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束腰下接浅雕如意云纹的牙板，简约秀雅。四条腿足取内翻马蹄的变体，化作柔婉流畅的弧状，在柔媚中暗藏劲挺骨力。\n\n腿足间以打洼罗锅枨相互牵系，兼顾结构稳固与视觉轻盈。没有繁缛堆砌的装饰，仅以利落线条与浅淡雕纹烘托气韵，将明式家具的简约风骨与清式的精细装饰相融，尽显文房清供的隽永意趣，是清代小件家具中兼具实用与陈设美感的经典之作。",[77,7,103,46,153,67],"木器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d0d349e59d65765c0a365c0bf99f0f4.jpg",[],{"id":157,"slug":158,"title":159,"dynasty":18,"author":19,"museum":20,"description":160,"tags":161,"thumbUrl":164,"material":33,"size":34,"collection":35,"collections":165,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":70},273588,"zi-tan-mu-miao-jin-yi-yi-ming-273588","紫檀木描金椅","敦煌285窟壁画就有两人分坐在椅子上的图像；257窟壁画中有坐方凳和交叉腿长凳的妇女；龙门莲花洞石雕中有坐圆凳妇女。这些图像生动地再现了南北朝时期椅、凳在仕宦贵族家庭中的使用情况。尽管当时的坐具已具备了椅子、凳子的形状，但因其时没有椅、凳的称谓，人们还习惯称之为“胡床”，在寺庙内，常用于坐禅，故又称禅床。唐代以后，椅子的使用逐渐增多，椅子的名称也被广泛使用，才从床的品类中分离出来。因此，论及椅、凳的起源，必须从汉魏时经印度传入的胡床谈起。\n唐代以前的“椅”字还有一种解释，作“车旁”讲，即车的围栏。其作用是人乘车时有所依靠。后来的椅子，其形式是在四足支撑的平台上安装围栏，其制当是受车旁围栏的启发，并沿用其名而称这种坐具为“椅子”了。从现存资料看，唐代已有相当讲究的椅子了。\n五代至宋，高型坐具空前普及，椅子的形式也多了起来，出现靠背椅、扶手椅、圈椅等。同时根据尊卑等级的不同，椅子的形制、质料和功能也有所区别。\n五代至两宋时期的家具大体保留着唐代遗风，只是高型家具较前更加普及了。\n椅子非常古老和简单，虽然许多世纪以来，是一个普通使用状态。在早王朝时期，他们用布或皮革、木雕覆盖椅背和椅面，但是覆盖面积均远低于21世纪的椅子，椅面有时仅离地25厘米。在古埃及时代的椅子似乎已经被极大的丰富，老式乌木、象牙雕刻、镀金的木材等都会被使用。它们被覆盖着昂贵的材料，华丽的图案和猎杀的野兽或雕刻着的俘虏数字。一般来说，地位越高的个人，他的椅子就越高越华丽，这是种荣誉的象征。",[7,162,163,46,77,80],"描金","椅子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3526706a7df9845994b2c34a88b2315c.jpg",[],{"id":167,"slug":168,"title":169,"dynasty":18,"author":19,"museum":20,"description":75,"tags":170,"thumbUrl":172,"material":33,"size":34,"collection":35,"collections":173,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},273572,"zi-tan-mu-diao-kui-feng-wen-yi-yi-ming-273572","紫檀木雕夔凤纹椅",[7,77,46,171,80,67],"夔凤纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F031987bca92f769b775962ddfdfe0688.jpg",[],{"id":175,"slug":176,"title":177,"dynasty":18,"author":19,"museum":20,"description":75,"tags":178,"thumbUrl":181,"material":33,"size":34,"collection":35,"collections":182,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},273567,"zi-tan-mu-diao-zhu-jie-wen-yi-yi-ming-273567","紫檀木雕竹节纹椅",[77,46,80,7,179,180],"竹节纹","扶手椅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F571057d12d1b4966c3a7677945419d73.jpg",[],{"id":184,"slug":185,"title":186,"dynasty":18,"author":19,"museum":20,"description":187,"tags":188,"thumbUrl":190,"material":33,"size":34,"collection":35,"collections":191,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":70},273519,"zi-tan-mu-ping-tou-an-yi-ming-273519","紫檀木平头案","此作选料上乘，色泽沉穆莹润，包浆古雅厚重。整体形制素雅规整，案面光素无饰，尽显紫檀肌理的自然质感。牙脚处卷云纹婉转灵动，柔化了直材的肃穆冷硬，线条柔婉却暗含劲挺风骨，将简素与精巧融于一身。腿足修长挺拔，起线利落爽利，架构稳重大方，尽显文人雅室的清简风雅，暗合中式审美里删繁就简的意趣，于素净之中勾勒出隽永绵长的古典韵味，是文房厅堂陈设的绝佳雅器。",[7,189,80,77,46],"平头案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2c002292ab1a1afa2127a615b56d6e0.jpg",[],{"id":193,"slug":194,"title":195,"dynasty":18,"author":19,"museum":20,"description":196,"tags":197,"thumbUrl":199,"material":33,"size":34,"collection":35,"collections":200,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":70},273514,"zi-tan-mu-zhang-zhuo-yi-ming-273514","紫檀木长桌","此桌取紫檀料制，木色沉凝乌亮，包浆莹润古雅。器型承袭明式家具风骨，通体少饰，以线条勾勒出隽秀身姿，腿足微微侧脚收分，亭亭而立尽显挺拔内敛。尤为精巧的是霸王枨取用浅色木料撞色搭配，于沉穆底色中跳出一抹柔婉暖意，灵动俏皮，打破素朴沉闷，尽显巧思。牙板光素简洁，仅以细窄牙线勾勒轮廓，进一步衬出整体的雅致克制。整体将实用与审美相融，尽显中式古典的克制美学，暗合文人士大夫清逸内敛的审美意趣。",[77,7,198,80,153],"长桌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f8b08bb1ca42ba9670e495dcfda1bc4.jpg",[],{"id":202,"slug":203,"title":204,"dynasty":18,"author":19,"museum":20,"description":205,"tags":206,"thumbUrl":213,"material":33,"size":34,"collection":35,"collections":214,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":107},272993,"zi-tan-mu-bian-qian-yu-zi-wen-zhong-tang-yi-ming-272993","紫檀木边嵌玉字纹中堂","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 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