[{"data":1,"prerenderedAt":145},["ShallowReactive",2],{"subject-zi-qi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9151,"zi-qi","紫漆","紫漆画高清赏析","精选中国历代紫漆题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff18c19701bc8aed3e9ad1381cd412f39.jpg",0,12,[14,41,52,66,77,85,95,102,110,117,128,137],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},248580,"qian-tai-zi-qi-miao-jin-hua-hui-wen-hu-lu-shi-shuang-er-bian-ping-yi-ming-248580","铅胎紫漆描金花卉纹葫芦式双耳扁瓶","清","佚名","藏地不详","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[23,24,25,26,7,27,28,29,30,31,32,33],"清代","漆器","描金","漆艺","铅胎","花卉","葫芦式","双耳","扁瓶","纹饰","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc06e3c48bcaf36ea4e3ad7d4826ae66.jpg","未知","Xcm*Xcm","",[],3,"795548",{"id":42,"slug":43,"title":44,"dynasty":18,"author":19,"museum":20,"description":45,"tags":46,"thumbUrl":49,"material":35,"size":36,"collection":37,"collections":50,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":40},248502,"zi-qi-miao-jin-tuan-hua-wen-chang-fang-xia-yi-ming-248502","紫漆描金团花纹长方匣","以紫漆为地，描金饰纹，明丽华贵。团花错落排布于盖身，疏密有致，或是松竹交映的岁寒雅景，或是瑞果簇拥、灵兽嬉游的吉庆纹样。描金线条婉转流畅，金彩在深漆映衬下愈显熠熠生辉，古韵盎然。\n\n方匣形制规整稳重，四足雕饰卷草柔纹，添几分雅致柔婉，将精工髹漆与传统吉祥意趣相融，尽显细腻考究的工艺水准，静穆底色晕开富丽雅致的意韵，是漆艺与装饰美学精妙结合的佳作。",[24,25,47,48,33,7,23],"团花纹","竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6cdbe1ca59bab4312855116841e46dd.jpg",[],1,{"id":53,"slug":54,"title":55,"dynasty":18,"author":19,"museum":20,"description":56,"tags":57,"thumbUrl":64,"material":35,"size":36,"collection":37,"collections":65,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},256038,"mu-diao-zi-qi-fu-zuo-xiang-yi-ming-256038","木雕紫漆佛坐像","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[23,58,7,59,60,61,62,63],"木雕","雕刻","宗教","人物","坐像","木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfb0dc85fe838af3c1eac595d441c971.jpg",[],{"id":67,"slug":68,"title":69,"dynasty":18,"author":19,"museum":20,"description":70,"tags":71,"thumbUrl":75,"material":35,"size":36,"collection":37,"collections":76,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},248526,"zi-qi-miao-jin-yun-fu-wen-dun-shi-wan-yi-ming-248526","紫漆描金云蝠纹墩式碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[24,7,25,72,73,74],"云纹","蝙蝠纹","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19051e968f3adf1c15d39b0d870effd0.jpg",[],{"id":78,"slug":79,"title":69,"dynasty":18,"author":19,"museum":20,"description":70,"tags":80,"thumbUrl":83,"material":35,"size":36,"collection":37,"collections":84,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},248520,"zi-qi-miao-jin-yun-fu-wen-dun-shi-wan-yi-ming-248520",[23,24,25,7,72,73,81,82,32],"器物","墩式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46b9255a1c93be5f209c54a4894194ef.jpg",[],{"id":86,"slug":87,"title":88,"dynasty":18,"author":19,"museum":20,"description":89,"tags":90,"thumbUrl":93,"material":35,"size":36,"collection":37,"collections":94,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},248512,"zi-qi-miao-jin-wu-fu-peng-shou-wen-yuan-pan-yi-ming-248512","紫漆描金五蝠捧寿纹圆盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,24,25,91,72,92,7],"五蝠捧寿纹","圆盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc8f3c99531c0975376b3c132fe91c10.jpg",[],{"id":96,"slug":97,"title":69,"dynasty":18,"author":19,"museum":20,"description":70,"tags":98,"thumbUrl":100,"material":35,"size":36,"collection":37,"collections":101,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},248510,"zi-qi-miao-jin-yun-fu-wen-dun-shi-wan-yi-ming-248510",[18,24,7,25,72,73,81,99],"墩式碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c8d0331368e426a9e0296d26988e81f.jpg",[],{"id":103,"slug":104,"title":69,"dynasty":18,"author":19,"museum":20,"description":70,"tags":105,"thumbUrl":108,"material":35,"size":36,"collection":37,"collections":109,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},248505,"zi-qi-miao-jin-yun-fu-wen-dun-shi-wan-yi-ming-248505",[23,24,7,25,72,106,107],"蝙蝠","器皿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6e0492950fbd9f0e870ed9746a6ed40.jpg",[],{"id":111,"slug":112,"title":69,"dynasty":18,"author":19,"museum":20,"description":70,"tags":113,"thumbUrl":115,"material":35,"size":36,"collection":37,"collections":116,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},248503,"zi-qi-miao-jin-yun-fu-wen-dun-shi-wan-yi-ming-248503",[23,24,25,7,72,73,99,33,114],"描金技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09c86c21c6207e043492e23a8f1e91db.jpg",[],{"id":118,"slug":119,"title":120,"dynasty":18,"author":19,"museum":20,"description":121,"tags":122,"thumbUrl":126,"material":35,"size":36,"collection":37,"collections":127,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},248501,"pi-tai-zi-qi-miao-jin-chan-zhi-lian-wen-duo-mu-hu-yi-ming-248501","皮胎紫漆描金缠枝莲纹多穆壶","整体仿竹节形制，皮胎紫漆作底，描金缠枝莲穿梭于卷草纹地，金彩明丽与紫漆沉敛相映，华贵雅致。壶嘴錾刻瑞兽纹饰，灵动精巧；口沿鎏金饰如意云纹，添几分柔婉意趣。系链悬圆珠，兼顾握持稳妥与装饰美感。\n作为民族茶饮重器，将吉祥纹样融于日常器用，以精细描金工艺尽显手作匠心，静穆间流露民族工艺融合的雅致韵味。",[24,25,123,7,124,33,125],"皮胎","缠枝莲","饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7cf4ede807ba58eb8cec5cb877796438.jpg",[],{"id":129,"slug":130,"title":120,"dynasty":18,"author":19,"museum":20,"description":131,"tags":132,"thumbUrl":134,"material":35,"size":36,"collection":37,"collections":135,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":136},248499,"pi-tai-zi-qi-miao-jin-chan-zhi-lian-wen-duo-mu-hu-yi-ming-248499","仿竹节分段塑型，器身高挑劲挺，口沿作莲瓣起伏，弯折流口遒劲舒展，悬垂链串随形摇曳，添就灵动意趣。紫漆为地，描金缠枝莲回旋铺陈，金彩明丽华贵，卷叶柔婉舒展，莲花绰约雅致，缠枝勾连往复，繁而不乱。以质朴皮胎髹漆饰金，将蒙藏实用器具的雄健质感，融于宫廷漆艺的精巧雅致之中，是多民族工艺交融的绝佳典范，尽显清中期漆作的富丽精工之美。",[24,25,133,123,7,125,23],"缠枝莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2488ddd11e8d38d12411284a201f36b5.jpg",[],"37474F",{"id":138,"slug":139,"title":140,"dynasty":18,"author":19,"museum":20,"description":141,"tags":142,"thumbUrl":10,"material":35,"size":36,"collection":37,"collections":144,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},248496,"qian-long-kuan-zi-qi-miao-jin-chan-zhi-lian-wen-yun-tou-shi-he-yi-ming-248496","乾隆款紫漆描金缠枝莲纹云头式盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[23,24,25,133,143,7,33],"云头式",[],1777535731143]