"author":147,"museum":20,"description":560,"tags":561,"thumbUrl":566,"material":40,"size":41,"collection":72,"collections":567,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},249218,"qian-long-kuan-hua-fa-lang-wu-gong-bing-mei-kai-guang-hua-guo-wen-zhu-tai-yi-ming-249218","乾隆款画珐琅五供-冰梅开光花果纹烛台","此烛台形制挺拔隽秀，双层方台错落承托，黄铜尖钉高挑烛位，静候明烛燃起。霁蓝釉为底，遍铺冰梅纹样，朵朵白梅似凝霜缀于幽蓝间，清冷雅致。开光处晕染花果图景，饱满的鲜果与盛放花叶色泽鲜亮，打破底色沉静，晕开几分鲜活意趣。周身描金勾勒轮廓，冷蓝釉色与暖金线条相映，让釉色层次愈发分明，华贵而不失清雅。将精工融于礼制器物，既持礼器的端方规整，又以冰梅寄清雅、花果寓生机，尽显雅致匠心。",[176,251,562,563,564,565,7],"画珐琅","开光","冰梅纹","花果纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F621bdf74fbc14ffa52bdbeddd5c6f87a.jpg",[],{"id":569,"slug":570,"title":559,"dynasty":96,"author":147,"museum":20,"description":571,"tags":572,"thumbUrl":574,"material":40,"size":41,"collection":72,"collections":575,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},249217,"qian-long-kuan-hua-fa-lang-wu-gong-bing-mei-kai-guang-hua-guo-wen-zhu-tai-yi-ming-249217","此烛台以画珐琅工艺精作，双层方盘承接烛火，鎏金针形挺拔端正。宝蓝釉地间冰梅满布，清寒雅致，开光之处晕染花果，饱满鲜活的花叶色泽明丽，写实生动。\n器身层次分明，莹润珐琅与鎏金边饰相映，既有礼器的规整肃穆，又将清中期珐琅作的妍丽细腻尽致展现。填色匀净鲜亮，工致细腻，融庄重礼制与匠作巧思于一身，尽显华贵雅致的宫廷气韵。",[562,166,7,564,565,563,573],"铜胎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1dd06f31e523d459793e60aad5d7b480.jpg",[],{"id":577,"slug":578,"title":579,"dynasty":96,"author":147,"museum":20,"description":580,"tags":581,"thumbUrl":582,"material":40,"size":41,"collection":72,"collections":583,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},248964,"yong-zheng-kuan-hua-fa-lang-chan-zhi-lian-wen-zhu-tai-yi-ming-248964","雍正款画珐琅缠枝莲纹烛台","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[96,562,251,216,7,59,252],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33f34879af475a1ac85a84b68e386ec4.jpg",[],{"id":585,"slug":586,"title":587,"dynasty":96,"author":147,"museum":20,"description":588,"tags":589,"thumbUrl":592,"material":40,"size":41,"collection":72,"collections":593,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},229939,"tong-fa-lang-zhu-tai-wu-gong-yi-ming-229939","铜珐瑯烛台（五供）","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[96,590,251,252,59,63,7,591],"铜珐琅","五供","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3de5e4f6bae8149a7afdd2c3cacc751e.jpg",[],{"id":595,"slug":596,"title":597,"dynasty":96,"author":147,"museum":20,"description":588,"tags":598,"thumbUrl":601,"material":40,"size":41,"collection":72,"collections":602,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},229542,"tong-fa-lang-wu-gong-zhu-tai-yi-ming-229542","铜珐瑯五供（烛台）",[96,252,251,7,599,59,600],"装饰纹样","工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1836d1217b2f455f4044d589b7ca583.jpg",[],{"id":604,"slug":605,"title":606,"dynasty":96,"author":147,"museum":20,"description":588,"tags":607,"thumbUrl":609,"material":40,"size":41,"collection":72,"collections":610,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},229521,"qia-si-fa-lang-wu-gong-zhu-tai-yi-ming-229521","掐丝珐瑯五供（烛台）",[165,608,252,59,7,63],"珐瑯器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36a0a953b9d02c567a75841c519ed34b.jpg",[],{"id":612,"slug":613,"title":597,"dynasty":96,"author":147,"museum":20,"description":588,"tags":614,"thumbUrl":618,"material":40,"size":41,"collection":72,"collections":619,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":76},229397,"tong-fa-lang-wu-gong-zhu-tai-yi-ming-229397",[176,251,252,7,615,59,329,616,617,599],"珐琅工艺","铜胎珐琅","宫廷风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb224cfbfb888b0e8cf925106e7b59c08.jpg",[],1777535708295]