[{"data":1,"prerenderedAt":72},["ShallowReactive",2],{"subject-zhui-xiu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},11408,"zhui-xiu","缀绣","缀绣画高清赏析","精选中国历代缀绣题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F619efc79fa748fcf59476598325d9309.jpg",0,4,[14,34,49,61],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},265755,"jiang-se-sha-zhui-xiu-ba-tuan-cai-yun-lan-long-wen-nv-dan-long-pao-yi-ming-265755","绛色纱缀绣八团彩云蓝龙纹女单龙袍","清","佚名","藏地不详","清代皇帝服饰有朝服、吉服、常服、行服等。皇帝的龙袍属于吉服范畴，比朝服、衮服等礼服略次一等，平时较多穿着。穿龙袍时，必须戴吉服冠，束吉服带及挂朝珠。龙袍以明黄色为主也可用金黄杏黄等色。古时称帝王之位，为九五之尊。九、五两数，通常象征着高贵，在皇室建筑、生活器具等方面都有所反映。清朝皇帝的龙袍，据文献记载，也绣有九条龙。从实物来看，前后只有八条龙，与文字记载不符，缺一条龙。有人认为还有一条龙是皇帝本身。其实这条龙客观存在着，只是被绣在衣襟里面，一般不易看到。这样一来，每件龙袍实际即为九龙，而从正面或背面单独看时，所看见的都是五龙，与九五之数正好相吻合。另外，龙袍的下摆，斜向排列着许多弯曲的线条，名谓水脚。水脚之上，还有许多波浪翻滚的水浪，水浪之上，又立有山石宝物，俗称“海水江涯”，它除了表示绵延不断的吉祥含意之外，还有“一统山河”和“万世升平”的寓意。\n皇后常服样式，与满族贵妇服饰基本相似，圆领、大襟，衣领、衣袖及衣襟边缘，都饰有宽花边，只是图案有\n所不同。本图展示的服装纹样为凤穿牡丹。整件服装在鲜艳的蓝色缎地上，绣八只彩凤，彩凤中间，穿插数朵牡丹。牡丹的颜色处理得净穆而素雅，色彩变化惟妙，具有传统的山水画特点。与此相反，凤的颜色比较浓重，红绿对比度极为强烈，具有典型民族风格和时代特色。\n清代官服主要品种为长袍马褂。官帽与前朝截然不同，凡军士、差役以上军政人员都戴似斗笠而小的纬帽，按冬夏季节有暖帽、凉帽之分，还视品级高低安上不同颜色、质料的“顶子”，帽后拖一束孔雀翎。翎称花翎，高级的翎上有“眼”（羽毛上的圆斑），并有单眼、双眼、三眼之别，眼多者为贵，只有亲王或功勋卓著的大臣才被赏戴。皇帝有时还赏穿黄马褂，以示特别恩宠。影响所及，其他颜色的马褂遂在官员士绅中逐渐流行，成为一般的礼服。四、五品以上官员还项挂朝珠，用各种贵重珠宝、香木制成，构成清代官服的又一特点。丝纺绣染及各种手工专业的进步，为清代服饰品种的丰富创造了条件。\n清代男装主要是长袍和马褂，袖端呈马蹄形是历代不曾见过的。长袍造型简练，立领直身，偏大襟，前后衣身有接缝，下摆有两开衩（古时称“缺裤”），四开衩和无开衩几种类型。皇室贵族为便于骑射，着四面开衩长袍，即衣前后中缝和左右两侧均有开衩的式样，平民则着左右两侧开衩或称“一裹圆”的不开衩长袍。在我国文学名著《红楼梦》第九十四回“宴海棠贾母赏花妖”一节中，记述了一段内容“那日宝玉本来穿着”一裹圆的皮袄在家休息，忽听贾母要来，便去换了一件狐腋箭袖，罩了一件玄狐腿外褂。这里说明“一裹圆”，是休闲衣服，不可登大雅之堂，所以贾母的到来，必须换掉便装，改着正式穿戴。满清时期长袍外面的马褂身长不过膝，袖宽且短。衣服上的佩饰比较琐繁，一个金银牌上垂挂着数十件小东西，如耳挖子、镊子、牙签，还有一些古代兵器的小模型，如戟、枪之类，佩挂饰物在清代已经形成风尚。",[23,24,7,25,26,27],"衣帽","布料","龙纹","彩云","龙袍","未知","Xcm*Xcm","",[],3,"F48FB1",{"id":35,"slug":36,"title":37,"dynasty":18,"author":19,"museum":20,"description":21,"tags":38,"thumbUrl":45,"material":28,"size":29,"collection":30,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":48},265759,"ou-he-se-shi-di-sha-zhui-xiu-ping-jin-ba-tuan-kui-long-dan-pao-yi-ming-265759","藕荷色实地纱缀绣平金八团夔龙单袍",[23,24,39,7,40,41,42,43,44],"藕荷色","平金","夔龙","团花","袍服","刺绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F653596e8157d10486d1f915267de011c.jpg",[],1,"BDBDBD",{"id":50,"slug":51,"title":52,"dynasty":18,"author":19,"museum":20,"description":53,"tags":54,"thumbUrl":58,"material":28,"size":29,"collection":30,"collections":59,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},266814,"xiang-se-duan-zhui-xiu-mi-zhu-shan-hu-zhu-zao-xie-yi-ming-266814","香色缎缀绣米珠珊瑚珠皂鞋","皂鞋民国初年盛行于平、津、鲁各地，鞋帮为两片，平底或布制，脸极浅，口作尖形，鞋帮窄浅，常制用青色制造，所以故名为皂鞋",[23,24,7,55,56,57],"鞋履","寿纹","饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F898ed24b05e0b4fbf465ad85d4dcabe5.jpg",[],"795548",{"id":62,"slug":63,"title":64,"dynasty":18,"author":19,"museum":20,"description":21,"tags":65,"thumbUrl":70,"material":28,"size":29,"collection":30,"collections":71,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},266412,"lv-se-duan-zhui-xiu-ba-tuan-hua-wen-hui-shu-pi-nv-bian-pao-yi-ming-266412","绿色缎缀绣八团花纹灰鼠皮女便袍",[23,24,7,66,67,68,69],"牡丹","花卉","便袍","灰鼠皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87632189c72c8f3a730b3f6b2df20ba9.jpg",[],1777535762743]