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1897",[98,99,105,106,33,31,193,239,174,210,7,240,241,242],"倒影","风景画","笔触灵动","色彩融合","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ef1c853db62f89f884dbd4799f24f40.jpg",[111],55,{"id":247,"slug":248,"title":249,"dynasty":250,"author":251,"museum":252,"description":253,"tags":254,"thumbUrl":262,"material":263,"size":264,"collection":47,"collections":265,"showCount":266,"zanCount":138,"manualWeight":11,"mainColor":139},222225,"si-wan-shan-shui-tu-wan-gan-yan-yu-wen-bo-ren-222225","四万山水图-万竿烟雨","明","文伯仁","京都国立博物馆","明代中期吴派风格自形成以来盛极一时，他们的画法，上探北宋董巨，近追元代四家，与以往明代绘画所不同的是，吴派山水属于文人画体系，被称为“利家”画并为发展文人画做出了重大贡献，同时他们的画风为后世文人所推重直至今日。文伯仁，字德承，号五峰，作为吴派山水画家和文氏家族中重要的一员，“笔力清劲，布景奇兀，时以巧思发之能传家学，颇负出蓝之誉”，并善于学习古人，画功精湛，在他存世并不众多的作品中不难发觉元代王蒙与叔父文徵明的影子，而与此二人作品相较，比王蒙的山水少了高不可攀的险峻，比文徵明的山水多了鲜明的个人情趣。徐沁在名画录赞叹文伯仁的山水“横披大幅，层峦郁茂不在衡山之下。”\n《四万山水图》指的是四幅分别以“万壑松风”、“万竿烟雨”、“万顷晴波”、“万山飞雪”为题的画作的总称，是明代画家文伯仁为友人顾从义而画，作于文伯仁50岁时。各图上有明末艺苑的代表文人董其昌所题的画赞。文伯仁是明代苏州（江苏省吴县）文人画即吴派的中心人物文征明的外甥，据说其在文氏一门之中画技最为出色。文征明及其一门的画家喜爱描绘山泉林间闲游的文人，但文伯仁的山水画以清静、浅显、清楚的白描风格或淡彩为基调，以充满色彩感的画风为特色，为文人画开辟了新的境界。本图是嘉靖年间（1522～66年）吴派的代表作品之一。《四万山水图》描绘了文人的闲适，作品中大量使用了清劲的白描笔法，表现密度极高。",[23,24,123,27,28,255,256,67,257,104,43,250,258,259,101,7,124,260,261],"竹","烟雨","石块","传统","水墨山水","笔墨","渲染","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2827fdbc7f7dd9a85fe05f339586423b.jpg","纸本墨笔","48X123cm",[47,49],54,{"id":268,"slug":269,"title":270,"dynasty":93,"author":94,"museum":95,"description":96,"tags":271,"thumbUrl":276,"material":109,"size":110,"collection":111,"collections":277,"showCount":278,"zanCount":11,"manualWeight":11,"mainColor":200},225957,"iris-1914-1917-mo-nai-225957","Iris, 1914-1917",[98,99,272,150,191,273,274,100,101,275,7],"笔触松散","色彩交融","鸢尾花","绿叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca07925f586f72b9cf51d00327278db0.jpg",[111],46,{"id":280,"slug":281,"title":282,"dynasty":93,"author":94,"museum":95,"description":96,"tags":283,"thumbUrl":292,"material":109,"size":110,"collection":111,"collections":293,"showCount":294,"zanCount":138,"manualWeight":11,"mainColor":139},225925,"field-of-yellow-irises-at-giverny-1887-mo-nai-225925","Field of Yellow Irises at Giverny, 1887",[98,99,284,285,220,286,174,287,100,7,288,289,290,291],"田野","黄色鸢尾花","树林","云彩","绿色植被","户外风景","色彩丰富","笔触轻快","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4efacf5197b0328112515b63a23a001a.jpg",[111],42,{"id":296,"slug":297,"title":298,"dynasty":299,"author":300,"museum":20,"description":301,"tags":302,"thumbUrl":313,"material":29,"size":314,"collection":84,"collections":315,"showCount":316,"zanCount":11,"manualWeight":11,"mainColor":52},221779,"ma-gu-xian-shou-zhou-yi-ming-221779","麻姑献寿轴","元","佚名","麻姑为长生不老的女仙代表。关于她的来历，最通行的说法是神仙传的记载，云东汉桓帝时，仙人王方平降蔡经家，召麻姑至，年十八九，容貌秀美，自言已饱阅沧海桑田变幻。后世常以麻姑献寿的题材来为妇女祝寿。\n该幅绘松石流泉间，捧仙桃之麻姑与方平对坐论道，侍者环立。人物造型高古奇拙，衣纹森森然若折铁，水波与花木的画法颇有装饰意趣，虽题为元人，应出自追随晚明陈洪绶之风的后人。",[23,24,27,29,61,35,31,67,32,303,304,305,306,307,308,177,7,309,310,172,311,312,181],"美人","祝寿","古树","花草","场景","人物互动","设色古雅","工笔细腻","山林","路径","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8827dfc45cdcb3684c926ba84a1afd9a.jpg","该幅 150.9x86公分；全幅 87.4公分",[84,49],38,{"id":318,"slug":319,"title":320,"dynasty":93,"author":94,"museum":95,"description":96,"tags":321,"thumbUrl":325,"material":109,"size":110,"collection":111,"collections":326,"showCount":327,"zanCount":138,"manualWeight":11,"mainColor":52},225930,"flowers-at-vetheuil-1880-mo-nai-225930","Flowers at Vetheuil, 1880",[98,99,105,290,149,322,228,101,31,33,193,69,323,7,223,222,324],"花朵","远景","水景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3d1346f087a032be70d9ec8d35c5427.jpg",[111],36,{"id":329,"slug":330,"title":331,"dynasty":93,"author":94,"museum":95,"description":96,"tags":332,"thumbUrl":336,"material":109,"size":110,"collection":111,"collections":337,"showCount":338,"zanCount":11,"manualWeight":11,"mainColor":52},225910,"cap-martin-1884-mo-nai-225910","Cap Martin, 1884",[98,99,191,150,241,36,333,31,222,334,335,174,7],"山脉","土路","水域","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea2cbb23f3a008abcc52adcf058a00cd.jpg",[111],33,{"id":340,"slug":341,"title":342,"dynasty":93,"author":94,"museum":95,"description":96,"tags":343,"thumbUrl":346,"material":109,"size":110,"collection":111,"collections":347,"showCount":348,"zanCount":138,"manualWeight":11,"mainColor":52},225959,"irises-in-monets-garden-1899-1900-mo-nai-225959","Irises in Monets garden, 1899-1900",[25,99,98,274,219,344,345,78,100,7],"小径","藤蔓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad68cdfaca5d06bfe7baa750a293d8c0.jpg",[111],32,{"id":350,"slug":351,"title":352,"dynasty":93,"author":144,"museum":95,"description":145,"tags":353,"thumbUrl":360,"material":109,"size":110,"collection":111,"collections":361,"showCount":362,"zanCount":138,"manualWeight":11,"mainColor":52},225722,"boerendorp-in-de-avond1884-fan-gao-225722","Boerendorp in de avond1884",[99,171,354,355,356,31,284,35,357,358,359,7,227],"乡村","农舍","茅草屋顶","黄昏","干草堆","傍晚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F817d2b11651cbf2f2bbb290d49ca5c3f.jpg",[111],31,{"id":364,"slug":365,"title":366,"dynasty":250,"author":367,"museum":20,"description":368,"tags":369,"thumbUrl":383,"material":384,"size":385,"collection":386,"collections":387,"showCount":388,"zanCount":11,"manualWeight":11,"mainColor":139},218794,"bai-lu-tu-zhang-hong-218794","百禄图","张宏","张宏，字君度，号鹤涧，江苏吴县人。生于明神宗万历七年（西元一五七七年），至清圣祖康熙八年（西元一六六八年）尚健在。工山水，笔意古拙，墨法清润。人物写意，天然入格。\n本幅画乔松古柏，岩鹿群游。款：「辛巳秋八月，吴门张宏写。」鹿向被认为是长寿之仙兽，且「鹿」「禄」「柏」「百」谐音，故题名「百禄」，以取富贵爵禄之意。",[24,123,29,43,28,370,371,372,32,67,31,373,374,375,38,376,377,378,379,7,380,381,382,124,61],"兽","鹿","松树","淡彩","兼工带写","林木","岩石","鹿群","古松","山景","传统绘画","明代风格","笔墨技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89428a5fc63b071b5b27d40c46585043.jpg","纸本,设色","170.4x77.2cm","花鸟画精选",[386],29,{"id":390,"slug":391,"title":392,"dynasty":93,"author":144,"museum":95,"description":145,"tags":393,"thumbUrl":406,"material":109,"size":110,"collection":111,"collections":407,"showCount":408,"zanCount":138,"manualWeight":11,"mainColor":139},225727,"by-the-seine-1887-fan-gao-225727","By the Seine 1887",[99,147,394,150,395,33,396,35,174,397,191,231,7,398,399,400,401,402,403,404,405],"笔触明显","树","沙滩","岸边","人物活动","绿色植物","蓝色水体","黄色沙地","蓝天白云","河岸风光","动态笔触","色彩对比","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7d6cb3c9107504f4e656a3b855bad2f.jpg",[111],28,{"id":410,"slug":411,"title":412,"dynasty":93,"author":94,"museum":95,"description":96,"tags":413,"thumbUrl":416,"material":109,"size":110,"collection":111,"collections":417,"showCount":418,"zanCount":11,"manualWeight":11,"mainColor":52},225936,"giverny-willow-and-roses-mo-nai-225936","Giverny, Willow and Roses",[98,99,105,150,207,414,415,220,31,7,219],"柳树","玫瑰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc60310cdeb9847ff1032969cee026600.jpg",[111],25,{"id":420,"slug":421,"title":422,"dynasty":93,"author":144,"museum":95,"description":145,"tags":423,"thumbUrl":425,"material":109,"size":110,"collection":111,"collections":426,"showCount":418,"zanCount":11,"manualWeight":11,"mainColor":52},225846,"the-pink-orchard-march-fan-gao-225846","The pink orchard (March - )",[99,147,148,207,424,220,174,154,322,7],"开花的树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f828d98b67bb184451d36d834e8b6df.jpg",[111],{"id":428,"slug":429,"title":430,"dynasty":93,"author":94,"museum":95,"description":96,"tags":431,"thumbUrl":434,"material":109,"size":110,"collection":111,"collections":435,"showCount":436,"zanCount":138,"manualWeight":11,"mainColor":52},225988,"morning-on-the-seine-near-giverny-1896-mo-nai-225988","Morning on the Seine, near Giverny, 1896",[98,99,33,193,239,31,432,433,191,106,7],"清晨","雾气","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf10c6a211be582dcffa8baf67b153f2.jpg",[111],23,{"id":438,"slug":439,"title":440,"dynasty":93,"author":94,"museum":95,"description":96,"tags":441,"thumbUrl":442,"material":109,"size":110,"collection":111,"collections":443,"showCount":444,"zanCount":11,"manualWeight":11,"mainColor":52},226077,"the-iris-garden-at-giverny-1899-1900-mo-nai-226077","The Iris Garden at Giverny, 1899-1900",[98,99,274,219,31,344,306,101,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3e8a5d135301cb3766f578cad93232a.jpg",[111],20,{"id":446,"slug":447,"title":448,"dynasty":93,"author":94,"museum":95,"description":96,"tags":449,"thumbUrl":450,"material":109,"size":110,"collection":111,"collections":451,"showCount":452,"zanCount":11,"manualWeight":11,"mainColor":200},226131,"the-water-lily-pond-at-giverny-1917-mo-nai-226131","The Water-Lily Pond at Giverny, 1917",[98,99,195,192,193,239,31,306,101,7,105,106,241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e3a8fb7d461b825bc9f879091fc468a.jpg",[111],19,{"id":454,"slug":455,"title":456,"dynasty":93,"author":94,"museum":95,"description":96,"tags":457,"thumbUrl":461,"material":109,"size":110,"collection":111,"collections":462,"showCount":463,"zanCount":11,"manualWeight":11,"mainColor":52},226107,"the-reeds-study-mo-nai-226107","The Reeds (study)",[98,99,272,273,191,458,101,7,459,460],"芦苇","朦胧氛围","水域边景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa73e7413da72fb11e6bd4f97a244fe7c.jpg",[111],18,{"id":465,"slug":466,"title":467,"dynasty":93,"author":94,"museum":95,"description":96,"tags":468,"thumbUrl":473,"material":109,"size":110,"collection":111,"collections":474,"showCount":475,"zanCount":11,"manualWeight":11,"mainColor":52},225999,"poplars-on-the-banks-of-the-epte-1891-mo-nai-225999","Poplars on the Banks of the Epte, 1891",[98,99,469,191,150,470,471,210,174,472,193,31,7],"外光写生","笔触松动","白杨树","云朵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dc6f6bbabba3488b693548ce77e07ec.jpg",[111],15,{"id":477,"slug":478,"title":479,"dynasty":93,"author":94,"museum":95,"description":96,"tags":480,"thumbUrl":488,"material":109,"size":110,"collection":111,"collections":489,"showCount":475,"zanCount":11,"manualWeight":11,"mainColor":139},225993,"orchard-in-bloom-1879-mo-nai-225993","Orchard in Bloom, 1879",[98,99,150,191,481,482,344,35,156,483,322,484,485,31,486,7,487],"果园","开花树木","枝干","春天","泥土路","枝叶","光影效果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F161af25153e641362b6181796ab7d047.jpg",[111],{"id":491,"slug":492,"title":493,"dynasty":93,"author":94,"museum":95,"description":96,"tags":494,"thumbUrl":502,"material":109,"size":110,"collection":111,"collections":503,"showCount":475,"zanCount":138,"manualWeight":11,"mainColor":139},225969,"late-afrternoon-vetheuil-1880-mo-nai-225969","Late Afrternoon, Vetheuil, 1880",[25,98,99,495,150,241,33,496,497,68,498,31,174,472,499,196,7,500,210,501],"光影变化","小镇","教堂","山坡","午后光线","建筑群","波光粼粼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9713978577222b76bdeb6e2d34ac97c.jpg",[111],{"id":505,"slug":506,"title":507,"dynasty":93,"author":94,"museum":95,"description":96,"tags":508,"thumbUrl":512,"material":109,"size":110,"collection":111,"collections":513,"showCount":514,"zanCount":11,"manualWeight":11,"mainColor":52},225998,"poplars-at-giverny-sunrise-1888-mo-nai-225998","Poplars at Giverny, Sunrise, 1888",[98,99,509,273,272,469,471,31,220,174,510,511,7],"光影捕捉","晨光","日出","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6438f3b3207d1da320ffd60762dbe5a4.jpg",[111],14,{"id":516,"slug":517,"title":518,"dynasty":93,"author":94,"museum":95,"description":96,"tags":519,"thumbUrl":528,"material":109,"size":110,"collection":111,"collections":529,"showCount":530,"zanCount":11,"manualWeight":11,"mainColor":139},226069,"the-este-rel-mountains-1888-mo-nai-226069","The Estérel Mountains, 1888",[25,98,99,520,521,191,522,372,523,333,174,376,524,7,525,335,526,527],"短笔触","色彩并置","户外写生","大海","海滨","倾斜树木","远景山峦","近景植被","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2160bf2a3c563db827f5041d183d582.jpg",[111],13,{"id":532,"slug":533,"title":534,"dynasty":93,"author":94,"museum":95,"description":96,"tags":535,"thumbUrl":540,"material":109,"size":110,"collection":111,"collections":541,"showCount":530,"zanCount":11,"manualWeight":11,"mainColor":139},225985,"melting-of-floes-at-ve-theuil-1881-mo-nai-225985","Melting of Floes at Vétheuil, 1881",[98,99,207,105,206,193,536,537,33,31,333,538,239,7,539],"浮冰","融化","雪景","冬季","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8e3a52b1fd28e2461a358c222129b93.jpg",[111],{"id":543,"slug":544,"title":545,"dynasty":93,"author":144,"museum":95,"description":145,"tags":546,"thumbUrl":547,"material":109,"size":110,"collection":111,"collections":548,"showCount":530,"zanCount":11,"manualWeight":11,"mainColor":139},225837,"the-rocks-1888-fan-gao-225837","The Rocks 1888",[99,148,29,376,31,220,174,498,7,149,150],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79cffec417f3bb76b470a36fbff7867a.jpg",[111],{"id":550,"slug":551,"title":552,"dynasty":93,"author":94,"museum":95,"description":96,"tags":553,"thumbUrl":557,"material":109,"size":110,"collection":111,"collections":558,"showCount":559,"zanCount":11,"manualWeight":11,"mainColor":52},226142,"view-to-the-sea-from-the-cliffs-1881-mo-nai-226142","View to the Sea from the Cliffs, 1881",[98,99,554,555,174,509,150,241,556,7,191,273],"悬崖","海面","海景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88d7c8b49b3b9cabc8c4d486e8d67260.jpg",[111],12,{"id":561,"slug":562,"title":563,"dynasty":93,"author":94,"museum":95,"description":96,"tags":564,"thumbUrl":566,"material":109,"size":110,"collection":111,"collections":567,"showCount":559,"zanCount":11,"manualWeight":11,"mainColor":52},226080,"the-japanese-footbridge-1920-22-mo-nai-226080","The Japanese Footbridge, 1920-22",[98,99,149,509,565,239,66,67,31,193,101,7,231],"色彩浓烈","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d821bdc237cb738e8fdd058a4846293.jpg",[111],{"id":569,"slug":570,"title":571,"dynasty":93,"author":94,"museum":95,"description":96,"tags":572,"thumbUrl":578,"material":109,"size":110,"collection":111,"collections":579,"showCount":559,"zanCount":11,"manualWeight":11,"mainColor":52},226071,"the-gadren-at-giverny-1927-mo-nai-226071","The Gadren at Giverny, 1927",[98,509,106,241,522,573,290,219,220,31,100,574,345,174,78,222,575,576,577,7],"自然光影","花田","红色叶树","黄色花卉","红色花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf6889c12a63ee3040e48b55b02b36c8.jpg",[111],{"id":581,"slug":582,"title":583,"dynasty":93,"author":94,"museum":95,"description":96,"tags":584,"thumbUrl":591,"material":109,"size":110,"collection":111,"collections":592,"showCount":559,"zanCount":11,"manualWeight":11,"mainColor":52},226057,"the-church-at-varengeville-against-the-sunlight-1882-mo-nai-226057","The Church at Varengeville, against the Sunlight, 1882",[98,99,509,106,241,497,31,498,585,174,37,36,586,7,587,289,588,589,590],"夕阳","远景建筑","暖色调","前景花草","远山轮廓","日光效果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F121f293ba15199b1f06a2bfa35552aa6.jpg",[111],{"id":594,"slug":595,"title":596,"dynasty":93,"author":94,"museum":95,"description":96,"tags":597,"thumbUrl":600,"material":109,"size":110,"collection":111,"collections":601,"showCount":559,"zanCount":11,"manualWeight":11,"mainColor":139},226056,"the-church-at-varengeville-and-the-gorge-of-les-moutiers-1882-mo-nai-226056","The Church at Varengeville and the Gorge of Les Moutiers, 1882",[98,99,509,150,272,497,498,554,523,598,220,174,37,7,495,599,241],"灌木","色彩斑斓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9790e4c9e68d356d55de3cdb85e69bf3.jpg",[111],{"id":603,"slug":604,"title":605,"dynasty":93,"author":94,"museum":95,"description":96,"tags":606,"thumbUrl":609,"material":109,"size":110,"collection":111,"collections":610,"showCount":559,"zanCount":11,"manualWeight":11,"mainColor":139},225915,"claude-monet-the-winter-near-lavacourt-1880-mo-nai-225915","Claude Monet - The Winter, near Lavacourt, 1880",[25,99,98,509,106,241,539,33,607,35,31,174,608,210,7],"孤舟","薄冰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae429c102664320b6ecfd5bfab9dfb33.jpg",[111],{"id":612,"slug":613,"title":614,"dynasty":93,"author":300,"museum":95,"description":615,"tags":616,"thumbUrl":627,"material":109,"size":110,"collection":135,"collections":628,"showCount":629,"zanCount":11,"manualWeight":11,"mainColor":139},230488,"fu-shi-hui-125-yi-ming-230488","浮世绘125","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[617,618,29,619,31,32,67,35,78,620,335,621,101,622,398,623,7,624,625,626],"浮世绘","木刻","瀑布","小屋","浴场场景","山石景观","传统建筑","彩色版画","线条勾勒","色彩渲染","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fadb8451450e532362118b932c616a263.jpg",[],11,{"id":631,"slug":632,"title":633,"dynasty":93,"author":94,"museum":95,"description":96,"tags":634,"thumbUrl":639,"material":109,"size":110,"collection":111,"collections":640,"showCount":629,"zanCount":11,"manualWeight":11,"mainColor":52},226051,"the-bridge-at-argenteuil-1874-mo-nai-226051","The Bridge at Argenteuil, 1874",[98,105,206,207,196,33,68,635,636,637,286,174,472,78,638,223,7],"桅杆","石拱桥","塔楼","1874","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F221d7867ff2d1bca89f685ab2d4e3019.jpg",[111],{"id":642,"slug":643,"title":644,"dynasty":93,"author":94,"museum":95,"description":96,"tags":645,"thumbUrl":648,"material":109,"size":110,"collection":111,"collections":649,"showCount":629,"zanCount":11,"manualWeight":11,"mainColor":52},225990,"olive-tree-wood-in-the-moreno-garden-1884-mo-nai-225990","Olive Tree Wood in the Moreno Garden, 1884",[98,99,509,646,647,286,156,486,7,223,106,487],"松散笔触","橄榄树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1e5c490c45233b68f39df1a1fadf2f9.jpg",[111],{"id":651,"slug":652,"title":653,"dynasty":93,"author":94,"museum":95,"description":96,"tags":654,"thumbUrl":658,"material":109,"size":110,"collection":111,"collections":659,"showCount":629,"zanCount":11,"manualWeight":11,"mainColor":52},225973,"le-pave-de-chailly-1865-mo-nai-225973","Le Pavé de Chailly, 1865",[25,99,98,105,206,207,31,220,655,656,657,286,7],"落叶","道路","阳光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6e64f87bf1a651c620e0cebe294458d.jpg",[111],{"id":661,"slug":662,"title":663,"dynasty":93,"author":94,"museum":95,"description":96,"tags":664,"thumbUrl":667,"material":109,"size":110,"collection":111,"collections":668,"showCount":669,"zanCount":11,"manualWeight":11,"mainColor":52},226102,"the-promenade-near-limetz-1887-mo-nai-226102","The Promenade near Limetz, 1887",[99,98,284,665,31,35,666,220,174,223,7],"山丘","阳伞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3cdd46d15796ddf92b12df0284011959.jpg",[111],10,{"id":671,"slug":672,"title":673,"dynasty":93,"author":94,"museum":95,"description":96,"tags":674,"thumbUrl":676,"material":109,"size":110,"collection":111,"collections":677,"showCount":678,"zanCount":11,"manualWeight":11,"mainColor":52},226067,"the-customs-house-1882-2-mo-nai-226067","The Customs House, 1882-2",[99,98,191,106,554,69,523,220,675,7,231,290,241],"海岸线","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ddb366bf2b570f259a9218d6b7fbdd5.jpg",[111],9,{"id":680,"slug":681,"title":682,"dynasty":93,"author":94,"museum":95,"description":96,"tags":683,"thumbUrl":689,"material":109,"size":110,"collection":111,"collections":690,"showCount":678,"zanCount":11,"manualWeight":11,"mainColor":200},226050,"the-bodmer-oak-1865-mo-nai-226050","The Bodmer Oak, 1865",[98,99,684,376,220,105,7,685,686,687,688],"大树","树干","树叶","户外景物","色彩表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46246f7f03d58d43628f780a2c0ed249.jpg",[111],{"id":692,"slug":693,"title":694,"dynasty":93,"author":144,"museum":95,"description":145,"tags":695,"thumbUrl":696,"material":109,"size":110,"collection":111,"collections":697,"showCount":678,"zanCount":11,"manualWeight":11,"mainColor":52},225788,"olive-grove-november-december-fan-gao-225788","Olive grove (November - December )",[25,99,147,148,207,29,647,156,174,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a83fedc068f8104f2b5670e4d5889a2.jpg",[111],{"id":699,"slug":700,"title":701,"dynasty":93,"author":94,"museum":95,"description":96,"tags":702,"thumbUrl":704,"material":109,"size":110,"collection":111,"collections":705,"showCount":706,"zanCount":11,"manualWeight":11,"mainColor":52},226026,"saule-pleureur-2-1918-1919-mo-nai-226026","Saule pleureur 2, 1918-1919",[98,99,599,191,241,703,31,486,685,7,101,240],"垂柳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba7e94444469f07afa1fa6cf9c12ea32.jpg",[111],8,{"id":708,"slug":709,"title":710,"dynasty":93,"author":94,"museum":95,"description":96,"tags":711,"thumbUrl":714,"material":109,"size":110,"collection":111,"collections":715,"showCount":706,"zanCount":11,"manualWeight":11,"mainColor":139},226002,"poppy-field-in-giverny-03-1890-mo-nai-226002","Poppy Field in Giverny 03, 1890",[25,98,99,150,241,509,712,31,713,174,472,284,7,100],"罂粟花田","远山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b6542e1a8773f2316f2eee87a754d77.jpg",[111],{"id":717,"slug":718,"title":719,"dynasty":93,"author":94,"museum":95,"description":96,"tags":720,"thumbUrl":723,"material":109,"size":110,"collection":111,"collections":724,"showCount":725,"zanCount":11,"manualWeight":11,"mainColor":52},226065,"the-creuse-dark-weather-1889-mo-nai-226065","The Creuse, Dark Weather, 1889",[99,98,33,721,498,376,37,722,7,191,272,273],"峡谷","阴天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faca6b493853be1e1926028134f389ba0.jpg",[111],7,{"id":727,"slug":728,"title":729,"dynasty":93,"author":94,"museum":95,"description":96,"tags":730,"thumbUrl":732,"material":109,"size":110,"collection":111,"collections":733,"showCount":725,"zanCount":11,"manualWeight":11,"mainColor":200},226064,"the-creuse-at-sunset-1889-mo-nai-226064","The Creuse at Sunset, 1889",[98,99,509,106,207,585,33,731,498,196,357,7],"山谷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb4c7ff91244b7ffccb2fc1c2abbc741.jpg",[111],{"id":735,"slug":736,"title":737,"dynasty":93,"author":94,"museum":95,"description":96,"tags":738,"thumbUrl":743,"material":109,"size":110,"collection":111,"collections":744,"showCount":725,"zanCount":11,"manualWeight":11,"mainColor":52},225928,"flood-waters-1896-mo-nai-225928","Flood Waters, 1896",[98,99,193,31,239,433,7,191,106,739,740,231,741,742],"洪水景象","朦胧质感","树木枝干","水色交融","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ee1eab3d5dc6cae82da82680ab628fd.jpg",[111],{"id":746,"slug":747,"title":748,"dynasty":93,"author":300,"museum":95,"description":749,"tags":750,"thumbUrl":755,"material":135,"size":135,"collection":135,"collections":756,"showCount":725,"zanCount":11,"manualWeight":11,"mainColor":139},225336,"fu-shi-hui-89-yi-ming-225336","浮世绘89","这幅绘卷以清隽色调铺展乡野闲景，靛蓝晕染出澄澈天色与幽深水色，苔绿晕覆缓坡茂林，暖棕勾勒屋舍行人，层次柔和分明。盘山小径上，行旅之人步履匆匆，似奔赴前路；右侧瀑流奔涌入水，撞碎一汪清潭。前景屋舍错落，石砌护坡衬着覆茸缓坡，浓荫垂落晕染出夏日幽谧。\n\n线条工细流畅，既勾勒山石屋宇的硬朗轮廓，又晕出松枝流泉的灵动生机。将江户郊野的行旅日常，揉入山水景致间，恬淡悠然，尽显浮世市井里的乡野意趣。",[617,618,29,35,31,69,67,751,752,210,753,7,398,40,754],"石砌","劳作","蓝绿色调","市井生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b4cf62aebb4c5452ad32b795d10ad77.jpg",[],{"id":758,"slug":759,"title":760,"dynasty":57,"author":761,"museum":95,"description":762,"tags":763,"thumbUrl":774,"material":123,"size":135,"collection":135,"collections":775,"showCount":776,"zanCount":11,"manualWeight":11,"mainColor":139},216781,"zhan-zheng-tong-ban-hua-64-lang-shi-ning-216781","战争铜版画-64","郎世宁","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[764,765,766,767,28,31,33,36,37,35,768,769,770,771,772,773,172,7],"清代","铜版画","中西合璧风格","战争题材","马匹","军队","士兵","战斗场景","写实技法","历史场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6fe0cfecd110f3a024825bafa4e1cfb.jpg",[],6,{"id":778,"slug":779,"title":780,"dynasty":93,"author":94,"museum":95,"description":96,"tags":781,"thumbUrl":783,"material":109,"size":110,"collection":111,"collections":784,"showCount":88,"zanCount":11,"manualWeight":11,"mainColor":139},226144,"winter-landscape-mo-nai-226144","Winter Landscape",[99,98,105,206,207,539,538,31,483,782,284,7],"雪地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe113d6f4efce39eecc6830ad1762e1c6.jpg",[111],{"id":786,"slug":787,"title":788,"dynasty":93,"author":789,"museum":95,"description":790,"tags":791,"thumbUrl":795,"material":109,"size":110,"collection":135,"collections":796,"showCount":797,"zanCount":11,"manualWeight":11,"mainColor":200},232282,"a-er-ma-9-lao-lun-si-a-er-ma-ta-de-ma-232282","阿尔玛9","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[99,29,171,35,303,67,376,792,793,38,31,37,794,105,7],"森林","蕨类","古典人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5cf8a0e4a3bd32e7ccfd573b94e151c.jpg",[],4,{"id":799,"slug":800,"title":801,"dynasty":93,"author":802,"museum":95,"description":803,"tags":804,"thumbUrl":813,"material":109,"size":110,"collection":135,"collections":814,"showCount":161,"zanCount":11,"manualWeight":11,"mainColor":52},232584,"wei-lian-a-dao-fu-bu-ge-luo-198-wei-lian-a-dao-fu-bu-ge-luo-232584","威廉·阿道夫·布格罗198","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[99,171,29,35,805,806,807,808,231,333,220,174,809,810,811,7,812],"儿童","卷发","赤脚","茶杯","连衣裙","手持器物","细腻写实","人物肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63869be21bf25d5e3f898f3c92ecb532.jpg",[],{"id":816,"slug":817,"title":818,"dynasty":93,"author":819,"museum":95,"description":820,"tags":821,"thumbUrl":822,"material":109,"size":110,"collection":135,"collections":823,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":52},232121,"de-jia-62-de-jia-232121","德加62","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[99,98,29,28,127,220,174,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F941bc05dfcea3de6db94b3eca10ddc5f.jpg",[],{"id":825,"slug":826,"title":827,"dynasty":93,"author":819,"museum":95,"description":820,"tags":828,"thumbUrl":836,"material":109,"size":110,"collection":135,"collections":837,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":52},232119,"de-jia-61-de-jia-232119","德加61",[99,98,284,829,665,220,174,37,334,498,323,830,7,230,831,191,832,833,834,835],"小路","近景","色彩柔和","蜿蜒小径","起伏地形","植被覆盖","黄昏色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0949e5b0f6254a4e39f02ae0cb9241fd.jpg",[],{"id":839,"slug":840,"title":841,"dynasty":93,"author":819,"museum":95,"description":820,"tags":842,"thumbUrl":844,"material":109,"size":110,"collection":135,"collections":845,"showCount":138,"zanCount":11,"manualWeight":11,"mainColor":52},232075,"olive-trees-against-a-mountainous-background-circa-norton-simon-museum-usa-de-jia-232075","Olive Trees against a Mountainous Background - circa - - Norton Simon Museum (USA)",[843,98,647,36,220,31,288,156,7,231],"色粉画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa318360df9492dc063b2ea2914fb6e5a.jpg",[],{"id":847,"slug":848,"title":849,"dynasty":57,"author":850,"museum":95,"description":851,"tags":852,"thumbUrl":866,"material":109,"size":110,"collection":135,"collections":867,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},236228,"bi-shu-shan-zhuang-san-shi-liu-jing-tu-shu-shi-cheng-shan-wang-ji-hua-236228","避暑山庄三十六景图书诗成扇","王际华","王际华（1717—1776），字秋瑞，一字秋水，号白斋，浙江钱塘人，清朝官吏。\n字秋瑞，一字秋水，号白斋，浙江钱塘人，清朝官吏。乾隆十年一甲三名进士，授编修。十三年，大考翰詹，擢侍读学士、上书房行走。广东旧设两学政，十五年，以侍读程岩督广韶学政，际华督肇高学政，旋用岩议裁并，以忧归。服除，起原官。三迁至侍郎，历工、刑、兵、户、吏诸部。在兵部，疏言：“武乡会试旧例，外场挑双好、单好、合式三类入内场，双、单好列东号，合式列西号。不肖者见列西号，知不能幸中，纷纷求出。即有归号，终日喧哗。请嗣后武乡会试，但挑双、单好，毋更挑合式。”在吏部，疏请在京文武官吏议处，及各部会议外省文武官吏议处，当分别定限，皆如所议。三十四年，迁礼部尚书。三十八年，加太子少傅，调户部尚书。四十一年，卒，赠太子太保，谥文庄。赐其子朝梧内阁中书，官至山东兖沂曹道。",[24,26,853,29,43,28,31,78,854,32,375,855,856,857,7,858,859,860,861,862,863,864,865],"扇面","亭台","水墨设色","传统山水","风景名胜","人文建筑","清代风格","山水小品","扇面书画","诗画结合","写意山水","山水皴染","设色山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfbd7054811584b6ba19a28888a8ba4b.jpg",[],1777535707596]