[{"data":1,"prerenderedAt":311},["ShallowReactive",2],{"subject-zhu-zi-2811":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2811,"zhu-zi-2811","珠子","珠子画高清赏析","精选中国历代珠子题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4a3bc71b8ff6b5cc5c7865ae62631bf.jpg",0,23,[14,45,58,69,83,97,105,117,126,139,152,164,175,187,196,224,236,244,257,271,282,293,302],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":38,"material":39,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":43,"manualWeight":11,"mainColor":44},241776,"bi-xi-dai-zhu-cui-shi-shi-ba-zi-shou-chuan-yi-ming-241776","碧玺带珠翠饰十八子手串","清","佚名","藏地不详","这串手串以粉红碧玺为主体，胭粉莹润匀净，如朝露浸润的桃花瓣，自带温婉柔光。飘绿翡翠为佛头与隔珠，翠色鲜亮鲜活，与柔粉碧玺相映，撞出雅致灵动的色调层次。\n\n下缀的挂饰以烧蓝为框，托着颗硕大莹白的东珠，冷珐琅蓝与暖珠光相融，清贵动人。垂落的翡翠小饰如新抽叶芽，伴着细米珠串起的流苏，轻晃间尽显灵动娇俏。\n\n整器将多种珍材巧搭相融，藏着旧时闺阁的雅致意趣，把珠宝贵重揉进东方柔婉审美，尽显精巧细腻的工艺韵味。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36,37],"清式","碧玺","珠翠","玉石","珍珠","翡翠","珐琅","饰品","手串","十八子","雕刻","镶嵌","坠饰","翠饰","珠饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F550ce27fe6f3fd56dac0e2d85ce2d74a.jpg","","玉器精选",[40],150,4,"BDBDBD",{"id":46,"slug":47,"title":48,"dynasty":18,"author":19,"museum":20,"description":49,"tags":50,"thumbUrl":54,"material":39,"size":39,"collection":40,"collections":55,"showCount":56,"zanCount":57,"manualWeight":11,"mainColor":44},241744,"cui-shi-ba-zi-shou-chuan-yi-ming-241744","翠十八子手串","这串手串以浓绿翠珠为主体，莹润饱满的圆珠色泽匀净鲜亮，尽显翠玉清灵质地。搭配粉碧玺隔珠，冷艳绿意与柔糯粉调相映，撞色雅致和谐。\n\n背云以累丝点翠工艺打造，镶嵌珍珠碧玺，精巧富丽，仿若盛放的花间星芒。下悬粉碧玺坠饰，随形雕琢莹润粉嫩，腕间轻摇时，佩饰轻晃流光，将玉石天生之美与清宫匠心工艺相融，静静诉说旧时贵族闺阁的温婉意趣，尽显雅致华贵的旧日风华。",[30,26,33,51,7,35,52,53],"器","设色","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F324beefe59528592cd90256cdc4966ec.jpg",[40],90,3,{"id":59,"slug":60,"title":48,"dynasty":18,"author":19,"museum":20,"description":61,"tags":62,"thumbUrl":63,"material":64,"size":65,"collection":39,"collections":66,"showCount":67,"zanCount":68,"manualWeight":11,"mainColor":44},241743,"cui-shi-ba-zi-shou-chuan-yi-ming-241743","翠色圆珠浓润鲜亮，天然石纹晕开雅致生机，颗颗饱满匀净。两颗胭红碧玺隔珠晕彩莹透，与清润翠色撞出鲜活意趣，朱红绳结点缀其间，愈发衬得翠色沉雅，红珠柔媚。\n\n尾部佛头甄选同色碧玺，下坠金饰串起的珍珠小坠，秀巧华贵。这串手串凝旧时审美意趣于一身，既是闺中清玩，亦是腕间风雅，摩挲之间，尽显温婉雅致的东方韵致。",[26,30,7,53,33],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b165cfe5ba0b4f2237aec3180f49c22.jpg","未知","Xcm*Xcm",[],12,1,{"id":70,"slug":71,"title":72,"dynasty":18,"author":19,"museum":20,"description":73,"tags":74,"thumbUrl":79,"material":64,"size":65,"collection":39,"collections":80,"showCount":81,"zanCount":68,"manualWeight":11,"mainColor":82},241709,"bi-xi-chao-zhu-yi-ming-241709","碧玺朝珠","这串朝珠以粉碧玺为主体串珠，如揉碎春日桃花凝就珠玑，莹润柔和带着温婉甜美的气韵。佛头、记捻配搭清透翡翠，浓丽的红宝石背云如心口朱砂，撞色鲜明却又和谐相融，衬得整体层次丰盈。垂下的小坠灵动雅致，轻摇间漾出细碎柔光。\n\n它形制规整、工艺精巧，将礼制要求与材质风华完美结合，尽显清代宫廷配饰的华贵雅致，静静诉说着旧时宫廷的庄重仪轨与极致审美意趣。",[53,30,24,26,33,34,7,35,75,76,77,78],"宝石","清代风格","串饰","宝石装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54789e1e8361a8982186716405e03d82.jpg",[],6,"37474F",{"id":84,"slug":85,"title":86,"dynasty":18,"author":19,"museum":20,"description":87,"tags":88,"thumbUrl":94,"material":64,"size":65,"collection":39,"collections":95,"showCount":96,"zanCount":11,"manualWeight":11,"mainColor":82},242035,"yin-du-jin-dian-cui-chuan-zhu-shou-zi-wen-liu-su-yi-ming-242035","银镀金点翠穿珠寿字纹流苏","一种下垂的以五彩羽毛或丝线等制成的穗子，常用于舞台服装的裙边下摆等处。唐代妇女流行的头饰步摇，是其中一种。还有冕旒，帝王头上的流苏，以珍珠串成，按等级划分，数量有所不同。\n流苏又称穗子，为一种下垂的，以五彩羽毛或丝绒等扎成、如禾穗状的饰物，常见挂与帐中窗帘四角或玉佩扇子手柄。有道是“道家崇紫色，释门尚姜黄，才子香红佳人绿“，流苏，随风飘摇荡漾，传递着古雅与婉约的韵味。",[53,89,90,91,92,30,7,93],"点翠","穿珠","寿字纹","银镀金","流苏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a0eb30872af4f726412b5de88e73f63.jpg",[],5,{"id":98,"slug":99,"title":100,"dynasty":18,"author":19,"museum":20,"description":87,"tags":101,"thumbUrl":103,"material":64,"size":65,"collection":39,"collections":104,"showCount":43,"zanCount":68,"manualWeight":11,"mainColor":82},242118,"yin-du-jin-ji-qing-wen-liu-su-yi-ming-242118","银镀金吉庆纹流苏",[53,92,34,102,93,30,7,75],"吉庆纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c28715f1de8cb2e25dbdf1e753282d6.jpg",[],{"id":106,"slug":107,"title":108,"dynasty":18,"author":19,"museum":20,"description":109,"tags":110,"thumbUrl":115,"material":64,"size":65,"collection":39,"collections":116,"showCount":43,"zanCount":68,"manualWeight":11,"mainColor":82},241949,"yin-du-jin-xiang-zhu-zhu-wang-xing-bie-zhen-yi-ming-241949","银镀金镶珠蛛网形别针","以金属细丝牵织成蛛网底托，柔婉线条勾勒出蛛网的张弛韵律。蜘蛛造型灵动鲜活，饱满的草莓晶为腹，晕开柔润粉红光泽，似凝着晨间朝露；鎏金塑就躯体与纤长步足，鲜活逼真，两颗莹润珍珠点作复眼，更添灵趣。\n\n金属的冷冽、晶石的柔润与珍珠的莹白交织碰撞，将郊野间的幽微野趣融于华贵饰件之中。工细雅致间带着鲜活生机，把日常可见的小生灵化作随身雅物，尽显旧时工匠的绝妙巧思与别致审美。",[30,111,112,34,113,114,7],"银器","金器","镀金","蛛网","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e972faf0927fb4f9bfddc09971dd25b.jpg",[],{"id":118,"slug":119,"title":120,"dynasty":18,"author":19,"museum":20,"description":121,"tags":122,"thumbUrl":124,"material":64,"size":65,"collection":39,"collections":125,"showCount":43,"zanCount":68,"manualWeight":11,"mainColor":44},229766,"shui-jing-shou-chuan-yi-ming-229766","水晶手串","此手串以澄澈水晶串联，似凝就一捧清冽冰魄，通透明净，光影流转间漾着莹莹柔光。深赤配珠沉稳浓艳，与水晶形成鲜明撞色，提亮视觉层次。\n\n饰件以烧蓝花丝勾勒缠枝轮廓，内嵌粉嫩碧玺，晕开柔润胭色，花丝细密规整，珐琅釉色明丽鲜亮，尽显工艺精巧。末端水滴碧玺坠饰莹润饱满，似将春日桃花凝作珠玉。整体将清灵质地与华贵饰工相融，静雅中透着富丽端庄，尽显随身雅饰的精致格调，把天然材质之美与匠造精工融为一体，藏着内敛温婉的古典气韵。",[53,123,29,30,31,7],"水晶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98a390982e1794d1cbd3920ba10d4990.jpg",[],{"id":127,"slug":128,"title":129,"dynasty":18,"author":19,"museum":20,"description":130,"tags":131,"thumbUrl":136,"material":64,"size":65,"collection":39,"collections":137,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":138},241941,"dian-cui-chuan-zhu-hua-yi-ming-241941","点翠穿珠花","此簪以蝙蝠衔云为形，缉米珠铺就蝠身，朱红米粒串联出莹润肌理，点翠晕染云翅，澄澈幽蓝与暖红米色相衬，撞色鲜亮灵动。以浓绿翠玉为蝠首，珍珠点缀触须，红宝嵌于云纹，金质骨架缠绕串联，花丝工艺勾勒细腻轮廓，将点翠、缉珠工艺相融。\n\n纤巧簪头藏纳祈福吉意，既有工造的规整精致，又带着闺阁妆饰的柔婉灵韵。珠翠在光影里交相辉映，轻摇鬓间时，便把晚清妆饰的绮丽风雅尽数铺展，将旧时祈愿凝于方寸，藏着东方配饰独有的雅致华贵。",[76,89,90,132,133,7,134,75,135,30],"累丝","花形","翠羽","金饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87015eaf4ccb8ce55ab5d9b1d7469d11.jpg",[],"FFFFFF",{"id":140,"slug":141,"title":142,"dynasty":18,"author":19,"museum":20,"description":143,"tags":144,"thumbUrl":150,"material":64,"size":65,"collection":39,"collections":151,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":44},230097,"jin-xiang-hua-pi-feng-yi-ming-230097","金镶桦皮凤","这套饰件以桦皮为凤之胎骨，外敷塑型搭配金质镶饰，将山野质朴材质与细金工艺相融。拆分构件齐全，可还原凤饰原本精巧繁复的模样，桦皮哑光肌理与金饰亮泽交相辉映，既有林间清趣，又不失华贵工致。随附旧纸题识带着岁月包浆，仿佛能窥见当年鬓边插戴的绮丽光景，静述往昔妆造的绮丽风华，是清代首饰巧思的绝佳缩影。",[53,112,30,145,146,33,147,148,149,7],"凤","神兽","书法","行书","桦皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd67229be173e18040b8c381100e6cfe2.jpg",[],{"id":153,"slug":154,"title":155,"dynasty":18,"author":19,"museum":20,"description":156,"tags":157,"thumbUrl":161,"material":64,"size":65,"collection":39,"collections":162,"showCount":163,"zanCount":68,"manualWeight":11,"mainColor":82},241952,"xing-yue-pu-ti-dai-cui-shi-chao-zhu-yi-ming-241952","星月菩提带翠饰朝珠","主串星月菩提匀净温润，朱红配珠错落点染提亮色泽。翠质坠角凝着湖色柔光，莹润通透，珊瑚米珠串起的小流苏明艳跳脱，与素净菩提相映成趣。\n素白玉质背云温润雅致，牵着宝蓝绦带垂于正中，晕开沉静古雅的气韵。整体配色冷暖调和，将佛家清韵与宫廷华贵融于一身，既有文玩的清雅质感，又带着礼制下的规整端庄，静静沉淀着旧时的雅致匠心。",[53,30,26,158,77,159,7,160],"菩提","挂饰","传统工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa110b779faf9f4b17ecd3f4ffea43836.jpg",[],2,{"id":165,"slug":166,"title":167,"dynasty":168,"author":19,"museum":20,"description":169,"tags":170,"thumbUrl":173,"material":64,"size":65,"collection":39,"collections":174,"showCount":163,"zanCount":68,"manualWeight":11,"mainColor":44},241885,"bi-xi-zhu-ruan-zhuo-yi-ming-241885","碧玺珠软镯","不详","这对软镯以粉碧玺米珠串联而成，珠体质地通透莹润，天然内含的絮状纹理如流云轻漾，晕开柔粉渐变的朦胧柔光。鲜亮浓翠的隔珠错落相间，冷暖撞色盘活气韵，让柔粉多了几分灵动明快。椭圆珠型贴合腕间弧度，走线暗藏巧思，松弛随性又不失雅致格调。将碧玺自带的清灵柔婉，与翠色的鲜活明快揉为一体，自带复古温婉的东方韵致，是可伴日常的精巧雅饰。",[30,26,7,24,171,172],"软镯","串珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7487989c057d78ab6c60ad6e6a5c78d.jpg",[],{"id":176,"slug":177,"title":178,"dynasty":18,"author":19,"museum":20,"description":179,"tags":180,"thumbUrl":185,"material":64,"size":65,"collection":39,"collections":186,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":44},229635,"ga-ba-la-gu-nian-zhu-yi-ming-229635","嘎把拉骨念珠","这串念珠以嘎巴拉骨搭配深色主珠，蜜蜡、珊瑚配珠错落点缀，明暗撞色沉敛醒目。原配黄纸题识留着旧时字迹，刻录缘起细节，晕开独属于藏地的信仰温度。\n\n整套配饰齐整完好，流苏垂坠雅致，历经岁月肌理依旧莹润。它绝非普通饰件，是密宗修行的随身信物，凝注着千万次持诵的愿力，将虔诚融于寸尺器物之间，静诉着往昔修行者的虔诚心迹。",[181,51,30,182,7,183,184],"宗教","骨","绳结","配饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa26c2164dda9ca45ed2fe97be2816550.jpg",[],{"id":188,"slug":189,"title":190,"dynasty":18,"author":19,"museum":20,"description":191,"tags":192,"thumbUrl":10,"material":64,"size":65,"collection":39,"collections":195,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":44},229387,"lan-se-si-bian-yi-ming-229387","蓝色丝辫","墨色丝辫作骨，垂散如柔瀑。朱红珊瑚错落点染，撞出沉静与热烈的绝妙平衡，彩珠次第排布，添了灵动韵律。末端錾花金饰纹路细密，凝着往昔精工巧思，软柔丝缕与硬质宝饰相融，将端庄雅致与明艳鲜活揉为一体，藏着旧时佩戴者的私中意趣，尽显传统配饰的工造匠心与独特审美意韵。",[53,30,193,7,194,172,33,26],"丝辫","编织",[],{"id":197,"slug":198,"title":199,"dynasty":18,"author":200,"museum":20,"description":201,"tags":202,"thumbUrl":221,"material":222,"size":39,"collection":39,"collections":223,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":138},215655,"bei-jing-dian-pu-zhao-huang-hua-ce-17-zhou-pei-chun-215655","北京店舖招幌画册-17","周培春","笔墨轻铺老北京市井的招幌图景，各式幌子鲜活如生：串珠垂绦的包头铺标识、弓状缀饰的弹子房幌、鬃毛悬垂的马尾与头发铺幌，红黑相间的饰物在素纸间摇曳。子龙剑级品的标牌相映成趣，似能听见旧时街市的吆喝声。每款招幌皆是行业的符号密码，承载传统商业的烟火气与智慧。线条拙朴却精准，色彩淡雅却点睛，让消逝的市井图景复现纸上，唤起对老北京商脉文脉的悠远怀想。",[18,203,52,204,205,206,51,207,7,208,209,210,211,212,213,214,215,216,217,218,219,220],"册","工笔","幌子","店铺招幌","文字","马尾","头发","红色穗饰","布料","线条细致","商业招幌","民俗器物","传统装饰","手写文字","串珠装饰","黑色马尾","黑色头发","红色装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F731e92e9b127155b13e37084ddec70c4.jpg","纸本,设色",[],{"id":225,"slug":226,"title":227,"dynasty":18,"author":19,"museum":20,"description":228,"tags":229,"thumbUrl":234,"material":64,"size":65,"collection":39,"collections":235,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":44},267194,"huang-se-duan-kou-man-na-an-ba-xian-tuan-shou-wen-yao-yuan-he-bao-yi-ming-267194","黄色缎口满纳暗八仙团寿纹腰圆荷包","荷包是中国汉族传统服饰中，人们所随身佩带的一种装零星物品的小包，后发展为爱情信物，荷包的图案有繁有简，花卉、鸟、兽、草虫、山水、人物以及吉祥语、诗词文字都有，装饰意味很浓。\n在民间荷包中，占相当比重的是香包，香包里装有香草之类的药品，包面上绣制着“五毒”，即蝎子、蛇、蜈蚣、壁虎和蟾蜍，它原是五月端午的节令物品，为了防止各种毒虫猖獗，侵害人体，人们相互馈赠，挂在衣襟或帐勾上，以避除“五毒”。就形状来看，有虎形的、鸡形的、如意形的、寿桃形的、蝙蝠形的，以取意于福、禄、寿、喜、吉祥、如意等。富有深厚民族心理基础的绣荷包，在民间文化中，显示着旺盛的生命力。",[30,211,230,231,232,233,93,7],"刺绣","暗八仙","团寿纹","荷包","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69aeb88f0ad8dbc79d8e68c3517db280.jpg",[],{"id":237,"slug":238,"title":239,"dynasty":18,"author":19,"museum":20,"description":240,"tags":241,"thumbUrl":242,"material":64,"size":65,"collection":39,"collections":243,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":82},241844,"song-shi-chao-zhu-yi-ming-241844","松石朝珠","主体松石圆珠色泽匀净通透，湖绿底色自带温润清灵质感，颗颗遴选齐整，串联如春水环绕。深红玛瑙为佛头、结珠，冷暖撞色醒目又和谐，平衡素雅基调。背云以鎏金累花丝为底，嵌宝为饰，精巧华贵，下坠坠角饱满莹润，细节尽显匠心。三串纪念以粉碧玺错落串联，间饰细小米珠，尾缀松石坠角，柔婉灵动。整器制式严整循礼，选材上乘考究，将天然材质的清隽与宫廷工艺的精致相融，清丽贵气兼具礼制器物的庄重与配饰的雅致美感。",[53,30,26,7,33,34],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90a863b183d94731fcbc45ad75b08b40.jpg",[],{"id":245,"slug":246,"title":247,"dynasty":18,"author":19,"museum":20,"description":248,"tags":249,"thumbUrl":255,"material":64,"size":65,"collection":39,"collections":256,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},241970,"huang-yang-mu-qian-jin-fu-zhu-shi-ru-yi-yi-ming-241970","黄杨木嵌金蝠珠石如意","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[53,250,251,252,7,75,253,254],"木质","嵌饰","蝙蝠","器物","如意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cab5df6914320656c079ff1cd58fd99.jpg",[],{"id":258,"slug":259,"title":260,"dynasty":18,"author":19,"museum":20,"description":261,"tags":262,"thumbUrl":269,"material":64,"size":65,"collection":39,"collections":270,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":138},241968,"dai-mao-xiang-zhu-qian-yu-shi-hua-hui-wen-bian-fang-yi-ming-241968","玳瑁镶珠嵌玉石花卉纹扁方","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[53,263,264,265,266,30,267,26,7,268],"玳瑁","镶珠","嵌玉石","花卉纹","镶嵌工艺","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F603db12ef7930172981c7c3e5e5cf35e.jpg",[],{"id":272,"slug":273,"title":274,"dynasty":18,"author":19,"museum":20,"description":275,"tags":276,"thumbUrl":280,"material":64,"size":65,"collection":39,"collections":281,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},241959,"hong-bao-shi-dian-cui-chuan-zhu-hua-yi-ming-241959","红宝石点翠穿珠花","整体取蝶形为骨，晕染开的点翠蓝如同凝住的晴空，沉静又鲜亮。鸽血红宝石错落铺陈，浓丽色泽似将暮色赤霞凝于鬓边，蜜蜡色如凝脂，米珠攒成的花心素净莹白，与金托相衬，将珠宝的华彩尽数烘托。\n花丝工艺勾勒出柔婉轮廓，点翠羽毛薄如蝉翼，光泽莹润细腻，把蝶翼化作盛放的花境，灵动雅致。将闺阁女子的绮思藏于簪间，尽显旧时花丝点翠工艺的极致匠心，是鬓边摇曳的温柔风华。",[53,89,112,277,90,33,30,278,279,134,7],"宝石镶嵌","花","红宝石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e105add9094731ca963643e5baa66b9.jpg",[],{"id":283,"slug":284,"title":285,"dynasty":18,"author":19,"museum":20,"description":261,"tags":286,"thumbUrl":291,"material":64,"size":65,"collection":39,"collections":292,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},241945,"dai-zhu-jiu-yu-bi-xing-pei-yi-ming-241945","带珠旧玉璧形佩",[53,30,26,287,7,93,288,289,290],"玉璧","金属饰件","玉石雕刻","绳结工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F092e44541e33b99cc146d0a46840b8b6.jpg",[],{"id":294,"slug":295,"title":296,"dynasty":18,"author":19,"museum":20,"description":228,"tags":297,"thumbUrl":300,"material":64,"size":65,"collection":39,"collections":301,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},241760,"qing-se-duan-xiang-zhu-he-bao-yi-ming-241760","青色缎镶珠荷包",[53,30,211,7,298,299],"镶珠工艺","缎面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3ce3985197c1281ff73b039cf3260b8.jpg",[],{"id":303,"slug":304,"title":305,"dynasty":18,"author":19,"museum":20,"description":306,"tags":307,"thumbUrl":309,"material":64,"size":65,"collection":39,"collections":310,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},229650,"chu-ke-shi-nian-zhu-yi-ming-229650","楚克石念珠","这串念珠以楚克石串联，石色清润素雅，间饰数枚红玛瑙隔珠，冷暖交织提亮配色，愈显器物庄重雅致。鎏金铜饰点缀系带之间，包浆凝厚古朴，与磨旧织物系带呼应，细节处尽显手作匠心。系带垂落的旧意绳结，承载了经年摩挲的温度，留存下持诵祈福的过往印记。泛黄签纸默守岁月秘语，整体简约沉静，既带着宗教器物的肃穆感，又兼具古旧器物的温润质感，是宗教文化与工艺美学相融的具象缩影。",[30,26,181,7,308,77],"珊瑚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb5960c7e5e611533849d22c4bae5d40.jpg",[],1777535718551]