[{"data":1,"prerenderedAt":491},["ShallowReactive",2],{"subject-zhu-zi-3083":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3083,"zhu-zi-3083","柱子","柱子画高清赏析","精选中国历代柱子题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac0aa81a5ea5a4f9b13753dd65b3ccd8.jpg",0,30,[14,41,68,92,104,121,142,169,192,206,220,233,246,259,270,284,292,303,317,326,336,353,364,377,398,409,428,444,463,478],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":39,"manualWeight":11,"mainColor":40},236138,"li-chao-xian-hou-gu-shi-tu-jiao-bing-zhen-236138","历朝贤后故事图","清","焦秉贞","北京故宫博物院","历史故事是清代宫廷绘画中的重要题材之一。此套图册题材取自历代有良好德行的皇后、太后的故事，人物包括西周文王之母太任、西周武王之母太姒、东汉明帝明德马皇后、东汉和帝和熹邓皇后、北宋仁宗慈圣曹皇后、北宋英宗宣仁高皇后、明仁宗诚孝张皇后。她们在身为皇后或太后期间，有的勤俭仁厚、贤淑孝顺，有的不问政事、不佞外戚。画家绘此画册就是借她们的懿德来宣传封建的伦理纲常，给宫廷里的妃嫔们树立行为楷模。在12开的册页中，所绘仕女形象柔弱，设色浓艳，富有装饰性。图上建筑物的绘制采用欧洲焦点透视的方法，有别于中国的传统界画。每开对题是由梁诗正书写的弘历在皇子时期所作的诗句，记录了这些皇后、太后的事迹和对她们的评价。",[23,24,25,26,27,28,29,30,31,32,7],"国画","工笔","设色","界画","人物","松","竹","山石","建筑","台阶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2281cc1533ed68f4f0470adea60d8e21.jpg","绢本，设色","纵30.8厘米，横37.4厘米","",[],26,1,"F48FB1",{"id":42,"slug":43,"title":44,"dynasty":18,"author":45,"museum":46,"description":47,"tags":48,"thumbUrl":62,"material":63,"size":64,"collection":36,"collections":65,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":67},222952,"hong-lou-meng-77-sun-wen-222952","红楼梦77","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[49,23,24,25,50,27,51,52,53,54,55,56,57,58,59,7,60,61],"高清","长卷","楼阁","栏杆","灯笼","屏风","对联","桌椅","帘子","室内场景","服饰","地毯","陈设","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3cb75e26a8f376aed3e1677a920d3885.jpg","绢本","纵43.3厘米、横76.5厘米",[],25,"795548",{"id":69,"slug":70,"title":71,"dynasty":72,"author":73,"museum":74,"description":75,"tags":76,"thumbUrl":86,"material":87,"size":88,"collection":89,"collections":90,"showCount":91,"zanCount":39,"manualWeight":11,"mainColor":67},225732,"corridor-in-the-asylum-fan-gao-225732","Corridor in the Asylum","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[77,78,79,80,58,81,82,7,83,27,84,85],"油画","后印象派","笔触奔放","色彩鲜明","走廊","拱门","地面","墙面","光影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F280e79c7ab565bfd54bd93db4e4d2752.jpg","未知","Xcm*Xcm","油画精选",[89],19,{"id":93,"slug":94,"title":95,"dynasty":18,"author":45,"museum":46,"description":47,"tags":96,"thumbUrl":101,"material":63,"size":64,"collection":36,"collections":102,"showCount":103,"zanCount":11,"manualWeight":11,"mainColor":67},222989,"hong-lou-meng-114-sun-wen-222989","红楼梦114",[49,24,25,26,27,51,97,52,53,98,99,7,59,100],"庭院","戏台","屋顶","人群","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9ef6afe805dc068b6715c161a207e3a.jpg",[],16,{"id":105,"slug":106,"title":107,"dynasty":72,"author":77,"museum":74,"description":108,"tags":109,"thumbUrl":118,"material":87,"size":88,"collection":36,"collections":119,"showCount":120,"zanCount":11,"manualWeight":11,"mainColor":67},230598,"la-anunciaci-n-you-hua-230598","La-Anunciación","神性的光晕自左上角铺陈而下，鎏金天光里伸出神之手，一道光束破空穿透葱郁林野，将天国的启示引渡向尘世。\n\n林间草木丰茂，柑橘缀满枝头，棕榈舒展阔叶，细腻笔触晕开满溢生机。天使敛翼俯身，神态恭谨低垂，亚当夏娃居于画下，懵懂的神情里藏着未觉的命运波澜。\n\n柔和的色调消解了宗教叙事的厚重，金箔柔光与青翠绿意交融，将天启的肃穆融于伊甸的宁谧静雅，把神圣瞬间定格在静谧林间，静穆中暗涌着命运流转的张力。",[77,25,110,27,111,112,113,114,115,31,7,116,117],"宗教","天使","飞鸟","树木","植物","果实","光线","翅膀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7b9e6f3b8816a416fecae111668883b.jpg",[],14,{"id":122,"slug":123,"title":124,"dynasty":72,"author":125,"museum":74,"description":126,"tags":127,"thumbUrl":139,"material":87,"size":88,"collection":36,"collections":140,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":67},232292,"a-er-ma-19-lao-lun-si-a-er-ma-ta-de-ma-232292","阿尔玛19","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[77,25,128,129,27,130,131,132,7,133,134,83,135,136,137,138],"写实","古典","鸟类","古建筑","壁画","象形文字","烟雾","裸体","饰品","织物","祭品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b27c01d81e1292695bebf5710757803.jpg",[],5,{"id":143,"slug":144,"title":145,"dynasty":18,"author":146,"museum":74,"description":147,"tags":148,"thumbUrl":165,"material":87,"size":88,"collection":36,"collections":166,"showCount":167,"zanCount":11,"manualWeight":11,"mainColor":168},238445,"geng-zhi-tu-ce-mian-yi-238445","耕织图册","绵亿","绵亿（1764年9月10日－1815年4月14日），直隶省顺天府大兴县（今北京市）人，清高宗弘历之孙，荣纯亲王永琪第五子，母侧福晋索绰罗氏，左都御使观保之女。",[23,25,24,149,26,27,31,150,151,97,152,153,154,155,156,157,137,158,7,159,160,161,162,163,164],"册","纺织工具","农具","草木","器物","日常劳作","孩童","竹棚","木桶","草地","格子窗","竹帘","木架","栅栏","绳索","篮子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50d37f566a234b1327c9f0ce5f533f64.jpg",[],4,"BDBDBD",{"id":170,"slug":171,"title":172,"dynasty":72,"author":173,"museum":74,"description":174,"tags":175,"thumbUrl":189,"material":87,"size":88,"collection":36,"collections":190,"showCount":191,"zanCount":11,"manualWeight":11,"mainColor":67},232367,"he-er-bai-yin-26-he-er-bai-yin-232367","荷尔拜因26","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[110,176,128,27,177,111,31,82,7,178,179,180,181,182,183,184,185,186,187,188],"素描","圣婴","动物","明暗","线条","宗教题材","人物画","建筑元素","动物形象","素描技法","写实风格","明暗对比","线条勾勒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4676d663b776b167a0f3f629e31a1f3a.jpg",[],3,{"id":193,"slug":194,"title":195,"dynasty":196,"author":197,"museum":74,"description":198,"tags":199,"thumbUrl":10,"material":203,"size":36,"collection":36,"collections":204,"showCount":191,"zanCount":11,"manualWeight":11,"mainColor":205},217151,"shui-hu-quan-tu-47-du-jin-217151","水浒全图-47","明","杜堇","杜堇的人物画宗法李公麟，笔法精劲流畅，别具秀逸之态，因此他被推为当时画坛的白描高手。其人物画大都表现古代传说故事或逸闻趣事，并以山水及园林景致为衬景，有的还题诗作赋，显示着一派文入画的格调。",[23,200,149,201,27,113,7,202],"书画","白描","兵器","纸本",[],"37474F",{"id":207,"slug":208,"title":209,"dynasty":72,"author":210,"museum":74,"description":211,"tags":212,"thumbUrl":217,"material":87,"size":88,"collection":36,"collections":218,"showCount":219,"zanCount":11,"manualWeight":11,"mainColor":205},232539,"mi-lai-si-83-yue-han-ai-fu-li-te-mi-lai-si-232539","米莱斯83","约翰·埃弗里特米莱斯","John 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