[{"data":1,"prerenderedAt":91},["ShallowReactive",2],{"subject-zi-se":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},11102,"zi-se","紫色","紫色画高清赏析","精选中国历代紫色题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c11262f76ff166a44f531a85e87afd6.jpg",0,6,[14,35,47,59,70,82],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},265857,"shen-jia-zi-se-tuan-long-wen-an-hua-zhi-ma-sha-chang-yi-yi-ming-265857","深茄紫色团龙纹暗花芝麻纱氅衣","清","佚名","藏地不详","清王朝时段推行剃发易服，顺治九年（1652），钦定《服色肩舆条例》颁行，从此废除了明朝的冠冕、礼服以及汉族的一切服饰，但满族服饰同时吸收了明朝服饰的纹理图案。明代男子一律蓄发挽髻，着宽松衣，穿长统袜、浅面鞋；清时则剃发留辫，辫垂脑后，穿瘦削的马蹄袖箭衣、紧袜、深统靴。但官民服饰一律泾渭分明。 清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[23,24,25,26,27,7],"衣帽","氅衣","团龙纹","暗花","布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5559fa3fcd64e041233213467cb96f3f.jpg","未知","Xcm*Xcm","",[],3,"795548",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":44,"material":29,"size":30,"collection":31,"collections":45,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":46},264188,"zi-se-hua-niao-wen-hui-hui-jin-yi-ming-264188","紫色花鸟纹回回锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[27,41,42,43,7],"织锦","回回锦","花鸟纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5cb62268371f8e9869b052cf171d6b8c.jpg",[],"BDBDBD",{"id":48,"slug":49,"title":50,"dynasty":18,"author":19,"museum":20,"description":51,"tags":52,"thumbUrl":56,"material":29,"size":30,"collection":31,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":46},267543,"mei-gui-zi-se-tuan-long-yuan-shou-zi-wen-zhi-jin-duan-yi-ming-267543","玫瑰紫色团龙圆寿字纹织金缎","浓郁玫瑰紫底色沉稳华贵，织金团纹在其上熠熠生辉。团窠内祥龙盘绕，托举圆寿，辅以蝠纹点缀，暗合福寿双全的美好祈愿。\n\n金线穿梭缎面，光泽莹润灵动，织就出层次分明的细腻纹样，尽显织造工艺的精湛考究。纹样排布规整对称，疏密相宜，既有庄重威仪之气，又饱含吉庆绵长的隽永寓意，将传统丝织的华贵气韵与吉祥意趣融为一体，尽显旧时织造美学的精巧意涵。",[27,53,25,54,7,55],"织金缎","寿字纹","龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21b7f26af5947c03f4fe83c2d310850c.jpg",[],2,{"id":60,"slug":61,"title":62,"dynasty":18,"author":19,"museum":20,"description":63,"tags":64,"thumbUrl":68,"material":29,"size":30,"collection":31,"collections":69,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":46},263972,"zi-se-jin-tao-sui-hua-wen-hui-hui-chou-yi-ming-263972","紫色金桃碎花纹回回绸","紫地如凝脂柔纱，金彩织就的桃实团窠连环铺陈，圆润饱满的桃纹带着细腻肌理，似敛着融融日光，将福寿吉意藏进每一处经纬交织里。团窠间回环枝蔓勾连，让纹样连绵不绝，暗合绵长圆满的期许。朱红与墨色窄边收束画面，冷暖撞色利落沉稳，平衡了金紫的柔丽。织作匀整细腻，历久的金线仍带着温润柔光，把旧时匠人的巧思与祈福心意融于织物，晕开东方织造的雅致温情。",[27,65,7,66,67],"绸缎","金桃碎花纹","回回绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbfc85deeaf4802753b1f037721794e32.jpg",[],{"id":71,"slug":72,"title":73,"dynasty":18,"author":19,"museum":20,"description":74,"tags":75,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":80,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":34},263837,"mei-gui-zi-se-di-shuang-fu-jin-shou-zi-wen-zhuang-hua-chou-yi-ming-263837","玫瑰紫色地双蝠金寿字纹妆花绸","此作底色沉雅瑰紫，自带华贵古韵，以团窠为骨，将金寿字铺陈其中，双蝠环绕翩跹灵动，翅翼纹理纤毫毕现。\n\n妆花工艺走线匀整细腻，紫、粉、蓝、金交织晕染，妍丽配色于暗调底色之上愈发鲜明，金线熠熠生辉，让纹样层次明暗相映，将福寿双全的美好祈愿融于寸缕丝帛。\n\n整体既带着富丽堂皇的雅致气度，尽显清代织绣的匠心巧思，把传统丝织工艺的极致魅力与世俗祝福完美相融。",[27,76,77,54,7,78,23,79],"妆花绸","蝙蝠纹","纹饰","织物",[],1,{"id":83,"slug":84,"title":85,"dynasty":18,"author":19,"museum":20,"description":21,"tags":86,"thumbUrl":89,"material":29,"size":30,"collection":31,"collections":90,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},265871,"jia-zi-se-wu-fu-peng-shou-wen-an-hua-chou-chang-yi-yi-ming-265871","茄紫色五蝠捧寿纹暗花绸氅衣",[23,24,27,87,88,7],"暗花绸","五蝠捧寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F000790cb6cfdc918b45e0da1515c7848.jpg",[],1777535748970]