[{"data":1,"prerenderedAt":100},["ShallowReactive",2],{"subject-zi-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6316,"zi-shi","紫石","紫石画高清赏析","精选中国历代紫石题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb94586f7eb5ebc52ba93f2b08c298d10.jpg",0,8,[14,36,47,58,68,74,83,89],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},229531,"song-hua-shi-zi-shi-chang-fang-yan-yi-ming-229531","松花石紫石长方砚","清","佚名","藏地不详","砚台历经秦汉、魏晋，至唐代起，各地相继发现适合制砚的石料，开始以石为主的砚台制作。其中采用甘肃岷县的洮河石、广东端州的端石、安徽歙州的歙石制作的砚台，被分别称作洮砚、端砚、歙砚。史书将洮、端、歙称作三大名砚。清末，又将河南洛阳的澄泥砚与洮、端、歙，并列为中国四大名砚。也有人主张，以天然砚石雕制的鲁砚中的红丝石砚代替澄泥砚，合称四大名砚。\n谈起砚的种类有许多种，从砚的材质可分为：玉砚、银砚、铜砚、铁砚、陶砚、瓷砚、石砚、漆砚等，其中石砚是最为普遍，也最实用的一种砚。砚台起源于新石器时代。最早的砚是半坡村遗址出土的研磨颜料的研磨器，在1980年，大陆考古学家曾在陕西省临潼县姜寨一处原始社会的遗址中，发现了一套原始人用以陶器彩绘的工具，其中有一方石砚，砚有盖，砚面微凹，凹处并有一根石质磨杵，砚旁留存数块黑色颜料。很显然，这是先民们借助磨杵研磨颜料的早期砚的形制。由于这处遗址归属于母系氏族时期的仰韶文化，故这方砚台的实际寿龄已超过了五千年了。\n清代端石砚要求因材施艺，因石构图，在题材、立意、构图、造型、利用何种雕法都要精心推敲，刻划得当。保持了端砚的古雅、朴实，古色古香、形态自然的特点。如北京故宫收藏的「端石双龙砚」、「猫蝶砚」是端砚中的佳品。",[23,24,25,26,27,28,29,7],"文房","砚","雕刻","长方","孤石","兰","松花石","未知","Xcm*Xcm","",[],3,"BDBDBD",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":21,"tags":40,"thumbUrl":43,"material":30,"size":31,"collection":32,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},272274,"zi-shi-diao-zhu-jie-chang-fang-yan-yi-ming-272274","紫石雕竹节长方砚",[24,7,25,41,42],"竹节","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03d312e3b1bcd63778b551b78bc37662.jpg",[],1,"795548",{"id":48,"slug":49,"title":50,"dynasty":51,"author":19,"museum":20,"description":52,"tags":53,"thumbUrl":56,"material":30,"size":31,"collection":32,"collections":57,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":35},272038,"zi-shi-yun-chi-diao-long-feng-wen-yuan-yan-yi-ming-272038","紫石云池雕龙凤纹圆砚","民国","此砚紫石凝润，器型圆融雅致。云池开阔浅坦，龙凤纹以浅浮雕隐现砚面，线条婉转舒展，灵动不张扬，暗合中式雅致审美。原配红木盒包浆莹润，纹理匀净古拙，与砚石沉静色泽相得益彰。\n它是文房案头的清隽雅物，兼具研墨实用与陈设意趣，暗蕴旧时文人的闲情雅韵，虽无署名，却可见匠人细巧工心，素净之中藏着精巧意致，尽显文房的静谧风雅。",[24,7,54,25,55,42],"龙凤纹","木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6659672f6bc06e512ee81cbf3f1d43a9.jpg",[],{"id":59,"slug":60,"title":61,"dynasty":18,"author":19,"museum":20,"description":21,"tags":62,"thumbUrl":65,"material":30,"size":31,"collection":32,"collections":66,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},272057,"zi-shi-yan-yi-ming-272057","紫石砚",[24,63,25,7,64],"器","蛇形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee359159d9ad187945afe1f4df818548.jpg",[],"37474F",{"id":69,"slug":70,"title":61,"dynasty":18,"author":19,"museum":20,"description":21,"tags":71,"thumbUrl":72,"material":30,"size":31,"collection":32,"collections":73,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},272010,"zi-shi-yan-yi-ming-272010",[24,7,42,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15e98b9291259cee6156774d445044ed.jpg",[],{"id":75,"slug":76,"title":77,"dynasty":18,"author":19,"museum":20,"description":78,"tags":79,"thumbUrl":81,"material":30,"size":31,"collection":32,"collections":82,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},271997,"zi-shi-nuan-yu-fang-liu-yan-yi-ming-271997","紫石暖玉方流砚","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 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