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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[7,178,179,180,24,181,182,25,183],"鼓式盒","嵌玉","染牙","玉石","象牙","器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F028973e93095ba7f9eb5fe07b884868a.jpg",[],{"id":187,"slug":188,"title":189,"dynasty":18,"author":19,"museum":20,"description":56,"tags":190,"thumbUrl":192,"material":30,"size":31,"collection":32,"collections":193,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":99},269305,"zi-tan-diao-mei-hua-shi-he-yi-ming-269305","紫檀雕梅花式盒",[24,25,42,191,7],"梅花式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51744cebf85b7a4f41505960b81bbd6a.jpg",[],{"id":195,"slug":196,"title":197,"dynasty":18,"author":19,"museum":20,"description":176,"tags":198,"thumbUrl":202,"material":30,"size":31,"collection":32,"collections":203,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":99},269208,"wen-zhu-qian-zi-tan-bian-bi-yu-zhu-guan-jia-yi-ming-269208","文竹嵌紫檀边碧玉柱冠架",[42,43,199,200,7,201,24,181,25],"冠架","文竹","碧玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97b39d5606a79367e568738f41784078.jpg",[],{"id":205,"slug":206,"title":197,"dynasty":18,"author":19,"museum":20,"description":176,"tags":207,"thumbUrl":208,"material":30,"size":31,"collection":32,"collections":209,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":99},269207,"wen-zhu-qian-zi-tan-bian-bi-yu-zhu-guan-jia-yi-ming-269207",[42,199,200,7,201,25,43],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F122b514ea23a62b0a9e1760b0c750932.jpg",[],{"id":211,"slug":212,"title":213,"dynasty":18,"author":19,"museum":20,"description":176,"tags":214,"thumbUrl":222,"material":30,"size":31,"collection":32,"collections":223,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":99},245825,"zi-tan-qian-jin-yin-si-yu-ding-xiang-yin-zhu-yi-ming-245825","紫檀嵌金银丝玉顶镶银箸",[215,7,216,217,218,219,220,43,24,221],"清代","玉","银","金银丝","嵌","镶","银器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F134037cafa6a729b5085dd2c12fdb643.jpg",[],{"id":225,"slug":226,"title":227,"dynasty":18,"author":19,"museum":20,"description":228,"tags":229,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":230,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":73},229417,"diao-zi-tan-duo-bao-ge-fang-xia-yi-ming-229417","雕紫檀多宝格方匣","此器紫檀为骨，沉穆温润，形制端方规整。顶面嵌青玉素璧，搭配螺钿花饰，冷玉暖木相映成趣。双柜门开光内，一则就浅石材随形晕染花鸟，笔致清婉雅致；一侧题娟秀小楷，墨韵与石色相衬，文心匠意相融无间。柜身边框透雕缠枝卷草，下座满工錾刻卷叶回纹，刀工圆熟利落，线条柔婉舒展。\n\n整器集木作、玉雕、髹绘、书法于一身，将文房雅趣融入百宝嵌工艺里，清隽华贵，尽显清代细作木器的雅致格调，藏着旧时文人案头清玩的诗意审美。",[215,25,24,7,42],[],1777535721604]