[{"data":1,"prerenderedAt":7474},["ShallowReactive",2],{"subject-zi-tie":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},960,"zi-tie","字帖","字帖画高清赏析","精选中国历代字帖题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60abb18983827c2dbaa333669640944e.jpg",0,942,[14,35,56,72,88,105,118,131,145,158,170,180,194,210,223,233,245,256,266,279,291,302,314,324,337,347,358,369,382,397,408,419,427,436,445,456,469,479,491,500,512,525,533,543,553,564,575,585,592,604,614,622,632,642,654,664,672,683,695,705,713,721,731,739,749,761,773,782,789,798,805,813,823,831,840,851,859,868,877,887,896,907,916,925,936,947,957,968,975,986,996,1007,1016,1028,1037,1047,1058,1065,1076,1088,1097,1108,1114,1122,1133,1143,1153,1165,1177,1187,1196,1203,1213,1221,1231,1240,1250,1258,1268,1277,1288,1296,1305,1314,1323,1333,1340,1351,1371,1382,1392,1400,1410,1420,1430,1441,1450,1458,1467,1476,1485,1496,1505,1513,1523,1533,1540,1548,1556,1564,1574,1583,1591,1600,1608,1617,1626,1636,1646,1655,1663,1673,1683,1692,1700,1711,1719,1727,1736,1744,1752,1759,1767,1777,1785,1795,1804,1812,1820,1830,1838,1849,1855,1862,1873,1879,1888,1895,1906,1915,1933,1941,1952,1960,1968,1976,1985,1992,2000,2008,2016,2025,2035,2044,2054,2064,2071,2081,2090,2100,2109,2117,2127,2136,2146,2155,2163,2172,2181,2190,2199,2206,2216,2225,2234,2242,2252,2259,2268,2275,2283,2291,2300,2310,2316,2331,2339,2347,2358,2365,2373,2381,2390,2399,2407,2415,2423,2431,2440,2450,2459,2467,2476,2482,2490,2499,2507,2514,2523,2535,2542,2550,2556,2563,2570,2577,2585,2595,2603,2612,2619,2627,2634,2643,2653,2661,2669,2677,2687,2695,2703,2713,2721,2730,2739,2746,2754,2762,2773,2781,2791,2800,2809,2818,2825,2832,2841,2849,2857,2866,2875,2884,2896,2907,2914,2923,2931,2938,2947,2957,2979,2988,2998,3007,3015,3023,3033,3042,3052,3060,3067,3075,3083,3092,3103,3111,3119,3128,3136,3145,3155,3165,3172,3180,3190,3197,3207,3218,3228,3238,3247,3257,3264,3271,3278,3287,3294,3301,3309,3317,3326,3335,3342,3349,3356,3367,3375,3383,3392,3401,3409,3418,3428,3436,3445,3455,3462,3469,3476,3483,3492,3501,3511,3518,3525,3532,3539,3547,3553,3561,3569,3578,3585,3594,3602,3609,3616,3625,3634,3643,3652,3660,3667,3674,3681,3688,3695,3702,3710,3717,3723,3732,3740,3747,3756,3763,3771,3779,3787,3795,3803,3812,3821,3830,3838,3848,3857,3866,3874,3884,3893,3900,3907,3914,3921,3928,3935,3942,3949,3956,3963,3970,3977,3984,3991,3999,4008,4015,4022,4029,4037,4046,4056,4067,4076,4085,4094,4101,4111,4120,4128,4134,4140,4146,4153,4160,4167,4174,4181,4188,4195,4202,4209,4216,4223,4230,4238,4245,4252,4258,4264,4272,4280,4288,4298,4308,4315,4323,4330,4337,4345,4353,4363,4372,4381,4390,4397,4407,4414,4421,4429,4439,4445,4451,4457,4463,4470,4477,4484,4491,4498,4507,4514,4521,4528,4535,4542,4549,4556,4563,4570,4579,4586,4595,4602,4611,4618,4626,4634,4641,4650,4656,4662,4668,4674,4681,4687,4693,4701,4709,4716,4723,4730,4741,4750,4757,4764,4773,4782,4791,4800,4806,4812,4818,4824,4830,4836,4843,4850,4857,4864,4871,4878,4885,4892,4899,4906,4913,4920,4927,4934,4941,4948,4955,4963,4971,4981,4988,4996,5003,5011,5020,5030,5038,5047,5055,5063,5072,5078,5085,5093,5099,5105,5111,5117,5123,5130,5137,5144,5152,5160,5167,5176,5184,5193,5202,5210,5217,5225,5233,5239,5247,5254,5261,5267,5273,5279,5286,5292,5298,5304,5310,5316,5322,5328,5334,5340,5346,5352,5358,5365,5371,5377,5383,5389,5395,5406,5412,5418,5424,5430,5436,5442,5449,5456,5463,5471,5478,5489,5496,5503,5510,5517,5524,5531,5538,5545,5552,5559,5566,5573,5584,5596,5605,5612,5620,5627,5634,5642,5651,5659,5667,5673,5680,5687,5694,5701,5708,5715,5722,5728,5735,5742,5749,5756,5763,5770,5777,5784,5791,5798,5805,5812,5819,5826,5833,5840,5847,5854,5861,5868,5875,5883,5890,5897,5904,5912,5919,5925,5931,5937,5943,5949,5955,5962,5968,5974,5980,5986,5992,5998,6004,6010,6016,6022,6028,6034,6040,6046,6052,6058,6064,6070,6076,6082,6088,6094,6100,6106,6112,6118,6124,6130,6136,6142,6148,6154,6160,6166,6172,6178,6184,6190,6196,6202,6208,6214,6220,6226,6232,6238,6244,6250,6256,6262,6268,6274,6281,6288,6294,6301,6307,6313,6319,6325,6331,6337,6343,6349,6355,6361,6367,6373,6379,6385,6391,6397,6403,6409,6415,6421,6427,6433,6440,6446,6452,6458,6465,6471,6477,6484,6490,6496,6502,6508,6514,6520,6526,6532,6538,6544,6550,6556,6562,6568,6574,6580,6586,6592,6598,6604,6610,6616,6622,6628,6636,6642,6648,6654,6660,6666,6672,6679,6685,6695,6702,6710,6716,6722,6728,6734,6740,6746,6752,6758,6764,6770,6776,6782,6788,6794,6800,6806,6812,6818,6824,6830,6836,6842,6848,6854,6860,6866,6872,6878,6886,6892,6899,6905,6913,6920,6927,6934,6942,6949,6956,6963,6970,6977,6984,6991,6998,7005,7012,7019,7026,7033,7040,7047,7054,7061,7068,7075,7082,7088,7094,7100,7106,7112,7118,7124,7130,7137,7143,7149,7155,7161,7168,7175,7182,7189,7195,7201,7207,7213,7219,7225,7231,7237,7246,7252,7258,7264,7270,7276,7282,7288,7294,7300,7306,7312,7318,7324,7331,7337,7344,7351,7358,7366,7373,7380,7387,7394,7403,7412,7421,7429,7437,7446,7453,7459,7465],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":33,"manualWeight":11,"mainColor":34},214196,"duo-bao-ta-bei-yan-zhen-qing-214196","多宝塔碑","唐","颜真卿","西安碑林博物馆","此碑共三十四行，满行六十六字，内容主要记载了西京龙兴寺禅师楚金创建多宝塔之原委及修建经过。整体秀美刚劲，清爽宜人，有简洁明快，字字珠玑之感。用笔丰厚遒美，腴润沉稳；横细竖粗，对比强烈；起笔多露锋，收笔多回锋，转折多顿笔。结体严谨致密，紧凑规整，平稳匀称，又碑版精良，存字较多，学颜体者多从此碑下手，入其堂奥。",[23,24,25,26,7],"高清","书法","拓本","楷书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0cbed397ccd0298b7f9f71ee712b51d.jpg","纸本,拓本","285x102","",[],2222,16,"37474F",{"id":36,"slug":37,"title":38,"dynasty":39,"author":40,"museum":41,"description":42,"tags":43,"thumbUrl":48,"material":49,"size":50,"collection":51,"collections":52,"showCount":53,"zanCount":54,"manualWeight":11,"mainColor":55},219053,"xia-ri-shi-tie-zhao-ji-219053","夏日诗帖","宋","赵佶","北京故宫博物院","此诗帖的瘦金体笔势遒劲，伟岸开张，体现了赵佶的独特风格。",[23,24,26,7,44,45,46,47],"瘦金体","荷","夏日","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F371add8168f2bcda13f942087497018e.jpg","纸本","33.7厘米×44.2厘米","书法精选",[51],1531,17,"BDBDBD",{"id":57,"slug":58,"title":59,"dynasty":39,"author":60,"museum":61,"description":62,"tags":63,"thumbUrl":66,"material":67,"size":68,"collection":51,"collections":69,"showCount":70,"zanCount":71,"manualWeight":11,"mainColor":55},214282,"duo-jing-lou-shi-tie-1-mi-fei-214282","多景楼诗帖-1","米芾","上海博物馆","笔势开张如鲲鹏展翼，侧锋扫过处，线条粗细骤变，枯润交织——飞白似裂帛，浓墨若积云。单字欹侧跌宕，却在错落间达成奇妙平衡；字间气脉连贯，如奔马绝尘，势不可挡。每一笔都带着“刷字”的痛快淋漓，无刻意雕琢之痕，却藏八面出锋之巧。笔墨里裹着登高临远的豪情，仿佛能听见江风穿楼、涛声拍岸，将山水之壮阔与心境之激昂，凝于方寸纸间，动人心魄。",[24,64,7,47,49,65],"行书","墨迹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73ba0af73265fd6db701a669385d005c.jpg","纸本,水墨","31.2x538.1",[51],809,4,{"id":73,"slug":74,"title":75,"dynasty":76,"author":77,"museum":41,"description":78,"tags":79,"thumbUrl":84,"material":67,"size":85,"collection":51,"collections":86,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":55},214582,"yu-hou-tie-wang-xi-zhi-214582","雨后帖","晋","王羲之","《雨后帖》传为王羲之所书的一通信札，所谈之事不可考，书字不够规范，个别字难于辨认。",[80,24,7,81,47,82,83],"书画","草书","水墨","册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd65b1f972a6e224b50a9893ad0e555b0.jpg","25.7x14.9",[51],771,{"id":89,"slug":90,"title":91,"dynasty":92,"author":93,"museum":94,"description":95,"tags":96,"thumbUrl":99,"material":100,"size":101,"collection":30,"collections":102,"showCount":103,"zanCount":71,"manualWeight":11,"mainColor":104},231027,"yi-shan-bei-li-si-231027","峄山碑","秦","李斯","藏地不详","《峄山刻石》是刊刻于秦代的一方摩崖石刻，又称“峄山石刻”“峄山碑”“峄山铭”“绎山刻石”“绎山石刻”“绎山碑”“绎山铭”等，分为两部分，前半部分（“始皇诏”）刻于秦始皇二十八年（前219年），后半部分（“二世诏”）刻于秦二世元年（前209年），传为李斯所书，属小篆书法作品，与《泰山刻石》《琅琊刻石》《会稽刻石》合称“秦四山刻石”。刻石原在山东邹县峄山书门，毁于南北朝时期，现有宋代摹刻碑存于西安碑林，元代摹刻碑存于邹城博物馆。",[97,98,25,24,7],"秦代","篆书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F547ea823cba1e55ba521ef04c9c525b3.jpg","未知","Xcm*Xcm",[],566,"795548",{"id":106,"slug":107,"title":108,"dynasty":109,"author":110,"museum":111,"description":112,"tags":113,"thumbUrl":114,"material":67,"size":115,"collection":51,"collections":116,"showCount":117,"zanCount":71,"manualWeight":11,"mainColor":55},214219,"xue-qing-yun-san-tie-zhao-meng-fu-214219","雪晴云散帖","元","赵孟頫","台北故宫博物院","雪晴云散帖是元代诗人赵孟頫的一首代表作。\n\n赵孟頫（1254年-1322年），字少华，元代诗人、书法家。他是元代文学史上著名的诗人之一，在当时被尊为“诗圣”。他的诗作风格清新、婉转，有浓厚的写实感，被认为是元代文学中的经典之作。\n\n雪晴云散帖是赵孟頫的一首著名诗作，其中描写了雪晴云散的风景。这首诗的气势磅礴，描写了雪晴云散的美丽景色，表达了作者对自然的崇敬之情。诗中还描写了雪晴云散周围的风光，表现出作者对自然的热爱。\n\n整首诗的意境深远，描写细腻，是赵孟頫的代表作之一，也是元代文学中的经典之作。",[23,24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf97c8e30e41854d8a25d009cbe353ee.jpg","51.9x24.8",[51],521,{"id":119,"slug":120,"title":121,"dynasty":39,"author":40,"museum":61,"description":122,"tags":123,"thumbUrl":125,"material":126,"size":127,"collection":51,"collections":128,"showCount":129,"zanCount":130,"manualWeight":11,"mainColor":55},221340,"shou-jin-qian-zi-wen-zhao-ji-221340","瘦金千字文","《千字文》是赵佶以其最具个人风格之“瘦金体”书写，整体匀整峭拔，筋骨挺劲，清爽润朗，飘逸灵动，正所谓“铁画银钩”。此种书体取法唐代薛稷、薛曜，把楷书中瘦劲一路发挥到了极致，带有很强的装饰性，成为具有鲜明个人风格的一种书体。\n本卷为宋徽宗赵估于崇宁三年（1104年）二十三岁时书赐童贯。朱丝界栏， 素笺本，纵三十点九厘米，横三百二十二点一厘米，楷书，字大寸许，每行十字，前后百行。此卷原为清宫旧藏，著录于《石渠宝笈初编》，现藏上海博物馆，",[23,24,124,26,7,47],"长卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a59fd9a6b1807f5c4769571d5723d63.jpg","素笺","纵30.9、横322.1厘米",[51],473,9,{"id":132,"slug":133,"title":134,"dynasty":109,"author":110,"museum":41,"description":135,"tags":136,"thumbUrl":139,"material":140,"size":141,"collection":51,"collections":142,"showCount":143,"zanCount":144,"manualWeight":11,"mainColor":55},220855,"luo-shen-fu-zhao-meng-fu-220855","洛神赋","赵孟頫是元代著名书画家，不仅绘画创一代新风，书法更是元代第一人，如元代书法名家鲜于枢所评：“子昂篆、隶、真、行、颠草为当今第一。”赵氏所创书风，后人称之为“赵体”。赵孟頫师承也极广泛，初宗宋人，学赵构、黄庭坚，继而由智永上溯锺繇、二王，晚年又取法李邕。他模拟古法力求微肖，书写十分熟练，尤倾心于二王，元虞集在《道园学古录》中指出：“楷法深得《洛神赋》而揽其标；行书诣《圣教序》而入其室；至于草书，饱《十七帖》而变其形。”赵孟頫的书法成就突出表现在楷、行书方面，创遒劲姿媚新风，对元人和后世均产生极大影响。\n此卷《洛神赋》即为赵氏行书代表作。行中兼楷的结体、点画，深得二王遗意，尤其是王献之《洛神赋》的神韵，即妍美洒脱之风致。如端正匀称的结构、优美潇洒的字姿、圆润灵秀的运笔、密中有疏的布局等；同时，又呈现自身的追求，象比较丰腴的点画，轻捷的连笔，飘逸中见内敛的运锋，端美中具俯仰起伏的气势，都显示出他博取众长而自成一体的艺术特色。故后纸诸家题跋如是评述此卷，李倜曰：“大令好写洛神赋，人间合有数本，惜乎未见其全。此松雪书无一笔不合法，盖以兰亭肥本运腕而出之者，可云买王得羊矣。”高启云：“赵魏公行草写洛神赋，其法虽出入王氏父子间，然肆笔自得，则别有天趣，故其体势逸发，真如见矫若游龙之入于烟雾中也。”",[23,137,138,80,124,64,24,7,47],"名画","国画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7597768b3ca40f9e0dc49b46194d249f.jpg","纸本，行书","纵29厘米，横220.9厘米。",[51],449,11,{"id":146,"slug":147,"title":148,"dynasty":76,"author":77,"museum":111,"description":149,"tags":150,"thumbUrl":151,"material":152,"size":153,"collection":51,"collections":154,"showCount":156,"zanCount":157,"manualWeight":11,"mainColor":55},221032,"kuai-xue-shi-qing-tie-wang-xi-zhi-221032","快雪时晴帖","《快雪时晴帖》共全文4行，28字。它是作为一封信札写就的，其内容是作者在大雪初晴时以愉快心情对亲朋友人的问候。其中或行或楷，或流而止，或止而流，富有独特的节奏韵律。其笔法圆劲古雅，无一笔掉以轻心，无一字不表现出意致的悠闲逸豫。即使偶尔重心忽左忽右，全局依然匀整安稳，不失平衡的美感。",[23,137,138,80,124,47,64,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87c8116be7345d164d7d629112cd78e6.jpg","白纸本","纵23cm，横14.8cm",[51,155],"碑帖精选",387,6,{"id":159,"slug":160,"title":161,"dynasty":39,"author":162,"museum":111,"description":163,"tags":164,"thumbUrl":165,"material":166,"size":167,"collection":51,"collections":168,"showCount":169,"zanCount":71,"manualWeight":11,"mainColor":55},214341,"shu-qi-yan-lv-shi-tie-zhao-gou-214341","书七言律诗帖","赵构","释文：暮春三月巫峡长，皛皛行云浮日光。雷声忽送千峰雨， 花气浑如百和香。黄莺过水翻回去，燕子衔泥湿不妨。飞阁卷帘图画里，虚无只少对潇湘。赐亿年。宋高宗早年书法黄山谷，后改习二王，是幅字体均匀，结构图活，章法疏朗，乃高宗本色书法，原书后方有赵吴兴补图，惜为后人剪去。宋朝书家，崇尚意趣，往往轻率下笔，任意著墨，将晋唐端严书风大肆更变，有识之士有鉴于此，纷纷改弦易辙，回归传统，高宗亦是其中之功臣也。",[23,24,64,47,82,80,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6641a026cecbe41cd716299031cc973.jpg","绢本,水墨","27.1x48.7",[51],384,{"id":171,"slug":172,"title":173,"dynasty":76,"author":77,"museum":94,"description":174,"tags":175,"thumbUrl":177,"material":100,"size":101,"collection":30,"collections":178,"showCount":179,"zanCount":71,"manualWeight":11,"mainColor":55},283697,"feng-cheng-su-mo-lan-ting-xu-quan-juan-shen-long-ben-wang-xi-zhi-283697","冯承素摹兰亭序全卷（神龙本）","王羲之（303年—361年），字逸少，琅琊临沂（今山东省临沂市）人。东晋大臣、书法家，丹阳尹王旷的儿子，太尉郗鉴的女婿，有“书圣”之称。\n凭借门荫入仕，历任秘书郎、江州刺史、会稽太守，累迁右军将军，人称“王右军”。永和九年（353年），组织兰亭雅集。撰写的《兰亭序》，成为“天下第一行书”。永和十一年（355年），称病弃官，迁居于绍兴金庭。升平五年（361年）去世，安葬于瀑布山。\n善于书法，兼善隶、草、楷、行各体，精研体势，心摹手追，广采众长，备精诸体，冶于一炉，摆脱汉魏笔风，自成一家，影响深远。风格平和自然，笔势委婉含蓄，遒美健秀。在书法史上，与钟繇并称钟王，与其子王献之合称“二王”。李志敏评价：“王羲之的书法既表现以老庄哲学为基础的简淡玄远，又表现以儒家的中庸之道为基础的冲和。”",[23,137,80,24,124,64,176,7,47],"临摹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc26cdba5ef638e960a7c1fa4d917fa25.jpg",[],320,{"id":181,"slug":182,"title":183,"dynasty":76,"author":77,"museum":184,"description":185,"tags":186,"thumbUrl":189,"material":49,"size":190,"collection":51,"collections":191,"showCount":192,"zanCount":193,"manualWeight":11,"mainColor":55},220404,"xin-tai-ping-ben-huang-ting-jing-wang-xi-zhi-220404","心太平本黄庭经","日本五岛美术馆","右军刻本的经典(此本传为赵孟頫藏宋拓本)，不知何时流入日本并归宇野雪村藏，开篇是“上有黄庭下关元，后有幽阙前命门”，此帖刻工亦极精，末署“永和十二年五月廿四日五山阴县写”，让自己感兴趣的还在于此帖后的题跋，有元代方方壶以隶书所题的“元至正二年春仲上清道士方方壶识”，又有“道门硕儒之称”的无为道人(张宇初)所题：“右黄庭经一帖。尝闻之前辈在元盛时吾山所藏。迨八十余本。于中此本最为精善。或传为松雪斋本也。而兵后并皆散逸。惟此本方壶翁独能宝之。未常示人。先父冲虚公用力求之数载方得。将以为家宝。今观其笔势神化。诚非他帖可比。恐后来者不知所自暇因识之。岁洪武已末仲夏嗣四十三代天师无为书于方廉斋。”后则继有明代陈继儒、董其昌再题，董其昌的记有“黄庭俱七字成文，右军首书四言，惟此贴独异……又昔人论右军黄庭，尚存锺法，今他本不似元常结构，似钟惟此本，余在长安闻此帖有年，曾游新安访之，乃南羽从留都购得，信希世之珍，墨池为放光。”——董其昌的惊喜是有道理的，同样是小楷，此帖与《乐毅论》相比，法严气逸，雍容和雅，有隶意，古韵足，这也正是思翁所云“尚存锺法”的原因吧。",[23,24,26,7,124,49,47,187,188,176],"写经","典籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0bed687f6100a9b9df30c7becc6428d8.jpg","25.4x100厘米",[51],274,5,{"id":195,"slug":196,"title":197,"dynasty":198,"author":199,"museum":111,"description":200,"tags":201,"thumbUrl":205,"material":67,"size":206,"collection":51,"collections":207,"showCount":208,"zanCount":209,"manualWeight":11,"mainColor":55},214381,"zui-weng-ting-ji-wen-zheng-ming-214381","醉翁亭记","明","文徵明","这是一本非常精美的欧阳修的小楷《醉翁亭记》，写于82岁，后面有一个长长的后记，解释了他用王羲之的风格做这个小楷的原因。是其传世小楷之极品，笔触有力、扎实、精致。",[26,202,24,7,47,203,204],"小楷","亭","饮酒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3961e4e010b11405c3cabb48ce358a18.jpg","28.6x53.5",[51],273,7,{"id":211,"slug":212,"title":213,"dynasty":76,"author":77,"museum":214,"description":215,"tags":216,"thumbUrl":217,"material":218,"size":219,"collection":51,"collections":220,"showCount":221,"zanCount":222,"manualWeight":11,"mainColor":55},218649,"xing-rang-tie-wang-xi-zhi-218649","行穰帖","美国普林斯顿大学美术馆","此帖为唐代王羲之草书作品的双钩，2行，15字。笔画厚实，没有尖锐的边缘，有如印章的含义。角色是开放和多样的",[23,80,124,64,24,47,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbeefa6965b37716730ae0572603f9cce.jpg","绢本,设色","24.4x8.9",[51],266,2,{"id":224,"slug":225,"title":226,"dynasty":39,"author":60,"museum":61,"description":227,"tags":228,"thumbUrl":229,"material":49,"size":230,"collection":51,"collections":231,"showCount":232,"zanCount":71,"manualWeight":11,"mainColor":55},214380,"can-zheng-tie-mi-fei-214380","参政帖","这件作品的书法笔力流畅，结构严谨，字体秀丽。文字中蕴含着米芾对皇帝的敬意和对宋朝文化的尊重。他运用了楷书和行书的特点，使得整件作品显得庄重而富有美感。\n\n米芾是宋代著名的书法家，他的作品擅长运用笔力和结构来表现书法的美感。在参政帖书法中，他运用了流畅的笔力和严谨的结构来描绘文字，使得整件作品显得庄重而有品位。同时，他还运用了秀丽的字体来表现文字的美感，使得这件作品充满生命力和真实感。",[23,24,64,47,82,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbe208556c106dec4d231c4319420b8a.jpg","19.6x6.8",[51],264,{"id":234,"slug":235,"title":236,"dynasty":18,"author":237,"museum":41,"description":238,"tags":239,"thumbUrl":240,"material":140,"size":241,"collection":51,"collections":242,"showCount":243,"zanCount":244,"manualWeight":11,"mainColor":55},239553,"wang-xi-zhi-lan-ting-xu-juan-chuan-tang-chu-sui-liang-mo-ben-chu-sui-liang-239553","王羲之兰亭序卷（传唐褚遂良摹本）","褚遂良","东晋永和九年（353年）三月三日，山阴名士四十一人集于兰亭，修禊祭，宴曲水。即席赋诗，汇为一卷，由王羲之当场作序。这篇序情文并茂，心手双畅，向称“天下第一行书”。其妍美流便的风神，被后世视为行书的典范和楷模。唐太宗李世民酷爱羲之书法，在得到《兰亭序》真迹后，曾命当朝书法名家褚遂良、欧阳询以及弘文馆拓书人冯承素等勾摹数本，分赐臣下，以广布扬。兰亭真迹据记载已随唐太宗殉葬昭陵。这些唐摹本主要有两个系统，一为褚遂良摹本，存世的褚遂良、虞世南、冯承素等墨迹摹本，多属此系统，以冯摹的“神龙本”最为接近原作；一为欧阳询摹本，刻帖“定武本”即源自欧本，为存世最佳的石刻帖本。\n此卷旧传为褚遂良所摹，故卷前项元汴标题“褚摹王羲之兰亭帖”，简称为“褚摹兰亭”，实未必确切。全卷有宋、元、明诸家题跋或观款，以及鉴藏印记215方，又半印4方。其中“滕中”等2方北宋印和南宋绍兴内府“绍兴”、“内府印”、“睿思东阁”等7方印属真，第一后纸上米芾诗题及7方钤印亦真。因知此卷当为北宋米芾前临摹本。但作品质地属楮皮纸，是宋以后方普遍使用的纸质，或可证此为北宋摹本。全卷由两幅纸拼接，前纸19行，后纸9行，行款排列较松匀，以临写为主，辅以勾描，因此书写较为流畅，亦具一定功力。\n此卷流传鉴藏经过大致为：北宋滕中、南宋绍兴内府、元赵孟頫、明浦江郑氏、项元汴、清卞永誉、乾隆内府。曾著录于清顾复《平生壮观》、卞永誉《式古堂书画汇考》、吴升《大观录》、安岐《墨缘汇观》、清内府《石渠宝笈·续编》、阮元《石渠随笔》等书，并刻入《兰亭八柱帖》。",[23,80,124,176,64,47,24,7,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F231a989ca4ec3e5d71859f048f630428.jpg","纵24厘米，横88.5厘米",[51],242,1,{"id":246,"slug":247,"title":248,"dynasty":18,"author":249,"museum":41,"description":250,"tags":251,"thumbUrl":252,"material":30,"size":253,"collection":51,"collections":254,"showCount":255,"zanCount":244,"manualWeight":11,"mainColor":55},221089,"mo-lan-ting-xu-juan-yu-shi-nan-221089","《摹兰亭序卷》","虞世南","《兰亭序》是东晋右军将军王羲之51岁时的得意之笔，记述了他与当朝众多达官显贵、文人墨客雅集兰亭、修稧事也的壮观景象，抒发了他对人之生死、修短随化的感叹。崇山峻岭之下，茂林修竹之边，乘带酒意，挥毫泼墨，为众人诗赋草成序文，文章清新优美，书法遒健飘逸。被历代书界奉为极品。宋代书法大家 米芾称其为“中国行书第一帖”。王羲之因此也被后世尊为“书圣”。后人在研究其书法艺术时赞誉颇多：“点画秀美，行气流畅”，“清风出袖，明月入怀”，“飘若浮云，矫若惊龙”，“遒媚劲健，绝代所无”，“贵越群品，古今莫二”。确实如此，传说王羲之以后也曾再书《兰亭序》，但均逊色于原作，所以《兰亭序》原稿一直为王羲之视为传家之宝，为王氏后代收藏，传至王羲之第七代时被唐太宗李世民“骗”入朝廷，唐太宗得《兰亭序》后，曾诏名手赵模、冯承素、虞世南、褚遂良等人钩摹数个乱真副本，分赐亲贵近臣，之后民间也广为临摹，但无一胜过王羲之的原作，所以《兰亭序》真迹被唐太宗视为稀世珍品而最终殉葬，这更让后世对《兰亭序》原作崇敬不已，冠以中国书法第一帖的美名实在无可争议。\n\n千百年来，《兰亭序》有多个版本在世间流传，最受推崇的是藏于北京故宫博物院的冯承素摹本《兰亭序》。《冯本》为唐代内府栩书官冯承素摹写，因其卷引首处钤有“神龙”二字的左半小印，后世又称其为“神龙本”，因使用“双钩”摹法，为唐人摹本中最接近兰亭真迹者。此本摹写精细，笔法、墨气、行款、神韵，都得以体现，公认为是最好的摹本。",[23,24,64,176,124,47,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9000c4d4ad5ddc233e1f2a03ab38558.jpg","纵24.8cm，横57.7cm",[51,155],230,{"id":257,"slug":258,"title":259,"dynasty":109,"author":110,"museum":41,"description":260,"tags":261,"thumbUrl":262,"material":67,"size":263,"collection":30,"collections":264,"showCount":265,"zanCount":11,"manualWeight":11,"mainColor":104},214292,"xiao-kai-luo-shen-fu-ce-3-zhao-meng-fu-214292","小楷洛神赋册-3","笔触薄而有力，结体饶有兴味，风格清俊，让人在奢华中看到真正的朴素。",[23,80,26,7,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dc5946eea434a0e97c747c9c1569b0c.jpg","25.7x12.6",[],227,{"id":267,"slug":268,"title":269,"dynasty":18,"author":270,"museum":271,"description":272,"tags":273,"thumbUrl":274,"material":275,"size":276,"collection":51,"collections":277,"showCount":278,"zanCount":222,"manualWeight":11,"mainColor":55},221077,"qian-zi-wen-he-juan-zhi-yong-221077","千字文合卷","智永","藏于日本民间","智永，僧法极，字智永，人称永禅师，智永善书，书有家法,还将王羲之作为传家之宝的《兰亭序》，带到云门寺保存，云门寺有书阁，智永禅师居阁上临书20年。《真书千字文》系智永的代表书作，历来对它评价颇高。对他所写的《千字文》，清何绍基说：“笔笔从空中来，从空中住，虽屋漏痕，犹不足以喻之”。我们细读他的墨迹《千字文》，看得出他用笔上藏头护尾，一波三折，含蓄而有韵律的意趣。董、何之说可谓精确、具体、恰当。\n智永对乃祖王羲之、王献之的书法极为钦佩，决心使乃祖的书法万古流芳。智永练习书法极为刻苦。他在永欣寺时，就曾盖一座小楼专供练字，发誓“书不成，不下此楼”。就在这座冷冷清清的小楼里，他如痴如醉地练字，毛笔用了一支又一支，他常把用坏了的毛笔扔进大瓮，天长日久，就积了好几瓮，后来埋在一起，成为“退笔冢”。\n经过二三十年的努力，智永的书法果然大有进步。他的名气也越来越大，求其真迹者很多，以至他户外之履常满，连门限也踩坏了，智永又只好用铁皮来加固门槛，时人称之为“铁门槛”。\n张怀瓘将古今善书法者分成三品：神品、妙品、能品。智永的行书入于能品，隶书、章草、草书皆入妙品。可见智永书法成就已达到相当高的水平。\n智永书法流传甚广，宋御府即曾收藏智永草书13件，真草10件。其《真草千字文》一直流传至今。\n《真草千字文》采用以楷书对释草书的方式，这是智永的创造，既便于学书者释读草字，又能让人同时欣赏他两种体裁的书法，可谓一举两得。智永禅师草书“千字文”，完全得笔于乃祖王右军，并师承了草字法规。",[23,24,26,81,124,188,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c2ef623eca96f5f0d8a6929b8718009.jpg","纸本墨笔","原册每开纵24厘米，横11厘米",[51,155],226,{"id":280,"slug":281,"title":282,"dynasty":76,"author":283,"museum":41,"description":284,"tags":285,"thumbUrl":287,"material":202,"size":30,"collection":155,"collections":288,"showCount":289,"zanCount":290,"manualWeight":11,"mainColor":34},221015,"xuan-shi-biao-zhong-yao-221015","宣示表","钟繇","梁武帝萧衍誉道“势巧形密，胜于自运”。笔法质朴浑厚，雍容自然。王导东渡时将此表缝入衣带携走，后来传给逸少，逸少又将之传给王修，王修便带着它入土为安，从此不见天日。\n现在所能见到的《宣示表》只有刻本，一般论者部认为是根据王羲之临本摹刻，始见于宋《淳化阁帖》，共18行。后世阁帖、单本多有翻刻，应以宋刻宋拓本为佳。此帖较钟繇其他作品，无论在笔法或结体上，都更显出一种较为成熟的楷书体态和气息，点画遒劲而显朴茂，字体宽博而多扁方，充分表现了魏晋时代正走向成熟的楷书的艺术特征。此帖风格直接影响了二王小楷面貌的形成 (从《黄庭经》、《乐毅论》，《洛神赋十三行》等就可看出)，进而影响到元、明、清三代的小楷创作，如赵孟頫、文徵明、王宠、黄道周等。更具历史意义的是，此帖所具备的点画法则、结体规律等影响和促进了楷书高峰——唐楷的到来。因此，钟繇《宣示表》可以说是楷书艺术的鼻祖。",[24,26,25,286,7,202],"碑帖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd55b96c8113998cb9b0e7129ca046fad.jpg",[155],201,3,{"id":292,"slug":293,"title":294,"dynasty":198,"author":295,"museum":111,"description":296,"tags":297,"thumbUrl":298,"material":67,"size":299,"collection":51,"collections":300,"showCount":301,"zanCount":244,"manualWeight":11,"mainColor":55},214552,"za-shu-shi-tie-juan-zhu-yun-ming-214552","杂书诗帖卷","祝允明","此卷书曹植《乐府》诗四首，写草书而不乱，情密势足，激越跃发，荦荦大度，点画狼藉，纵横驰骋，是他晚年狂草作品的高峰。",[23,24,81,124,80,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e9356818737424fb65f189c2dbbb9d6.jpg","36.1x1147.5",[51],194,{"id":303,"slug":304,"title":305,"dynasty":76,"author":77,"museum":306,"description":307,"tags":308,"thumbUrl":310,"material":311,"size":30,"collection":51,"collections":312,"showCount":313,"zanCount":11,"manualWeight":11,"mainColor":55},221027,"sang-luan-de-shi-er-xie-tie-wang-xi-zhi-221027","《丧乱得示二谢帖》","三之丸尚藏馆","《丧乱得示二谢帖》是唐代内府的双钩填墨摹本，奈良时期由遣唐使传入日本。日本皇室宫内厅三之丸尚藏馆藏。",[23,24,64,7,309],"手札","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b62cd35fac662a85ccdc68062f08ebe.jpg","尺牍，行书。 纸本",[51],190,{"id":315,"slug":316,"title":317,"dynasty":76,"author":77,"museum":318,"description":319,"tags":320,"thumbUrl":321,"material":30,"size":30,"collection":51,"collections":322,"showCount":323,"zanCount":11,"manualWeight":11,"mainColor":104},221029,"wan-sui-tong-tian-tie-wang-xi-zhi-221029","《万岁通天帖》","辽宁省博物馆","《萬歲通天帖》又稱唐摹《王羲之一門書翰》、《王氏寶章集》。硬黃紙本，行草書，是東晉王羲之等七人十帖的唐摹書法精品，現藏於遼寧省博物館。\n宋代《秘閣續帖》、明代華夏《真賞齋帖》、文徵明《停雲館帖》、王肯堂《鬱岡齋帖》、清代《三希堂法帖》曾刻錄。 其中以真賞齋為精刻而有名。",[23,24,124,64,81,176,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F266db6eca32a01e618503ecb5383e358.jpg",[51,155],189,{"id":325,"slug":326,"title":327,"dynasty":18,"author":328,"museum":329,"description":330,"tags":331,"thumbUrl":332,"material":333,"size":334,"collection":51,"collections":335,"showCount":336,"zanCount":244,"manualWeight":11,"mainColor":104},221069,"ling-fei-jing-chang-juan-zhong-shao-jing-221069","灵飞经长卷","钟绍京","美国大都会艺术博物馆","《灵飞经》又名《六甲灵飞经》，是灵道教的一部经。主要阐述存思之法。今道藏有《上清琼宫灵飞六甲左右上符》，一卷。《汉武内传》谓此经用于请命延算、长生久视、驱策众灵、役使鬼神。\n《灵飞经》书法作品是唐代著名小楷之一，无名款。元袁桷、明董其昌皆以为唐钟绍京书。明董其昌说：“赵文敏一生学钟绍京终十得三、四耳”。近代大书家启功先生的书法也受益于《灵飞经》。可见《灵飞经》有着超凡脱俗的艺术感染力。\n清包世臣在《艺舟双楫·右下笔潭》中称其：“如新莺歌白啭之声”，杨守敬评：“灵飞经一册，最为精劲，为世所重”。《灵飞经》的章法为纵有行，横无列。",[23,24,26,187,7,124,80,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8ea8afb39f27c1c093c1675d3b1faa1.jpg","墨迹本","20.8×8.9cm",[51,155],186,{"id":338,"slug":339,"title":340,"dynasty":18,"author":19,"museum":41,"description":341,"tags":342,"thumbUrl":343,"material":49,"size":344,"collection":51,"collections":345,"showCount":346,"zanCount":244,"manualWeight":11,"mainColor":104},221054,"zheng-zuo-wei-tie-quan-juan-yan-zhen-qing-221054","争座位帖全卷","《争座位帖》亦称《论座帖》、《与郭仆射书》，为颜真卿行草书精品，唐广德二年（公元764）颜真卿写给定襄王郭英义的书信手稿。行草书，传有七纸，约64行古时。\n《争座位帖》与颜的《祭侄文稿》、《祭伯文稿》被合称为“颜书三稿”。与王羲之的《兰亭序》并称为“行书双璧”。此稿信笔疾书，苍劲古雅，为世所珍。",[23,24,64,124,80,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fead3ade21468b04a4fd65a4d6fb8c1.jpg","370x30厘米",[51,155],184,{"id":348,"slug":349,"title":350,"dynasty":18,"author":351,"museum":111,"description":352,"tags":353,"thumbUrl":354,"material":152,"size":355,"collection":51,"collections":356,"showCount":357,"zanCount":244,"manualWeight":11,"mainColor":55},221097,"zi-xu-tie-quan-juan-huai-su-221097","自叙帖全卷","怀素","《自叙帖》为怀素自述其生平大略，兼录颜真卿、张谓、戴叔伦等人对其的赠诗成文。通篇为狂草，笔笔中锋，如锥划沙盘，纵横斜直，无往不收；全卷强调连绵草势，运笔上下翻转，忽左忽右，起伏摆荡，有疾有速，有轻有重，通幅于规矩法度中，奇踪变化，神采动荡，实为草书艺术的极致表现。《自叙帖》自唐末五代以来一直是草书领域的热门法帖，在中国草书史上承前启后，在书法艺术领域影响深远。 它是怀素流传下来篇幅最长的作品，人称“天下第一草书”。 正如北京大学教授、引碑入草开创者的李志敏评价：怀素的草书奔逸中有清秀之神，狂放中有淳穆之气”。",[23,24,81,124,47,7,80,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf2b523ef15a110b2a5489755e76b49e.jpg","纵28.3厘米，横775厘米",[51,155],183,{"id":359,"slug":360,"title":361,"dynasty":76,"author":77,"museum":362,"description":363,"tags":364,"thumbUrl":365,"material":366,"size":367,"collection":51,"collections":368,"showCount":357,"zanCount":222,"manualWeight":11,"mainColor":34},221028,"shi-qi-tie-wang-xi-zhi-221028","十七帖","日本京都国立博物馆","《十七帖》是王羲之草书代表作，因卷首由“十七”二字而得名。原墨迹早佚，现传世《十七帖》是刻本。唐张彦远“法书要录”记载了《十七帖》原墨迹的情况：“《十七帖》长一丈二尺，即贞观中内本也，一百七行，九百四十三字。是煊赫著名帖也。太宗皇帝购求二王书，大王书有三千纸，率以一丈二尺为卷，取其书迹与言语以类相从缀成卷。”\n此帖为一组书信，据考证是写给他朋友益州刺史周抚的。书写时间从永和三年到升平五年（公元347-361年），时间长达十四年之久，是研究王羲之生平和书法发展的重要资料。清人包世臣有“十七帖疏征”一文可以参考。\n此帖前人评价甚高。如宋黄伯思说：“此帖逸少书中龙也”。朱熹说“玩其笔意，从容衍裕，而气象超然，不与法缚，不求法脱。所谓一一从自己胸襟中流出者。”也有人认为此帖“笔法古质浑然，有篆籀遗意”。这些评价都很中肯。尤其说它们写的从容、不受法的拘束，好像从自己胸中自然流出一样，最为深刻准确。孙过庭曾说过：“子敬（王献之）已下，莫不鼓努为力，标置成体”，即王羲之以下，都是在写字时故意用力，故意要表现自己有自己的艺术风格，这样就反而失去书写时的自然之美了。这种对比式的评论，对书法欣赏很有启示。",[23,81,24,124,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4981f2b1a02a1372ae9f32e7e1133e56.jpg","纸本墨拓","纵25.1厘米，横16.4厘米。",[51,155],{"id":370,"slug":371,"title":372,"dynasty":39,"author":373,"museum":41,"description":374,"tags":375,"thumbUrl":378,"material":49,"size":379,"collection":51,"collections":380,"showCount":381,"zanCount":11,"manualWeight":11,"mainColor":55},221310,"zhi-ping-tie-su-shi-221310","治平帖","苏轼","释文：\n轼启：久别思念不忘，远想体中佳胜，法眷各无恙。佛阁必已成就，焚修不易。数年念经，度得几人徒弟。应师仍在思蒙住院，如何？略望示及。石头桥、堋头两处坟茔，必烦照管。程六小心否，惟频与提举是要。非久求蜀中一郡归去，相见未间，惟保爱之，不宣。轼手启上。治平史院主、徐大师二大士侍者。八月十八日。\n卷末有赵孟頫、文徵明、王穉登题跋。鉴藏印有“商丘宋荦审定真迹”、“吴江张基德载图书”二方。本卷引首有明人所画苏轼像及释东皋妙声所书《东坡先生像赞》。\n此帖是苏轼书写的信札，内容主要是委托乡僧照管坟茔之事。根据帖后赵孟頫、文徵明、王穉登三人之跋可知，此帖当是苏轼于北宋熙宁年间在京师时所作，时年约30余岁。该帖笔法精细，字体遒媚，与苏轼早年书法特征吻合，正如赵孟頫所称“字划风流韵胜”。\n《平生壮观》卷二、《装余偶记》卷二、《盛京书画录》第二册著录。",[23,137,138,80,124,64,376,377,47,7],"白描","人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9babc75fc8a45145c2cd4c01861509d.jpg","纵29.2厘米，横45.2厘米",[51],175,{"id":383,"slug":384,"title":385,"dynasty":39,"author":40,"museum":111,"description":386,"tags":387,"thumbUrl":392,"material":393,"size":394,"collection":51,"collections":395,"showCount":396,"zanCount":290,"manualWeight":11,"mainColor":104},221342,"nong-fang-shi-tie-zhao-ji-221342","秾芳诗帖","南明抗清英雄陈邦彦曾跋赵佶瘦金书《秾芳诗帖》，“宣和书画，超轶千古。此卷以画法作书，脱去笔墨畦径，行间如幽兰丛竹，泠泠作风雨声，真神品也。”既是对这一诗帖的评赞，也是对“瘦金书”的艺术效果很好的概括。",[23,24,7,124,26,44,47,388,389,390,391],"牡丹","庭","露","霞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff429bef1de6af3c93a64b6d6d677d91d.jpg","绢本","纵27.2厘米，横265.9厘米",[51],171,{"id":398,"slug":399,"title":400,"dynasty":198,"author":401,"museum":94,"description":402,"tags":403,"thumbUrl":405,"material":30,"size":30,"collection":155,"collections":406,"showCount":407,"zanCount":11,"manualWeight":11,"mainColor":34},242190,"dong-han-cao-quan-bei-yi-ming-242190","东汉曹全碑","佚名","此作为汉隶经典范本，笔致秀逸灵动，波磔舒展柔婉却筋骨暗藏。通篇章法匀整疏朗，字距宽绰，行气舒缓从容，将东汉隶书成熟妍雅的风神尽显。\n\n拓本墨色沉凝古雅，刀痕与笔意交融，朴厚静穆的庙堂之气与娟秀飘逸的文人意趣相融共生。每字各尽姿态，或如垂柳拂风，或似流云卷舒，刚柔相济间法度暗藏。历经岁月淘洗，金石质感依旧清晰可感，静静诉说千年前的笔墨温度，尽显汉隶秀美一路的绝佳风貌。",[24,404,25,7,176],"隶书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb45a6f33821c36606c8cb0fb6a8f021.jpg",[155],170,{"id":409,"slug":410,"title":411,"dynasty":18,"author":412,"museum":41,"description":413,"tags":414,"thumbUrl":415,"material":67,"size":416,"collection":51,"collections":417,"showCount":418,"zanCount":244,"manualWeight":11,"mainColor":104},214512,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-ou-yang-xun-214512","宋拓唐虞恭公温彦博碑","欧阳询","此卷名为《虞恭公温彦博碑》，由岑文本作，欧阳询撰文，唐代刻本，宋代拓本，是《蔼蔼高门》中 高 字的未损坏版本。精美的黑墨水地形图，经裁剪后装在小册子里。虞恭公温彦博碑，又称温彦博碑，立于唐贞观十一年（637年）十月，位于陕西省礼泉县。这块石碑是用纯文字书写的，共有36行77个字符。前言是四行16字的篆书。这块石碑是陕西礼泉昭陵太宗（李世民）墓的陪葬碑之一。\n这块石碑上的书法艺术具有极高的价值，被历代书法家所称道。王虚舟跋曰：“史称欧阳询卒于贞观间，年八十五岁，此碑书于贞观十一年，是率更最晚的作品。复四年，尚有小楷千文，计书此碑，亦已将八十矣。而圆秀膄劲，与《醴泉》、《化度》不殊，宜其特出有唐，为百代模楷也。",[23,24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9ed2ced78623c5d7dd690f27719b9d0.jpg","18.3x9.2",[51],168,{"id":420,"slug":421,"title":422,"dynasty":109,"author":110,"museum":41,"description":260,"tags":423,"thumbUrl":424,"material":67,"size":263,"collection":30,"collections":425,"showCount":426,"zanCount":11,"manualWeight":11,"mainColor":104},214291,"xiao-kai-luo-shen-fu-ce-2-zhao-meng-fu-214291","小楷洛神赋册-2",[23,80,24,26,202,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00df43ff9eb6f3472d958c7858636f68.jpg",[],162,{"id":428,"slug":429,"title":430,"dynasty":18,"author":412,"museum":94,"description":431,"tags":432,"thumbUrl":433,"material":100,"size":101,"collection":30,"collections":434,"showCount":435,"zanCount":11,"manualWeight":11,"mainColor":55},288064,"jiu-cheng-gong-li-quan-ming-ou-yang-xun-288064","九成宫醴泉铭","欧阳询（生卒年不详），字信本，潭州临湘县（今湖南长沙市）人。唐朝大臣、书法家。欧阳纥之子。\n隋炀帝即位，欧阳询出任太常博士。武德三年（620年），投靠夏王窦建德，授太常卿一职。武德五年（622年），归顺唐高祖李渊，授侍中，累迁银青光禄大夫、给事中、太子率更令、弘文馆学士，册封渤海县男，主持编撰《艺文类聚》。贞观初年去世，时年八十五岁。\n欧阳询精通书法，与虞世南、褚遂良、薛稷三位并称“初唐四大家”。因其子欧阳通善于书法，父子俩被合称为“大小欧”。书法于平正中见险绝，号为“欧体”。代表作：楷书有《九成宫醴泉铭》《皇甫诞碑》《化度寺碑》，行书有《仲尼梦奠帖》《行书千字文》。对书法有其独到的见解，有书法论著《八诀》《传授诀》《用笔论》《三十六法》。所写《化度寺邑禅师舍利塔铭》《虞恭公温彦博碑》《皇甫诞碑》被称为“唐人楷书第一”。",[26,24,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F592b338cf028ed860694d897ef6773d8.jpg",[],153,{"id":437,"slug":438,"title":439,"dynasty":76,"author":283,"museum":41,"description":440,"tags":441,"thumbUrl":442,"material":30,"size":30,"collection":51,"collections":443,"showCount":444,"zanCount":71,"manualWeight":11,"mainColor":55},221017,"chun-hua-ge-tie-xuan-shi-biao-zhong-yao-221017","淳化阁帖宣示表","宣示表，故宫博物院藏，著名小楷法帖，原为三国时魏钟繇所书，真迹不传于世。只有刻本，一般论者部认为是根据王羲之临本摹刻，始见于宋《淳化阁帖》，共18行。后世阁帖、单本多有翻刻，应以宋刻宋拓本为佳。此帖较钟繇其他作品，无论在笔法或结体上，都更显出一种较为成熟的楷书体态和气息，点画遒劲而显朴茂，字体宽博而多扁方，充分表现了魏晋时代正走向成熟的楷书的艺术特征。",[24,26,7,65],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb6c853dfd420ca1bbc6c91fdf8c5872.jpg",[51],149,{"id":446,"slug":447,"title":448,"dynasty":18,"author":19,"museum":271,"description":449,"tags":450,"thumbUrl":451,"material":452,"size":453,"collection":51,"collections":454,"showCount":455,"zanCount":11,"manualWeight":11,"mainColor":104},221057,"zi-shu-gao-shen-tie-yan-zhen-qing-221057","自书告身帖","《自书告身》，楷书纸本， 凡三十三行，二百五十三字，结衔小字十三行，传为颜真卿所书的墨迹。今藏日本中村不折氏书道博物馆。\n该帖端庄朴厚，苍劲有力，用一种高古气象和庙堂之气，为其晚年风格成熟时期的代表作品。\n《自书告身》为内府旧藏之物，前有纯庙前有御书十余行，隔水绫上复嵌御书数小行，后有米友仁、蔡襄、董其昌三跋，又朱朗白一跋，颜书墨彩已脱。后为清宫石渠宝笈之物。",[23,24,26,124,82,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec64bbb5452235f254da554a2a394817.jpg","楷书纸本","386字",[51,155],141,{"id":457,"slug":458,"title":459,"dynasty":460,"author":461,"museum":94,"description":462,"tags":463,"thumbUrl":466,"material":100,"size":101,"collection":30,"collections":467,"showCount":468,"zanCount":244,"manualWeight":11,"mainColor":55},288300,"ba-da-shan-ren-xing-kai-qian-zi-wen-zhu-da-288300","八大山人行楷千字文","清","朱耷","朱耷（1626年—约1705年），原名朱统𨨗，字刃庵，号八大山人、雪个、个山、人屋、道朗等，出家时释名传綮，汉族，江西南昌人 。明末清初画家，中国画一代宗师。",[24,464,64,26,7,465],"行楷","千字文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb304caf1691d1b609551af57383ce73c.jpg",[],138,{"id":470,"slug":471,"title":472,"dynasty":18,"author":473,"museum":318,"description":474,"tags":475,"thumbUrl":476,"material":333,"size":30,"collection":51,"collections":477,"showCount":478,"zanCount":222,"manualWeight":11,"mainColor":104},221080,"gu-shi-si-tie-quan-juan-zhang-xu-221080","古诗四帖全卷","张旭","《古诗四帖》是唐代张旭创作的书法作品。\n《宣和书谱》、《续书画题跋记》、《式古堂书画汇考》等著录。\n通篇笔画丰满，绝无纤弱浮滑之笔。行文跌宕起伏，动静交错，满纸如云烟缭绕，实乃草书颠峰之篇。北京大学教授、引碑入草开创者李志敏评价：“古诗四帖无一笔不争，无一笔不让，有呼有应，浑然天成。” [2] 今人郭子绪云：“《古诗四帖》，可以说是张旭全部生命的结晶，是天才美和自然美的典型，民族艺术的精华，永恒美的象征。”",[23,24,81,124,80,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fece062efbfba0cc39a01803fca4cfb21.jpg",[51,155],137,{"id":480,"slug":481,"title":482,"dynasty":198,"author":483,"museum":484,"description":485,"tags":486,"thumbUrl":487,"material":49,"size":488,"collection":51,"collections":489,"showCount":490,"zanCount":222,"manualWeight":11,"mainColor":55},221999,"teng-wang-ge-xu-wen-zheng-ming-221999","滕王阁序","文徴明","苏州博物馆","文徵明书法初师李应祯，后广泛学习前代名迹，篆、隶、楷、行、草各有造诣。尤擅长行书和小楷，温润秀劲，法度谨严而意态生动。虽无雄浑的气势，却具晋唐书法的风致，也有自己的一定风貌。小楷笔划婉转，节奏缓和，与他的绘画风格谐和，有“明朝第一”之称。",[23,124,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb2ada68a9278ee56f351e4bb9b6a147.jpg","23.5×211cm",[51],136,{"id":492,"slug":493,"title":494,"dynasty":18,"author":19,"museum":41,"description":495,"tags":496,"thumbUrl":497,"material":49,"size":498,"collection":51,"collections":499,"showCount":490,"zanCount":11,"manualWeight":11,"mainColor":104},214477,"da-tang-zhong-xing-song-xia-ce-1-yan-zhen-qing-214477","大唐中兴颂下册-1","由唐朝袁杰撰写，颜真卿执笔。771年6月，安禄山叛军被打败后，刻在湖南祁阳无锡河的岩壁上。左侧为素书题字，21行21字，后为黄鲁直题字，11行26-28字。铭文分两卷，共166页，每卷都是用黑色墨水在麻纸上题写的。这是第二卷。",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56e1815a2be3556f1076f686cd2bf3cd.jpg","29.3x15.5",[51],{"id":501,"slug":502,"title":503,"dynasty":18,"author":504,"museum":20,"description":505,"tags":506,"thumbUrl":509,"material":67,"size":510,"collection":30,"collections":511,"showCount":490,"zanCount":222,"manualWeight":11,"mainColor":34},214206,"ji-wang-sheng-jiao-xu-huai-ren-214206","集王圣教序","怀仁","据说唐僧玄奘从印度回到长安后，为太宗皇帝翻译了各种佛经，太宗皇帝为他写了一篇序言和一份奏折。这篇序言与太宗皇帝的回信、太子的回文和玄奘的《般若波罗密多心经》译文一起被刻在石头上，成为这块碑。从647年到672年，由于志宁、赖吉、许敬宗、薛元超和李义府历时25年完成，并由诸葛神力润色，朱敬彰刻印。宋代以后，宋以后碑石中断，因捶拓日久，字画逐渐浅细，所以未破损的地形都是宋代的地形。",[23,507,25,24,64,508,7],"唐代","宗教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde9d33b6ee3ce2f2eadb6650d95c9212.jpg","315.3x141.3",[],{"id":513,"slug":514,"title":515,"dynasty":18,"author":351,"museum":111,"description":516,"tags":517,"thumbUrl":521,"material":152,"size":522,"collection":51,"collections":523,"showCount":524,"zanCount":71,"manualWeight":11,"mainColor":104},221096,"xiao-cao-qian-zi-wen-huai-su-221096","小草千字文","《小草千字文》纸本真迹是唐代书法家怀素创作的小草书法作品。共9页42行（为周兴嗣原文前段），计530字，盖有藏印数枚，是价值连城的唐代墨宝，被誉为“天下第一小草”名帖。现为著名学者黄锦祥所藏，是怀素唯一传世的小草书法真迹。此帖笔画瘦劲有力，灵动自然，毫无涣散衰颓之状。通幅笔墨奔放流畅，一气贯之蔚为壮观。是古代最珍贵、最标准的小草范本之一。",[23,24,81,518,124,519,520,47,7],"小草","飞白","墨色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe64996c852b8cf3f704a5cc33bff5043.jpg","纵26.8厘米，横13.5厘米，共9页",[51,155],132,{"id":526,"slug":527,"title":528,"dynasty":109,"author":110,"museum":41,"description":260,"tags":529,"thumbUrl":530,"material":67,"size":263,"collection":30,"collections":531,"showCount":532,"zanCount":11,"manualWeight":11,"mainColor":104},214290,"xiao-kai-luo-shen-fu-ce-4-zhao-meng-fu-214290","小楷洛神赋册-4",[23,24,26,202,83,82,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d91818c9b6238032d2985f530917771.jpg",[],130,{"id":534,"slug":535,"title":536,"dynasty":76,"author":77,"museum":94,"description":537,"tags":538,"thumbUrl":539,"material":540,"size":30,"collection":51,"collections":541,"showCount":542,"zanCount":222,"manualWeight":11,"mainColor":55},221040,"huang-ting-jing-wang-xi-zhi-221040","黄庭经","《黄庭经》，王羲之书，小楷，一百行。原本为黄素绢本，在宋代曾摹刻上石，有拓本流传。此帖其法极严，其气亦逸，有秀美开郎之意态。关于黄庭经，有一段传说：山阴有一道士，欲得王羲之书法，因知其爱鹅成癖，所以特地准备了一笼又肥又大的白鹅，作为写经的报酬。王羲之见鹅欣然为道士写了半天的经文，高兴地“笼鹅而归”。原文载于南朝《论书表》，文中叙说王羲之所书为《道》、《德》之经，后因传之再三，就变成了《黄庭经》了。\n因此，《黄庭经》又俗称《换鹅帖》，无款，末署“永和十二年(356)五月”，现在留传的只是后世的摹刻本了。\n《黄庭经》是道教上清派的重要经典，也被内丹家奉为内丹修炼的主要经典，属于洞玄部。现传《黄庭经》有《黄庭内景玉经》、《黄庭外景玉经》、《黄庭中景玉经》三种，因中经出黄庭经赏析(5张)现较晚，可以暂置不论书中认为人体各处都有神仙，首次提出了三丹田的理论。介绍了许多存思观想的方法。关于内外经的作者、成书年代及其相互关系，向来有多种说法。\n《黄庭经》有诸多名家临本传世，如智永、欧阳询、虞世南、褚遂良、赵孟頫等，他们均从中探究王书的路数，得到美的启示。然而也有人认为小楷《黄庭经》笔法不类王羲之，因此亦有真伪之辨。",[23,24,26,7,124,47,187],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F303d3c3bce951777b8528e37c006a802.jpg","黄素绢本",[51,155],127,{"id":544,"slug":545,"title":546,"dynasty":39,"author":60,"museum":41,"description":547,"tags":548,"thumbUrl":550,"material":49,"size":551,"collection":51,"collections":552,"showCount":542,"zanCount":290,"manualWeight":11,"mainColor":104},219145,"xing-kai-shu-po-qiang-tie-ba-zan-juan-mi-fei-219145","行楷书·破羌帖跋赞卷","此帖乃米芾为王羲之《破羌帖》所作题赞，属于米芾晚年绘画代表之作。小楷书笔力秀劲，体势健拔，欹侧纵逸，潇洒奔放又不失法度，整体色调率真自然、意趣盎然。根据款署“癸未岁”，可知其书于北宋崇宁二年（1103）。\n\n赵孟頫早年学书，广益多师，对颜真卿、米芾等墨迹多有临习，在其书作中也能展现受这种名家风格的影响，这从《行书二赞二诗》中便可看到端倪。但是，他最后放弃纵肆放逸的抒写方式，选择了追寻“二王”平和雅静的书风，进而取得卓尔不群的艺术面目。",[23,24,64,26,124,47,549,7,25],"篆刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9be5a5a72c93f1b4b721df242bc15f84.jpg","纵22.9厘米，横48.2厘米",[51],{"id":554,"slug":555,"title":556,"dynasty":109,"author":110,"museum":41,"description":557,"tags":558,"thumbUrl":559,"material":560,"size":561,"collection":51,"collections":562,"showCount":563,"zanCount":244,"manualWeight":11,"mainColor":104},239648,"lin-lan-ting-xu-juan-zhao-meng-fu-239648","临兰亭序卷","此卷原在赵孟頫“定武兰亭”十六跋后，之后被人分割，另装在南宋翻刻兰亭拓本后面。赵孟頫一生对《兰亭序》极为推重，曾反复临写，此件是其晚年所临，笔法精良。加之此卷前面有南宋翻刻定武《兰亭序》拓本，以及前后尤袤、王厚之、张翥、王蒙等宋元名家题跋，更为珍贵。本幅另有清代庆锡题跋一段。\n释文（略）。本幅款署“子昂”\n鉴藏印“伯谦精鉴”、“伯谦审定真迹”、“绍庭审定”、“蛰蛰公书画”“龙友过眼”等。",[23,176,64,124,24,80,7,82,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7ea3e89479876fe37bc518a1e7ae087.jpg","绢本，行书","纵27.4厘米，横102厘米，28行，324字",[51],123,{"id":565,"slug":566,"title":567,"dynasty":18,"author":568,"museum":41,"description":569,"tags":570,"thumbUrl":571,"material":49,"size":572,"collection":51,"collections":573,"showCount":574,"zanCount":11,"manualWeight":11,"mainColor":104},221139,"shang-yang-tai-tie-li-bai-221139","上阳台帖","李白","《上阳台帖》是李白所书自咏四言诗。释文：\n“山高水長，物象千萬，非有老筆，清壯可窮。十八日，上陽臺書，太白。”\n引首清高宗弘历楷书题“青蓮逸翰”四字，正文右上宋徽宗赵佶瘦金书题签：“ 唐李太白上陽臺”一行。\n后纸有宋徽宗赵佶，元张晏、杜本、欧阳玄、王馀庆、危素、驺鲁，清乾隆皇帝题跋和观款。\n卷前后及隔水上钤有宋赵孟坚“子固”、“彜齋”、贾似道“秋壑圖書”，元“張晏私印”、“歐陽玄印”以及明项元汴，清梁清标、安岐、清内府，近代张伯驹等鉴藏印。\n这是李白传世的唯一书迹。其落笔天纵，收笔处一放开锋，宋黄庭坚评李白：“及观其稿书，大类其诗，弥使人远想慨然。白在开元、至德间，不以能书传，今其行、草殊不减古人。”(《山谷题跋》)\n此帖曾入宣和内府，后归贾似道，元代曾经张晏处，明藏项元汴天籁阁。清代先为安岐所得，再入内府，清末流出宫外。民国时入张伯驹手，新中国成立后献给国家。1958年此帖转交故宫博物院收藏。",[23,137,80,124,64,24,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6ddf2bf1d39afff56bc9da86e3bbf57.jpg","纵28.5cm，横38.1cm",[51],122,{"id":576,"slug":577,"title":578,"dynasty":39,"author":40,"museum":111,"description":579,"tags":580,"thumbUrl":581,"material":49,"size":582,"collection":30,"collections":583,"showCount":584,"zanCount":222,"manualWeight":11,"mainColor":55},221253,"mu-dan-shi-tie-ce-zhao-ji-221253","牡丹诗贴册","此作华丽富贵，疏密自然，用笔洒脱，线条粗细有致，笔势圆转流畅，书写时以手腕为轴心，少了点刚硬，多了些柔和，充分表现出了瘦金书体的婀娜之美，可能原先配有一幅双色牡丹图，作品参差错落，一气呵成，表现出了作者高度的艺术修养。",[23,137,138,80,83,44,24,7,82,388,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f35d3427d35e7def70a2f431c6cc271.jpg","34.8cm×53.3cm",[],120,{"id":586,"slug":587,"title":588,"dynasty":109,"author":110,"museum":41,"description":260,"tags":589,"thumbUrl":590,"material":67,"size":263,"collection":30,"collections":591,"showCount":584,"zanCount":11,"manualWeight":11,"mainColor":104},214288,"xiao-kai-luo-shen-fu-ce-5-zhao-meng-fu-214288","小楷洛神赋册-5",[23,137,80,24,26,202,7,83,82,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd811b5a311f9fda250998a44b79f3517.jpg",[],{"id":593,"slug":594,"title":595,"dynasty":109,"author":110,"museum":41,"description":596,"tags":597,"thumbUrl":600,"material":49,"size":601,"collection":51,"collections":602,"showCount":603,"zanCount":290,"manualWeight":11,"mainColor":55},220864,"zhen-cao-qian-zi-wen-zhao-meng-fu-220864","真草千字文","赵孟頫临写智永千字文最勤，他自称二十年来写千文以数百。赵孟頫临智永真草千字文现留存于世有两件，一卷藏于上海博物馆，另外便是这件藏于故宫博物院的册页，两件墨迹均无书写年月。这件册页未署书的年代，观其书用笔极其温润圆劲，点画精到细腻，结字妍美简静。无疑是一本初学者入门的极佳范本。本帖字迹匀称，笔势圆劲流丽，结构布局端庄秀美。不仅具有极高的艺术欣赏价值和收藏价值，也让广大书法爱好者领略到中国古典书法的一种理想境界，以柔寓刚、外柔内刚。初学者可根据每个字的用笔、结构、布势等去临摹。《赵孟頫真草千字文》这本字帖当为罕世珍品，可以说是初学者的最佳范本。",[23,24,598,81,124,49,599,7,47],"真书","墨书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd596427226b7898ee2dbf52d1143a72c.jpg","纵:24.7厘米,横:25厘米",[51],118,{"id":605,"slug":606,"title":607,"dynasty":198,"author":608,"museum":94,"description":609,"tags":610,"thumbUrl":611,"material":393,"size":612,"collection":51,"collections":613,"showCount":603,"zanCount":11,"manualWeight":11,"mainColor":104},219984,"lin-mi-fei-fang-yuan-an-ji-dong-qi-chang-219984","临米芾方圆庵记","董其昌","全文共计七百六十八字，董其昌首题“方圆庵记”四大字，末署四十一小字。与米芾宋拓原文对照，第十八行阙“然而”二字；第六直三行“佛”字前阙“至于吾”三字；第六十六行中“以”原文为“其”，第七十二行中“圣”原文为“先”，第八十五行“异”后少“观”字；第九十四行则多一“庵”字。",[23,24,64,176,124,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F163332a7ddae4aba4d6a8c5694000721.jpg","高26厘米，长200厘米",[51],{"id":615,"slug":616,"title":617,"dynasty":76,"author":77,"museum":41,"description":78,"tags":618,"thumbUrl":619,"material":67,"size":85,"collection":30,"collections":620,"showCount":621,"zanCount":11,"manualWeight":11,"mainColor":55},214581,"yu-hou-tie-2-wang-xi-zhi-214581","雨后帖-2",[24,64,82,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd738a3b7c238ae9018a31bb5922db94d.jpg",[],115,{"id":623,"slug":624,"title":625,"dynasty":76,"author":77,"museum":94,"description":626,"tags":627,"thumbUrl":628,"material":30,"size":629,"collection":51,"collections":630,"showCount":631,"zanCount":11,"manualWeight":11,"mainColor":104},221030,"ding-wu-ben-lan-juan-wang-xi-zhi-221030","定武本兰卷","笔势洞精，笔法严谨遒劲",[23,24,64,25,7,124,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f5e671a68d12677bedaa825f200d12c.jpg","35x270cm",[51],112,{"id":633,"slug":634,"title":635,"dynasty":460,"author":636,"museum":94,"description":637,"tags":638,"thumbUrl":639,"material":100,"size":101,"collection":30,"collections":640,"showCount":641,"zanCount":11,"manualWeight":11,"mainColor":104},224201,"lin-yan-zhen-qing-qian-zi-wen-liang-guo-zhi-224201","临颜真卿千字文","梁国治","梁国治（1723-1786），清代书法家，乾隆十三年（1748年）进士，殿试头名状元。由修撰累官东阁大学士兼户部尚书，充任过《四库全书》副总裁。平生治事缜密，廉政清俭，好学爱才。工书法，著有《敬思堂文集》。《颜真卿千字文》。",[24,176,26,124,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0643af22586246a4af13474b8d9d6cb.jpg",[],110,{"id":643,"slug":644,"title":645,"dynasty":646,"author":647,"museum":111,"description":648,"tags":649,"thumbUrl":650,"material":333,"size":651,"collection":51,"collections":652,"showCount":653,"zanCount":11,"manualWeight":11,"mainColor":55},221142,"jiu-hua-tie-yang-ning-shi-221142","韭花帖","五代十国","杨凝式","《韭花帖》是唐末五代书法家杨凝式创作的墨迹本行书作品，有“天下第五行书”之称，现存3个藏本，分别藏于无锡博物院和台北故宫博物院，罗振玉藏本不知去向。\n《韭花帖》是杨凝式醒后饥饿无比，得韭花珍馐而食，心中惬意故灵感大发写下。字体点画生动，结构端稳，风神简静，全帖表现出入规入矩的端庄与温雅，结体妍丽，并以精严的技巧表达出含蓄内在的文人之气。用笔一丝不苟，却不显得古板呆滞，巧妙地将内擫和外拓的笔法融为一体",[23,24,64,47,7,80,124,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F187304b1c9b023f2dbfc8a55ebeee4c0.jpg","高26厘米，宽28厘米",[51],105,{"id":655,"slug":656,"title":657,"dynasty":18,"author":237,"museum":111,"description":658,"tags":659,"thumbUrl":660,"material":152,"size":661,"collection":51,"collections":662,"showCount":663,"zanCount":290,"manualWeight":11,"mainColor":55},221147,"ni-kuan-zan-chu-sui-liang-221147","倪宽赞","历代多认为本帖是褚遂良晚年作品。近代学者则以其文中之避讳用字习惯，与唐代情况不类，且用笔亦与褚书有所出入，结构较似欧体，认为是宋代临写。\n本帖笔划疏瘦，顿挫生姿，笔意翩翩自得，秀丽美妙。《石渠宝笈》载：帖高七寸七分，横五尺二寸七分，字共五十行，满行七字。卷后有赵孟坚、邓文原、柳贯、杨士奇、钱溥等人跋记。\n这件墨迹与褚书碑版相比，风格是一致的。其用笔富于变化，气均力匀；在处处表现运锋着实的同时，也往往参用轻盈飘洒、灵活自然的笔墨。起笔轻捷，收笔沉着，主要笔画适当地伸展，给人以笔势翩翩、萧洒大方、平和闲雅、神爽超迈的感觉。\n王世贞评褚书曰：“一勾一捺有千钧之力，虽外拓取姿，而中擪有法。”由墨迹观之，尤为明显。书风或学钟繇之体而古雅，或师逸少之法而瘦劲。无怪苏轼说：“清远萧洒，微杂隶体。”",[23,24,26,124,47,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f90fcb1316afed9d8ea9f3a74f5b414.jpg","纵24.6cm，横170.1cm",[51],104,{"id":665,"slug":666,"title":667,"dynasty":39,"author":60,"museum":61,"description":668,"tags":669,"thumbUrl":670,"material":67,"size":68,"collection":30,"collections":671,"showCount":663,"zanCount":11,"manualWeight":11,"mainColor":55},214281,"duo-jing-lou-shi-tie-3-mi-fei-214281","多景楼诗帖-3","笔锋八面翻飞，墨色浓淡相济。字形欹正相生，开张处如江潮拍岸，收敛时若峰峦凝翠。“下”字沉雄如坠石，“江”字流转似惊鸿掠水，“山”字稳峙若孤峰傲立，“樓”字牵丝映带如流云绕檐。每一笔都带着奔涌的豪情，仿佛凭栏多景楼头，望断千里江山，墨色里尽是吞吐天地的气魄。字间顾盼有情，行中气脉相连，既见“刷字”的快意洒脱，更藏深蕴的笔墨法度。跌宕起伏的笔势如长江万里，苍劲中透着灵动，厚重里含着清逸，一笔一画都在诉说着宋人的潇洒风骨与壮怀激烈。",[80,24,64,7,82,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0965b90af51c1a528377ebb300317951.jpg",[],{"id":673,"slug":674,"title":675,"dynasty":676,"author":677,"museum":94,"description":678,"tags":679,"thumbUrl":680,"material":100,"size":101,"collection":30,"collections":681,"showCount":682,"zanCount":244,"manualWeight":11,"mainColor":104},231039,"tai-hang-shan-ji-wei-dan-231039","太行山记","汉","韦诞","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[137,138,80,24,124,64,82,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bfe89ff080cb08ac0a64e22cd3a4985.jpg",[],101,{"id":684,"slug":685,"title":686,"dynasty":39,"author":687,"museum":41,"description":688,"tags":689,"thumbUrl":690,"material":691,"size":692,"collection":51,"collections":693,"showCount":694,"zanCount":244,"manualWeight":11,"mainColor":55},221281,"zhu-shang-zuo-tie-juan-di-yi-duan-huang-ting-jian-221281","诸上座帖卷第一段","黄庭坚","《诸上座帖》是宋黄庭坚为友人李任道所录写的五代金陵僧人文益的《语录》，全文系佛家禅语。\n《诸上座帖》释文：\n“諸上座爲複只要弄唇嘴，爲復別有所圖，恐伊執著，且執著甚麽，爲復執著理，執著事，執著色，執著空，若是理，理且作麽生執，若是事，事且作麽生執，著色，著空亦然，山僧所以尋嘗向諸上座道，十方諸佛，十方善知識時嘗垂手，諸上座時嘗接手(以下點去十六字)，十方諸佛諸善知識垂手處合委悉也，甚麽處是諸上座接手處，還有會處會取好，莫未會得，莫道揔是都來圓取，諸上座傍家行腳，也須審諦著些子精神，莫只藉少智慧，過卻時光，山僧在衆見此多矣，古聖所見諸境，唯見自心，祖師道，不是風動幡動，風動幡動者心動，但且恁麽會好，別無親於親處也，僧問，如何是不生滅底心，向伊道，那個是生滅底心，僧云，爭奈學人不見，向伊道，汝若不見，不生不滅底也不是，又問，承教有言，佛以一音演說法。衆生隨類各得解，學人如何解，向伊道，汝甚解前問已是不會古人語也，因甚，卻向伊道，汝甚解，何處是伊解處。莫是于伊分中，便點與伊，莫是爲伊不會問，卻反射伊麽，決定非此道理，慎莫錯會，除此兩會，別又如何商量，諸上座若會得此語也，即會得諸聖揔持門，且作麽生會，若會得一音演說，不會得隨類各解，恁麽道莫是有過無過，說麽莫錯會好，既不恁麽會說一音演說，隨類得解，有個下落，始得每日空上來下去，又不當得人事，且究道眼始得，古人道，一切聲是佛聲，一切色是佛色，何不且恁麽會取。\n此是大丈夫出生死事，不可草草便會。拍盲小鬼子往往見便下口，如瞎驢吃草樣，故草此一篇，遺吾友李任道，明窗淨几，它日親見古人，乃是相見時節，山谷老人書。”（《古书画过眼要录》）\n署款：“山谷老人書。”“书”字上钤“山谷道人”朱文方玺。后纸有明吴宽，清梁清标题跋各一段。\n卷前后及隔水上钤宋“内府书印”、“绍兴”、“悦生”，元“危素私印”及明李应祯、华夏、周亮工，清孙承泽、王鸿绪，近代张伯驹等诸家鉴藏印。此帖初藏南宋高宗内府，后归贾似道，明代递藏于李应祯、华夏、周亮工处，清初藏孙承泽砚山斋，后归王鸿绪，乾隆时收入内府，民国初流出宫外，为张伯驹先生所得，后捐献给国家，现藏北京故宫博物院。\n此书师法怀素狂草体，笔意纵横，气势苍浑雄伟，字法奇宕，如马脱缰，无所拘束，尤其能显示出书者悬腕摄锋运笔的高超书艺。黄庭坚《山谷自论》云：“余学草书三十余年，初以周越为师，故二十年抖擞俗气不脱，晚得苏才翁、子美书观之，乃得古人笔意。其后又得张长史、僧怀素、高闲墨迹，乃窥笔法之妙。”在《语录》后黄氏又作大字行楷书自识一则，结字内紧外松，出笔长而遒劲有力，一波三折，气势开张，一卷书法兼备二体，相互映衬，尤为罕见，是其晚年杰作。\n明都穆《寓意编》、华夏《真赏斋赋注》、文嘉《钤山堂书画记》、张丑《清河书画舫》、《清河见闻表》、卞永誉《式古堂书画汇考》，清孙承泽《庚子消夏记》、清内府《石渠宝笈·初编》等书著录。",[23,24,81,64,124,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb7641fa332e60c6c852d5ad2afb6918.jpg","纸本，手卷，草书","纵33cm，横729.5cm",[51],98,{"id":696,"slug":697,"title":698,"dynasty":39,"author":687,"museum":111,"description":699,"tags":700,"thumbUrl":701,"material":152,"size":702,"collection":51,"collections":703,"showCount":704,"zanCount":244,"manualWeight":11,"mainColor":55},221269,"han-shan-zi-pang-ju-shi-shi-tie-quan-juan-huang-ting-jian-221269","寒山子庞居士诗帖全卷","黄庭坚《寒山子、庞居士诗卷》，它是北宋书法家黄庭坚的一幅行书代表作，内容是唐代隐士寒山子《劝戒诗》与居士庞蕴的诗偈，现藏于台北故宫博物院。这一诗卷是黄庭坚晚年的杰作，有着鲜明的黄庭坚行书的风格特征，尤其在字的结体上，吸收了《瘗鹤铭》和颜真卿楷书的结字方法，加以夸张和变化，创造出一种俊挺豪迈的新面目。\n这幅作品中字都有这样的特点，一波数折；中宫收敛的地方，笔画排列紧密，显得雄强茂美，而有些笔画，如帖中“水、人、本”等字的撇捺，“黄、箭、世、苹、业”等字的横笔，都是尽情地纵向伸展，横向逸出，显得痛快淋漓，具有豪爽飘逸之气。字形结构上突破了方正规矩的外形，在冲破均衡的同时，又能使字保持住重心，笔画的伸展并不是完全没有方向，疏密处理得很巧妙，笔画之间也是左顾右盼、互相呼应，有放也有收。这幅字的结构上还有“攲侧”的特点，不但横画倾斜，竖画也蛇曲不正，然而这些歪斜的字笔画遒劲，结体开张，很有气派。",[23,24,64,124,7,47,82,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ca27a7894bdb3fa8554156431e57f83.jpg","纵29.1，横213.8厘米",[51],97,{"id":706,"slug":707,"title":708,"dynasty":76,"author":77,"museum":94,"description":709,"tags":710,"thumbUrl":711,"material":30,"size":30,"collection":51,"collections":712,"showCount":704,"zanCount":222,"manualWeight":11,"mainColor":55},221036,"cao-jue-bai-yun-ge-quan-juan-wang-xi-zhi-221036","草诀百韵歌全卷","《草诀百歌韵》是中国古代一本重要的草书歌诀，学草书的重要门径，作者署名王羲之，但据相关资料显示，此书未见于北宋，伪托王羲之之名，如明代杨慎的《升》 庵外集》卷88云：「《草秘韵百歌》乃宋人编成，以示初级，托名王羲之。",[23,24,81,124,176,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1fc393e8005cbb450b2bb396c178509c.jpg",[51,155],{"id":714,"slug":715,"title":465,"dynasty":18,"author":412,"museum":318,"description":716,"tags":717,"thumbUrl":718,"material":49,"size":30,"collection":51,"collections":719,"showCount":720,"zanCount":244,"manualWeight":11,"mainColor":55},221106,"qian-zi-wen-ou-yang-xun-221106","千字文作为中国古代的启蒙学课本，以一千字编为四言章韵语，叙述有关自然、社会历史、教育等方面的知识，隋代即开始流行。\n此千字文传欧阳询书，故宫博物院藏,见于《戏鸿堂帖》，内容完整，后有刻跋两段：“右率更令所书千文字扬补之家藏本，咸淳甲戍岁九月三日钱金应桂”。“书家以分行布白谓之九宫，元人作书经云：黄庭有六分九宫、曹娥有四分九宫是也。今观信本千文真有完字具于胸中。若构凌云台，一皆衡剂而成者。米南宫评其真书到内史、信矣，此本为扬补之家藏，勒其全文，欲学书者先定间架，然后纵横跌宕唯变所适也。其昌”。",[23,26,24,7,124,47,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b4e30ddce65a81934ed675107a76227.jpg",[51],95,{"id":722,"slug":723,"title":724,"dynasty":198,"author":725,"museum":41,"description":726,"tags":727,"thumbUrl":728,"material":49,"size":729,"collection":51,"collections":730,"showCount":720,"zanCount":222,"manualWeight":11,"mainColor":55},219154,"kai-shu-ju-song-tie-ye-shen-zao-219154","楷书·橘颂帖页","沈藻","《橘颂》是屈原的传世名篇。沈藻此作点划纤细平正，风格婉美端秀，为典型的“台阁体”。",[23,80,26,24,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06c41915b9fd989ff97a6a41eaed8537.jpg","纵27.6厘米，横47.6厘米",[51],{"id":732,"slug":733,"title":595,"dynasty":18,"author":270,"museum":94,"description":734,"tags":735,"thumbUrl":736,"material":100,"size":101,"collection":30,"collections":737,"showCount":738,"zanCount":11,"manualWeight":11,"mainColor":55},288358,"zhen-cao-qian-zi-wen-zhi-yong-288358","智永和尚（生卒年不详），南朝、隋朝人，本名王法极，字智永，会稽山阴（今浙江绍兴）人，书圣王羲之七世孙，第五子王徽之后代，号“永禅师”。\n智永善书，书有家法。将王羲之作为传家之宝的《兰亭序》，带到云门寺保存。云门寺（原名永欣寺）有书阁，智永禅师居阁上临书20年，留下了“退笔冢”、”铁门槛“等传说。\n智永对后世书法影响深远。他创“永字八法”，为后代楷书立下典范。所临《真草千字文》八百多份，广为分发，影响远及日本。即使现在，依然是书法学习的经典教材。",[24,26,81,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb57cce12e812fa72d6f17d7f342709e9.jpg",[],92,{"id":740,"slug":741,"title":742,"dynasty":460,"author":743,"museum":94,"description":744,"tags":745,"thumbUrl":746,"material":100,"size":101,"collection":30,"collections":747,"showCount":748,"zanCount":222,"manualWeight":11,"mainColor":55},230292,"zhao-meng-fu-da-shi-zan-ai-xin-jue-luo-yong-xing-230292","赵孟頫大士赞","爱新觉罗永瑆","爱新觉罗·永瑆（1752年3月22日—1823年5月10日），少字镜泉，从号少厂，又号镜泉、即斋，别号诒晋斋主人，清朝宗室亲王，乾隆帝爱新觉罗·弘历的第十一子，嘉庆帝的异母兄，永瑆的生母是淑嘉皇贵妃金佳氏。\n乾隆十七年壬申（1752年）二月初七辰时出生于圆明园五福堂。乾隆五十四年（1789年）十一月封和硕成亲王。嘉庆四年（1799年），在军机处行走。道光三年（1823年）三月三十日午时薨，年七十二，谥曰哲。\n作为清朝著名书法家，与翁方纲、刘墉、铁保并列“乾隆四家”。著有《听雨屋集》《诒晋斋集》《仓龙集》。",[23,24,26,47,80,124,508,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F239d73cbdf3045fafccec73a08a508ad.jpg",[],89,{"id":750,"slug":751,"title":752,"dynasty":18,"author":19,"museum":753,"description":754,"tags":755,"thumbUrl":756,"material":757,"size":758,"collection":51,"collections":759,"showCount":760,"zanCount":244,"manualWeight":11,"mainColor":34},221062,"pei-jiang-jun-shi-tie-yan-zhen-qing-221062","裴将军诗帖","原作佚失","传为唐代颜真卿所书。该帖楷、行、草相混而书，书法大小、长短、肥瘦、斜正变化多端，间杂隶书笔法，气雄力厚。北京大学教授、引碑入草开创者的李志敏评价：“颜真卿的《裴将军诗》以汉分为魂，融合诸体，牢笼百态，裴旻剑舞活现于鲁公笔端。欲医草之轻浮，可于此贴中求之”。",[23,124,24,25,7,26,64,81,404],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f840ab06e0e890cb03487c20c8ad3f8.jpg","楷、行、草相混","第一块碑石为长方形，长74厘米，宽43厘米 第二石为正方形， 长42厘米，宽42厘米 第三石的尺寸极可能长74厘米，宽43厘米",[51,155],88,{"id":762,"slug":763,"title":764,"dynasty":76,"author":77,"museum":94,"description":174,"tags":765,"thumbUrl":770,"material":100,"size":101,"collection":30,"collections":771,"showCount":772,"zanCount":244,"manualWeight":11,"mainColor":104},288119,"lan-ting-ji-shang-juan-wang-xi-zhi-288119","兰亭记上卷",[23,124,25,24,64,377,766,204,767,768,769,7],"雅集","竹林","流水","亭阁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1fd561b9dece26b1983d27bca1e7e14.jpg",[],87,{"id":774,"slug":775,"title":776,"dynasty":18,"author":19,"museum":94,"description":777,"tags":778,"thumbUrl":779,"material":100,"size":101,"collection":30,"collections":780,"showCount":781,"zanCount":11,"manualWeight":11,"mainColor":34},287436,"duo-bao-ta-yan-zhen-qing-287436","多宝塔","颜真卿（709年－784年8月23日 ），字清臣，小名羡门子，别号应方，京兆万年（今陕西省西安市）人 ，祖籍琅玡临沂（今山东省临沂市）。唐朝名臣、书法家，秘书监颜师古五世从孙 、司徒颜杲卿从弟。\n颜真卿出身琅琊颜氏，于唐玄宗开元二十二年（734年）登进士第，历任监察御史、殿中侍御史。后因得罪权臣杨国忠，被贬为平原太守，世称“颜平原”。安史之乱时，颜真卿率义军对抗叛军，一度光复河北。后至凤翔，被授为宪部尚书。唐代宗时官至吏部尚书、太子太师，封鲁郡公，人称“颜鲁公”。兴元元年（784年），被派遣晓谕叛将李希烈，凛然拒贼，终被缢杀。他遇害后，嗣曹王李皋及三军将士皆为之痛哭。追赠司徒，谥号“文忠”。\n颜真卿书法精妙，擅长行、楷。初学褚遂良，后师从张旭，得其笔法。其正楷端庄雄伟，行书气势遒劲，创“颜体”楷书，对后世影响很大。与赵孟頫、柳公权、欧阳询并称为“楷书四大家”。又与柳公权并称“颜柳”，被称为“颜筋柳骨”。又善诗文，有《韵海镜源》《礼乐集》《吴兴集》《庐陵集》《临川集》，均佚。宋人辑有《颜鲁公集》。",[26,25,24,7,508],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35d37fc973561d02da112fe7cedaa550.jpg",[],86,{"id":783,"slug":784,"title":785,"dynasty":18,"author":328,"museum":329,"description":330,"tags":786,"thumbUrl":787,"material":333,"size":334,"collection":51,"collections":788,"showCount":781,"zanCount":222,"manualWeight":11,"mainColor":55},221068,"ling-fei-jing-si-shi-san-xing-zhong-shao-jing-221068","灵飞经四十三行",[23,24,26,187,47,124,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feeac32242755aa712d5d8484ba83da2e.jpg",[51,155],{"id":790,"slug":791,"title":465,"dynasty":109,"author":110,"museum":41,"description":792,"tags":793,"thumbUrl":794,"material":393,"size":795,"collection":51,"collections":796,"showCount":797,"zanCount":244,"manualWeight":11,"mainColor":104},220880,"qian-zi-wen-zhao-meng-fu-220880","引首系明代徐霖篆书“松雪千文”四个大字，卷后有元从张雨、赵雍、赵奕、黄公望，明代莫云卿、张湘詹景凤、徐霖等众人跋文。\n赵孟頫酷爱以千字文为习字素材，他曾在一卷千字文中自题云：“僕二十年来，写千字文以百数”足见共学书之勤奋。本卷是其晚年书写的一件千字文，先是楷书，后渐舒展为行书。\n明代书家詹景凤评说：“此卷笔法高古、圓润峻秀，为承旨得意之作。”\n明代书家莫雲卿评说：“昔人谓方圓一万里，上下数百年，绝无承旨 书法 ，观此本信然。”",[23,80,24,64,26,124,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4e6e46623392abf17fdd5a46b402c2b.jpg","26.5X373.4CM",[51],85,{"id":799,"slug":800,"title":430,"dynasty":18,"author":412,"museum":94,"description":431,"tags":801,"thumbUrl":802,"material":100,"size":101,"collection":30,"collections":803,"showCount":804,"zanCount":11,"manualWeight":11,"mainColor":104},288063,"jiu-cheng-gong-li-quan-ming-ou-yang-xun-288063",[24,25,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fda3b529a4e8630d3ed9778c71c8e5f.jpg",[],84,{"id":806,"slug":807,"title":808,"dynasty":18,"author":237,"museum":94,"description":809,"tags":810,"thumbUrl":811,"material":30,"size":30,"collection":30,"collections":812,"showCount":804,"zanCount":11,"manualWeight":11,"mainColor":104},227080,"da-zi-yin-fu-jing-chu-sui-liang-227080","大字阴符经","真书，墨迹本，共96行，计461字，传唐代褚遂良写于唐永徽五年(654)。钤有“建业文房之印”、“河东南路转运使印”等鉴藏印。其书字笔画瘦劲，但结体宽博，尚保留隶书的笔意。小楷本和大楷本皆有说法，难以断真。其中，小楷本的楷法端妍，《越州石氏帖》有摹刻，字体细小如“蝇头”，行字茂密又疏朗舒适，从严谨的笔法中可见魏晋之风韵。而大楷本则笔力劲健，形态多姿，风流倜傥，沉着而畅展。此外《大字阴符经》有许多行的笔意，如起笔直下与收笔的引带都加强了字内的联系，使其更为生动活泼。",[24,26,47,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98d62e49f45da0be16f6bb4748fcc57a.jpg",[],{"id":814,"slug":815,"title":816,"dynasty":76,"author":77,"museum":111,"description":817,"tags":818,"thumbUrl":819,"material":366,"size":820,"collection":51,"collections":821,"showCount":822,"zanCount":11,"manualWeight":11,"mainColor":104},221034,"yuan-huan-tie-juan-wang-xi-zhi-221034","远宦帖卷","此帖首见于《法书要录》卷十右军书记。《宣和书谱》即称〈远宦帖〉。亦刻入〈淳化阁帖〉卷六；〈大观帖〉、〈鼎帖〉、〈宝贤堂帖〉、〈澄清堂帖〉（孙承泽本）均曾刻入。清道光间，叶志诜得王献之〈送梨帖〉，将此帖一同上石。后杨守敬又刻入其〈邻苏园法帖〉中。北宋曾入大观，宣和内府，有大观，宣和诸印玺，卷首徽宗赵佶瘦金书签，上钤双龙方印。专用于古法书者。后曾入金明昌内府，及北燕张氏，后归贾似道。明时曾为秀水项元汴所藏，入清由耿会侯，安岐所递藏，曾着录于《墨缘汇观》，订为唐人钩摹本。嗣入清内府，而未钤内府收藏印，故石渠亦无着录。今藏国立故宫博物院，曾先后辑入《故宫法书晋王羲之真迹册》、《故宫历代法书全集》第一册影印行世",[24,64,7,47,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F925a98205f4f16ac274133ed299304e4.jpg","纵24.8厘米，横21.3厘米",[51,155],82,{"id":824,"slug":825,"title":826,"dynasty":76,"author":77,"museum":94,"description":174,"tags":827,"thumbUrl":828,"material":100,"size":101,"collection":30,"collections":829,"showCount":830,"zanCount":244,"manualWeight":11,"mainColor":34},288115,"lan-ting-ji-xia-juan-wang-xi-zhi-288115","兰亭记下卷",[24,64,25,124,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdac168b907f17c41de675b3950d958eb.jpg",[],81,{"id":832,"slug":833,"title":834,"dynasty":76,"author":77,"museum":111,"description":835,"tags":836,"thumbUrl":837,"material":30,"size":838,"collection":51,"collections":839,"showCount":830,"zanCount":11,"manualWeight":11,"mainColor":55},221031,"ping-an-he-ru-feng-ju-san-tie-juan-wang-xi-zhi-221031","平安何如奉橘三帖卷","从西元六世纪的南朝以来，上至帝王下至百姓都喜好王羲之等名家的信札，由于此类珍贵的书迹都收藏在皇宫之中，即使是平民收藏家也不会轻示于人。有时帝王为分送亲信，或是担心真迹观赏过多次会有伤害，常会请人以双勾填墨的方式将书迹做复制，此三帖即是摹本。",[23,80,24,64,124,47,7,65],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdcca10b4a733dd2b18c3b7008fed486.jpg","24.7x47.3",[51,155],{"id":841,"slug":842,"title":843,"dynasty":39,"author":844,"museum":41,"description":845,"tags":846,"thumbUrl":847,"material":49,"size":848,"collection":51,"collections":849,"showCount":850,"zanCount":244,"manualWeight":11,"mainColor":55},221230,"er-zha-tie-fan-zhong-yan-221230","二札帖","范仲淹","二札即边事、远行二帖，为两通书札。\n边事帖又称乡曲帖，释文：\n“仲淹再拜，知府刑部仁兄：伏惟起居萬福。施鄉曲之惠，占江山之勝，優哉樂乎。此間邊事，夙夜勞苦。仗朝廷威靈，即目寧息，亦漸有倫序。鄉中交親俱荷大庇，幸甚。師道之奇，尤近教育，乞自重，自重。不宣。仲淹拜上，知府刑部仁兄左右。三月十日。”\n信中“知府刑部”即富严，曾官刑部郎中，此时正在苏州知府任上。范仲淹本苏州人，因此对富严给予自己家乡亲人的关照深表谢忱。而仲淹这时则远离故乡，以陕西招讨使的身份，率部戍边，抗击西夏。故信中说：“此间边事，夙夜劳苦。”\n远行帖也称修答帖，释文：\n“仲淹再拜，運使學士四兄：兩次捧教，不早修答，牽仍故也。吳親郎中經過有失款待，乞多謝。吾兄遠行，瞻戀增極，萬萬善愛，以慰貧交。蘇醖五瓶，道中下藥。金山鹽豉五器，別無好物，希不責。不宣。仲淹再拜，象山學士四哥座前。八月五日。”\n此两帖书法瘦硬方正，清劲中有法度。人常将此书风喻其人品，称“公书庄严清澈，信如其品”。",[23,80,24,64,65,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31bab8f2a827f449ac6e055019802d9e.jpg","纵31.1厘米，横39厘米",[51],79,{"id":852,"slug":853,"title":854,"dynasty":18,"author":249,"museum":41,"description":250,"tags":855,"thumbUrl":856,"material":49,"size":857,"collection":51,"collections":858,"showCount":850,"zanCount":11,"manualWeight":11,"mainColor":55},221090,"mo-lan-ting-xu-juan-yu-shi-nan-221090","摹兰亭序卷",[23,137,138,80,124,176,64,47,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8266ea63061d7e4a5ed03a1107c08fd.jpg","纵24.8cm，横57.7cm。",[51,155],{"id":860,"slug":861,"title":862,"dynasty":39,"author":60,"museum":61,"description":863,"tags":864,"thumbUrl":865,"material":67,"size":68,"collection":30,"collections":866,"showCount":867,"zanCount":11,"manualWeight":11,"mainColor":55},214280,"duo-jing-lou-shi-tie-2-mi-fei-214280","多景楼诗帖-2","笔势如天马行空，八面出锋却无一丝狂乱。浓墨处沉雄如坠石，飞白间灵动似流云。“梦”字欹侧中藏稳劲，“曾”字转折处见刚柔，“游”之走笔如轻舟逐浪，“天”之撇捺若长空舒翼。每一笔都带着“刷字”的痛快，却又暗合法度，晋韵唐法融于一己性情。墨色干湿浓淡相间，线条粗细缓急交错，织就充满韵律的画面——仿佛能听见运笔时的飒飒风声，见其挥毫时的潇洒神态。沉着中见痛快，飘逸里藏筋骨，于不经意间尽显大家气象，这便是米字独有的魅力。",[137,138,80,24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea0973bce6cbdb78d7eee5551d38d37e.jpg",[],77,{"id":869,"slug":870,"title":871,"dynasty":76,"author":77,"museum":94,"description":174,"tags":872,"thumbUrl":874,"material":100,"size":101,"collection":30,"collections":875,"showCount":876,"zanCount":11,"manualWeight":11,"mainColor":55},283640,"sang-luan-tie-tang-mo-ben-wang-xi-zhi-283640","丧乱帖（唐摹本)",[23,24,64,7,176,873],"悲痛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99a558189603d3fc9915d19c19c7d1a6.jpg",[],74,{"id":878,"slug":879,"title":880,"dynasty":18,"author":881,"museum":61,"description":882,"tags":883,"thumbUrl":884,"material":49,"size":885,"collection":51,"collections":886,"showCount":876,"zanCount":222,"manualWeight":11,"mainColor":55},221051,"qian-zi-wen-can-juan-gao-xian-221051","千字文残卷","高闲","高闲草书《千文残卷》共52行，243字，是《千字文》的后面部分，现藏上海博物馆。",[24,81,124,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F727bc937e04080676c39b9d3ae256047.jpg","纵30.8cm，横331.3cm，为残本",[51,155],{"id":888,"slug":889,"title":890,"dynasty":109,"author":110,"museum":41,"description":891,"tags":892,"thumbUrl":893,"material":49,"size":894,"collection":51,"collections":895,"showCount":876,"zanCount":222,"manualWeight":11,"mainColor":55},220828,"er-zan-er-shi-juan-zhao-meng-fu-220828","二赞二诗卷","此帖是与好友相聚，一时酒酣的乘兴之作。纸质莹润光滑，信手写来，“神融笔畅”，滂沛悦然。款署“湖州观堂与受益外郎饮酒一杯之余，便觉醉意横生。戏书此卷，为他日一笑之资。孟頫”。“受益”名张谦，大德元年前后，曾官江浙行省检校。“观堂”是佛寺中修习的场 所。据赵氏《重修观堂记》，湖州的观堂始建于南宋嘉泰年 间，宋木毁圮严电，元至元二十一年曾重新修葺，历时十 年。赵文作于大德元年(1297)九月，本卷也应作于此时。卷未有明代卞荣、王世贞、董其昌、文震孟、陈继儒，清代英 和、永瑆跋。",[23,24,64,124,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44319ff5514e459206f70266d02ef940.jpg","纵27厘米横456.3厘米",[51],{"id":897,"slug":898,"title":899,"dynasty":39,"author":60,"museum":94,"description":900,"tags":901,"thumbUrl":904,"material":100,"size":101,"collection":30,"collections":905,"showCount":906,"zanCount":244,"manualWeight":11,"mainColor":55},289759,"zhong-qiu-deng-hai-dai-lou-zuo-shi-tie-mi-fei-289759","中秋登海岱楼作诗帖","海岱楼位于涟水（江苏涟水），是著名的风景名胜，米芾时常登楼，眺望淮河入海处辽阔壮丽的景色。在本诗帖中，米芾形容海口一片水光粼粼，好似银泻大地，而天际出现万道虹光，孕育出宝贵的珍珠。在诗的后半，米芾则引“吴刚伐桂”的典故，谈到若非吴刚日复一日，不停地砍伐桂树，快速生长的桂枝，必定撑破月轮。米芾以此暗喻自己的仕途常为人所阻，无法充份施展。\n在帖中米芾前后共抄录诗文两次，中间加入一行批注：“三四次写间有一两字好，信书亦一难事”，可见对书法求好的态度。涟水时期，米芾勤于练习晋人草书，此帖与《焚香帖》、《草书论书帖》都是其中的例子。另外，米芾也经常与薛绍彭书信往返，讨论购帖事宜、交换习书心得，或是品评论书，两人堪称最佳书画友。\n米芾担任涟水军使（江苏涟水）期间，最喜欢登临游览的景点就是海岱楼。海岱楼在江苏涟水地区，是唐、宋时代十分著名的望海楼，自古以来，便是许多文人登览赋诗的最佳旅游景点，唐代诗人杜甫曾以“浮云连海岱，平野入青徐”来形容它视野辽阔、宏伟壮丽的景观。它在米芾的诗文中也经常出现，例如〈焚香帖〉（大阪市立美术馆藏）：“雨三日未解，海岱咫尺不能到”，便提到在淫雨霏霏之日，他登海岱楼所见迷蒙的景致。在另一阙词〈蝶恋花?海岱楼玩月作〉中，米芾也提到：“千古涟漪清绝地，海岱楼高。下瞰秦淮尾，水浸碧天天似水，广寒宫阙人间世。”并将海岱楼比喻为月亮上的“广寒宫”，诗人登楼眺望，颇有遗世独立的感觉。",[24,7,64,47,902,903],"中秋","楼阁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc16fb0d52fc68c2ab722bf075ed45de4.jpg",[],73,{"id":908,"slug":909,"title":910,"dynasty":39,"author":911,"museum":111,"description":912,"tags":913,"thumbUrl":914,"material":152,"size":30,"collection":51,"collections":915,"showCount":906,"zanCount":11,"manualWeight":11,"mainColor":34},221204,"san-xi-tang-fa-tie-shi-qi-ce-wu-ju-221204","三希堂法帖（十七）册","吴琚","比忽忽附书。谅亦在下旬可到。途中收十月三日手笔并诗。深以为慰。示喻已悉。襄州之行非所惮也。不谓以常式?免。就降改命。?难避事。何以自文。不知阅古之意如何。今必有定论矣。十九日入京。西界交割安抚司职事。廿日方得改差札子。已具?免。且在郢州境上伺候回降。若省札更迟数日。则已到襄阳。郢去襄只二百余里。江陵亦然。岁晚客里。进退不能。势须等候月十日方见次第。地远往返动是许时。远宦非便。殆此类也。旅中灯下作此。言不尽意。余希加爱。不宣。十月廿日琚上。寿父判寺守簿贤弟",[80,24,7,25,83,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d11bc01b27003e7f2e06144bd6cf971.jpg",[51],{"id":917,"slug":918,"title":919,"dynasty":39,"author":373,"museum":111,"description":920,"tags":921,"thumbUrl":922,"material":49,"size":923,"collection":51,"collections":924,"showCount":906,"zanCount":222,"manualWeight":11,"mainColor":55},220038,"jiang-shang-tie-su-shi-220038","江上帖","落笔如漫不经心，而整体布白自然错落，丰秀雅逸，端庄圆润，但不做作，笔法精严，但不拘束，作者的学问才气发于笔端，与书札的萧散风格相吻合。",[23,24,64,47,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e97c91c20d94825a2705d765b723d19.jpg","9行，58字",[51],{"id":926,"slug":927,"title":928,"dynasty":18,"author":929,"museum":111,"description":930,"tags":931,"thumbUrl":932,"material":152,"size":933,"collection":51,"collections":934,"showCount":935,"zanCount":290,"manualWeight":11,"mainColor":104},221053,"wen-fu-quan-juan-lu-jian-zhi-221053","文赋全卷","陆柬之","文赋全卷系唐代陆柬之行书法帖。纸本墨迹卷。书法婉润清丽，甚似《兰亭序》。有赵孟頫、李倜、危素、孙承泽等跋记。李倜此跋字体精劲，舒张得宜，行笔丰瘦有度，温润圆融，颇具右军风韵",[23,24,64,124,7,47,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe41c1189ecd1a40b1880c8bc8e430647.jpg","纵23.3cm。",[51,155],72,{"id":937,"slug":938,"title":939,"dynasty":109,"author":940,"museum":94,"description":941,"tags":942,"thumbUrl":944,"material":100,"size":101,"collection":30,"collections":945,"showCount":946,"zanCount":244,"manualWeight":11,"mainColor":55},290226,"dao-de-jing-wu-rui-290226","道德经","吴睿","吴睿， 字孟思，号雪涛散人、青云生、养素处士，出生于杭州。因将其所学传递到吴门一带。是吾衍的弟子，擅长书法，尤其精通篆、隶。”他在篆书、隶书、印章方面都接受了吾衍的思想，并在这个基础之上有所发展。《篆书千字文》、《隶书离骚》、《九歌图卷跋》等流传于世。于1355年终于昆山。",[23,24,124,98,187,943,47,188,7],"道教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde1e531dcb0129a0625d73cecbc77670.jpg",[],71,{"id":948,"slug":949,"title":950,"dynasty":76,"author":951,"museum":94,"description":952,"tags":953,"thumbUrl":954,"material":30,"size":30,"collection":30,"collections":955,"showCount":956,"zanCount":11,"manualWeight":11,"mainColor":55},227048,"ping-fu-tie-lu-ji-227048","平复帖","陆机","《平复帖》卷，晋，陆机书，纸本，手卷，纵23.7厘米，横20.6厘米 。\n草隶书9行86字。\n释文:\n“彥先羸瘵 ，恐難平復，往屬初病，慮不止此，此已爲慶。承使唯男，幸爲複失前憂耳。吳子楊往初來主，吾不能盡。臨西複來，威儀詳跱。舉動成觀，自軀體之美也。思識□量之邁前，勢所恒有，宜□稱之。夏伯榮寇亂之際，聞問不悉。”（释文据启功《〈平复帖〉说并释文》）\n《平复帖》内容涉及三个人物：贺循，字彦先，是陆机的朋友，身体多病，难以痊愈；陆机说他能够维持现状，已经可庆，又有子侍奉，可以无忧了。吴子杨，以前曾到过陆家，但未受到重视；如今将西行，复来相见，其威仪举动，自有一种较前不同的气宇轩昂之美；最后说到夏伯荣，他因寇乱阻隔，没有消息。\n《平复帖》的书写年代距今已有1700余年，是现存年代最早并真实可信的西晋名家法帖。它用秃笔写于麻纸之上，笔意婉转，风格平淡质朴，其字体为草隶书。《平复帖》在中国书法史上占有重要地位，同时对研究文字和书法变迁方面都有参考价值。\n根据尾纸董其昌、溥伟、傅增湘、赵椿年题跋，可得知《平复帖》历代递藏情况。此帖宋代入宣和内府，明万历间归韩世能、韩逢禧父子，再归张丑。清初递经葛君常、王济、冯铨、梁清标、安岐等人之手归入乾隆内府，再赐给皇十一子成亲王永瑆。光绪年间为恭亲王奕訢所有，并由其孙溥伟、溥儒继承。后溥儒为筹集亲丧费用，将此帖待价而沽，经傅增湘从中斡旋，最终由张伯驹以巨金购得。张氏夫妇于1956年将《平复帖》捐献国家。\n清吴其贞《书画记》、顾复《平生壮观》、安岐《墨缘汇观》等书著录。",[23,24,81,7,124,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3d2a5b8673609f128d22c45974e653b.jpg",[],70,{"id":958,"slug":959,"title":960,"dynasty":198,"author":961,"museum":41,"description":962,"tags":963,"thumbUrl":965,"material":49,"size":966,"collection":51,"collections":967,"showCount":956,"zanCount":222,"manualWeight":11,"mainColor":55},219155,"xing-kai-shu-rong-deng-tie-ye-du-qiong-219155","行楷书·荣登帖页","杜琼","此帖是杜琼写给吴宽的书信。吴宽于明成化八年（1472年）参加会试、廷试，皆第一，即杜琼所谓“荣登二元”——会元、状元，随后授翰林院修撰。杜琼信中请吴宽为杜家私园延绿亭“作重建延绿亭记”。信写于壬辰（成化八年，1472年）中秋时，这一年杜琼已77岁，且多病，两年后便逝世了。此帖结字瘦长，点划细润工丽，精劲俊峭，具有文人气质。",[23,24,64,26,464,964,82,47,7],"纸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffea8ea1ebfbbbbed4a838ebb6eeebdb9.jpg","纵24.2厘米，横48.6厘米",[51],{"id":969,"slug":970,"title":465,"dynasty":18,"author":19,"museum":94,"description":777,"tags":971,"thumbUrl":972,"material":100,"size":101,"collection":30,"collections":973,"showCount":974,"zanCount":222,"manualWeight":11,"mainColor":55},288120,"qian-zi-wen-yan-zhen-qing-288120",[24,26,7,465],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c8418435d0fe0ef66fa4218179cde3c.jpg",[],69,{"id":976,"slug":977,"title":978,"dynasty":39,"author":979,"museum":41,"description":980,"tags":981,"thumbUrl":982,"material":983,"size":984,"collection":51,"collections":985,"showCount":974,"zanCount":244,"manualWeight":11,"mainColor":55},221195,"zun-juan-tie-lu-you-221195","尊眷帖","陆游","《尊眷帖》释文：\n遊惶恐拜問契家尊眷，共惟並擁壽祺。鏡中有委敢請，子聿六粗能勤苦，但恨不能卒業。函丈若不棄遺，尚未晚也。張七三哥□貧可念，官期尚遠，奈何。每爲之心折，顧無所置力耳。三丈亦念之否。遊惶恐再拜。\n本幅鉴藏印有“宋荦审定”、“凇洲”、“江恂之印”、“德畲借观”以及成亲王、成薰等。\n此帖内容为委请类，即陆游委请函丈帮助其幼子子聿完成学业。帖中言及的子聿为陆游之幼子，据陆游年谱知其生于淳熙四年丁酉（1177年），是年放翁53岁。“镜中”指绍兴镜湖即鉴湖，故此帖当书于家中。\n此帖结体颀长，笔画劲健，转折点画精致爽利，既可见杨凝式、苏轼及黄庭坚书法遗意，又自具面目。\n《书画鉴影》卷一著录，《海山仙馆藏真帖》卷三摹刻。",[23,80,24,64,82,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e5f770e80aa172e6bd6de9a2f3d045e.jpg","纸本，册页","纵29.3厘米，横38.3厘米",[51],{"id":987,"slug":988,"title":989,"dynasty":18,"author":990,"museum":41,"description":991,"tags":992,"thumbUrl":993,"material":49,"size":994,"collection":51,"collections":995,"showCount":974,"zanCount":11,"manualWeight":11,"mainColor":104},221088,"meng-zhao-tie-juan-liu-gong-quan-221088","蒙诏帖卷","柳公权","《蒙诏帖》卷，传为唐柳公权书，纸本，行书，纵26.8厘米，横57.4厘米。\n\n释文：\n公权蒙诏, 出守翰林，职在闲冷，亲情嘱托，谁肯响应，深察感幸。公权呈。\n鉴藏印有宋“绍兴”、“瑞文图书”、“贤志赏”，元“赵氏子昂”、“乔氏篑成”、“齐郡张绅士行”，明“冯氏鹿庵珍藏图籍印”，清“安岐之印”、“王常宗”、“陈氏彦廉”、“韩世能印”、“韩逢禧印”等。\n\n此帖传为柳公权写的一通信札，告诉对方自己年老体衰，能力有限，虽然有个闲官职位，可也不能为别人办什么大事，请谅解自己的难处。\n\n南宋所刻《兰亭续帖》中收有《翰林帖》（或称《蒙诏帖》），其文曰：“公权年衰才劣，昨蒙恩放出翰林，守以闲冷，亲情嘱托，谁肯响应，惟深察，公权敬白。”据文意推测该帖应写于文宗时柳氏任翰林院书诏学士期间，而本帖中的“出守翰林”在文辞上不符合当时居官者职守的称谓，因此可能是宋人据《翰林帖》的大意写出。书法的前四行用笔较雄畅，结字亦尚稳妥，而后几行用笔逐渐瘦薄，结字多松散，末行的“权”字笔画也不成结构，与柳氏遒媚劲健的书风悬殊较大。种种迹象表明，本帖非柳书，乃是宋人仿本。\n\n明詹景凤《东图玄览》、张丑《南阳书法表》、《真迹日录》，清安岐《墨缘汇观》著录。",[137,138,80,124,64,81,24,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda5e4a285528d158dd273e3ee4b593bd.jpg","纵26.8厘米，横57.4厘米",[51,155],{"id":997,"slug":998,"title":999,"dynasty":18,"author":412,"museum":318,"description":1000,"tags":1001,"thumbUrl":1002,"material":1003,"size":1004,"collection":51,"collections":1005,"showCount":1006,"zanCount":244,"manualWeight":11,"mainColor":55},221105,"zhong-ni-meng-dian-tie-ou-yang-xun-221105","仲尼梦奠帖","用笔\n《仲尼梦奠帖》用笔清峻，锋芒毕露，给人以锐利、刻厉之感。其用笔有两个主要特点，一是侧锋入纸，起笔无不锐利，显然是魏碑笔法。下笔直截了当，不藏锋敛迹，加之行笔稍快，如剑戟般的锋芒便外耀无遗了。二是转折顿挫带来的刻厉。在唐书家中，初唐的柔和之风的特征之一就是化方为圆。这样，不仅消失了方角使之更为圆转灵活，而且也加快了书写的速度。欧阳询丝毫不受这种化方转圆的影响，他的转折仍然是重而方，不减作楷书之法，如“仲尼”、“有”、“周”，尽骨节之露，如“奠”之第二笔，起讫三折笔，如怪石嶙峋，与北魏的刀刻痕迹何其相似。可是，这样的笔触是很需要有分寸感的，稍微过头则为造作。在这方面，像欧阳询这样的行家也未能幸免，如“数”字就是一个病例，其“文”字旁起笔牛头角状，十分不雅，有趣的是把这一角状遮去后，这一个字反而格外的流畅、顺眼了。《仲尼梦奠帖》像“过”字这样圆转灵活、随意自然的笔触并不多，全篇的创作仍然是庄严的、认真的，作者创作心态似乎也不轻松，一副如《九成宫碑》那样的庙堂面孔。 [8]\n\n结体\n《仲尼梦奠帖》结体有独特之处，结体修长一目了然。欧阳询不在意从横向上进行发展，因此在行距上显得特别疏朗，每字向下舒展时，欧阳询也把字距拉开，使这一纵向发展显得天地开朗。竖画挺拔坚韧，在每一字中起着砥柱作用，使每一字的骨格坚挺起来。把《仲尼梦奠帖》与虞世南的《汝南公主墓志铭》比较，会看得更清楚。虞氏行书以柔和胜，竖画也起支柱作用，但作用并不明显，也不突出，似乎隐于其中；而欧氏行书竖画刚强外耀、强烈可感，那壁立千仞的挺拔，构成了作品的主要基调。观帖中字，虽用秃笔疾书，却转折随意，笔势圆融，用墨淡而有质感，丝毫无油滑之态。 [8]\n\n章法\n《仲尼梦奠帖》是两种书体的结合，即行书入碑，或曰碑体行书。从章法看，《梦奠帖》“宪章右军，抽锋一线，如猿腾鹘落而泯上下相承之迹”（包世臣《艺舟双楫》），而更多靠单字造型调节章法；帖中“彭”由左右结构变换成半包围结构；“导”字繁体下旁本为“寸”，此处不同，换为“木”旁；“冥”字上首用“宀”代“冖”且书写跳荡；“熟”字结构变异，这四字的安排，使《梦奠帖》章法更显紧凑，以部首移位和比例倒错来调整字形结构及通篇章法。且《仲尼梦奠帖》取魏碑为骨格，以行书的笔意来调节，避免了碑体楷书的平板，显得更加密切、多姿多态。碑体的骨格使每一个字气势开张、伟岸，而行书的绵密活泼又连缀其中，形成刚劲而活络，活络而不失骨力。",[23,24,64,7,80,124,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feed9f1b77f3256e056f28a188b756240.jpg","纸本行书","纵25.5cm，横33.6cm",[51],68,{"id":1008,"slug":1009,"title":1010,"dynasty":18,"author":473,"museum":94,"description":1011,"tags":1012,"thumbUrl":1013,"material":49,"size":1014,"collection":51,"collections":1015,"showCount":1006,"zanCount":11,"manualWeight":11,"mainColor":34},221079,"li-qing-lian-xu-zhang-xu-221079","李清莲序","張旭（675-750），唐代書法家，字伯高，與李白、賀知章等人共列飲中八仙之一。唐文宗曾下詔，以李白詩歌、裴旻劍舞、張旭草書為「三絕」。又工詩，與賀知章、張若虛、包融號稱「吳中四士」。傳世書跡有《肚痛帖》、《古詩四帖》等。\n\n張旭初仕為常熟尉，後官至金吾長史，人稱「張長史」。其母陸氏為初唐書家陸柬之的侄女，即虞世南的外孫女。陸氏世代以書傳業，有稱於史。張旭為人灑脫不羈，豁達大度，卓爾不群，才華橫溢，學識淵博。與李白、賀知章相友善，杜甫將他三人列入「飲中八仙」。是一位極有個性的草書大家，因他常喝得大醉，就呼叫狂走，然後落筆成書，甚至以頭髮蘸墨書寫，故又有「張顛」的雅稱。後懷素繼承和發展了其筆法，也以草書得名，並稱「顛張醉素」。",[23,24,81,124,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12a58ec93ac0fe20390b6d67708a83e8.jpg","27*541",[51,155],{"id":1017,"slug":1018,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":1023,"thumbUrl":1024,"material":1025,"size":1026,"collection":51,"collections":1027,"showCount":1006,"zanCount":244,"manualWeight":11,"mainColor":30},220619,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220619","宋刻米芾英光堂帖","米芾,岳珂","香港中文大学文物馆","《英光堂帖》的内容是北宋米芾（1051–1108）的书迹，由抗金名将岳飞的孙子岳珂（1183–1241后）刻于南宋绍定初年（约1229–1233）。米芾是宋代著名书画家，以书法与苏轼（1037–1101）、黄庭坚（1045–1105）、蔡襄（1012–1067）并称「宋四大家」。行草书受二王影响甚深，运笔变化多端，才气奔放，书迹为后世所重视。",[23,24,25,7,64,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff29dd8584ab752c096648753e8e1f274.jpg","墨拓,纸本,册页","34 × 36 cm",[51],{"id":1029,"slug":1030,"title":1031,"dynasty":39,"author":373,"museum":111,"description":1032,"tags":1033,"thumbUrl":1034,"material":49,"size":1035,"collection":51,"collections":1036,"showCount":1006,"zanCount":222,"manualWeight":11,"mainColor":55},220035,"ci-yun-qin-tai-xu-shi-tie-su-shi-220035","次韵秦太虚诗帖","次韵秦太虚诗帖 君不见诗人借车无可载，留得一钱何足赖。晚年更似杜陵翁，右臂虽存耳先聩。人将蚁动作牛斗，我觉风雷真一噫。闻尘扫尽根性空，不须更枕清流派。大朴初散失 浑沌，六凿相攘更胜坏。眼花乱坠酒生风，口业不停诗有债。君知五蕴皆是贼，人生一病今先差。但恐此心终未了，不见不闻还是碍。今君疑我特佯聋，故作嘲诗穷 险怪。须防额痒出三耳，莫放笔端风雨快。",[23,80,24,64,7,47,49],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ca0aba0cbe56551e7fe404ba6ebb228.jpg","45.3*30.7",[51],{"id":1038,"slug":1039,"title":1040,"dynasty":646,"author":647,"museum":41,"description":1041,"tags":1042,"thumbUrl":1043,"material":49,"size":1044,"collection":51,"collections":1045,"showCount":1046,"zanCount":11,"manualWeight":11,"mainColor":55},221140,"xia-re-tie-yang-ning-shi-221140","夏热帖","釋文： 首署款：“凝式”。\n後紙有宋代王欽若，元代鮮于樞、趙孟頫，清張照的題跋及乾隆皇帝的釋文。\n卷前後及隔水上鈐有宋代“賢志堂印”，元代趙孟頫，明項元汴，清代曹溶、納蘭成德、清內府等鑑藏印。另有數方古印不辨。\n此帖是楊凝式唯一的傳世草書作品，書法兼取唐顏真卿、柳公權筆法，體勢雄奇險崛，運筆爽利挺拔，與他的楷書、行書作品相比較，藝術風格迥殊，表現出了書家的豐富藝術變化，為楊凝式書法代表作品作之一。此帖為信札，筆勢飛動，渾然一體，凝重之中有瀟灑氣象，雄健縱逸，鋒芒灼耀，極富大氣。米芾贊：“楊凝式如橫風斜雨，落紙雲煙，淋漓快目。”\n此帖曾刻入《三希堂法帖》。明代汪砢玉《珊瑚網書跋》，清代吳其貞《吳氏書畫記》、顧復《平生壯觀》、卞永譽《式古堂書畫匯考》、內府《石 渠寶笈·初篇》等書著錄。",[23,24,81,124,82,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F797a61ea192f0e9b636c25d708827dd0.jpg","纵23.8厘米，横33厘米",[51],67,{"id":1048,"slug":1049,"title":1050,"dynasty":76,"author":77,"museum":1051,"description":1052,"tags":1053,"thumbUrl":1054,"material":1055,"size":1056,"collection":155,"collections":1057,"showCount":1046,"zanCount":11,"manualWeight":11,"mainColor":55},221035,"you-mu-tie-wang-xi-zhi-221035","游目帖","日本广岛安达万藏","《遊目帖》又名《蜀都帖》、《彼土帖》、《山川諸奇帖》。草書，11行，102字。信中王羲之表達了他對蜀地山山水水諸多奇景的嚮往之情。他期盼一登汶嶺、峨嵋而暢遊意足，並希望這個日子早日到來。《中國書法全集》評價《遊目帖》“行、草書間雜，筆畫遒勁爽利”。",[23,24,64,7,124,47,65],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5188c56caf21e01b10a04cacb4376ed.jpg","纸本墨迹","11行，102字",[155],{"id":1059,"slug":1060,"title":327,"dynasty":18,"author":328,"museum":329,"description":330,"tags":1061,"thumbUrl":1062,"material":333,"size":334,"collection":51,"collections":1063,"showCount":1064,"zanCount":222,"manualWeight":11,"mainColor":55},221070,"ling-fei-jing-chang-juan-zhong-shao-jing-221070",[23,24,26,187,7,124,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6d3387434404715e6043148aa6f6079.jpg",[51,155],66,{"id":1066,"slug":1067,"title":1068,"dynasty":18,"author":412,"museum":41,"description":1069,"tags":1070,"thumbUrl":1071,"material":49,"size":1072,"collection":51,"collections":1073,"showCount":1074,"zanCount":290,"manualWeight":11,"mainColor":1075},221108,"zhang-han-tie-ou-yang-xun-221108","张翰帖","《张翰帖》也称季鹰帖，记张翰故事。释文：\n“張翰字季鷹，吳郡人。有清才，善屬文，而縱任不拘，時人號之爲江東步兵。後謂同郡顧榮曰：天下紛紜，禍難未已。夫有四海之名者，求退良難。吾本山林間人，無望于時。子善以明防前，以智慮後。榮執其（疑缺“手”字）愴然，翰因見秋風起，乃思吳中菰菜鱸魚，遂命駕而歸。”（方框内字残，现据《晋书》补）\n此段文字见于《晋书·文苑》及《世说新语》等书中，但均属节录。张翰是西晋吴郡(今苏州)人，富于才情，为人舒放不羁，旷达纵酒，当时人将他喻为三国魏时“竹林七贤”之一的阮嵇(阮嵇曾为步兵校尉，人称阮步兵)，称他“江东步兵”。他追随贺循至洛阳做了齐王的官，但他并不快乐，时常思念江南故乡，于是萌生隐退山林、远离乱世之念，后终弃官回乡。\n《张翰帖》原属《史事帖》，是唐代著名书法家欧阳询存世四件墨迹之一。此帖是字体修长，笔力刚劲挺拔，风格险峻，精神外露。对开有瘦金书题跋一则，是宋徽宗赵佶在赏鉴之余写下的心得。他评此帖“笔法险劲，猛锐长驱”，并指出欧阳询“晚年笔力益刚劲，有执法面折庭争之风，孤峰崛起，四面削成。”这段评语对我们欣赏《张翰帖》以及其他欧体书都是极为重要的。\n本幅与题跋钤宋高宗赵构和清代收藏家安岐的印记。可知此帖曾藏南宋绍兴内府，清代由安岐收藏，后入乾隆内府，原有清内府玺印及乾隆帝题字，被刮去。\n此帖为唐人钩填本，笔墨厚重，锋棱稍差。\n清卞永誉《式古堂书画汇考》，清吴升《大观录》、安岐《墨缘汇观》等书有著录。",[23,24,64,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0030172b585a61f612db1ebc51a2de00.jpg","纵25.1厘米，横31.7厘米",[51],64,"F48FB1",{"id":1077,"slug":1078,"title":1079,"dynasty":39,"author":40,"museum":1080,"description":1081,"tags":1082,"thumbUrl":1083,"material":1084,"size":1085,"collection":30,"collections":1086,"showCount":1087,"zanCount":11,"manualWeight":11,"mainColor":34},232616,"shen-xiao-yu-qing-wan-shou-gong-zhao-zhao-ji-232616","神霄玉清万寿宫诏","海南省海口市五公祠","《神霄玉清万寿宫诏》碑是宋徽宗赵佶于宣和元年（1119年）用瘦金体御书的一块碑铭。他崇奉道教，自称“教自道君皇帝”，书写后令汴京神霄宫先刻碑，即后以该碑的拓本颁赐天下摹勒立碑。该碑是《清万寿宫诏》碑之一，位于海南省海口市五公祠内，另一通现存福建省莆田市元妙观三清殿内。\n《神霄玉清万寿宫诏》碑在海南琼山府城五公祠内，为宋徽宗赵佶书，海南《神霄玉清万寿宫诏》碑额已失，驮碑的巨型贔屭仍存。现存碑身高2.34米，宽1.21米，书于宣和元年。该碑瘦金体书法挺拔，舒展遒丽，运笔灵动。周刻回文，中暗刻青龙十八条。宋徽宗笃信道教，该碑于汴京刻成后，拓片分发全国各地翻刻竖立。宋徽宗是亡国之君，其碑刻多被后人毁坏\n据可考史料，全国仅存两尊《神霄玉清万寿宫诏》碑，除了五公祠内这一尊，另一尊现存福建省蒲田市元妙观三清殿内。 海南岛上的这通《神霄玉清万寿宫诏》碑原立在琼州府城的天庆观内，元初改称玄妙观，明更名为玉皇庙，清初玉皇庙倒塌。但这通碑被完整地保存下来，几经迁移，1983年移立于两伏波祠前拜亭内；1994年被公布为海南省第一批文物保护单位；2001年又同五公祠一起被公布为第五批全国重点文物保护单位。\n该碑高2.55米，宽1.3米，厚0.29米，正面光平如镜，背面保留开凿时的原貌。碑文竖行，16行，366字，瘦金体，无标点符号，右行“神霄玉清万寿宫诏御制御书”，正文主要阐述了宋徽宗崇信道教的缘由。\n碑文原文:道者，体之可以即至神；用之可以挈天地；推之可以治天下国家，可使一世之民，举得其恬淡寂常之真，而跻于仁寿之域。朕思是道，人所固有，沉迷既久，待教而兴。俾欲革末世之流俗，还隆古之纯风。盖尝稽参道家之说，独观希夷之妙。\n钦惟长生大帝君、青华大帝君，体道之妙，立乎万物之上。统御神霄，监观万国无疆之休。虽眇躬是荷，而下民之命，实明神所司。乃诏天下，建神霄玉清万寿宫，以严奉祀。自京师始，以致崇极，以示训化，累年于兹，诚忱感格，高厚博临。属者，三元八节，按冲科、启净供，风马云车，来顾来飨。震电交举，神光烛天，群仙翼翼，浮空而来者，或掷宝剑，或洒玉篇，骇听夺目，追参化元。卿士大夫，侍卫之臣，悉见悉闻，叹未之有，咸有纪述，著之简编。\n呜呼！朕之所以隆振道教，帝君之所以眷命孚佑者，自帝皇以还，数千年绝道之后，乃复见于今日，可谓盛矣！岂天之将兴斯文以遗朕，而吾民之幸，适见正于今日耶？布告天下，其谕朕意，毋忽。乃令京师神霄玉清万寿宫刻诏于碑，以碑本赐天下，如大中祥符故事，摹勒立石，以垂无穷。\n宣和元年八月十二日奉圣旨立石。",[23,24,44,26,124,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4739e1d31d9aef0754aa90b310aebc23.jpg","碑","高2.55米，宽1.3米，厚0.29米",[],62,{"id":1089,"slug":1090,"title":1091,"dynasty":76,"author":77,"museum":111,"description":1092,"tags":1093,"thumbUrl":1094,"material":152,"size":820,"collection":51,"collections":1095,"showCount":1096,"zanCount":11,"manualWeight":11,"mainColor":55},221037,"yuan-huan-tie-wang-xi-zhi-221037","远宦帖","《远宦帖》亦称《省别帖》，为《十七帖》丛帖第十五通尺牍。草书，6行，53字。王羲之在信中对周抚对家人的问候表示感谢，提及自己的妻子的情况时，对其病重非常担忧。信中还问及陶侃家人和一些同僚的近况。《中国书法全集》对《远宦帖》的书法风格评价为“偏锋侧锋甚明显，体势多有章草意味”。用笔与气势\n《远宦帖》草法以简约为主，虽间有萦绕，亦简略不繁。两字连属者仅有“省别”、“小大”、“子亦”、“数问”、“救命”、“足下”六处，无三字相连者。偶有收笔如章草者，如“不”字，也因笔毫不易遣锋之故，“远”字最后之萦绕，向上回笔处笔锋分岔，正能说明用笔为硬毫，使转、收纵不甚灵便。《远宦帖》其字间隔不大，较为拥密，与《十七帖》中间疏润者不类。字形多向横扁发挥，无一笔纵情直下者。行距颇有余地。\n整篇气势虽不畅速，但和谐无碍，中无滞阻之处。笔画洒落有致，粗细之间匀净清爽，又不失其古朴之趣，从中甚可体会古人作草并不一味求其潦草恣肆，而是凝重而无阻塞；但全面来看，气充意随，一气呵成，如瀑流之激荡，时有浪花泛起，足可流连其间，领悟寄情其间，遣词造句之含蕴。\n《省别帖》用笔的来龙去脉交代得非常清晰，体现了王羲之草书线条的丰富性——用笔中的圆转、方折、连带、割断、轻重、提按等对立因素在起笔、收笔、运笔过程中的运用与变化。其次，结构与章法方面的大小错落、左右穿插、上下移位等因素，也增加了字势的运动感，显得虚活灵动，生机盎然。",[23,24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ef2a681f2096c798987eb1d125aaa3e.jpg",[51,155],61,{"id":1098,"slug":1099,"title":1100,"dynasty":18,"author":473,"museum":318,"description":1101,"tags":1102,"thumbUrl":1104,"material":49,"size":1105,"collection":30,"collections":1106,"showCount":1107,"zanCount":244,"manualWeight":11,"mainColor":104},232269,"gu-shi-si-tie-zhang-xu-232269","古诗四帖","通篇笔画丰满，绝无纤弱浮滑之笔。行文跌宕起伏，动静交错，满纸如云烟缭绕，实乃草书颠峰之篇。北京大学教授、引碑入草开创者李志敏评价：“古诗四帖无一笔不争，无一笔不让，有呼有应，浑然天成。”今人郭子绪云：“《古诗四帖》，可以说是张旭全部生命的结晶，是天才美和自然美的典型，民族艺术的精华，永恒美的象征。”\n释文:东明九芝盖，北烛五云车。飘飖入倒景，出没上烟霞。春泉下玉溜，青鸟向金华。汉帝看桃核，齐侯问棘花。应逐上元酒，同来访蔡家。\n北阙临丹水，南宫生绛云。龙泥印玉简，大火练真文。上元风雨散，中天哥吹分。虚驾千寻上，空香万里闻\n谢灵运王子晋赞\n淑质非不丽，难之以万年。储宫非不贵，岂若上登天。王子复清旷，区中实哗嚣。喧既见浮丘公，与尔共纷翻。\n岩下一老公，四五少年赞\n衡山采药人，路迷粮亦绝。过息岩下坐，正见相对说。一老四五少，仙隐不别可？其书非世教，其人必贤哲。\n备注:《古诗四帖》录文为四首诗赋。前两首分别是南北朝庾信的《道士步虚词》之六和之八，后两首是南朝谢灵运的《王子晋赞》和《岩下见一老翁四五少年赞》。\n《庾子山集》和《谢灵运集校注》分别录有原文如下：\n东明九芝盖，北烛五云车。飘飖入倒景，出没上烟霞。春泉下玉溜，青鸟向金华。汉帝看桃核，齐侯问枣花。上元应送酒，来向蔡经家。\n北阙临玄水，南宫生绛云。龙泥印玉策，大火炼真文。上元风雨散，中天歌吹分。灵驾千寻上，空香万里闻。\n谢灵运王子晋赞\n淑质非不丽，难以之百年。储宫非不贵，岂若登云天。王子爱清净，区中实骅嚣。喧既见浮丘公，与尔共纷翻。\n岩下见一老翁四五少年赞\n衡山采药人，路迷粮亦绝。过息岩下坐，正见相对说。一老四五少，仙隐不可别。其书非世教，其人必贤哲。\n《古诗四帖》是否为张旭所作，尚有争议，但它是张旭笔法系统中一件重要的作品。它大部分线条不强调提按，而重视粗细均匀的线条中使转与速度的变化。中侧锋并用，笔锋常落在线条端部的一侧，但立即转为中锋；同时流畅中又往往生出圭角，如“年”、“别”等字，有不可端倪之感。左右部分衔接时，有时用粗重的线条。这一点在颜真卿《刘中使帖》中“期”、“将”的笔触也可看到，通过此点能看到颜、张的关系。\n狂草中的点画与其他书体中的点画不同。其一，狂草点画在连续运动中完成，而且较为快速，对控制用笔的敏捷、准确有很高要求；其二，其他书体字体中留驻、按顿等常用的方法在狂草中无法使用，只能更多地依靠手腕及其他关节的控制，因此在临习中一定要找到与点画形状相配合的运动方式。一种点画，书家可以用不同的笔法临写出大体相似的形状，但对狂草来说，只有自然而流畅地书写出这一形状才是可取的，其它操作方法不是把学习者和欣赏者引向另一种风格，而是引人离开草书。\n《古诗四帖》中有少量弱笔，但无损于整个作品的流动、敦厚，就大部分线条而言，已达到得心应手、落笔成趣的境界。草书中不离法则而随意驱运法则，这是高闲等人从来不曾梦想过的境地。\n“四帖”中真正使人感到意外的还是字结构。由于阅读与欣赏习惯的影响，“单字结构”总是欣赏者感觉中甩不掉的一个层面。与张旭其他作品相比，这件作品不符合他惯常的构字规则。\n《古诗四帖》属狂草。特点是较过去更为狂放，整体气势如长江大河一泻千里，急风骤雨，所以在草书发展史上是新突破。它打破了魏晋时期拘谨的草书风格。把草书在原有的基础结构上，将上下两字的笔画紧密相连，所谓“连绵还绕”，有时两个字看起来象一个字，有时一个字看起来却象两个字。在章法安排上，也是疏密悬殊很大。在书写上，也一反魏晋“匆匆不及草书”的四平八稳的传统书写速度，而采取了奔放、写意的抒情形式。\n《古诗四帖》，张旭自己并未书款，说它是张旭作品是根据董其昌鉴定， 后人多沿此说，但也颇有争议。\n张旭草书的章法大致可以分为单字界限清晰和单字界限不清晰这样两类。前者如《晚复帖》，后者如《古诗四帖》。两类作品书写时的心态有所不同。前一类作品书写时注意力可以主要放在字结构上，同时关注各字的连缀即可；后一类作品书写时以线条疏密及连续性的控制为首要目标。狂草中空间的疏密有时出现强烈的变化，但张旭的作品中，疏密变化都是逐渐发生的。换言之，由疏到密，或由密到疏，都有个过渡阶段，《肚痛贴》中从“肚痛”到“不可”这样突兀的变化只是个特例。\n《古诗四帖》笔法奔放不羁，如惊电激雷，倏忽万里，而又不离规矩。行文跌宕起伏，动静交错，满纸如云烟缭绕，实乃草书颠峰之篇。董其昌评说：“有悬崖坠，急雨旋风之势。”\n《古诗四帖》通篇气势奔放，运笔无往不收，如锥划沙，无纤巧浮华之笔。盛唐时期，以张旭为代表的一派草书风靡一时，它打破了魏晋时期拘谨的草书风格。把草书在原有的基础结构上，将上下两字的笔画紧密相连，所谓“连绵还绕”，有时两个字看起来象一个字，有时一个字看起来却象两个字。在章法安排上，也是疏密悬殊很大。在书写上，也一反魏晋“匆匆不及草书”的四平八稳的传统书写速度，而采取了奔放、写意的抒情形式。正如唐代文学家韩愈《送高闲上人序》中所云：“张旭善草书，不冶它技，喜怒窘穷，忧悲愉佚，怨恨，思慕，酣醉无聊，不平，有动于心，必于从草书焉发之。”\n《古诗四帖》早在北宋宋仁宗嘉佑年间已有刻本流传，墨迹进入北宋内府。“靖康之乱”散入民间，南宋后期为贾似道收藏。后转入南宋收藏家赵与勤家。明代归著名收藏家华夏的真赏斋，后又归项元汴，清时入内府。\n宋《宣和书谱》定为南北朝谢灵运书，元明时《云烟过眼录》、《珊瑚网书跋》、《平生壮观》均有记载，传至明朝中期，对作者产生怀疑，直到董其昌，才从诗韵变化揭示原说破绽并据草书肯定为张旭之作。《石渠宝笈初编》将此帖误断为赝品。\n关于是否是张旭真迹，明清均有争议，到现在仍有学者有不同意见。",[23,137,138,80,24,124,81,47,1103,7],"设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1b552411f9ee44f8aa35e32c763c8a8.jpg","纵28.8厘米，横192.3厘米",[],60,{"id":1109,"slug":1110,"title":482,"dynasty":198,"author":483,"museum":484,"description":485,"tags":1111,"thumbUrl":1112,"material":49,"size":488,"collection":51,"collections":1113,"showCount":1107,"zanCount":244,"manualWeight":11,"mainColor":55},222000,"teng-wang-ge-xu-wen-zheng-ming-222000",[23,124,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4b095c13f4a79bfda9cd3f00c324864.jpg",[51],{"id":1115,"slug":1116,"title":1117,"dynasty":18,"author":412,"museum":318,"description":1118,"tags":1119,"thumbUrl":1120,"material":49,"size":30,"collection":51,"collections":1121,"showCount":1107,"zanCount":222,"manualWeight":11,"mainColor":55},221107,"qian-zi-wen-quan-juan-ou-yang-xun-221107","千字文全卷","《千字文》为南北朝时周兴嗣编纂，全文共1000字，四字成句，对仗工整，文句平白如话，易诵易记，是中国最重要的蒙学教材之一，并译有多语种传于海外。\n自《千字文》出，历代书家无有例外，必常年书写，终生不倦。据载，隋智永法师所书真草《千字文》800册，分送于当时浙东诸寺。又如赵孟頫、文徵明等书家一生所书《千字文》无数，无不尽思其妙，更有两体、四体、六体不同风貌。《千字文为》为历代书家所重，多做日常必修。近有于右任、王蘧常、黄宾虹、沈尹默等《千字文》作品名世。可见，《千字文》不该为当代所轻。\n《千字文》不仅以古代蒙学作为中国传统文化内容之一再提及，同时作为书法当今常规书写题材，都有着一定的意义。此系列专题意在飨有所好，若勤而常习，自有裨益。",[23,24,26,124,80,47,7,599],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62dd6476b0650a40a9ab1d2aee27b171.jpg",[51],{"id":1123,"slug":1124,"title":1125,"dynasty":76,"author":1126,"museum":94,"description":1127,"tags":1128,"thumbUrl":1131,"material":202,"size":30,"collection":155,"collections":1132,"showCount":1107,"zanCount":11,"manualWeight":11,"mainColor":104},221025,"luo-shen-fu-shi-san-xing-bi-yu-ban-wang-xian-zhi-221025","洛神赋十三行·碧玉版","王献之","《洛神赋》是三国时期文学家曹植创作的辞赋名篇。以浪漫主义手法虚构了自己与洛神的邂逅和彼此思恋爱慕的故事。描写人神之间的真挚爱情，但终因“人神殊道”无法结合而惆怅分离。\n《玉版十三行》是王献之小楷代表作，被誉为“小楷极则”，笔画隽秀挺拔，结字萧散逸荡，顾盼有致，盛名千年不衰。墨迹在宋元时有两本，一为晋麻笺本，一为唐硬黄本，上有柳公权跋，疑为柳公权临本。王献之写过不只一本《洛神赋》，原本墨迹写在晋麻笺纸上，也称晋麻笺本，但流传到唐宋时代就已经首尾残损缺失。如今真迹已不复存在了，唯留南宋时残存的竖版十三行二百五十余字内容小楷作品，在宋代的著录类图书《寳刻類編》中，使用了“《洛神赋》十三行”的称谓，自明代以来普遍称为“十三行”，故称“洛神赋十三行”，简称“十三行”。\n后人相传南宋晚期权相贾似道先得晋麻笺本九行，后又续得四行，乃命巧匠摹刻十三行于佳石之上。因石色深暗青碧材质细腻如玉，出于对书法作品的尊敬，后人尊称为玉版，世称“玉版十三行”，又称“碧玉十三行”。\n后因宋元战火“玉版十三行”石版下落不明，直至明万历年间，在杭州西湖葛岭半闲堂旧址地下发现一方石刻，因其出土地为贾似道半闲堂旧址，时人根据各种资料推论，这就是晋麻笺本“玉版十三行”。“玉版十三行”复得后，归陆梦鹤、翁嵩年。\n这件“碧玉版十三行”到底是谁刻的，目前来说还没有定论，有人认为是翻刻自《寶晉齋法帖》，而《寶晉齋法帖》是南宋曹知格所刻，成于咸淳四年（1268年）。目前藏于首博的这件“玉版十三行”被鉴定为宋代刻石。\n目前认为流传下来的刻本为宋代根据真迹上石的拓本，包括“碧玉版”和“白玉版”两种，“白玉版”为明、清两代宫廷命巧匠根据“碧玉版”将其内容摹刻于白玉之上，有明版和清乾隆版两种，为“碧玉版”的翻版。明“白玉版本”，笔划比“碧玉版本”略枯瘦，石花剥落处有刀刻的痕迹，可知是“碧玉版”翻刻本。明“白玉版”在清代嘉庆三年毁于乾清宫火灾。",[26,25,24,7,1129,1130],"玉石","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F357fc44a3319b6da2cf411f5a623960e.jpg",[155],{"id":1134,"slug":1135,"title":1136,"dynasty":76,"author":1137,"museum":94,"description":1138,"tags":1139,"thumbUrl":1140,"material":100,"size":101,"collection":30,"collections":1141,"showCount":1142,"zanCount":11,"manualWeight":11,"mainColor":55},288066,"zhong-lang-tie-xie-an-288066","中郎帖","谢安","《中郎帖》是传为东晋人谢安书写的一封报丧书信，信中告知中郎突然去世的消息，同时表达了自己内心痛苦不堪、难以忍受的情感。\n《中郎帖》又称《八月五日帖》。此帖有“德寿”玺印，为南宋高宗之印（高宗赵构做太上皇时曾退居德寿殿），另据此帖纸、墨等判断，可确认它为南宋绍兴御书院中人所临摹的古帖，虽然不是谢安的真迹，依然宝贵。\n在南宋，由于高宗以来历代皇帝对二王及晋人书的嗜好，上行下效，使南宋书风充满古雅萧散的气质。此帖行笔圆转流畅，笔法纯熟，具有典雅丰腴、气度雍容的特点。",[23,24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb01a21dca3941d610e11a94e8d446ca5.jpg",[],59,{"id":1144,"slug":1145,"title":1146,"dynasty":109,"author":110,"museum":329,"description":1147,"tags":1148,"thumbUrl":1150,"material":49,"size":1151,"collection":51,"collections":1152,"showCount":1142,"zanCount":11,"manualWeight":11,"mainColor":55},220860,"wang-xi-zhi-yi-shi-tie-zhao-meng-fu-220860","王羲之轶事帖","赵孟頫《王羲之轶事帖》，又名《右军四事帖》、《王羲之书事卷》等，书于元代大德年间，是赵氏传世作品中的精品佳作。纸本行书，帖芯24.4×117cm，全卷含题跋26.5×851.2cm，原为美国顾洛阜旧藏，现藏于纽约大都会博物馆。\n《羲之四事帖》书风，以《阁帖》中王羲之书和《兰亭序》为主，兼以《十七帖》笔意，布局精严。赵孟頫学王羲之书，可谓“前无古人，后无来者”。赵孟頫的唯美主义书法整整影响了元、明、清三代，明人何良俊《四友斋丛说》中曾云：“上下五百年，纵横一万里，举无此书”。\n释文：羲之书在始未有奇殊，不胜庾翼、郗愔，迨其末年，乃造其极。尝以章草答庾亮，亮以示翼，翼叹服，因与羲之书云：“吾昔有伯英章草书十纸，过江亡失，常痛妙迹永绝，忽见足下答家兄书，焕若神明，顿还旧观。”\n羲之罢会稽，住蕺山下。旦见一老姥，把十许六角竹扇出市。王聊问：“比欲货耶，一枚几钱？”答云：“二十许。”右军取笔书扇，扇五字。姥大怅惋云：“老妇（妇字原缺，据明抄本补）举家朝餐，俱仰于此，云何书坏。”王答曰：“无所损，但道是王右军书字，请一百。”既入市，人竞市之。后数日，复以数扇来诣，请更书，王笑而不答。\n羲之曾自书表与穆帝，专精任意。帝乃令索纸色类，长短阔狭，与王表相似。使张翼写效，一毫不异，乃题后答之。羲之初不觉，后更相看，乃叹曰：“小人乱真乃尔。”羲之性好鹅，山阳昙忀村有一道士养好者十余。王清旦乘小船，故往看之。意大愿乐，乃告求市易，道士不与。百方譬说，不能得之。道士言性好道，久欲写河上公老子，缣素早办，而无人能书。府若能自书老子（老子原作屈，据明抄本改）《道德》各两章，便合群以奉。羲之停半日，为写毕。笼鹅而归。",[23,124,24,64,7,47,1149,964],"墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F815b7aa9a62e80c21a0150d35e609d27.jpg","帖芯24.4×117cm，全卷含题跋26.5×851.2cm",[51],{"id":1154,"slug":1155,"title":1156,"dynasty":18,"author":19,"museum":94,"description":777,"tags":1157,"thumbUrl":1162,"material":100,"size":101,"collection":30,"collections":1163,"showCount":1164,"zanCount":244,"manualWeight":11,"mainColor":104},287742,"ma-gu-xian-tan-ji-yan-zhen-qing-287742","麻姑仙坛记",[24,25,26,7,943,1158,1159,1160,1161,47],"神话","麻姑","仙坛","龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7722d87b73190fdc8e7c527828bc3676.jpg",[],57,{"id":1166,"slug":1167,"title":1168,"dynasty":460,"author":1169,"museum":1170,"description":1171,"tags":1172,"thumbUrl":1174,"material":49,"size":1175,"collection":51,"collections":1176,"showCount":1164,"zanCount":11,"manualWeight":11,"mainColor":55},220137,"jie-lu-huai-su-zi-xu-tie-zheng-ban-qiao-220137","节录怀素自叙帖","郑板桥","武汉博物馆","此轴以画法入笔，左低右高，疏密有致，大小相宜，可谓“乱石铺街”，如“雨夹雪”。它不但完美地展现了板桥书法“真气、真意、真趣”的艺术风格，同时也彰显了艺术家狂放不羁、无拘无束的个性魅力。",[23,1173,24,64,81,47,7],"立轴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb7b134b4869b9dcbeea028d9e01d678.jpg","159cm×91cm",[51],{"id":1178,"slug":1179,"title":1180,"dynasty":18,"author":1181,"museum":94,"description":1182,"tags":1183,"thumbUrl":1184,"material":30,"size":30,"collection":30,"collections":1185,"showCount":1186,"zanCount":11,"manualWeight":11,"mainColor":55},227246,"shu-pu-sun-guo-ting-227246","书谱","孙过庭","《书谱》为唐代书法家孙过庭所著的书法理论著作。成书于武后垂拱三年，他亲自以草书书写全书。《书谱》共分两卷，内容主要为书学体验、书谱撰写要旨及学习书法的一些基本原则。一般认为本（上）卷为“序”，宋元明时分为两卷，入严嵩之手时，装为一卷。下卷为“谱”，作者生前未能完成，现仅存第一卷。\n\n孙过庭（活动于七世纪后期），一说名虔礼，字过庭，河南陈留人，一说名过庭，字虔礼，浙江富阳人。根据本卷自题，为吴郡人，名过庭。出身寒微，迟至不惑之年始出任率府录事参军之职，以性高洁遭谗议而去官。之后，遂专注于书法研究。",[23,24,81,124,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F80d82f903b6926ec8c08c003e56a13f9.jpg",[],56,{"id":1188,"slug":1189,"title":1190,"dynasty":18,"author":473,"museum":94,"description":1191,"tags":1192,"thumbUrl":1193,"material":100,"size":101,"collection":30,"collections":1194,"showCount":1195,"zanCount":11,"manualWeight":11,"mainColor":55},287312,"gu-shi-si-tie-quan-juan-gao-qing-zhang-xu-287312","古诗四帖全卷(高清)","张旭（685年？—759年？），字伯高，一字季明，苏州吴县（今江苏苏州）人，唐代书法家，擅长草书，喜欢饮酒，世称“张颠”，与怀素并称“颠张醉素”，与贺知章、张若虚、包融并称“吴中四士”，又与贺知章等人并称“饮中八仙”，其草书则与李白的诗歌、裴旻的剑舞并称“三绝”。\n张旭出生于一个门第不低的家庭，曾向堂舅陆彦远学习书法，学有所成后为吴道子、颜真卿等钦慕；年长后通过应举或荐举、征辟而入仕，释褐为常熟县尉；先后任左率府长史、金吾长史，因而被世人称为“张长史”；大约在乾元二年（759年）逝世，享年大约七十五岁。\n在书法方面，张旭勤于观察客观事物，善于将客观的自然物象与个人的主观情感结合起来，既继承传统，又勇于创新，在继承前人书法成就并加以创新而使得自身的狂草艺术在盛唐时期达到了一个高峰。",[23,137,80,24,81,7,124,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb590f99a59fc1546923afae596439327.jpg",[],55,{"id":1197,"slug":1198,"title":1199,"dynasty":18,"author":412,"museum":94,"description":431,"tags":1200,"thumbUrl":1201,"material":100,"size":101,"collection":30,"collections":1202,"showCount":1195,"zanCount":244,"manualWeight":11,"mainColor":34},232272,"yin-fu-jing-ou-yang-xun-232272","阴符经",[23,507,24,26,25,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F472521783f3f912897634c95b28f60c0.jpg",[],{"id":1204,"slug":1205,"title":1206,"dynasty":76,"author":1126,"museum":111,"description":1207,"tags":1208,"thumbUrl":1209,"material":1210,"size":1211,"collection":51,"collections":1212,"showCount":1195,"zanCount":11,"manualWeight":11,"mainColor":104},221022,"san-huai-tie-wang-xian-zhi-221022","散怀帖","王献之（344年－386年），字子敬，小名官奴，琅玡临沂（今山东省临沂市）人。东晋官员、书法家、画家、诗人，右军将军王羲之第七子、晋简文帝司马昱女婿、晋安帝司马德宗的岳父。\n王献之少负盛名，才华过人。得到宰相谢安赏识，历任本州主簿、秘书郎、司徒左长史、吴兴太守，累迁中书令等职，与族弟王珉区分，人称“大令”。他先后迎娶郗道茂及新安公主司马道福为妻，嫁女于太子司马德宗（晋安帝）。太元十一年（386年），病逝，时年四十三岁 [1] 。安帝时获赠侍中、特进、光禄大夫、太宰，谥号为“宪”。\n王献之精习书法，以行书及草书闻名，在楷书和隶书上有深厚功底。在书法史上与王羲之并称“二王”，有“小圣”之称。又与张芝、钟繇、王羲之并称“书中四贤”。唐人张怀瓘《书估》评其书为“第一等”。 [2] 同时，王献之还善于作画，唐人张彦远《历代名画记》目其画为“中品下”。",[24,81,25,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3712465363030588952e2ae348618c63.jpg","狂草","27.7x32.5",[51],{"id":1214,"slug":1215,"title":1216,"dynasty":39,"author":60,"museum":61,"description":1217,"tags":1218,"thumbUrl":1219,"material":67,"size":68,"collection":30,"collections":1220,"showCount":1195,"zanCount":11,"manualWeight":11,"mainColor":55},214262,"duo-jing-lou-shi-tie-20-mi-fei-214262","多景楼诗帖-20","墨色浓淡交织，似藏无尽章法于其间。每一笔皆如骤雨惊风，却又收放自如——长画如引弓待发，短撇若惊鸿一瞥。飞白处见筋骨，重墨时显沉雄。字与字气脉相连，顾盼有情，仿佛能听见纸墨相触的脆响，窥见书者挥毫的洒脱姿态。笔法跌宕起伏里，藏着不拘一格的才情，读来只觉意气飞扬，心神被灵动线条牵引，沉醉于率真与雄健的交融之美。那肆意挥洒的笔势，既见功底的深厚，更显性情的奔放，将书写时的畅快与豪情，凝在每一处转折提按之中。",[24,64,82,47,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba50dd4540257478299585be2cb34631.jpg",[],{"id":1222,"slug":1223,"title":1224,"dynasty":1225,"author":401,"museum":94,"description":1226,"tags":1227,"thumbUrl":1228,"material":100,"size":101,"collection":30,"collections":1229,"showCount":1230,"zanCount":11,"manualWeight":11,"mainColor":104},287721,"dong-jin-wang-xi-zhi-huang-ting-jing-xing-feng-lou-ben-song-ke-ben-yi-ming-287721","东晋 王羲之 黄庭经 星凤楼本宋刻本","不详","此小楷神品，字势宽博舒展，点画温润圆劲，起收含蓄雅致，提按间尽显灵动韵致。布白匀整疏朗，字字如珠玑排布，通篇气息平和冲淡，暗合道经清虚出尘的意蕴。\n行笔牵丝映带若有似无，谨守法度又暗含萧散简远的魏晋风度，将书法工稳与经文玄妙融为一体。墨色沉郁莹润，刻工精湛忠实还原原作风神，笔笔皆具雅正高古之姿，观之如对魏晋清淡萧散的林下之风，尽显超然出俗的书卷雅韵。",[26,25,24,7,187,508],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F794b3c1a917aa55be794eda0c644b484.jpg",[],53,{"id":1232,"slug":1233,"title":1234,"dynasty":39,"author":40,"museum":41,"description":1235,"tags":1236,"thumbUrl":1237,"material":140,"size":1238,"collection":51,"collections":1239,"showCount":1230,"zanCount":11,"manualWeight":11,"mainColor":55},239597,"su-shi-gui-yuan-tie-ye-zhao-ji-239597","苏轼归院帖页","释文：\n此虽云同归院，亦不云宿于院中。不知别有文字，证得是宿学士院为复。只是公家传说如此，乞更批示。轼白。\n今当改云宿学士院为复，且只依旧云宿待漏舍，幸批示。\n鉴藏印钤“子孙永保“、”项氏子京“、”项墨林父秘笈之印“、”退密“、”宣统御览之宝“等五方。\n此帖是《宋人法书六种》卷之一，叙述了批示“同归院”、“宿学士院”、“宿待漏舍”三个名称统一之事。从帖文中可知，该帖是苏轼做翰林学士时所书，时间应为北宋元祐元年至四年之间（1086―1089年），苏轼时年51至54岁。\n前人虽云苏轼书学颜真卿、杨凝式，但实际受徐浩行书的影响最深。此帖笔致萧散，结态随意，似不经意而笔到法随，已不见学古痕迹。诚如苏轼自己所说：“不践古人，自出新意。”虽短短五行，已臻化境。\n《石渠宝笈续编》重华宫著录。",[23,137,138,80,64,24,47,49,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32e060cd1b3354e1c0cf55b5c1306316.jpg","纵35.1厘米，横12.4厘米",[51],{"id":1241,"slug":1242,"title":1243,"dynasty":39,"author":844,"museum":41,"description":1244,"tags":1245,"thumbUrl":1246,"material":49,"size":1247,"collection":30,"collections":1248,"showCount":1249,"zanCount":11,"manualWeight":11,"mainColor":55},221232,"dao-fu-zan-juan-quan-juan-di-yi-duan-fan-zhong-yan-221232","道服赞卷全卷-第一段","此帖是范仲淹为同年友人“平海书记许兄”所制道服撰写的一篇赞文，称友人制道服乃“清其意而洁其身”之举。宋代文人士大夫喜与道士交往，“道家者流，衣裳楚楚。君子服之，逍遥是与。”穿着道服，遂成一时风气。此卷行笔清劲瘦硬，结字方正端谨，风骨峭拔。时人称此帖“文醇笔劲，既美且箴。”为范仲淹晚年书。。",[23,137,80,124,26,24,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68bcbaa000d4b623b9df17446a27bebd.jpg","34.8*47.9cm",[],51,{"id":1251,"slug":1252,"title":1253,"dynasty":18,"author":19,"museum":41,"description":341,"tags":1254,"thumbUrl":1255,"material":49,"size":1256,"collection":51,"collections":1257,"showCount":1249,"zanCount":11,"manualWeight":11,"mainColor":34},221055,"zheng-zuo-wei-tie-cang-ben-quan-juan-yan-zhen-qing-221055","争座位帖藏本全卷",[23,24,64,25,124,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19720981560762221af62aac56dad7b8.jpg","38x370cm",[51,155],{"id":1259,"slug":1260,"title":1261,"dynasty":18,"author":412,"museum":41,"description":1262,"tags":1263,"thumbUrl":1264,"material":983,"size":1265,"collection":51,"collections":1266,"showCount":1267,"zanCount":11,"manualWeight":11,"mainColor":55},221109,"xing-bo-shang-du-shu-tie-ye-ou-yang-xun-221109","行卜商读书帖页","释文：\n“卜商讀書畢，見孔子。孔子問焉，何爲於書。商曰，書之論事，昭昭如日月之代明，離離如參辰之錯行，商所受于夫子者，志之於心，弗敢忘也。”\n这段文字见于《尚书大传》，是孔子与弟子卜商的一段对话。应是欧阳询当年著述手稿，收入他所著的《艺文类聚》卷五五《杂文部·读书》之中，与史籍相较，帖中个别字有出入。\n卜商是孔子弟子，字子夏，春秋时卫国人。师事孔子，师生间常有议论问答，极富哲理。\n此帖为双钩廓填本，墨气鲜润。从书法上看，笔法严谨又不失生动气韵，点画的起止处强化方切硬折。欧阳询晚年将北碑用笔特点融于二王书风，而兼容南北正是“欧体”独到之处。此为欧阳询代表作之一。\n此帖宋代藏于宋徽宗宣和御府，清代归安岐所有，后入乾隆内府，辑入《法书大观》册中。\n宋周密《云烟过眼录》，清卞永誉《式古堂书画汇考》、吴升《大观录》、安岐《墨缘汇观》等书著录。",[23,24,64,7,83,47,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02ec07a542b148372350a60cce3f3a5d.jpg","纵25.7厘米，横16.5厘米",[51],50,{"id":1269,"slug":1270,"title":1271,"dynasty":39,"author":60,"museum":61,"description":1272,"tags":1273,"thumbUrl":1274,"material":67,"size":68,"collection":30,"collections":1275,"showCount":1276,"zanCount":11,"manualWeight":11,"mainColor":55},214277,"duo-jing-lou-shi-tie-6-mi-fei-214277","多景楼诗帖-6","墨色浓枯相济，浓处如坠石沉渊，枯笔飞白似裂帛牵丝。笔锋横扫间带着率意锋芒，每一笔如奔马脱缰却收放自如，欹侧结构藏着奇险趣味。字间牵丝映带，行气如流泉穿石般连贯，线条粗细变化里藏着书写的呼吸节奏——时而重若崩云，时而轻如蝉翼。那种“刷”出的痛快感，仿佛可见书者挥毫的洒脱姿态。章法疏朗却气脉贯通，留白处透着灵动，整体如疾风骤雨过后的晴空，既有千钧之力又不失飘逸韵致，尽显宋人尚意的书法风骨，读来令人心驰神往。",[24,64,7,82,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59d9c0635b53d5216d1eb22fb1deeaec.jpg",[],48,{"id":1278,"slug":1279,"title":1280,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":1282,"thumbUrl":1285,"material":100,"size":101,"collection":30,"collections":1286,"showCount":1287,"zanCount":11,"manualWeight":11,"mainColor":55},289948,"luo-shen-fu-juan-zhao-meng-fu-289948","洛神赋卷","赵孟頫[fǔ]（1254年10月20日－1322年7月30日），字子昂，汉族，号松雪道人，又号水晶宫道人（一说水精宫道人）、鸥波，中年曾署孟俯。吴兴（今浙江省湖州市）人，原籍婺州兰溪。南宋晚期至元朝初期官员、书法家、画家、诗人，宋太祖赵匡胤十一世孙、秦王赵德芳嫡派子孙。\n赵孟頫于南宋末年曾任真州司户参军。宋亡后隐居不仕。至元二十三年（1286年），赵孟頫经行台侍御史程钜夫举荐，赶赴大都，受元世祖赏识，授兵部郎中。此后历任集贤直学士、济南路总管府事、江浙等处儒学提举、翰林侍读学士等职，累官翰林学士承旨、荣禄大夫。自世祖至武宗、仁宗、英宗四朝皆加礼敬。晚年逐渐隐退，延祐六年（1319年）借病乞归。至治二年（1322年），赵孟頫逝世，年六十九。获赠江浙中书省平章政事、魏国公，谥号“文敏”，故称“赵文敏”。著有《松雪斋文集》等。\n赵孟頫博学多才，能诗善文，通经济之学，工书法，精绘艺，擅金石，通律吕，解鉴赏。在绘画上，他开创元代新画风，被称为“元人冠冕”。其绘画取材广泛，技法全面，山水、人物、花鸟无不擅长。其书取法钟繇、“二王”、李邕、赵构等，于篆、隶、真、行、草诸体皆擅，尤以楷书、行书著称；其书风遒媚、秀逸，结体严整、笔法圆熟，创“赵体”书，与欧阳询、颜真卿、柳公权并称“楷书四大家”。此外，赵孟頫倡导师法古人，强调“书画同源“。其绘画、书法和画学思想对后代影响深远。",[137,138,80,124,64,24,7,1283,1158,1284,47],"洛神","美人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8139c393ba42d92a1104b63075d6602a.jpg",[],47,{"id":1289,"slug":1290,"title":1117,"dynasty":18,"author":1181,"museum":318,"description":1291,"tags":1292,"thumbUrl":1293,"material":49,"size":1294,"collection":51,"collections":1295,"showCount":1287,"zanCount":11,"manualWeight":11,"mainColor":55},221082,"qian-zi-wen-quan-juan-sun-guo-ting-221082","孙过庭（活动於七世纪後期），一说名虔礼，字过庭，河南陈留人，一说名过庭，字虔礼，浙江富阳人。根据本卷自题，为吴郡人，名过庭。出身寒微，迟至不惑之年始出任率府录事参军之职，以性高洁遭谗议而去官。之後，遂专注於书法研究。",[23,80,124,81,24,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb478245946dbc530b0f20c7fa56686df.jpg","25.7cmX82.5cm",[51,155],{"id":1297,"slug":1298,"title":1299,"dynasty":39,"author":373,"museum":111,"description":1300,"tags":1301,"thumbUrl":1302,"material":67,"size":1303,"collection":51,"collections":1304,"showCount":1287,"zanCount":244,"manualWeight":11,"mainColor":55},220041,"bei-you-tie-su-shi-220041","北游帖","苏轼书于元丰元年(1078)。纸本。行书，信札一则。凡9行，计61字。",[23,24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7729091c501372697bacbc86bcc08b52.jpg","26.1厘米×29.5厘米",[51],{"id":1306,"slug":1307,"title":1308,"dynasty":39,"author":373,"museum":111,"description":1309,"tags":1310,"thumbUrl":1311,"material":49,"size":1312,"collection":51,"collections":1313,"showCount":1287,"zanCount":244,"manualWeight":11,"mainColor":55},220039,"ba-li-bu-chen-gong-shi-tie-su-shi-220039","跋吏部陈公诗帖","【释文】故三司副使吏部陈公 轼不及见其人，然少时所 识，一时名卿盛士多推 尊之，尔来前辈凋丧 略尽能称诵 公者渐不复见，得其 理言遗事，皆当记录 宝藏，况其文章乎 公之孙（师仲）录 公之诗廿五篇以示轼三 复太息，以想见 公之大略云，元丰四年十 一月廿四日眉阳苏轼书。",[23,24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfaffe0183d39974fb89480f5b4ed34f.jpg","27.8厘米×60.6厘米",[51],{"id":1315,"slug":1316,"title":1317,"dynasty":39,"author":373,"museum":111,"description":1318,"tags":1319,"thumbUrl":1320,"material":49,"size":1321,"collection":51,"collections":1322,"showCount":1287,"zanCount":222,"manualWeight":11,"mainColor":55},220037,"dong-wu-tie-su-shi-220037","东武帖","苏轼于元佑四年写的手札",[23,24,64,47,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1252dbf3f75818f4f173fe00671dccc5.jpg","28.7厘米×66.1厘米",[51],{"id":1324,"slug":1325,"title":1326,"dynasty":1225,"author":401,"museum":94,"description":1327,"tags":1328,"thumbUrl":1330,"material":100,"size":101,"collection":30,"collections":1331,"showCount":1332,"zanCount":11,"manualWeight":11,"mainColor":34},287831,"bei-wei-yuan-chang-mu-zhi-wei-bei-yi-ming-287831","北魏 元苌墓志 魏碑","墓志是中国古代丧葬制度持续发展的产物，有固定的形制和专门的文体，主要记述死者姓名、卒年和生平事迹。墓志滥觞于秦汉之际，发展于魏晋，完善于北魏，兴盛于唐，延续至明清，经历了由砖造墓志到石刻墓志，由碑形墓志到方形墓志的发展历程。（碑的起源早于墓志，先有碑，后有志，两者在文化上有渊源关系。）",[1329,26,25,24,7],"魏碑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0490b33ed265b9ce55ba3f7e127ac408.jpg",[],46,{"id":1334,"slug":1335,"title":1336,"dynasty":18,"author":19,"museum":41,"description":341,"tags":1337,"thumbUrl":1338,"material":49,"size":1256,"collection":51,"collections":1339,"showCount":1332,"zanCount":11,"manualWeight":11,"mainColor":104},221056,"zheng-zuo-wei-tie-yan-zhen-qing-221056","争座位帖",[23,24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d4f31613656912ca6722b669276b4fd.jpg",[51,155],{"id":1341,"slug":1342,"title":1343,"dynasty":39,"author":1344,"museum":111,"description":1345,"tags":1346,"thumbUrl":1348,"material":67,"size":1349,"collection":51,"collections":1350,"showCount":1332,"zanCount":222,"manualWeight":11,"mainColor":55},218872,"shu-yong-shui-xian-hua-shi-tie-chen-yu-yi-218872","书咏水仙花诗帖","陈与义","此卷有《咏水仙》一诗，希望有朋友为其作诗，《简氏集》也有收录，但文字上有出入。 在书法上，陈与义 书法清简，与其诗文相近，为本朝绍兴初期所独有，因此，曾被宋高宗下诏为 音释帖刊误。这幅作品的书法风格古拙，风格淡雅，韵味分明，意境悠远。",[80,24,64,7,47,1347],"水仙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66296fa179b324f97dc22acb0bab3d7a.jpg","32.1x41.3",[51],{"id":1352,"slug":1353,"title":1354,"dynasty":39,"author":60,"museum":94,"description":1355,"tags":1356,"thumbUrl":1368,"material":100,"size":101,"collection":30,"collections":1369,"showCount":1370,"zanCount":222,"manualWeight":11,"mainColor":104},287400,"xiao-xing-ba-xia-mi-fei-287400","晓行巴峡","米芾（1051年-1107年），初名黻，后改芾，字元章，自署姓名米或为芊，祖居太原，后迁湖北襄阳，谪居润州(现江苏镇江)，时人号海岳外史，又号鬻熊后人、火正后人。北宋书法家、画家、书画理论家，与蔡襄、苏轼、黄庭坚合称“宋四家”。曾任校书郎、书画博士、礼部员外郎。\n米芾书画自成一家，枯木竹石，山水画独具风格特点。在书法也颇有造诣，擅篆、隶、楷、行、草等书体，长于临摹古人书法，达到乱真程度。 主要作品有《张季明帖》《李太师帖》《紫金研帖》《淡墨秋山诗帖》等。\n米芾所书《蜀素帖》，亦称《拟古诗帖》，是天下第八行书，被后人誉为中华第一美帖",[23,24,25,64,7,1357,1358,1359,1360,1361,1362,1363,1364,1365,1366,1367],"山水","飞鸟","深山","殿宇","烟岚","苍松","林径","野岭","宫阙","晴雨","龙宫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa16030e95c6e55de3a713fc2e76a24cc.jpg",[],44,{"id":1372,"slug":1373,"title":1374,"dynasty":76,"author":1375,"museum":41,"description":1376,"tags":1377,"thumbUrl":1379,"material":25,"size":1380,"collection":51,"collections":1381,"showCount":1370,"zanCount":11,"manualWeight":11,"mainColor":104},221019,"yue-yi-tie-suo-jing-221019","月仪帖","索靖","《月仪帖》传为西晋书法家索靖所书，是章草名帖。我们今天见到的是《邻苏园法帖》拓本，纵32厘米。《月仪帖》为书信文例，按月令书写。但传至今日，该拓本已缺四至六月，计18页。\n索靖（239年—303年），字幼安。敦煌龙勒（今甘肃敦煌）人。西晋将领、著名书法家，敦煌五龙之一。索靖善章草，传张芝之法，其书险峻坚劲。其章草书，自名“银钩虿尾”。时人称“瓘得伯英之筋，靖得伯英之肉。”索靖章草自成一家，唐张怀瓘评道“幼安善章草，书出于韦诞，峻险过之，有若山形中裂，水势悬流，云岭孤松，冰河危石，其坚劲则古今不逮。”著有《草书状》等。",[24,1378,81,7,25],"章草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F945befcf89cb49b12f26f8c67c6a1af4.jpg","纵35.56cm，横417.03cm",[51],{"id":1383,"slug":1384,"title":1385,"dynasty":18,"author":1386,"museum":94,"description":1387,"tags":1388,"thumbUrl":1389,"material":100,"size":101,"collection":30,"collections":1390,"showCount":1391,"zanCount":11,"manualWeight":11,"mainColor":34},288116,"cheng-huang-miao-bei-zhuan-shu-li-yang-bing-288116","城隍庙碑(篆书)","李阳冰","李阳冰（生卒年不详），约生于唐玄宗开元年间。唐代书法家。字少温，谯郡（治今安徽亳州）人，出自赵郡李氏南祖。李白族叔，为李白作《草堂集序》。\n初为缙云令、当涂令，后官至国子监丞、集贤院学士。世称少监。兄弟五人皆富文词、工篆书。初师李斯《峄山碑》，以瘦劲取胜。他善词章，工书法，尤精小篆。自诩“斯翁之后，直至小生，曹喜、蔡邕不足也。”他所书写的篆书，“劲利豪爽，风行而集，识者谓之苍颉后身。”甚至被后人称为“李斯之后的千古一人”。\n唐代宗宝应元年（762）十一月，李白一病不起。在病榻将自己的诗文草稿交给李阳冰，请他编辑作序。",[98,24,7,508],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5badfbec5a8b51b4deae602e0be6302.jpg",[],43,{"id":1393,"slug":1394,"title":1395,"dynasty":39,"author":60,"museum":61,"description":1396,"tags":1397,"thumbUrl":1398,"material":67,"size":68,"collection":30,"collections":1399,"showCount":1391,"zanCount":11,"manualWeight":11,"mainColor":55},214278,"duo-jing-lou-shi-tie-5-mi-fei-214278","多景楼诗帖-5","笔势如惊鸿掠水，欹侧间藏雷霆力道。单字看似不羁，实则气脉暗连如长河奔涌。浓墨沉厚若坠石，淡笔飞白似游丝，侧锋扫过的锋芒，正是“刷字”神采。“入”字长捺如利剑出鞘，“漠”字转折似老树盘根，每一笔都带着动感。整幅字不拘绳墨却自有章法，书家豪情与才思凝于笔端，读来如闻松涛阵阵、见江海滔滔，尽显宋代尚意书风的洒脱筋骨。",[24,64,7,47,82,964],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73bbbcfe904b8b4a1dbecc26188a39cf.jpg",[],{"id":1401,"slug":1402,"title":1403,"dynasty":109,"author":110,"museum":61,"description":1404,"tags":1405,"thumbUrl":1406,"material":275,"size":1407,"collection":51,"collections":1408,"showCount":1409,"zanCount":222,"manualWeight":11,"mainColor":55},220857,"ling-yin-da-chuan-ji-chan-shi-ta-ming-zhao-meng-fu-220857","灵隐大川济禅师塔铭","元代对书法的重视不亚于前代，书法得到一定的发展。探索和认真的临学，在学习古人的传统基础上“托古改制”，使晋、唐的传统法度得以恢复和发展，扭转了南宋以来由于士大夫多“趋时贵书”形成的所谓“恶札流饰”的积习,开启了元代的书法风格。久之已成为在社会上流行最普遍，在日常生活中最切实用的字体。在应用价值上来说，算得是最伟大的。故能自后汉相传至今，历久而弥新。《元·赵孟頫法书选——行书灵隐大川济禅师塔铭》为基中一本。\n《灵隐大川济禅师塔铭》卷系赵孟頫于杭州任上所书。有专家考证，此作书于大德十一年，即公元1307年，时年书家54岁。此卷书写工致，融右军、北海笔意于一炉，丰润间蕴含劲拔，一字一珠，是赵中年后极为纯熟的代表作品。后有元人虞集、黄溍、郑元祐等跋，曾经王世贞、徐渭仁等收藏。",[23,64,24,7,25,47,124,82,508],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e38dd2350bd2b52a6a1e955152a6ae5.jpg","纵34.4厘米，横408.9厘米",[51,155],42,{"id":1411,"slug":1412,"title":1413,"dynasty":39,"author":911,"museum":41,"description":1414,"tags":1415,"thumbUrl":1416,"material":140,"size":1417,"collection":51,"collections":1418,"showCount":1419,"zanCount":244,"manualWeight":11,"mainColor":1075},221205,"shou-fu-tie-ye-wu-ju-221205","寿父帖页","吴琚“性嗜书”，学米芾能神似。此帖为其行书代表作之一，乃淳熙末年为官襄阳时谈论宦途境况的一封尺牍。《墨缘汇观》评为“初视之以为米书”。",[23,24,64,7,82,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42acbd1c8113c63f546b4b08295fa08c.jpg","纵32.9厘米，横48.9厘米",[51],41,{"id":1421,"slug":1422,"title":1423,"dynasty":18,"author":237,"museum":41,"description":1424,"tags":1425,"thumbUrl":1426,"material":1427,"size":1428,"collection":51,"collections":1429,"showCount":1419,"zanCount":11,"manualWeight":11,"mainColor":55},221150,"lan-ting-ba-zhu-tie-chu-sui-liang-221150","《兰亭八柱帖》","兰亭八柱帖属于历代丛帖。\n位于中山公园西南角。\n共8卷。\n清乾隆四十四年（1779）内府辑刻。\n此帖是集唐人王羲之《兰亭序》的摹本、明人董其昌和清乾隆的临本刻于一起的作品，计有：《虞世南摹兰亭序》、《褚遂良摹兰亭序》、《冯承素摹兰亭序》、《柳公权书兰亭诗》、《重摹董其昌所收》、《于敏中补缺文》、《董其昌临》和《清高宗弘历临》，各为一卷。\n每一卷刻于一方形石柱之上，再以此8柱建亭于圆明园。\n相关信息 咸丰十年（186）圆明园被焚后此亭石柱未毁，1917年被移至中山公园。\n2世纪7年代初中山公园修整开放前，重建此亭。\n石刻已多有漫漶。",[23,24,64,176,47,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81fc06ca0857dbfef5b2d9e373eb55dd.jpg","乌金精拓","纵29．8厘米，横17.3厘米。",[51],{"id":1431,"slug":1432,"title":1433,"dynasty":39,"author":687,"museum":1434,"description":1435,"tags":1436,"thumbUrl":1437,"material":1084,"size":1438,"collection":30,"collections":1439,"showCount":1440,"zanCount":11,"manualWeight":11,"mainColor":34},232615,"nian-nu-jiao-chi-bi-huai-gu-huang-ting-jian-232615","念奴娇·赤壁怀古","武氏墓群石刻博物馆","黄庭坚《念奴娇·赤壁怀古》，武氏墓群石刻博物馆藏。武氏墓群石刻博物馆位于山东省嘉祥县，是全国第一批重点文物保护单位，以收藏着大量东汉时代武氏墓群的石刻文物而闻名于世。《念奴娇·赤壁怀古》全文的四块石刻，每块刻石均长方形，按石刻拓片每块约高 35cm、宽101cm。\n一、苏东坡是北宋大文豪，千古传颂，世界闻名。《念奴娇·赤壁怀古》词为其重要代表作，脍炙人口。黄庭坚亦乃诗词书法大名家。故此刻石当是珠联璧合的“苏黄”双绝，文化价值、历史价值、文物价值皆珍贵异常。\n二、黄庭坚书写东坡此词，说明两人不同一般的师生情谊，也折射出黄庭坚对苏词之推崇。\n三、刻石完整保留了至今已难得一见的黄庭坚墨宝真迹，而且是一幅长达百字的巨作，笔力遒劲，跌宕起伏，晋风唐韵，龙飞凤舞，一如行云流水，恰似东坡豪迈词意，酣畅淋漓，气象磅礴，雄浑壮美。《三希堂法帖》有黄氏20件墨宝，却缺此件。\n四、此词系东坡谪居黄州游赤壁时所写的千年名篇，流传甚广，而版本各异。黄庭坚作为苏轼门下，自身当时就是著名词人，故其墨迹堪称原始版本，足以作为诸版本之校勘依据。",[23,24,64,25,124,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0e0349f0fe749f5ac5eba8fa71d1f19.jpg","35cm、宽101cm",[],40,{"id":1442,"slug":1443,"title":1444,"dynasty":39,"author":373,"museum":41,"description":1445,"tags":1446,"thumbUrl":1447,"material":49,"size":1448,"collection":51,"collections":1449,"showCount":1440,"zanCount":11,"manualWeight":11,"mainColor":55},221314,"ti-wang-shen-shi-tie-ye-su-shi-221314","题王诜诗帖页","释文：\n晋卿为仆所累，仆既谪齐安，晋卿亦贬武当。饥寒穷困，本书生常分，仆处之不戚戚。固宜。独怪晋卿以贵公子罹此忧患而不失其正，诗词益工，超然有世外之乐。此孔子所谓可与久处约，长处乐者耶。元祐元年九月八日苏轼书。\n北宋元祐元年（1086年）苏轼年49岁。\n本帖钤“金巩伯精鉴印”“景行维贤”“小如庵秘笈”“卞令之鉴定”等鉴藏印四方，左右各有“式古堂”等半印六方。此帖原装于王诜《颖昌湖上诗，蝶恋花词卷》后，但非此卷原配，而是从别处挪移而来。《石渠宝笈续编》著录。\n该帖是苏轼为王诜自书诗所作的题跋，记述了王诜因受其累而贬至武当，然仍醉心于诗词，有世外之乐。此跋在《东坡集》卷六五有记载。《东坡集》卷一三中还有苏轼另一跋“和王晋卿诗、并叙”的记载：“元丰二年，予得罪贬黄州，而驸马都尉王诜亦坐类远谪，不相闻者七年。予既召用，而诜亦还朝，相见殿门之外，感叹之余，做诗相属。词虽不慎工，然托物悲慨厄穷而不怨，泰而不骄，怜其贵公子有志如此，故和其韵。”以上两段跋文再结合《宋史》卷二四八《公主传》中的史料，证明了王诜的贬官一方面是受苏轼的牵连，另一方面是因为得罪了他的妻子魏国大长公主。\n该帖笔丰墨满，结体长短交错，纵横抑挫，富有动感。虽是叙事而兼有议论，充满感情色彩，是为知己而作。",[80,24,64,82,47,7,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faffbc82412091c1976ee6ce24e619542.jpg","纵29.9厘米，横25.7厘米",[51],{"id":1451,"slug":1452,"title":1453,"dynasty":39,"author":373,"museum":94,"description":1454,"tags":1455,"thumbUrl":1456,"material":49,"size":30,"collection":51,"collections":1457,"showCount":1440,"zanCount":11,"manualWeight":11,"mainColor":55},221305,"tian-ji-wu-yun-tie-you-cheng-song-yang-tie-su-shi-221305","天际乌云帖又称嵩阳帖","《天际乌云帖》又称《嵩阳帖》，苏轼诗文一章，行书，真迹曾由明代项元汴收藏，清归翁方纲，有翁氏题跋。共三十六行，计三百零七个字。藏处不详。\n此帖无年款，据清翁方纲所考，苏轼有《常润道中，有怀钱唐，寄述古五首》之作，其次章有“去年柳絮飞时节，记得金笼放雪衣”句，并自注云：“杭人以放鸽为太守寿。”此正是帖中所言陈太守放营妓周韶事，杭人称誉之。因周韶诗中有“开笼若放雪衣女”事，正应放鸽为寿。此在熙宁五、六年间事。翁氏又考苏诗外集有《过潍州驿，见蔡君谟题诗壁上云：“绰约新娇生眼底，逡巡旧事上眉尖。春来试问愁多少，得似春潮夜夜添。不知为谁而作也?和一首》。此事在苏轼自密州移徐州之际，即在熙宁九年苏轼潍州度岁时。翁氏即猜此帖在熙宁十年书。然诗与帖又有矛盾：帖云“仆在钱塘”见“堂前小阁中壁上”书蔡君谟“绰约新娇”诗，而诗云：“过潍州驿，见蔡君谟题诗壁上云：‘绰约新娇……'。”二者必有一伪。再，《苏文忠公诗编注集成总案》又载苏轼《题蔡君谟诗草》云：“此蔡君谟—《梦中》—诗,真迹在济明家，笔力遒劲。”并自署为“元皊五年十月四日”。此是苏轼知杭州事，距初悴杭州又十五、六年时间。这又留下一个可猜想的余地。但帖中“仆在钱塘”云云，书此帖时必不在钱塘。因之，断为熙宁十年左右较合理。然翁氏在帖考中又云此帖书颇类《满庭芳词——为王长官作》和《上清宫词》书。前者书于元丰六年，后者书于元皊二年。因此断定在熙宁十年至元皊二年这十年之间。此又平添一重疑难也。\n翁氏收藏此帖后，又引起了是否钧填本的争论。因存世苏书钩填本很多，而此帖纸质擦损严重，“有二一描失处”，故疑之。但翁氏肯定说这是真迹本，并将此帖与《快雪堂帖》刻本逐一比较，而断定《快雪堂帖》刻本所据乃为董其昌记载所见之摹本。在没有寻找到更多的证据前，我们尊重翁氏之论，也是有道理的。",[23,24,64,124,7,80,82,47,377],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c9cd5f10698a081bf325106fa748e07.jpg",[51],{"id":1459,"slug":1460,"title":1461,"dynasty":1225,"author":401,"museum":94,"description":1462,"tags":1463,"thumbUrl":1464,"material":100,"size":101,"collection":30,"collections":1465,"showCount":1466,"zanCount":11,"manualWeight":11,"mainColor":104},287591,"yi-ying-bei-yi-ming-287591","乙瑛碑","此作波磔舒展灵动，蚕头燕尾尽显汉隶典型意趣，结体方正匀整，端庄秀雅。章法上疏朗开阔，行气整饬肃穆，自带庙堂典重之风。\n\n笔画粗细匀净，提按顿挫暗含节律，起收之间法度谨严，朴厚底色暗藏灵动意态，古拙筋骨裹挟秀逸气韵，尽显汉隶成熟期的中正风骨。笔墨沉凝静穆，将大汉雍容端方的气度融于方寸碑石间，观之如沐两汉典雅厚重的文化古韵。",[404,24,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd77949e6a6f285b9335d307c9a024bd.jpg",[],39,{"id":1468,"slug":1469,"title":1470,"dynasty":76,"author":951,"museum":41,"description":1471,"tags":1472,"thumbUrl":1473,"material":49,"size":1474,"collection":51,"collections":1475,"showCount":1466,"zanCount":11,"manualWeight":11,"mainColor":104},239552,"cao-ping-fu-tie-juan-lu-ji-239552","草平复帖卷","草隶书9行86字。\n释文:\n“彥先羸瘵 ，恐難平復，往屬初病，慮不止此，此已爲慶。承使唯男，幸爲複失前憂耳。吳子楊往初來主，吾不能盡。臨西複來，威儀詳跱。舉動成觀，自軀體之美也。思識□量之邁前，勢所恒有，宜□稱之。夏伯榮寇亂之際，聞問不悉。”（释文据启功《〈平复帖〉说并释文》）\n《平复帖》内容涉及三个人物：贺循，字彦先，是陆机的朋友，身体多病，难以痊愈；陆机说他能够维持现状，已经可庆，又有子侍奉，可以无忧了。吴子杨，以前曾到过陆家，但未受到重视；如今将西行，复来相见，其威仪举动，自有一种较前不同的气宇轩昂之美；最后说到夏伯荣，他因寇乱阻隔，没有消息。\n《平复帖》的书写年代距今已有1700余年，是现存年代最早并真实可信的西晋名家法帖。它用秃笔写于麻纸之上，笔意婉转，风格平淡质朴，其字体为草隶书。《平复帖》在中国书法史上占有重要地位，同时对研究文字和书法变迁方面都有参考价值。\n根据尾纸董其昌、溥伟、傅增湘、赵椿年题跋，可得知《平复帖》历代递藏情况。此帖宋代入宣和内府，明万历间归韩世能、韩逢禧父子，再归张丑。清初递经葛君常、王济、冯铨、梁清标、安岐等人之手归入乾隆内府，再赐给皇十一子成亲王永瑆。光绪年间为恭亲王奕訢所有，并由其孙溥伟、溥儒继承。后溥儒为筹集亲丧费用，将此帖待价而沽，经傅增湘从中斡旋，最终由张伯驹以巨金购得。张氏夫妇于1956年将《平复帖》捐献国家。\n清吴其贞《书画记》、顾复《平生壮观》、安岐《墨缘汇观》等书著录。",[24,81,124,47,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31aa77e4c74940daedb5f0924c0d3ded.jpg","纵23.7厘米，横20.6厘米",[51],{"id":1477,"slug":1478,"title":1479,"dynasty":76,"author":1126,"museum":41,"description":1480,"tags":1481,"thumbUrl":1482,"material":49,"size":1483,"collection":51,"collections":1484,"showCount":1466,"zanCount":244,"manualWeight":11,"mainColor":55},239551,"zhong-qiu-tie-juan-wang-xian-zhi-239551","中秋帖卷","《中秋帖》是著名的古代书法作品，曾被清高宗弘历（乾隆皇帝）誉为“三希”之一，意即希世珍宝。\n行草书3行，共22字，释文：\n“中秋不復不得相還爲即甚省如何然勝人何慶等大軍。”\n无署款。\n《中秋帖》是《宝晋斋法帖》所刻的王献之《十二月割帖》的不完全临本，原帖在“中秋”之前还有“十二月割至不”六字。帖用竹料纸书写，这种纸东晋时尚制造不出，约到北宋时方出现。从行笔中可知，所用毛笔是柔软的无心笔，而晋朝使用的是有心硬笔，吸水性较差，笔的提、按、转折往往不能灵活自如，常出贼毫，如此帖那种丰润圆熟、线条连贯、行气贯通、潇洒飘逸的效果是写不出来的。清吴升《大观录》云：“此迹书法古厚，墨采气韵鲜润，但大似肥婢，虽非钩填，恐是宋人临仿。”据当代书画鉴定家研究，大多认为是宋米芾所临，故同样宝贵。\n卷前引首清高宗弘历行书题“至寶”两字。\n前隔水乾隆御题一段。\n帖正文右上乾隆御题签“晉王獻之中秋帖”一行。\n卷后有明董其昌、项元汴，清乾隆帝题跋，并附乾隆帝、丁观鹏绘画各一段。\n卷前后及隔水钤有宋北京“宣和”内府、南宋内府，明项元汴、吴廷，清内府等鑑藏印。\n此帖曾经宋代宣和、绍兴内府，明项元汴，清内府收藏。民国时由敬懿皇贵妃携出宫外，流散民间，由郭葆昌拥有，再转予其子郭昭俊。后与王珣《伯远帖》一起被典当于香港一家外国银行。1951年底，典当期将满时，国外有人意图购获，周恩来总理闻讯，当即指示有关部门购回，入藏故宫博物院。\n宋内府《宣和书谱》、明张丑《清河书画舫》、《清河见闻表》、《清河秘箧表》、汪砢玉《珊瑚网书跋》，清顾復《平生壮观》、卞永誉《式古堂书画汇考》、吴升《大观录》、内府《石渠宝笈·初编》等书著录。",[23,137,138,80,124,81,24,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa2f29d78cce5184152131f558be9eff.jpg","纵27厘米，横11.9厘米",[51],{"id":1486,"slug":1487,"title":482,"dynasty":198,"author":295,"museum":484,"description":1488,"tags":1489,"thumbUrl":1493,"material":49,"size":1494,"collection":51,"collections":1495,"showCount":1466,"zanCount":244,"manualWeight":11,"mainColor":55},222476,"teng-wang-ge-xu-zhu-yun-ming-222476","此作是其56岁时的杰作。高头长卷，洋洋洒洒近千字，“奔蛇走虺，骤雨旋风”，意到笔随，一气呵成，有行风行水上之势，变幻无穷。祝允明的书法面目多变，每卷有每卷的情致风规，如这卷草书，用小笔硬毫，笔画瘦劲而婉约，纵横挥洒，满纸云烟，偏多怀素遗意。全卷前段尚有拘矜之态，愈后则愈解脱自在，最后渐入化境，超妙自得。全卷草书多用连笔连字，以至兴到之时，笔势自生，大小相参， 上下左右，起止映带，都能达到神妙的意境。",[23,64,24,124,47,82,7,80,1490,903,1357,1358,1491,1492],"孤舟","夕阳","明月","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc222aec76d124e12a1b24cabea82763.jpg","纵32.9cm 横842.6cm",[51],{"id":1497,"slug":1498,"title":1499,"dynasty":18,"author":237,"museum":94,"description":1500,"tags":1501,"thumbUrl":1502,"material":100,"size":101,"collection":30,"collections":1503,"showCount":1504,"zanCount":11,"manualWeight":11,"mainColor":55},290514,"mo-wang-xi-zhi-zheng-shu-yue-yi-lun-mo-ji-ben-chu-sui-liang-290514","摹王羲之正书乐毅论墨迹本","褚遂良（596年～658年\u002F659年），字登善，杭州钱唐（今浙江省杭州市）人。唐朝宰相、政治家、书法家，弘文馆学士褚亮之子。\n出身河南褚氏，博学多才，精通文史。隋末时期，追随西秦霸王薛举，担任通事舍人。归顺唐朝后，得到唐太宗重用，历任谏议大夫、黄门侍郎，累迁中书令，执掌朝政大权。贞观二十三年（649年），与司空长孙无忌同受遗诏辅政。唐高宗继位后，升任右仆射，册封河南郡公，历任同州刺史、吏部尚书，累迁右仆射，参知政事。反对册立武则天为后，贬为潭州（今长沙）都督。武后掌权后，迁桂州（今桂林）都督，再贬爱州（今越南清化）刺史，卒于任上。神龙革命后追赠右仆射，谥号“文忠”。天宝六载（747年），配享唐高宗庙庭，累赠太尉。\n褚遂良工于书法，初学虞世南，后取法王羲之，与欧阳询、虞世南、薛稷并称“初唐四大家”，传世墨迹有《孟法师碑》《雁塔圣教序》等。",[24,26,7,176,47,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66da32e46c0a41ae7b94ebf5c615da4c.jpg",[],38,{"id":1506,"slug":1507,"title":1508,"dynasty":18,"author":351,"museum":94,"description":1509,"tags":1510,"thumbUrl":1511,"material":30,"size":30,"collection":30,"collections":1512,"showCount":1504,"zanCount":11,"manualWeight":11,"mainColor":104},232633,"huai-su-guo-zhong-tie-huai-su-232633","怀素过钟帖","前人写狂草，往往先来一大壶，半醉半醒，醉眼迷离，然后便笔走龙蛇，一气呵成。\n在这种状态下比较突出的两位，是唐代的怀素和张旭，后世有“张颠素狂”或“颠张醉素”之称，张旭史称草圣。、\n而怀素也同样是中国历史上杰出的书法家，他的草书称为狂草，用笔圆劲有力，使转如环，奔放流畅，和张旭齐名。可以说是古典的浪漫主义艺术，对后世影响极为深远。\n怀素能诗，与李白、杜甫、苏涣等诗人都有交往。好饮酒，每当饮酒兴起，不分墙壁、衣物、器皿，任意挥写，时人谓之“醉僧”。\n怀素的草书有《自叙帖》、《苦笋帖》、《食鱼帖》、《圣母帖》、《论书帖》、《大草千文》、《小草千字文》、《四十二章经》、《千字文》、《藏真帖》、《七帖》、《北亭草笔》等等。而《过钟帖》是怀素的草书作品之一\n释文：右軍云吾真書過鍾，而草故不減張僕，以為真 不如鍾，草不及張，所為世之，所重以 其能，懐素書之不足以為道，其言當不虚也 。",[23,24,80,7,25,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F347d2d99acd4fd911a14f4f1d935f8d1.jpg",[],{"id":1514,"slug":1515,"title":1516,"dynasty":109,"author":110,"museum":41,"description":1517,"tags":1518,"thumbUrl":1519,"material":49,"size":1520,"collection":51,"collections":1521,"showCount":1522,"zanCount":244,"manualWeight":11,"mainColor":104},239598,"xu-qian-zi-wen-juan-zhao-meng-fu-239598","续千字文卷","赵孟頫是元代的著名诗人、画家、楷书四大家（欧阳询、颜真卿、柳公权、赵孟頫）之一。赵孟頫开创了元代新画风，被称为“元人冠冕”，他也善篆、隶、真、行、草书，尤以楷、行书著称于世。",[23,24,64,124,82,49,7,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3cc1e190189297105c44a223a0fe295.jpg","24.3×153.3cm",[51],37,{"id":1524,"slug":1525,"title":1526,"dynasty":198,"author":1527,"museum":94,"description":1528,"tags":1529,"thumbUrl":1530,"material":49,"size":1531,"collection":30,"collections":1532,"showCount":1522,"zanCount":244,"manualWeight":11,"mainColor":55},222243,"yue-yi-lun-wang-chong-222243","乐毅论","王宠","王宠（1494-1533），明代书法家，字履仁、履吉，号雅宜山人，吴县（江苏苏州）人。\n邑诸生，贡入太学。博学多才，工篆刻，善山水、花鸟。诗文声誉很高，尤以书名噪一时，书善小楷，行草尤为精妙。\n著有《雅宜山人集》，传世书迹有《诗册》《杂诗卷》《千字文》《古诗十九首》《李白古风诗卷》等。\n王宠诗文书画皆精。书法初学蔡羽，后规范晋唐，楷书师虞世南、智永；行书学王献之，融会贯通。小楷尤清，简远空灵。其名与祝允明、文征明并称。何良俊《四友斋书论》评其书：“衡山之后，书法当以王雅宜为第一。盖其书本于大令，兼人品高旷，改神韵超逸，迥出诸人上。”著有《雅宜山人集》。传世书迹较多，有《诗册》《杂诗卷》《千字文》《古诗十九首》《李白古风诗卷》等。《千字文》，纸本墨迹，行草书。此千字文，凡104行，每行字数不一，共1015字。纵28厘米，横463.6厘米。台北故宫博物院藏。《宝蕴楼书画记》著录。此篇《千字文》结体平稳，俯仰欹侧变化不大，可以窥见其师承王献之、虞世南的轨迹。此帖既有魏晋时期王氏父子风华俊丽、遒逸疏爽之姿，又具初唐时期虞世南的气秀色润、外柔内刚之气。从用笔方面来看，其行草气息平和，干净利落，一丝不苟，笔势凝重、洗练，笔画之间很少有连笔牵丝，字字独立，互不相连。综观此书作，典雅平淡，落落大方，草法严谨。\n青年时代苦读书20年，建越溪庄，设有“采芝堂”、“御风亭”、“小隐阁”、“大雅堂“、“辛夷馆”、“铁观斋”等收藏书画之所，读书练字、作画于湖上，后以诸生入国子监。藏书颇多，于书无所不窥，手写经书皆一再过。滂喜斋藏宋刻《云斋广录》有“王履吉印”、“铁观斋”朱记。又宋刻《东观余论》、元本《扬子法言》印有“雅宜山人珍藏图籍”、“古吴王氏”“王履吉印”“王宠履吉”“太原王宠”“玄微子”“辛夷馆印”“王宠”“雅宜山人”“履吉父”等。",[23,24,26,82,47,549,80,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73c8ad259d9b2083b71961ca8508794a.jpg","29.63*90.31",[],{"id":1534,"slug":1535,"title":1336,"dynasty":18,"author":19,"museum":94,"description":777,"tags":1536,"thumbUrl":1537,"material":100,"size":101,"collection":30,"collections":1538,"showCount":1539,"zanCount":11,"manualWeight":11,"mainColor":55},288122,"zheng-zuo-wei-tie-yan-zhen-qing-288122",[24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86f707902a736f6c78a7539bcb3365c6.jpg",[],36,{"id":1541,"slug":1542,"title":1543,"dynasty":39,"author":60,"museum":61,"description":1544,"tags":1545,"thumbUrl":1546,"material":67,"size":68,"collection":30,"collections":1547,"showCount":1539,"zanCount":11,"manualWeight":11,"mainColor":55},214276,"duo-jing-lou-shi-tie-7-mi-fei-214276","多景楼诗帖-7","墨痕纵横处，豪情激荡如江浪奔涌。笔锋八面出，时而骤雨击石般凌厉，时而流云舒卷般婉转。字形跌宕不拘：开张时若奔马脱缰，收敛处似潜龙伏渊，大小错落间暗藏章法。墨色浓淡干湿相济——浓如漆，淡若雾，飞白见筋骨，饱满显精神。通篇行气如长江大河，一泻千里，细节处却藏匠心：每笔皆有生机，每字都含情韵。运笔如刷，锋芒毕露却不失蕴藉，尽显书家放达胸襟与超凡笔墨功力，读之如临高阁天风，心魄为之振。",[24,64,7,82,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F45a637310a5c0b0f426e700838fc3fe7.jpg",[],{"id":1549,"slug":1550,"title":1354,"dynasty":39,"author":60,"museum":94,"description":1551,"tags":1552,"thumbUrl":1553,"material":100,"size":101,"collection":30,"collections":1554,"showCount":1555,"zanCount":244,"manualWeight":11,"mainColor":104},287332,"xiao-xing-ba-xia-mi-fei-287332","此诗描写了巴峡周围的景色和风土人情。词句清丽，景象雄伟。开头点明时间和地点，说在暮春的黎明作者行经巴峡，心中却思念着遥远的京城。接着写诗人沿途所见所闻，清江边有浣衣的少女，朝阳里传来一片鸡鸣。江面上舟船聚拢，水上人家的集市已经开始了；遥望江岸远山，山桥竟横跨在树梢之上。有人认为“万井”是指千泉万涓，而不是指千家万户。因为以巴峡的地势，不可能像平原一样聚居很多人家。也有道理，可备一说。然而这些美丽的景象并不能让诗人欢快起来，因为身在异乡，难免有思乡之愁。尤其是听到人们说着异乡方言，莺啼还是故乡声音的时候。诗人最后说，幸得山水有许多的意趣，才能稍稍缓解他的离别之情。",[24,64,25,7,1357],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1930f2bd3b2557c809e545a213150e9e.jpg",[],35,{"id":1557,"slug":1558,"title":1559,"dynasty":198,"author":1527,"museum":94,"description":1528,"tags":1560,"thumbUrl":1561,"material":49,"size":1562,"collection":30,"collections":1563,"showCount":1555,"zanCount":11,"manualWeight":11,"mainColor":55},222244,"lin-wang-xi-zhi-huang-ting-jing-wang-chong-222244","临王羲之黄庭经",[23,24,80,176,26,7,187,47,124],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f49c46116a4b6aecf820e4482f4c79b.jpg","纵29cm，横155cm",[],{"id":1565,"slug":1566,"title":1567,"dynasty":39,"author":1568,"museum":41,"description":1569,"tags":1570,"thumbUrl":1571,"material":49,"size":1572,"collection":51,"collections":1573,"showCount":1555,"zanCount":11,"manualWeight":11,"mainColor":55},221434,"xing-zhuo-ai-tie-quan-juan-ou-yang-xiu-221434","行灼艾帖全卷","欧阳修","释文：\n“修啓，多日不相見，誠以區區。見發言，曾灼艾，不知體中如何？來日修偶在家，或能見過。此中醫者常有，頗非俗工，深可與之論搉也。亦有閒事，思相見。不宣。修再拜，學正足下。廿八日。”\n帖中“见发言”的“发”即欧阳修长子欧阳发。据考，此帖是欧阳修写给自己的学生焦千之的，对其身体状况表示关心，并邀其来家相见。\n关于欧书特点，苏轼评价说：“公用尖笔干墨作方阔字，清眸丰颊，进退晔如。”李东阳在帖后的诗跋中称赞欧书“宋代书家自不孤，当时只许蔡君谟。若将晋法论真印，此老风流世亦无”。\n此帖本幅及前后隔水钤“吴郡张口”“仲口”“世昌”（半印）“仪周鉴赏”“德量审定”“希逸”“江德量鉴藏印”以及项元汴、张珩等鉴藏家印记。尾纸有李东阳、翁方纲题跋。清安岐《墨缘汇观·上编》著录。",[23,80,24,64,124,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f4927ee06864027294d250f9799058c.jpg","纵25厘米，横18厘米",[51],{"id":1575,"slug":1576,"title":1577,"dynasty":109,"author":110,"museum":41,"description":1578,"tags":1579,"thumbUrl":1580,"material":49,"size":1581,"collection":51,"collections":1582,"showCount":1555,"zanCount":244,"manualWeight":11,"mainColor":104},220873,"zi-shu-shi-tie-zhao-meng-fu-220873","自书诗帖","书此帖时赵孟坚年六十一岁，是赵氏晚年之笔，笔力雄健，纵逸豪放，有黄庭坚书风。而结体瘦劲，中宫紧结欹侧俯仰之势则师法米芾，自有标度，为其书法代表作。\n旧传宋亡不仕，隐居广陈(今平湖市广陈镇北)。县令往访，孟坚飞舟逸去，县令叹息说“名可闻，身不可见”。从弟孟頫宋亡仕元，自湖州来访，闭门不纳。《芦川竹枝词》中《子固见弟诗》云：“南渡王孙此隐居，踵门贵客枉停车。当年介弟犹坚拒，座上那堪受浊污。”与陶菊隐、殷澄并称“秀州三义”。据近代学者考证，赵孟坚逝于宋亡前10余年，所谓宋亡不仕及拒见赵孟頫事不实。\n《宋人轶事汇编》载：赵孟坚入元以后，不乐仕进，隐居州之广陈镇（古海盐县，今平湖市广陈镇北）。“公（赵孟坚）从弟子昂（赵孟頫）自苕来访公，闭门不纳。夫人劝公，始令从后门入。坐定，第问：‘弁山笠泽近来佳否？’子昂曰：‘佳。’公曰：‘弟奈山泽佳何！’子昂退，使人濯坐具。”",[109,24,64,7,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6866225e40ebc88ad1c158c9034d8734.jpg","纵28.8厘米，横216.7厘米",[51],{"id":1584,"slug":1585,"title":1586,"dynasty":39,"author":60,"museum":94,"description":1355,"tags":1587,"thumbUrl":1588,"material":100,"size":101,"collection":30,"collections":1589,"showCount":1590,"zanCount":11,"manualWeight":11,"mainColor":55},289970,"zhen-su-tie-mi-fei-289970","真酥帖",[24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dc33639ef80c2b03da6a61daf247878.jpg",[],33,{"id":1592,"slug":1593,"title":1594,"dynasty":18,"author":1595,"museum":94,"description":1500,"tags":1596,"thumbUrl":1597,"material":100,"size":101,"collection":30,"collections":1598,"showCount":1599,"zanCount":11,"manualWeight":11,"mainColor":55},287570,"lin-wang-xi-zhi-zhang-feng-tie-zhe-sui-liang-287570","临王羲之长风帖","禇遂良",[137,80,24,64,176,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0318649cc6a683133886d12f2cbf63c5.jpg",[],32,{"id":1601,"slug":1602,"title":1603,"dynasty":39,"author":60,"museum":94,"description":1604,"tags":1605,"thumbUrl":1606,"material":100,"size":101,"collection":30,"collections":1607,"showCount":1599,"zanCount":244,"manualWeight":11,"mainColor":55},287364,"xiang-tai-hou-wan-ci-tie-mi-fei-287364","向太后挽词帖","向太后为宋神宗赵项皇后，赵项死后，哲宗赵煦一即位，被尊为皇太后，卒于1101年。此帖即书于此年，米芾时五十一岁。此帖副页有明董其昌临“向太后挽辞”及跋，曾经明代陈继儒、项元沛，清代孙慎行、徐渭仁、缪荃孙、朱益藩等二十八家观题。著录于明何良俊《何氏书画铭心录》、汪坷玉《珊瑚网书跋》、郁逢庆《郁氏书画题跋记》、陈继儒《妮古录》、张丑《清河秘岌表》，清顾复《平生壮观》、吴其贞《吴氏书画记》、卞永誉《式古堂书画汇考》、崇彝《选学斋书画寓目记》、完颜景贤《三虞堂书画汇目》等书。此《挽词》“本为端方所藏，后归景朴孙，又归袁珏生。袁去世后，转入鄞人周湘云手。闻与耶律楚材诗卷，均入故宫博物院矣”。现藏北京故宫博物院。",[23,24,64,7,47,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23ea96b275989ce49b4581da1c82602c.jpg",[],{"id":1609,"slug":1610,"title":1611,"dynasty":39,"author":1612,"museum":94,"description":1613,"tags":1614,"thumbUrl":1615,"material":30,"size":30,"collection":30,"collections":1616,"showCount":1599,"zanCount":11,"manualWeight":11,"mainColor":55},230862,"li-dou-tie-cai-xiang-230862","离都帖","蔡襄","《离都帖》，又名《致杜君长官尺牍》， ，行书，纸本，纵29.2cm，横46.8cm， 作品，书于155年。\n该帖书法丰腴厚重处似颜真卿，兼有 行草之俊秀。\n中国 藏 。\n襄启。\n自离都至南京。\n长子匀感伤寒七日。\n遂不起此疾。\n南归殊为荣幸。\n不意灾祸如此。\n动息感念。\n哀痛何可言也。\n承示及书。\n并永平信。\n益用凄恻。\n旦夕渡江。\n不及相见。\n依咏之极。\n谨奉手启为谢。\n不一一。\n襄顿首。\n杜君长官足下。\n七月十三日。\n贵眷各佳安。\n老儿已下无恙。\n永平已曾于递中。\n驰信报之。\n此帖乃蔡襄即将渡长江“南归”途中所书，追述离都（开封）行至南京（今商丘）而痛失长子。\n友人来信慰问，襄作此书答谢。\n蔡襄（112－167），字君谟。\n其先本光州人，居仙游（今属 省），迁甫田。\n官至端明殿学士，知杭州，谥忠惠。\n工正、行、草、隶书，又能飞白书，尝以散笔作草书，称为“散草”或“飞草”。\n书法学 、 ，并取法 人。\n世人评蔡襄行书第一，小楷第二，草书第三。\n与苏轼、黄庭坚、米芾，共称“ ”，誉满书苑。",[24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafffa824fbc4214de71bced66eb5f727.jpg",[],{"id":1618,"slug":1619,"title":1620,"dynasty":76,"author":77,"museum":111,"description":1621,"tags":1622,"thumbUrl":1623,"material":30,"size":1624,"collection":51,"collections":1625,"showCount":1599,"zanCount":11,"manualWeight":11,"mainColor":55},221033,"jiu-ta-cheng-qing-tang-tie-wang-xi-zhi-221033","旧榻澄清堂帖","此帖是由王羲之写给其友人，一般认为原帖已不存在，现存本应为唐代摹本。明代鉴赏家詹景凤认为赵孟𫖯行书受到此帖影响。\n明、清年间，为降清明官冯铨所藏有。康熙十八年（1679年），冯铨之子冯源济将此墨本呈献给皇帝，在乾隆十一年（1746年）与王献之的《中秋帖》以及王珣的《伯远帖》合称“三希”，一起放在宫内“三希堂”中，成为“三希堂”第一珍品。到1795年间，乾隆皇帝共亲自御笔题识71则，晚年因视力不佳，改由董诰代笔三则，可见乾隆皇帝对此帖之热爱。",[24,64,25,7,80,137,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd7f48f45d5e7d02a716822e97bc91d6.jpg","41.2x57厘米",[51,155],{"id":1627,"slug":1628,"title":1629,"dynasty":76,"author":1630,"museum":111,"description":1631,"tags":1632,"thumbUrl":1633,"material":83,"size":1634,"collection":155,"collections":1635,"showCount":1599,"zanCount":11,"manualWeight":11,"mainColor":34},221012,"bei-song-ta-jiang-tie-ba-ce-liu-ling-221012","北宋榻绛帖 （八）册","刘伶","一醉能醉三年？刘伶不信这个邪。他走进酒馆，问杜康要酒喝，杜康给了他一杯、两杯、三杯，不断地劝他别喝多了。刘伶不依不饶，三杯下肚，顿觉天旋地转，连忙道别。\n刘伶跌跌撞撞回到了家，对妻子交代：「我若死，就埋在酒池内，用酒盅酒壶陪葬。」说完，就人事不知，连呼吸也没有了。刘伶妻子以为他死了，痛哭不已。后来，照刘伶的「遗愿」，妻子安葬了他。\n三年后，杜康来到刘伶家，说是来讨要酒钱的。刘伶的妻子又气又恨，恨杜康给刘伶喝酒喝死了人，要拉杜康去见官。不料，杜康却说：「你的丈夫并没有死，他只是醉了。不信你们把棺材打开。」\n众人将信将疑，如杜康所言，开棺查看。果真见刘伶面色红润，栩栩如生。只听杜康高声叫道：「刘伶醒来，刘伶醒来！」棺材里的刘伶伸了一下懒腰，打个哈欠，居然真的活过来了，嘴里还说道：「好酒，好酒！」",[25,24,7,83,47,64,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F437251458fa66f869ebc603ef68c9564.jpg","28.3x33.8 厘米",[155],{"id":1637,"slug":1638,"title":1639,"dynasty":76,"author":1640,"museum":111,"description":1641,"tags":1642,"thumbUrl":1643,"material":83,"size":1644,"collection":155,"collections":1645,"showCount":1599,"zanCount":11,"manualWeight":11,"mainColor":104},221011,"yuan-jin-tie-xi-chao-221011","远近帖","郗超","郗超（336年～378年），字景興，一字敬輿，小字嘉賓，高平金鄉（今山東省金鄉縣）人，東晉官員、書法家、佛學家，太尉郗鑑之孫，會稽內史郗愔之子。\n郗超出身於高平郗氏，歷任撫軍掾、徵西椽、大司馬參軍、散騎侍郎、中書侍郎、司徒左長史等職。他是桓温謀主，曾勸説桓温廢帝立威。桓温因不肯採納他的建議，在第三次北伐時大敗而回。桓温死後因母喪辭去司徒左長史之職，後被起復為散騎常侍、此後又授任宣威將軍、臨海太守等職，郗超都沒有接受。太元二年十二月病逝，時年四十二歲。\n郗超善長草書，亞於二王，《書品》將其書法定為中品。他還精通佛學，著有《奉法要》，被支道林等名僧譽為“一時之俊”。",[24,25,64,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccbd29ef8c81c0d424a93fbfb5fded7f.jpg","35.8x43.6厘米",[155],{"id":1647,"slug":1648,"title":1649,"dynasty":76,"author":1126,"museum":111,"description":1650,"tags":1651,"thumbUrl":1652,"material":152,"size":30,"collection":30,"collections":1653,"showCount":1654,"zanCount":11,"manualWeight":11,"mainColor":104},227046,"jiu-ta-e-qun-tie-san-wang-xian-zhi-227046","旧搨鹅群帖 （三）","《鹅群帖》是王献之写给家人亲戚的一封书信，刻入《淳化阁帖》。传世有墨迹本，相传为米芾所临，临本今所见为民国影印件，原迹现存佚未详。此帖文中询问住在海盐的各房亲戚生活近况，又谈到刘道士以鹅群相赠之事。相传王羲之爱鹅，曾写《道德经》（一说《黄庭经》）一卷，与山阴道士换鹅。因此黄庭坚等前代学者曾认为此帖本为伪作，系附会传说而成，此说可备参考。",[24,25,7,64,80,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f732167e35b4d7a97f2aac43d50e6d5.jpg",[],31,{"id":1656,"slug":1657,"title":1658,"dynasty":39,"author":60,"museum":61,"description":1659,"tags":1660,"thumbUrl":1661,"material":67,"size":68,"collection":30,"collections":1662,"showCount":1654,"zanCount":11,"manualWeight":11,"mainColor":55},214273,"duo-jing-lou-shi-tie-10-mi-fei-214273","多景楼诗帖-10","墨色浓淡相济，笔锋起落如惊鸿掠影。字形欹正相生，灵动中藏沉稳，险绝处见平正。线条兼具刚劲与柔婉，“刷字”之爽利尽显：厚重处似坠石崩云，轻盈处若流泉漱玉，飞白留韵，干湿交错。章法气脉贯通如长河奔涌，跌宕间藏浑然天成之趣。每一字皆具姿态，或如奇峰耸峙，或如松涛摇曳，无一字雷同，无一处板滞。观之仿佛触到书家运笔时的豪情快意，笔墨间跃动山河气象与文人风骨，法度与性情熔铸于尺幅，展万千波澜，令人心折于其笔底风雷与胸臆丘壑。",[24,64,7,82,47,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b6eaf322d14fcbe7d57e25ef7710255.jpg",[],{"id":1664,"slug":1665,"title":1666,"dynasty":460,"author":1667,"museum":94,"description":1668,"tags":1669,"thumbUrl":1670,"material":100,"size":101,"collection":30,"collections":1671,"showCount":1672,"zanCount":244,"manualWeight":11,"mainColor":55},223692,"lin-jiu-cheng-gong-yao-meng-qi-223692","临九成宫","姚孟起","字凤生，一作凤笙，吴县（江苏苏州）贡生。以正书名，正书宗欧阳询，尝临九成宫醴泉铭逼肖。隶书略仿陈鸿寿。兼治印，得蒋仁秀劲之气。偶作画，古拙如金农。",[23,24,26,176,7,599],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ed869c5c6cdfb78b48841d0312bddbd.jpg",[],30,{"id":1674,"slug":1675,"title":1676,"dynasty":18,"author":401,"museum":1677,"description":1678,"tags":1679,"thumbUrl":1680,"material":393,"size":1681,"collection":51,"collections":1682,"showCount":1672,"zanCount":11,"manualWeight":11,"mainColor":55},223396,"tang-mo-lan-ting-xu-yi-ming-223396","唐摹兰亭序","湖南省博物馆","这卷原托名为褚遂良所书《兰亭序》，正文质地为绢本，黄褐色，亦称“黄绢本”。这卷唐摹《兰亭序》，尽管看不出是哪一家的墨迹，却反映了初唐时期的书法风尚。\n卷前引首有明代著名书画家、鉴赏家董其昌题书“墨宝”二字（残存）。",[23,137,138,80,124,176,64,24,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3875c37e8068d0dba2f56617e5948b96.jpg","24.5×65cm",[51],{"id":1684,"slug":1685,"title":1686,"dynasty":198,"author":295,"museum":94,"description":1687,"tags":1688,"thumbUrl":1689,"material":100,"size":101,"collection":30,"collections":1690,"showCount":1691,"zanCount":11,"manualWeight":11,"mainColor":55},289362,"qian-hou-chi-bi-fu-zhu-yun-ming-289362","前后赤壁赋","祝允明（1461年1月17日-1527年1月28日）生于天顺四年十二月六日，卒于嘉靖五年十二月二十七日，字希哲，长洲（今江苏吴县）人，因长像奇特，而自嘲丑陋，又因右手有枝生手指，故自号枝山，世人称为“祝京兆”，明代著名书法家。\n祝允明的科举仕途颇为坎坷，十九岁中秀才，五次参加乡试，才于明弘治五年（1492）中举，后七次参加会试不第。甚至其子祝续也在前一科中进士，于是祝允明绝了科举念头，以举人选官，在正德九年（1514），授为广东兴宁县知县，嘉靖元年（1522），转任为应天（今南京）府通判，不久称病还乡。\n祝允明擅诗文，尤工书法，名动海内。他与唐寅、文徵明、徐祯卿并称“吴中四才子”。又与文徵明、王宠同为明中期书家之代表。楷书早年精谨，师法赵孟頫、褚遂良，并从欧、虞而直追“二王”。草书师法李邕、黄庭坚、米芾，功力深厚，晚年尤重变化，风骨烂熳。北京大学教授、引碑入草开创者的李志敏评价：“祝枝山的狂草，骨力弱于旭、素，但在宋人影响下，又自成一格”。 其代表作有《太湖诗卷》《箜篌引》《赤壁赋》等。所书“六体书诗赋卷”“草书杜甫诗卷”“古诗十九首”“草书唐人诗卷”及“草书诗翰卷”等皆为传世墨宝。",[24,81,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e70739fdc19eb7d6859a9c2816088dc.jpg",[],29,{"id":1693,"slug":1694,"title":1526,"dynasty":1225,"author":237,"museum":20,"description":1695,"tags":1696,"thumbUrl":1698,"material":100,"size":101,"collection":30,"collections":1699,"showCount":1691,"zanCount":244,"manualWeight":11,"mainColor":34},287769,"yue-yi-lun-chu-sui-liang-287769","此作为泥金小楷，笔致灵动秀雅，点画温润舒展，结体方正宽博又暗含飘逸之姿，尽显初唐楷书尚法又不失气韵的特质。书写时笔势牵丝映带精妙细微，可见运笔流畅自然，既承袭魏晋小楷的古雅意趣，又融褚书标志性的空灵雅致，刚柔并济。黑底泥金相衬，更衬出字迹华贵隽秀，字里行间尽显书写者精湛笔力与从容心境，将文本质感与书法美学相融，是小楷上乘之作，尽显楷书清逸端雅之美。",[24,80,137,26,202,7,1697,124],"金书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F154d4cc6c303c805afe17c6da45b8e72.jpg",[],{"id":1701,"slug":1702,"title":1703,"dynasty":198,"author":1704,"museum":318,"description":1705,"tags":1706,"thumbUrl":1708,"material":30,"size":1709,"collection":30,"collections":1710,"showCount":1691,"zanCount":244,"manualWeight":11,"mainColor":104},222358,"luo-hua-shi-ce-tang-yin-222358","落花诗册","唐寅","《落花诗》是由沈周首唱，和者有文征明、徐帧卿、吕常、唐寅等人。唐寅落花诗率真蕴藉，经多次书写多次修改，总共形成47首之谱。人们通常认为唐寅落花诗反映了士大夫的感物伤怀的颓废情绪，其实曲解了作者本意。唐寅作落花诗时年仅35岁，离科场被黜不过5年，胸中块垒郁勃无由化解，乃借风云月露以排遣之。看似伤春，实乃抒写痛苦遭遇。\n《唐寅落花诗册》收入的三十首诗，是唐寅的和作。诗的内容反映了封建士大夫感物伤怀的颓废情绪，但是书法严谨，是唐寅的代表作品之一。 唐寅画落花图，并在图上题落花诗并非一次。每次所录诗作的数量不同，内容不同，书法风格也不尽相同，目前所知的分别藏于普林斯顿大学附属美术馆、辽宁省博物馆、中国美术馆。\n从艺术成就看，唐寅的画胜诗，诗胜字，诗书之名久为画掩。\n《落花诗》是由沈周首唱，和者有文征明、徐帧卿、吕常、唐寅等人。唐寅落花诗率真蕴藉，经多次书写多次修改，总共形成47首之谱。人们通常认为唐寅落花诗反映了士大夫的感物伤怀的颓废情绪，其实曲解了作者本意。唐寅作落花诗时年仅35岁，离科场被黜不过5年，胸中块垒郁勃无由化解，乃借风云月露以排遣之。看似伤春，实乃抒写痛苦遭遇。\n《唐寅落花诗册》收入的三十首诗，是唐寅的和作。诗的内容反映了封建士大夫感物伤怀的颓废情绪，但是书法严谨，是唐寅的代表作品之一。 [1] [1]唐寅画落花图，并在图上题落花诗并非一次。每次所录诗作的数量不同，内容不同，书法风格也不尽相同，目前所知的分别藏于普林斯顿大学附属美术馆、辽宁省博物馆、中国美术馆。\n从艺术成就看，唐寅的画胜诗，诗胜字，诗书之名久为画掩。\n落花诗墨迹的各个版本唐寅一生曾多次书写落花诗，每次所录诗作的数量不同，内容不同，书法风格也不尽相同。目前所知的有以下几个版本：\n就目前所见的唐寅落花诗真迹有四本：即苏州市博物馆藏本、普林斯顿大学附属美术馆藏本、辽宁省博物馆藏本和中国美术馆藏本。见于著录的唐寅书落花诗则有《蔬香馆法帖》、《海山仙馆藏真三刻》、《珊瑚网》等多种。",[23,137,24,64,7,80,83,82,1707],"落花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa11f9f927e26e7749c62c6b71ab76d0.jpg","纵二十三点五厘米，横四百四十五厘米",[],{"id":1712,"slug":1713,"title":1714,"dynasty":39,"author":60,"museum":61,"description":1715,"tags":1716,"thumbUrl":1717,"material":67,"size":68,"collection":30,"collections":1718,"showCount":1691,"zanCount":11,"manualWeight":11,"mainColor":55},214272,"duo-jing-lou-shi-tie-12-mi-fei-214272","多景楼诗帖-12","笔势如惊雷破壁，墨韵似流云卷岫。“如翼搏千”四字，开张若鹏翼垂天，紧敛如劲弩待发。“翼”之撇捺舒展振翅，墨色浓淡间藏飞白之趣；“搏”字欹侧却稳如磐石，笔锋转折处露锋芒；“千”的竖画如孤峰拔地，力透纸背。米芾“刷字”妙处尽显——运笔迅疾如挥帚，狂放中守规矩，错落间见章法。字间呼应似登高骋怀，与多景楼诗意暗合。墨痕干湿交织，筋骨与韵味兼具，气脉贯通满纸生风，尽展宋人书法的潇洒与力量。",[24,64,80,82,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fddf631e5742b647e2d613a5712be268e.jpg",[],{"id":1720,"slug":1721,"title":1722,"dynasty":39,"author":60,"museum":61,"description":1723,"tags":1724,"thumbUrl":1725,"material":67,"size":68,"collection":30,"collections":1726,"showCount":1691,"zanCount":11,"manualWeight":11,"mainColor":55},214271,"duo-jing-lou-shi-tie-14-mi-fei-214271","多景楼诗帖-14","笔势如奔雷掣电，八面出锋间尽展“刷字”神韵。浓墨沉厚如坠石，飞白轻盈若游丝，墨色干湿浓淡的变幻里，藏着跌宕意气与豪情。字形欹侧却稳劲，“风”字撇捺舒展如翼，“秋”字点画厚重凝霜，“御”字竖笔挺拔似松。每一笔皆带畅快节奏，仿佛能听见落笔飒飒声，将登高临远的壮阔心境，化作纸上奔腾气象。这是墨与纸的共舞，心性与笔锋的交融，尽显宋代书法的潇洒雄健。",[24,80,64,82,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe77cf610f6f42e8a3a0a2408b800767b.jpg",[],{"id":1728,"slug":1729,"title":1730,"dynasty":39,"author":60,"museum":61,"description":1731,"tags":1732,"thumbUrl":1734,"material":67,"size":68,"collection":30,"collections":1735,"showCount":1691,"zanCount":11,"manualWeight":11,"mainColor":55},214269,"duo-jing-lou-shi-tie-16-mi-fei-214269","多景楼诗帖-16","笔势如骤雨旋风，起收间带着“刷字”的爽利——浓墨沉厚如坠石，枯笔飞白似裂帛，墨色的浓淡干湿交织出淋漓节奏。字形欹侧却稳若危岩：“追”字捺笔如长鞭破空，“壮”字结构似险峰临渊，每一笔都裹挟着登临远眺的豪情。线条张力藏山河壮阔，墨痕跃动映诗心激荡。以笔为剑、墨为情，把眼前景与心中意泼洒纸间，千年后观者仍能触到那份奔涌的生命力，仿佛听见楼头啸咏时，衣袂与风相撞的声响。",[24,64,65,1733,7],"墨笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feba425e46b94c66fe00d361430a7d114.jpg",[],{"id":1737,"slug":1738,"title":1739,"dynasty":39,"author":60,"museum":61,"description":1740,"tags":1741,"thumbUrl":1742,"material":67,"size":68,"collection":30,"collections":1743,"showCount":1691,"zanCount":11,"manualWeight":11,"mainColor":55},214268,"duo-jing-lou-shi-tie-13-mi-fei-214268","多景楼诗帖-13","笔锋似剑戟翻覆，又若流云舒卷——“氣”字末笔拖曳出的弧度裹着浓墨沉厚，“雾”字点画连绵藏着雨意朦胧，“刚”字撇捺如斩钉，飞白处漏出纸纹是力透纸背的劲。墨色浓淡相错，干湿互见：重墨如坠石，轻墨似游丝。字形欹侧却稳，线条跳脱却合章法，每一笔带着“刷字”的爽利，转折处又藏细腻。柔与刚在纸间碰撞，雾与气在笔底交融，读来如闻江风穿楼，见烟雨泼墨，满纸鲜活意气，筋骨里藏着挥毫时的豪情，是那种一眼便觉字里行间都在呼吸的生动。",[24,64,7,82,80,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e8dd06f0d3fef3c8d0b8239ff7ec435.jpg",[],{"id":1745,"slug":1746,"title":1747,"dynasty":18,"author":19,"museum":94,"description":777,"tags":1748,"thumbUrl":1749,"material":100,"size":101,"collection":30,"collections":1750,"showCount":1751,"zanCount":11,"manualWeight":11,"mainColor":34},288123,"qing-yuan-dao-shi-shi-yan-zhen-qing-288123","清远道士诗",[24,25,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed789e839a3a792e97829b8041fc529d.jpg",[],28,{"id":1753,"slug":1754,"title":1755,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":1756,"thumbUrl":1757,"material":100,"size":101,"collection":30,"collections":1758,"showCount":1751,"zanCount":244,"manualWeight":11,"mainColor":1075},287338,"wu-xing-fu-mo-ji-shou-juan-zhao-meng-fu-287338","吴兴赋墨迹手卷",[23,80,24,124,64,65,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88e5b862109c535437718d8d9f4c5e71.jpg",[],{"id":1760,"slug":1761,"title":1762,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":1764,"thumbUrl":1765,"material":100,"size":101,"collection":30,"collections":1766,"showCount":1751,"zanCount":11,"manualWeight":11,"mainColor":55},283716,"yue-yang-lou-ji-juan-dong-qi-chang-283716","岳阳楼记卷","董其昌（1555年2月10日—1636年10月26日），字玄宰，号思白、香光居士，松江华亭（今上海市）人。明朝后期大臣、书画家。正如李志敏所说：“主张学古变古，但在书法神韵问题上的迷信观念，却比古人尤有过之”。\n万历十七年，考中进士，授翰林院编修。一度担任皇长子朱常洛的讲官。历任湖广提学副使、福建提学副使、河南参政，因病辞职。泰昌元年（1620年），明光宗朱常洛继位，授太常少卿、国子司业，参修《明神宗实录》。天启五年（1625年），出任南京礼部尚书，因事辞官。崇祯五年（1632年），出任太子詹事。崇祯七年（1634年），回归乡里。崇祯九年，去世，谥号“文敏”。\n董其昌擅于山水画，师法于董源、巨然、黄公望、倪瓒，笔致清秀中和，恬静疏旷；用墨明洁隽朗，温敦淡荡；青绿设色，古朴典雅。以佛家禅宗喻画，倡“南北宗”论，为“华亭画派”杰出代表，兼有“颜骨赵姿”之美。存世作品有《岩居图》《明董其昌秋兴八景图册》《昼锦堂图》《白居易琵琶行》《草书诗册》《烟江叠嶂图跋》等。画作及画论对明末清初的画坛影响甚大。书法出入晋唐，自成一格。作品《戏鸿堂帖》（刻帖）。颇能诗文，著有《画禅室随笔》《容台文集》等。",[23,80,24,81,124,82,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7182cea9aeb41db41936aa132160cec2.jpg",[],{"id":1768,"slug":1769,"title":1770,"dynasty":109,"author":1771,"museum":41,"description":1772,"tags":1773,"thumbUrl":1774,"material":983,"size":1775,"collection":51,"collections":1776,"showCount":1751,"zanCount":11,"manualWeight":11,"mainColor":55},239618,"shu-shi-xing-tie-rao-jie-239618","书士行帖","饶介","释文：\n介再拜：衰病不得时面，殊悬悬。尔举令弟文已发，如见诸（误书点去）朱相、董公及众幕客，幸著一语，庶风水与舟相资也。非相厚善，言不及此，俟面为可尽耳。草草，不一一。介再拜。士行尉相先生契家。谨空。\n本幅钤项元汴诸印，又有项廷谟、安岐、何子彰、赵叔彦、完颜景贤、谭敬、张爰等人鉴藏印记。\n此帖是饶介写给张绅的一封短信。张绅，字士行，济南人，负才略，谈辩纵横，诗文自成一家，元末为张士诚所用，官内史中尉，与饶介既为同僚，亦相交善。从信中内容分析，二人此时都在张士诚幕府为官。此篇字体疏朗，用笔细劲与方厚相间，章法自然贯通，神采生动，为饶介书法的上佳之作。",[23,24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b3831957c6f4a1755e797d28428b40a.jpg","纵28.4厘米，横32.9厘米",[51],{"id":1778,"slug":1779,"title":1780,"dynasty":39,"author":1612,"museum":94,"description":1781,"tags":1782,"thumbUrl":1783,"material":100,"size":101,"collection":30,"collections":1784,"showCount":1751,"zanCount":11,"manualWeight":11,"mainColor":55},230864,"cheng-xin-tang-tie-cai-xiang-230864","澄心堂帖","精致的纸质，配上蔡襄秀致而庄重的墨迹，使得这幅“澄心堂”帖格外显得清丽动人。全文以行楷写成，结体端正略扁，字距行间宽紧合适，一笔一画都甚富体态，工致而雍容。信札署有“癸卯”（1063年）年款，时蔡襄年52岁，《澄心堂纸帖》正是他晚年崇尚端重书风的代表之作。\n蔡襄学习“二王”、虞世南、颜真卿。此贴依归“二王”，参以颜公健厚之笔，王颜互用，风貌独具，以柔翰而发之以劲腕，姿容绰约，而勾勒婉健，笔墨浑厚，气势宏大。时有淳淡隽美，更具风韵。",[24,64,47,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70595ff81b15475df319f65f0235ed61.jpg",[],{"id":1786,"slug":1787,"title":1788,"dynasty":76,"author":1126,"museum":1789,"description":1790,"tags":1791,"thumbUrl":1793,"material":30,"size":30,"collection":30,"collections":1794,"showCount":1751,"zanCount":11,"manualWeight":11,"mainColor":55},227047,"bao-mu-tie-wang-xian-zhi-227047","保母帖","美国弗利尔美术馆","王献之《保母帖》，清宫旧藏，流散后，本帖和部分题跋存弗利尔美术馆（赵子昂、郭天锡、董其昌、徐守和等），大部分题跋存故宫博物院（姜夔、赵子昂、周密、仇远、鲜于枢等）。",[23,24,64,25,124,47,7,1792],"题跋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F614954f526555092c1e1af4e18e4ebab.jpg",[],{"id":1796,"slug":1797,"title":1798,"dynasty":39,"author":373,"museum":41,"description":1799,"tags":1800,"thumbUrl":1801,"material":49,"size":1802,"collection":51,"collections":1803,"showCount":1751,"zanCount":11,"manualWeight":11,"mainColor":55},221308,"xin-sui-zhan-qing-ren-lai-de-shu-tie-su-shi-221308","《新岁展庆人来得书帖》","《新岁展庆帖》释文：\n轼启：新岁未获展庆，祝颂无穷，稍晴起居何如？数日起造必有涯，何日果可入城。昨日得公择书，过上元乃行，计月末间到此，公亦以此时来，如何何如？窃计上元起造，尚未毕工。轼亦自不出，无缘奉陪夜游也。沙枋画笼，旦夕附陈隆船去次，今先附扶劣膏去。此中有一铸铜匠，欲借所收建州木茶臼子并椎，试令依样造看。兼适有闽中人便，或令看过，因往彼买一副也。乞蹔付去人，专爱护便纳上。余寒更乞保重，冗中恕不谨，轼再拜。季常先生丈阁下。正月二日。\n子由亦曾言（此字旁注），方子明者，他亦不甚怪也。得非柳中舍已到家言之乎，未及奉慰疏，且告伸意，伸意。柳丈昨得书，人还即奉谢次。知壁画已坏了，不须怏怅。但顿着润笔新屋下，不愁无好画也。\n《人来得书帖》释文：\n轼启：人来得书。不意伯诚遽至于此，哀愕不已。宏才令德，百未一报，而止于是耶。季常笃于兄弟，而于伯诚尤相知照。想闻之无复生意，若不上念门户付嘱之重，下思三子皆不成立，任情所至，不自知返，则朋友之忧盖未可量。伏惟深照死生聚散之常理，悟忧哀之无益，释然自勉，以就远业。轼蒙交照之厚，故吐不讳之言，必深察也。本欲便往面慰，又恐悲哀中反更挠乱，进退不皇，惟万万宽怀，毋忽鄙言也。不一一。轼再拜。\n另纸行书：知廿九日举挂，不能一哭其灵，愧负千万，千万。酒一担，告为一酹之。苦痛,苦痛。\n《新岁展庆》《人来得书》二帖裱于同一卷中。卷后有董其昌跋。鉴藏印有“御府书印”、“御府宝绘”、项元汴诸印、安岐诸印等。\n此二帖均是苏轼写给陈慥（季常）的书札，《新岁展庆帖》是相约陈慥与公择（李常）同于上元时在黄州相会之事；《人来得书帖》是为陈慥的哥哥伯诚之死而慰问陈慥所作。\n《东坡集》卷五十《岐亭五首序》中记载了苏轼于北宋元丰三年（1080年）五月贬谪黄州时与陈慥相见之事。并有“明年复往见之，……凡余在黄四年，三往见季常，而季常七来见余……”在《东坡集》中共有苏轼写给陈慥的十六封书札，“俱在黄州时作”。《新岁展庆帖》中所写时间（上元）与《岐亭五首序》中所记“明年复往见之”的时间与事由一致，而宋傅藻《东坡记年表》中记载，东坡于“元丰四年辛酉在黄州，正月二十日往岐亭”。由以上记载可推知，该《新岁展庆帖》应作于北宋元丰四年（1081年）春季，苏轼时年44岁。该帖在徐邦达先生的《古书画过眼要录》中有详细的考证。\n苏轼在黄州时与陈慥书信往来频繁，在与他人之信中亦常提及陈慥，可知二人友谊深厚。\n《新岁展庆》、《人来得书》二帖下笔自然流畅，劲媚秀逸，精心用意。虽为书札，却写得非常精致，字的入笔、收笔、牵连笔笔交代分明，是苏轼由早年书步入中年书的佳作。\n《墨缘汇观》、《大观录》著录。",[23,24,64,7,47,124,1149,964],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ad00b3f14d230ed716a804c1d3a34fd.jpg","前帖30.2X48.8cm，后帖29.5X45.1cm",[51],{"id":1805,"slug":1806,"title":1807,"dynasty":18,"author":412,"museum":94,"description":431,"tags":1808,"thumbUrl":1809,"material":100,"size":101,"collection":30,"collections":1810,"showCount":1811,"zanCount":244,"manualWeight":11,"mainColor":55},288065,"yu-gong-gong-wen-yan-bo-bei-ou-yang-xun-288065","虞恭公温彦博碑",[24,25,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc57d5429f1cb83981c3af26124536082.jpg",[],27,{"id":1813,"slug":1814,"title":1815,"dynasty":76,"author":951,"museum":94,"description":1816,"tags":1817,"thumbUrl":1818,"material":100,"size":101,"collection":30,"collections":1819,"showCount":1811,"zanCount":11,"manualWeight":11,"mainColor":55},287290,"ping-fu-tie-quan-juan-zhang-cao-lu-ji-287290","平复帖全卷章草","陆机（261年－303年），字士衡，吴郡吴县（今江苏省苏州市）人。西晋著名文学家、书法家。出身吴郡陆氏，为孙吴丞相陆逊之孙、大司马陆抗第四子，与其弟陆云合称“二陆”，又与顾荣、陆云并称“洛阳三俊”。\n陆机在孙吴时曾任牙门将，吴亡后出仕西晋，太康十年（289年），陆机兄弟来到洛阳，文才倾动一时，受太常张华赏识，此后名气大振。时有“二陆入洛，三张减价”之说。历任太傅祭酒、吴国郎中令、著作郎等职，与贾谧等结为“鲁公二十四友”。赵王司马伦掌权时，引为相国参军，封关中侯，于其篡位时受伪职。司马伦被诛后，险遭处死，赖成都王司马颖救免，此后便委身依之，为平原内史，世称“陆平原”。太安二年（303年），任后将军、河北大都督，率军讨伐长沙王司马乂，却大败于七里涧，最终遭谗遇害，被夷三族。\n陆机“少有奇才，文章冠世”，诗重藻绘排偶，骈文亦佳。与弟陆云俱为西晋著名文学家，被誉为“太康之英”。与潘岳同为西晋诗坛的代表，形成”太康诗风“，世有”潘江陆海“之称。陆机亦善书法，其《平复帖》是中古代存世最早的名人书法真迹。",[23,137,80,124,81,24,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd02ab8ee1752eeb283ebf01aa1970883.jpg",[],{"id":1821,"slug":1822,"title":1823,"dynasty":460,"author":1824,"museum":94,"description":1825,"tags":1826,"thumbUrl":1828,"material":30,"size":30,"collection":51,"collections":1829,"showCount":1811,"zanCount":11,"manualWeight":11,"mainColor":55},239808,"lin-su-shi-tie-heng-fu-chong-en-239808","临苏轼帖横幅","崇恩","崇恩（1803—1878），觉罗氏，字仰之，禹舲、语舲、 雨舲，别号香南居士、敔翁、语铃道人，室名壶青阁、香南精舍、吾亦爱吾等。满洲正红旗人（一作正蓝旗），系满清皇室。出生于嘉庆八年（1803），官仕道光、咸丰、同治三朝，先后任山东巡抚、内阁学士等。工书，法苏轼。画山水，出入宋、元诸名家，撷其精华，故能超轶凡近。喜收藏、精鉴赏，收藏历代书画、古籍碑帖极富，是清代中晚期著名的书法家、收藏家、鉴赏家、金石学家、诗人。著有《香南居士集》《香南精舍金石契》《金石玉铭》《枕琴轩诗草》《崇雨舲中丞诗稿守岱集》等。",[23,24,64,176,1827,47,7],"横幅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba04e72a16ceb09d2fd0f65dcc44e99a.jpg",[51],{"id":1831,"slug":1832,"title":1040,"dynasty":646,"author":647,"museum":41,"description":1833,"tags":1834,"thumbUrl":1835,"material":1836,"size":1044,"collection":51,"collections":1837,"showCount":1811,"zanCount":11,"manualWeight":11,"mainColor":55},239575,"xia-re-tie-yang-ning-shi-239575","《夏热帖》是杨凝式写的一封信札。内容大致是，因天气炎热，送给僧人消夏饮料“酥密水”表示问候。\n释文：\n“凝式啓：夏熱體履佳宜，長□酥密水，即欲致法席，苦□□□乳之供，酥似不如也。(以下数字残损难识)病？(下二行残损)。”\n首署款：“凝式”。\n后纸有宋王钦若，元鲜于枢、赵孟頫，清张照题跋及乾隆皇帝的释文。\n卷前后及隔水上钤有宋“賢志堂印”，元赵孟頫，明项元汴，清曹溶、纳兰成德、清内府等鉴藏印。另有数方古印不辨。\n此帖是杨凝式唯一的传世草书作品，书法兼取唐颜真卿、柳公权笔法，体势雄奇险崛，运笔爽利挺拔，《神仙起居法》有异曲同工之妙，为杨凝式书法代表作品作之一。\n此帖曾刻入《三希堂法帖》。\n明汪砢玉《珊瑚网书跋》，清吴其贞《书画记》、顾復《平生壮观》、卞永誉《式古堂书画汇考》、内府《石渠宝笈·初篇》等书著录。",[23,24,81,47,964,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9ec344d88b3dc1f7b96f45d8b8ae900.jpg","纸本，手卷",[51],{"id":1839,"slug":1840,"title":1841,"dynasty":198,"author":1842,"museum":214,"description":1843,"tags":1844,"thumbUrl":1845,"material":1846,"size":1847,"collection":30,"collections":1848,"showCount":1811,"zanCount":11,"manualWeight":11,"mainColor":104},222090,"zhang-cao-sun-guo-ting-shu-pu-ce-song-ke-222090","章草《孙过庭书谱册》","宋克","宋克章草《孙过庭书谱册》，是赠送给他的好友俞孟京的，后未署书写年月，但纵观此册作品，熔楷、行、章草于一炉，笔力清劲健古，结字疏宕萧散，通篇千余字一气呵成，无一懈笔，真可谓于精到处见豪放，于细微中见功力，笔笔如入嫌素一般，令人叹为观止。\n元代末年,朱元璋在群雄中崛起,驱逐蒙元,建都南京,自洪武元年(1368)开创了明王朝。明代初期在书法上基本延袭了赵孟畹奈冉》绺,以三宋（宋璲、宋克、宋广）和二沈（沈度、沈粲）为代表的书家,除宋克的章草尚有一定特色之外,其他书家在创意上显得比较靡弱,尽管有几位书家在当时名声很大,特别是永乐宣德年间,沈度、沈粲兄弟二人因受到成祖皇帝宠遇,一时声名显赫,朝廷的重要文件都由此二人书写,于是竞相仿习,个性丧失殆尽,至明代中叶,吴中书家的崛起,书风遂为之一转。",[23,1378,81,24,7,83,599,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9a53cb59f459ccd452d8a8f378905fe.jpg","残本","纵32厘米，横20.5厘米",[],{"id":1850,"slug":1851,"title":843,"dynasty":39,"author":844,"museum":41,"description":845,"tags":1852,"thumbUrl":1853,"material":49,"size":848,"collection":51,"collections":1854,"showCount":1811,"zanCount":244,"manualWeight":11,"mainColor":55},221231,"er-zha-tie-fan-zhong-yan-221231",[23,80,24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3eeca4d08ded70a5ea11316f1b9c881.jpg",[51],{"id":1856,"slug":1857,"title":1858,"dynasty":198,"author":295,"museum":111,"description":296,"tags":1859,"thumbUrl":1860,"material":67,"size":299,"collection":30,"collections":1861,"showCount":1811,"zanCount":11,"manualWeight":11,"mainColor":55},214554,"za-shu-shi-tie-juan-4-zhu-yun-ming-214554","杂书诗帖卷-4",[23,24,124,81,64,7,82,49],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cf08149ef9b2f9388cacc189eac07ab.jpg",[],{"id":1863,"slug":1864,"title":1865,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":1866,"thumbUrl":1870,"material":100,"size":101,"collection":30,"collections":1871,"showCount":1872,"zanCount":244,"manualWeight":11,"mainColor":55},288366,"hu-zhou-miao-yan-si-ji-zhao-meng-fu-288366","湖州妙严寺记",[24,26,124,1867,1868,80,137,47,7,1869],"佛教","寺庙","碑记","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F439cf33214cfd02bb81e18ad2c10d54a.jpg",[],26,{"id":1874,"slug":1875,"title":808,"dynasty":18,"author":237,"museum":94,"description":809,"tags":1876,"thumbUrl":1877,"material":100,"size":101,"collection":30,"collections":1878,"showCount":1872,"zanCount":11,"manualWeight":11,"mainColor":55},287919,"da-zi-yin-fu-jing-chu-sui-liang-287919",[24,26,47,7,187],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a78573deaea2402e98ff985716b3ac7.jpg",[],{"id":1880,"slug":1881,"title":1882,"dynasty":198,"author":483,"museum":94,"description":1883,"tags":1884,"thumbUrl":1886,"material":100,"size":101,"collection":30,"collections":1887,"showCount":1872,"zanCount":244,"manualWeight":11,"mainColor":55},287786,"tai-shang-lao-jun-shuo-chang-qing-jing-jing-lao-zi-lie-zhuan-quan-juan-wen-zheng-ming-287786","太上老君说常清静经老子列传全卷","文徵明（1470年11月28日－1559年3月28日），原名壁（或作璧），字徵明，四十二岁起，以字行，更字徵仲。因先世为衡山人，故号衡山居士，世称“文衡山”。南直隶苏州府长洲县（今江苏苏州）人。明代画家、书法家、文学家、鉴藏家。\n文徵明曾学文于吴宽，学书法于李应祯，学画于沈周，生平九次参加乡试均不中。嘉靖二年（1523年），以岁贡生参加吏部考试，被授予翰林院待诏之职。嘉靖五年（1526年），文徵明辞官归乡，专事创作。\n嘉靖三十八年（1559年）二月二十，文徵明去世，享年九十。其弟子私谥贞献。\n文徵明诗、文、书、画无一不精，人称“四绝”，其与沈周共创“吴派”。在画史上与沈周、唐寅、仇英合称“明四家”。在文学上，与祝允明、唐寅、徐祯卿并称“吴中四才子”。",[24,26,187,943,1885,80,188,7,47,124],"老子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5aba8b7779fcd5b62ea030585851adf.jpg",[],{"id":1889,"slug":1890,"title":1891,"dynasty":198,"author":483,"museum":94,"description":1883,"tags":1892,"thumbUrl":1893,"material":100,"size":101,"collection":30,"collections":1894,"showCount":1872,"zanCount":11,"manualWeight":11,"mainColor":55},287525,"cao-tang-shi-zhi-ce-wen-zheng-ming-287525","草堂十志册",[24,26,83,47,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac920ec4e1bd8837f2358f810d9f559d.jpg",[],{"id":1896,"slug":1897,"title":1898,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":1899,"thumbUrl":1904,"material":100,"size":101,"collection":30,"collections":1905,"showCount":1872,"zanCount":11,"manualWeight":11,"mainColor":55},283733,"lin-chu-sui-liang-ku-shu-fu-juan-dong-qi-chang-283733","临褚遂良枯树赋卷",[23,24,124,64,176,7,47,1900,1358,1901,1902,1903],"枯树","孤木","霜露","老树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8cbe2efc33ab5122230daa6a160596c8.jpg",[],{"id":1907,"slug":1908,"title":1909,"dynasty":76,"author":77,"museum":111,"description":1910,"tags":1911,"thumbUrl":1912,"material":152,"size":1913,"collection":155,"collections":1914,"showCount":1872,"zanCount":11,"manualWeight":11,"mainColor":104},227053,"shu-yue-yi-lun-01-wang-xi-zhi-227053","书乐毅论01","乐毅论是三国时期魏夏侯玄所撰，论述燕国名将乐毅之事。唐朝初年，王羲之书《乐毅论》入藏内府，经褚遂良鉴定为真迹，列为正书第一，与《兰亭序》并列为唐太宗最珍贵的书迹，并摹拓分赐大臣，故一般人罕见其貌。此刻选自《宋拓越州刻晋唐小楷册》，笔画精妙，字势逸宕，雍容典雅，为传世《乐毅论》之著名版本。",[24,80,26,25,7,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7462174768726bbc21221fc292f712ee.jpg","25.3×12.9厘米",[155],{"id":1916,"slug":1917,"title":1918,"dynasty":39,"author":60,"museum":61,"description":1919,"tags":1920,"thumbUrl":1931,"material":67,"size":68,"collection":30,"collections":1932,"showCount":1872,"zanCount":11,"manualWeight":11,"mainColor":55},214266,"duo-jing-lou-shi-tie-17-mi-fei-214266","多景楼诗帖-17","笔锋扫过纸面，墨色如泼如注，米芾“刷字”神韵跃然纸上。粗笔似重锤落石，细画若银丝牵风，欹侧字形藏奇崛风骨——“知”右倾却重心稳，“上”竖画如剑指苍穹。飞白处显行笔迅疾，浓墨间见腕力沉雄，字间牵丝暗连，章法行云流水一气呵成。狂放中含精谨气度，似酒后挥毫的洒脱，又藏数十年笔墨功底。观之如临多景楼头，江风拂面豪情满怀，尽是宋人的笔墨风流。",[24,64,82,7,1921,1922,519,1923,1924,1925,1926,1927,1928,1929,1930],"笔墨","笔势","中锋","侧锋","章法","结体","线条","墨韵","提按","顿挫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F755a32a37aeffaadd767d85a4fda28a7.jpg",[],{"id":1934,"slug":1935,"title":1936,"dynasty":39,"author":60,"museum":61,"description":1937,"tags":1938,"thumbUrl":1939,"material":67,"size":68,"collection":30,"collections":1940,"showCount":1872,"zanCount":11,"manualWeight":11,"mainColor":55},214264,"duo-jing-lou-shi-tie-19-mi-fei-214264","多景楼诗帖-19","笔锋如刷扫过纸间，似携风带雨。墨色浓淡相济，重处沉雄如坠石，轻处飘洒若流云，飞白处见筋骨嶙峋。字势欹侧跌宕，险绝中藏平衡，如危峰兀立却根基稳固。字与字顾盼呼应，行气如江河奔涌，裹挟登高临远的豪情直泻而下。每一笔率意挥洒却暗合法度，每一字狂放不羁又藏精微。线条时而刚劲如剑斫，时而柔婉如丝绕，胸中丘壑化作纸上波澜，尽显奇逸超迈的气度与吞吐万象的笔力，将“米颠”书法的颠逸与沉雄揉作一体，读之如临高阁，满目江山奔来眼底。",[80,24,64,7,82,47,49],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99a51aef5c4ea5bc78dc050ca1d3c205.jpg",[],{"id":1942,"slug":1943,"title":1944,"dynasty":39,"author":60,"museum":61,"description":1945,"tags":1946,"thumbUrl":1950,"material":67,"size":68,"collection":30,"collections":1951,"showCount":1872,"zanCount":11,"manualWeight":11,"mainColor":55},214263,"duo-jing-lou-shi-tie-21-mi-fei-214263","多景楼诗帖-21","笔墨间尽展“刷字”之妙，笔势如疾风骤雨却收放自如。粗重处墨色沉厚似铁画银钩，细劲处锋芒毕露如剑戟出鞘。“之”字捺脚舒展若振翅，“書”字结构欹侧却稳如磐石，欹正相生间藏匠心。干湿浓淡交织成趣：飞白处见筋骨，积墨处显韵味，层次丰富如山水叠嶂。行气连贯如江河奔涌，每一字皆灵动鲜活——既承晋人飘逸韵致，又融宋人豪情风骨，将登高临远的开阔心境注入笔墨。读之如观惊涛拍岸，豪情与逸气并存，不愧是宋代行书的巅峰之笔，尽显书法艺术的雄健与灵动之美。",[24,80,64,65,47,7,1947,1948,1949],"墨迹书写","行书技法","印章元素","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4689b32af1621af6a885878995e5a0df.jpg",[],{"id":1953,"slug":1954,"title":1955,"dynasty":76,"author":77,"museum":94,"description":174,"tags":1956,"thumbUrl":1957,"material":100,"size":101,"collection":30,"collections":1958,"showCount":1959,"zanCount":11,"manualWeight":11,"mainColor":55},288194,"da-dao-tie-wang-xi-zhi-288194","大道帖",[23,137,80,124,81,24,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1473d3c9f1fd7965415f14ac17b5d934.jpg",[],25,{"id":1961,"slug":1962,"title":1963,"dynasty":676,"author":401,"museum":94,"description":1964,"tags":1965,"thumbUrl":1966,"material":100,"size":101,"collection":30,"collections":1967,"showCount":1959,"zanCount":11,"manualWeight":11,"mainColor":104},287379,"fei-zhi-bei-yi-ming-287379","肥致碑","汉碑(音hàn bēi）即 汉代碑刻。碑文字体以隶为主，碑额文字多用篆书。汉碑（包括拓本）流传甚多﹐著名的有《张迁碑》﹑《乙瑛碑》《华山庙碑》﹑《礼器碑》﹑《史晨碑》﹑《曹全碑》等。\n与汉碑体制的高度成熟相适应，汉碑碑文也已成为典型化的文体，即诔文。文字多达千字左右。详细记载墓主的姓名、职官、功绩、生卒日期以及立碑人书碑人姓名，并有华丽腴饰的四言韵文的颂词。\n东汉晚期，汉碑构成礼仪文化的中心“语境”，同时，儒学也开始向汉碑全面渗透。一个明显的事实是，汉碑多出在儒学中心的黄河下游的山东地区，尤其是山东省济宁市地区，有“天下汉碑半济宁”之称。这个时期，汉碑在整体上已消蚀掉早期汉隶的博大气象和自然意味，但由于刀与石的营构，进一步夸张修饰了简帛书法的特征，使汉隶在本体语言上趋于全面成熟。\n传世汉碑数量庞大，风格类型多样，被称为“一碑一奇，莫有同者”。由此，从风格类型方面研究汉碑便构成一个专门的课题。\n朱彝尊在《西岳华山庙碑跋》中说：“汉隶凡三种，一题方整，《鸿都石经》、 《尹宙》、《鲁峻》、《武荣》、《郑固》、《衡方》、《刘熊》、《白石神君》诸碑是已。一种流丽，《韩勃》，《曹全》，《史晨》、《乙瑛》《张迁》诸碑是已。一种奇古，《夏承》、《戚伯著》诸碑是已。”王澍在《虚舟题跋》中说：“汉碑分雄古、浑劲、方整三类。”康有为《广艺舟双楫·本汉》则将汉碑分为：“骏爽，疏宕，高深、丰茂、华艳，虚和，凝整、秀额八类。此外，还有学者依据制作目的将汉碑分为五类：歌颂神冥灵验者，有神碑，神庙石阙；记述祖庙祭祀与修造者的庙碑；歌颂个人德行者，有德政碑、墓碑、墓门石阙；纪念土木工程完工者，有竣功纪念碑。其它，有画像题字，墓记，买冢记，石经等。这种分类充分体察到汉碑的文化功用，并将汉碑不同书风的形成与汉碑体制结合起来加以考察。因而这种分类视角较之仅仅从审美形态上划分汉碑风格类型无疑更具有史学认识价值。",[24,404,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0333bf7daac6ef1f785f91b305294f68.jpg",[],{"id":1969,"slug":1970,"title":1971,"dynasty":198,"author":401,"museum":94,"description":1972,"tags":1973,"thumbUrl":1974,"material":30,"size":30,"collection":155,"collections":1975,"showCount":1959,"zanCount":11,"manualWeight":11,"mainColor":34},242215,"dong-han-li-qi-bei-yi-ming-242215","东汉礼器碑","此作为汉隶经典拓本，笔画瘦硬挺拔，波磔如燕尾舒展，刚柔相济。结体严谨匀整，间架开合有度，疏密排布精妙，尽显端庄雅正的庙堂之气。墨色沉郁浓厚，碑石残损处晕开斑驳古意，为字迹添上岁月的苍茫质感，线条间藏着朴茂高华的金石气韵，将汉隶方整秀逸的风神展露无遗，是隶书成熟时期的极致范本。",[24,25,404,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b2ec9b1bb2dc1b386602b3b05636351.jpg",[155],{"id":1977,"slug":1978,"title":1979,"dynasty":198,"author":483,"museum":94,"description":1980,"tags":1981,"thumbUrl":1982,"material":49,"size":1983,"collection":51,"collections":1984,"showCount":1959,"zanCount":11,"manualWeight":11,"mainColor":55},222010,"shi-juan-hu-guang-pi-su-lian-wen-zheng-ming-222010","诗卷湖光披素练","书于世宗嘉靖八年（1529年），时年60岁。文徵明草书师法怀素、黄庭坚而能遗其貌，取其神。本卷草书，点画苍劲有力，结体开展奔放、张弛有致，整幅作品上下呼应，左右映带，血脉相通，气贯神溢，是一件不可多得的绝佳作品。",[23,124,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbc3fe49e10f28ee0ca02017dd51d33b.jpg","纵20.9厘米，横11厘米",[51],{"id":1986,"slug":1987,"title":1988,"dynasty":39,"author":687,"museum":41,"description":688,"tags":1989,"thumbUrl":1990,"material":691,"size":692,"collection":30,"collections":1991,"showCount":1959,"zanCount":244,"manualWeight":11,"mainColor":55},221282,"zhu-shang-zuo-tie-juan-di-er-duan-huang-ting-jian-221282","诸上座帖卷第二段",[23,24,81,124,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0bc5fef49ca4dd82c9b7bf1eb78dbdb1.jpg",[],{"id":1993,"slug":1994,"title":1995,"dynasty":39,"author":60,"museum":61,"description":1996,"tags":1997,"thumbUrl":1998,"material":67,"size":68,"collection":30,"collections":1999,"showCount":1959,"zanCount":11,"manualWeight":11,"mainColor":55},214267,"duo-jing-lou-shi-tie-15-mi-fei-214267","多景楼诗帖-15","笔势奔腾如江潮拍岸，点画间藏着米氏“刷字”的锋芒。竖画如剑戟横空，撇捺似流云舒卷，飞白处露筋骨，浓墨处凝沉实。字形欹侧中见稳劲，错落里显天然章法——若楼头望断千帆，乱中有序。墨色干湿浓淡交织，如暮色江天层次分明。每一笔皆带鲜活气韵，仿佛触到书者挥毫时的腕底风雷，窥见那份宋人独有的潇洒快意。字里行间藏着豪情，观者心随字动，如临多景楼头，长风扑面，山河气象尽在眼前。",[24,64,7,47,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feee58584095184682a8f34db0a78da07.jpg",[],{"id":2001,"slug":2002,"title":2003,"dynasty":39,"author":60,"museum":61,"description":2004,"tags":2005,"thumbUrl":2006,"material":67,"size":68,"collection":30,"collections":2007,"showCount":1959,"zanCount":11,"manualWeight":11,"mainColor":55},214265,"duo-jing-lou-shi-tie-18-mi-fei-214265","多景楼诗帖-18","墨线似惊鸿掠水，单字纵贯如长虹饮涧，锋芒里裹着湿润的江风。提按间藏着独有的爽利，枯笔见铮铮骨力，湿墨含脉脉清韵，飞白处恍若江浪拍岸的碎响。朱红印信错落有致，与浓墨碰撞出古雅的韵律，像是时光里藏家与作者的隔空对谈。字势流转间，浸着登高临远的旷达，墨色晕染处，仿佛能望见千帆过尽，山河入画。不必细究每笔的章法，只随那流转的笔锋，便坠入笔墨构筑的豪情与清逸里。印墨交织，是岁月的印记，让这纸间的气韵，至今仍在眼底流转生姿。",[80,24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F816943ada35af95e4ace8ac9ca3e4186.jpg",[],{"id":2009,"slug":2010,"title":2011,"dynasty":39,"author":60,"museum":94,"description":1355,"tags":2012,"thumbUrl":2013,"material":100,"size":101,"collection":30,"collections":2014,"showCount":2015,"zanCount":11,"manualWeight":11,"mainColor":34},288105,"song-ming-ren-fa-shu-shen-pin-ce-mi-fei-288105","宋名人法書神品册",[24,25,64,83,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ced360e026cba422f3b86be1cf27bee.jpg",[],24,{"id":2017,"slug":2018,"title":2019,"dynasty":460,"author":2020,"museum":94,"description":2021,"tags":2022,"thumbUrl":2023,"material":100,"size":101,"collection":30,"collections":2024,"showCount":2015,"zanCount":11,"manualWeight":11,"mainColor":104},287421,"shu-fa-ce-cheng-qin-wang-287421","书法册","成亲王","和硕成亲王，清朝世袭亲王。乾隆五十四年（1789年），乾隆帝皇十一子永瑆封亲王，封号成，死后谥号哲，未得世袭罔替，每次袭封需递降一级，一共传了七代七位。",[24,26,83,25,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6630baf72f7e05d4dba1569d183ff8af.jpg",[],{"id":2026,"slug":2027,"title":2028,"dynasty":646,"author":2029,"museum":94,"description":2030,"tags":2031,"thumbUrl":2032,"material":100,"size":101,"collection":30,"collections":2033,"showCount":2015,"zanCount":11,"manualWeight":11,"mainColor":2034},287368,"yi-qu-tie-liang-wu-di-287368","异趣帖","梁武帝","标绢御题 行书。是卷十四字。冲淡萧散。得晋人神趣。历代官帖未经收入。是以嗜古博辨之士。及鉴藏家。举未论及。董香光始以刻之戏鸿堂帖中。定为梁武帝书。而郁冈王氏。则谓是大令得意笔。要亦未有确证。第以脚气帖验之。则董说为长。矧其为书家董狐。不妄许可者耶。今墨迹传人内府。展阅一再。",[24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab0370af0e090fb32d4f9757c0adbf93.jpg",[],"FFFFFF",{"id":2036,"slug":2037,"title":2038,"dynasty":39,"author":162,"museum":94,"description":2039,"tags":2040,"thumbUrl":2042,"material":100,"size":101,"collection":30,"collections":2043,"showCount":2015,"zanCount":244,"manualWeight":11,"mainColor":34},283635,"lin-lan-ting-xu-zhao-gou-283635","临兰亭序","宋高宗赵构（1107年6月12日－1187年11月9日），字德基，东京汴梁（今河南省开封市）人。宋朝第十位皇帝（1127年6月12日-1162年7月24日在位），南宋开国皇帝，宋徽宗赵佶第九子、宋钦宗赵桓之弟。\n大观元年五月（1107年6月），生于宫中，天性聪明，博闻强记，拜检校太尉、定武军节度使。靖康之变后，金兵俘虏其父宋徽宗和其兄宋钦宗，灭亡北宋。康王赵构即位于南京应天府（今河南省商丘市），建立南宋。在位期间，迫于形势民心，任用岳飞、韩世忠等主战派将领抗击金军，重用主和派的黄潜善、汪伯彦、王伦、秦桧等人，一味求和，处死岳飞，罢免李纲、张浚、韩世忠等主战派大臣。绍兴三十二年（1162年），禅位于皇太子赵昚，尊号“光尧寿圣宪天体道性仁诚德经武纬文绍业兴统明谟盛烈太上皇帝”。淳熙十四年（1187年），崩于德寿宫，时年八十一岁，成为中国历史上少有的长寿帝王之一，谥号“圣神武文宪孝皇帝”，庙号高宗。宋光宗绍熙二年（1191年），累谥“受命中兴全功至德圣神武文昭仁宪孝皇帝”。\n赵构精于书法，善真、行、草书，笔法洒脱婉丽，自然流畅，颇得晋人神韵。著有《翰墨志》，传世墨迹有《洛神赋》（草书）等。",[23,137,80,24,25,7,176,26,47,2041],"兰亭序","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c677d621917a0640394530eaa3a9f85.jpg",[],{"id":2045,"slug":2046,"title":2047,"dynasty":198,"author":295,"museum":111,"description":2048,"tags":2049,"thumbUrl":2051,"material":49,"size":2052,"collection":51,"collections":2053,"showCount":2015,"zanCount":11,"manualWeight":11,"mainColor":55},222480,"shi-tie-mei-nv-pian-zhu-yun-ming-222480","诗帖《美女篇》","书曹植《乐府》四首，又称《手卷曹植诗四首》又名《箜篌引》。《手卷曹植诗四首》是祝允明草书成就的最杰出代表。作品狂而不乱，情浓势足，激跃奔发，气度不凡。其将字中妍媸和巧丽的笔画起收动作幅度缩短，增加行笔过程中的饱满度和厚实感。使人在视觉上既感到朴拙、沉劲而又不失流丽多姿。祝允明在这一卷后自识“冬日烈风下写此，神在千五百年前，不知知者谁也”，道出了他意在追摹汉人，以及对自己作品的自负。是祝允明的代表作品。",[23,2050,24,81,124,7,82,80],"明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47cd6be28ec531ffe99cbe4cf7f8f1aa.jpg","纵36.1厘米，横1147.5厘米",[51],{"id":2055,"slug":2056,"title":2057,"dynasty":39,"author":2058,"museum":41,"description":2059,"tags":2060,"thumbUrl":2061,"material":49,"size":2062,"collection":51,"collections":2063,"showCount":2015,"zanCount":11,"manualWeight":11,"mainColor":55},221462,"shang-hong-zhai-tie-juan-wen-tian-xiang-221462","上宏斋帖卷","文天祥","此帖内容是祝贺宏斋（包恢）晋官，并述政治。书于宋度宗咸淳元年（1265年），文天祥时年30岁。是年正月文氏除湖南提刑，三月到任，书此札时尚在乡里。\n关于此帖书写原由，明代李时勉跋曰：“盖度宗初接位，招宏父为刑部尚书、签书枢密院事，封南城县侯，故公贺以此书也。”\n此件书法清疏挺竦，风格秀劲，古雅可爱。札中内容涉及文天祥在江西任上对赣寇“用兵丁万人，声罪致讨”之事，对研究当时的历史有重要价值。\n明汪砢玉《珊瑚网》、郁逢庆《郁氏续书画题跋记》，清《式古堂书画汇考》、顾复《平生壮观》、安岐《墨缘汇观》等书著录。",[23,24,64,124,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F507eee38ab40acdd9255c30fe796ae68.jpg","纵39.2cm，横149.9cm",[51],{"id":2065,"slug":2066,"title":2067,"dynasty":198,"author":295,"museum":111,"description":296,"tags":2068,"thumbUrl":2069,"material":67,"size":299,"collection":30,"collections":2070,"showCount":2015,"zanCount":11,"manualWeight":11,"mainColor":55},214553,"za-shu-shi-tie-juan-2-zhu-yun-ming-214553","杂书诗帖卷-2",[23,24,81,124,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9c0cc921ec4eb0e988df91f919cb9d5.jpg",[],{"id":2072,"slug":2073,"title":2074,"dynasty":76,"author":77,"museum":94,"description":2075,"tags":2076,"thumbUrl":2078,"material":30,"size":30,"collection":155,"collections":2079,"showCount":2080,"zanCount":11,"manualWeight":11,"mainColor":104},227052,"da-guan-tie-wang-xi-zhi-227052","大观帖","王羲之（303年—361年） [1] ，字逸少，琅琊临沂（今山东省临沂市）人。东晋大臣、书法家，丹阳尹王旷的儿子，太尉郗鉴的女婿，有“书圣”之称。\n凭借门荫入仕，历任秘书郎、江州刺史、会稽太守，累迁右军将军，人称“王右军”。永和九年（353年），组织兰亭雅集。撰写的《兰亭序》，成为“天下第一行书”。永和十一年（355年），称病弃官，迁居于绍兴金庭。升平五年（361年）去世，安葬于瀑布山。\n善于书法，兼善隶、草、楷、行各体，精研体势，心摹手追，广采众长，备精诸体，冶于一炉，摆脱汉魏笔风，自成一家，影响深远。风格平和自然，笔势委婉含蓄，遒美健秀。在书法史上，与钟繇并称钟王，与其子王献之合称“二王”。李志敏评价：“王羲之的书法既表现以老庄哲学为基础的简淡玄远，又表现以儒家的中庸之道为基础的冲和。”",[24,25,64,83,7,286,2077],"墨拓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F573623cb858e8a1fed32ec1e7964493a.jpg",[155],23,{"id":2082,"slug":2083,"title":2084,"dynasty":39,"author":687,"museum":94,"description":2085,"tags":2086,"thumbUrl":2087,"material":100,"size":101,"collection":30,"collections":2088,"showCount":2089,"zanCount":244,"manualWeight":11,"mainColor":55},290087,"zhu-shang-zuo-tie-juan-huang-ting-jian-290087","诸上座帖卷","黄庭坚（1045年6月12日—1105年9月30日），字鲁直，乳名绳权，号清风阁、山谷道人、山谷老人、涪翁、涪皤、摩围老人、黔安居士、八桂老人，世称黄山谷、黄太史、黄文节、豫章先生。宋江南西路洪州府分宁人（今江西省九江市修水县）人。祖籍浙江省金华市。北宋诗人黄庶之子，南宋中奉大夫黄相之父。北宋大孝子，《二十四孝》中“涤亲溺器”故事的主角。北宋著名文学家、书法家、江西诗派开山之祖。\n黄庭坚在诗、词、散文、书、画等方面取得很高成就。黄庭坚与张耒、晁补之、秦观都游学于苏轼门下，合称为“苏门四学士”。黄庭坚的诗，被苏轼称为“山谷体”。黄庭坚的书法独树一格，自成一家，他和北宋书法家苏轼、米芾和蔡襄齐名，世称为“宋四家”。在文学界，黄庭坚生前与苏轼齐名，时称“苏黄”。作品有《山谷词》《豫章黄先生文集》等。\n治平四年（1067年），黄庭坚进士及第，历任叶县县尉、北京国子监教授、泰和县知县、德平镇监、秘书省校书郎、《神宗实录》编修官、集贤校理、国史局编修官、起居舍人、宣州知州、鄂州知州、涪州别驾、宣议郎监鄂州、奉议郎兼宁国军判官、朝奉郎兼舒州知州、吏部员外郎、太平州知州等职。1105年，黄庭坚病逝于宜州南楼，享年61岁。而后，宋高宗追赠黄庭坚为“龙图阁大学士”。1265年，宋度宗追赠黄庭坚谥号：文节。黄庭坚一生为官清正，治学严谨，以文坛宗师、孝廉楷模垂范千古。",[23,137,80,24,81,124,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdb24a160f22f01e860157984620e421.jpg",[],22,{"id":2091,"slug":2092,"title":2093,"dynasty":676,"author":401,"museum":94,"description":2094,"tags":2095,"thumbUrl":2098,"material":100,"size":101,"collection":30,"collections":2099,"showCount":2089,"zanCount":11,"manualWeight":11,"mainColor":34},288150,"yang-da-yan-zao-xiang-ji-ke-ben-yi-ming-288150","杨大眼造像记 (刻本)","刻于北魏景明正始之际（500年-508年）。楷书，刻在洛阳龙门古阳洞。与《始平公造像》、《孙秋生造像》、《魏灵藏造像》并称“龙门四品”。康有为《广艺舟双楫》将其列峻健、丰伟之宗。",[24,25,26,2096,508,2097,7],"刻本","造像记","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e6ced86ffa2e10e23ea9b721e6b6ca8.jpg",[],{"id":2101,"slug":2102,"title":2103,"dynasty":460,"author":2104,"museum":94,"description":2105,"tags":2106,"thumbUrl":2107,"material":100,"size":101,"collection":30,"collections":2108,"showCount":2089,"zanCount":11,"manualWeight":11,"mainColor":34},288095,"zuo-tai-yuan-chuan-deng-shi-ru-288095","作太元传","邓石如","邓石如（1743—1805年），初名琰，因避清仁宗讳，遂以字行，更字顽伯，号完白山人、笈游道人等，怀宁（今安徽安庆）人。清代乾、嘉时期著名碑学大师。少好刻石，弱冠谒江宁梅镠，梅家多藏金石善本，尽出与石如，使专摹习。客梅氏八年，学既成，又客于两江总督毕沅幕府。三年后辞归。工书法、篆刻。书工各体，以篆、隶为最精，颇得古法，兼融各家之长，形成独特风格。清李兆洛谓其书“真气弥满，楷则俱备，其手之所运，心之所追，绝去时俗，同符古初，津梁后生，一代宗仰。”对清代中、后期书坛有巨大影响。著有《完白山人篆刻偶存》等书行世，《清史稿》有传。",[24,404,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fad3e0de4296c6f6741794c1ea0aee04f.jpg",[],{"id":2110,"slug":2111,"title":2112,"dynasty":76,"author":1126,"museum":94,"description":2113,"tags":2114,"thumbUrl":2115,"material":100,"size":101,"collection":30,"collections":2116,"showCount":2089,"zanCount":11,"manualWeight":11,"mainColor":55},288070,"dong-shan-song-tie-ye-wang-xian-zhi-288070","东山松帖页","王献之（344年－386年），字子敬，小名官奴，琅玡临沂（今山东省临沂市）人。东晋官员、书法家、画家、诗人，右军将军王羲之第七子、晋简文帝司马昱女婿、晋安帝司马德宗的岳父。\n王献之少负盛名，才华过人。得到宰相谢安赏识，历任本州主簿、秘书郎、司徒左长史、吴兴太守，累迁中书令等职，与族弟王珉区分，人称“大令”。他先后迎娶郗道茂及新安公主司马道福为妻，嫁女于太子司马德宗（晋安帝）。太元十一年（386年），病逝，时年四十三岁。安帝时获赠侍中、特进、光禄大夫、太宰，谥号为“宪”。\n王献之精习书法，以行书及草书闻名，在楷书和隶书上有深厚功底。在书法史上与王羲之并称“二王”，有“小圣”之称。又与张芝、钟繇、王羲之并称“书中四贤”。唐人张怀瓘《书估》评其书为“第一等”。同时，王献之还善于作画，唐人张彦远《历代名画记》目其画为“中品下”。",[24,64,7,47,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbed1d8d6548dc8933b3e6c6e348b883d.jpg",[],{"id":2118,"slug":2119,"title":2120,"dynasty":109,"author":110,"museum":41,"description":2121,"tags":2122,"thumbUrl":2123,"material":2124,"size":2125,"collection":51,"collections":2126,"showCount":2089,"zanCount":11,"manualWeight":11,"mainColor":55},239629,"lin-huang-ting-jing-juan-zhao-meng-fu-239629","临黄庭经卷","赵文敏公画右军像临黄庭经 此卷卷首绘王羲之像，面部刻画简略，人物衣纹勾写乏力，后以楷书临写王羲之书《黄庭经》，点画柔弱，结体松散。",[23,80,176,26,24,7,124,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fedff847bde7562ab12e2687af4d71457.jpg","绢本，设色","纵28.5厘米，横116厘米",[51],{"id":2128,"slug":2129,"title":2130,"dynasty":39,"author":401,"museum":94,"description":2131,"tags":2132,"thumbUrl":2133,"material":30,"size":2134,"collection":155,"collections":2135,"showCount":2089,"zanCount":11,"manualWeight":11,"mainColor":104},223433,"song-ke-wang-xian-zhi-shu-luo-shen-fu-shi-san-xing-yi-ming-223433","宋刻王献之书洛神赋十三行","王献之(344年~386年)，字子敬，小名官奴，王羲之第七子，与王羲之并称“二王”。官至中书令(相当于宰相)，世称“王大令”或“大王令”。南朝宋、齐、梁、陈间，其书风靡一时。他各体皆精，为世所重。\n王献之学书主要继承家法，但他并不墨守成规，而是“兼众家之长，集诸体之美”，形成了自己独特的风格。《洛神赋十三行》，简称《洛神赋帖》或《十三行》，是王献之传世的小楷名作。原墨迹写于麻笺，内容为三国时期魏国著名文学家曹植的名篇《洛神赋》，但流传至唐宋已残损亡佚。流传至今的刻本为宋代根据真迹上石的拓本，分“碧玉版本”和“白玉版本”两种，其中“碧玉版本”较好，因石色如碧玉，世称“碧玉十三行”，明万历年间在杭州西湖葛岭半闲堂旧址出土，现藏首都博物馆(如右图，局部)。\n从此作可以看出，其用笔外拓，康有为说：“提笔中含，顿笔外拓，中含者浑劲，外拓者雄强。”《洛神赋十三行》真正做到了这一点。结体匀称和谐，宽绰舒展；姿态妩媚雍容，如大家闺秀；笔致洒脱，轻松优雅，神采飞扬，清爽健利，奕奕动人。字的大小差异，字距、行距变化自然，给人以“大珠小珠落玉盘”的玲珑美。从线条角度分析，其均匀纤细的点画中蕴涵着极强的质感，雅逸秀丽、不臃不滑，可谓精丽绝伦。这些特点与文章内涵极为和谐，被后人誉为“小楷之极则”。\n前人对此作给予了很高的评价。清杨宾《铁函斋书号》认为“字之秀劲圆润，行世小楷无出其右”。宋董迨《广川书跋》说：“子敬《洛神赋》，字法端劲，是书家所难。偏旁自见，不相映带；分有主客，趣向严整。与王羲之《黄庭经》、《乐毅论》相比，一反遒紧缜之态，神化为劲直疏秀。”清人蒋和评价：“《玉版十行》章法之妙，其行间空白处，俱觉有味。”",[24,26,25,7,2096,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee872e0b522040ad47406eab77992345.jpg","石高29厘米，宽26厘米",[155],{"id":2137,"slug":2138,"title":2139,"dynasty":39,"author":2140,"museum":41,"description":2141,"tags":2142,"thumbUrl":2143,"material":983,"size":2144,"collection":30,"collections":2145,"showCount":2089,"zanCount":11,"manualWeight":11,"mainColor":55},221410,"gui-zhai-tie-li-jian-zhong-221410","贵宅帖","李建中","释文：\n“貴宅諸郎各計安侍奉，所示請改章服。昨東封須得出身歷任家狀一本，並須齎擎官告敕牒去，未審此來如何行遣也。兼爲莊子事，已令彼僧在三學院安下，近已往彼去來回。此莊始初見說甚好，只是少人管勾，若未貨，可且收拾課租，亦是長計，不知雅意如何也。侯親家亦言可惜拈卻。建中（花押）諮。劉秀才久在科場，洛中拔解，今西遊兼欲祗侯府主，希略一見也。”\n“谘”同咨，是公文的一种。宋代百官有事申述，皆用“状”，唯学士院用咨报，由当值学士一人押字。《贵宅帖》就是这样一篇咨文。文中主要说了三件事：先说与“东封”有关事宜，“东封”是指大中祥符元年（1008年）宋真宗封祀泰山之行；再谈“庄子事”；最后提到“刘秀才”，此人可能即《同年帖》中李建中的女婿刘仲谟。\n《贵宅帖》作于李建中64岁时，书风沉着朴厚，具其所特有的“风骨俊整，骨肉停匀”的艺术美感。帖后明代刘日升七言诗题，称建中书有钟(繇)、王(羲之)法度，足以令后学者效法。此帖钤“东山”“无恙”及项元汴诸鉴藏印。\n明汪珂玉《珊瑚网书跋》、郁逢庆《郁氏读书画题跋记》、吴其贞《吴氏书画记》，清卞永誉《式古堂书画汇考》、顾复《平生壮观》等书著录。",[23,24,64,47,1149,964,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6e53bb741113da6474d5694e8d1bf6f.jpg","纵31厘米，横27.5厘米",[],{"id":2147,"slug":2148,"title":2149,"dynasty":18,"author":1181,"museum":94,"description":2150,"tags":2151,"thumbUrl":2152,"material":100,"size":101,"collection":30,"collections":2153,"showCount":2154,"zanCount":11,"manualWeight":11,"mainColor":2034},288114,"fu-yi-jiao-jing-sun-guo-ting-288114","佛遗教经","孙过庭（646～691），名虔礼，以字行。杭州富阳（今属浙江）人，一作陈留（今河南开封）人。唐代书法家、书法理论家。\n孙过庭著《书谱》2卷，已佚。今存《书谱序》，分溯源流、辨书体、评名迹、述笔法、诫学者、伤知音6部分，文思缜密，言简意深，在古代书法理论史上占有重要地位。其中许多论点，如学书三阶段、创作中的五乖五合等，对后人仍有意义。有墨迹《书谱》传世。",[24,187,508,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc47c00928601abc1178dc70456928ad2.jpg",[],21,{"id":2156,"slug":2157,"title":2158,"dynasty":18,"author":19,"museum":94,"description":777,"tags":2159,"thumbUrl":2161,"material":100,"size":101,"collection":30,"collections":2162,"showCount":2154,"zanCount":11,"manualWeight":11,"mainColor":104},288107,"zhu-shan-tang-lian-ju-ce-yan-zhen-qing-288107","竹山堂连句册",[24,26,83,80,137,7,2160],"雨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9ffe7149ebe943943cbfc7b59fb81d9.jpg",[],{"id":2164,"slug":2165,"title":2166,"dynasty":39,"author":687,"museum":94,"description":2167,"tags":2168,"thumbUrl":2170,"material":30,"size":30,"collection":30,"collections":2171,"showCount":2154,"zanCount":11,"manualWeight":11,"mainColor":34},232789,"du-fu-shi-san-shou-yu-gu-tai-fa-tie-huang-ting-jian-232789","杜甫诗三首（郁孤台法帖）","黄庭坚草书十分强调节奏韵律，注重笔法腕法，绫条沉着老辣，极富振荡感、立体感；在结字和章法上也有重大突破，形成独特风格——苍老跌宕。本帖中的山谷草书，精选于《宋拓郁孤台法帖》。在山谷传世书迹中，存有大量有阅佛门禅语之作，如《发愿文》、《华严疏》、《头陀赞》、《阴长生诗》、《诸上座帖》等，多为行楷体书写《诸上座帖》虽为大草，但经清梁清标鉴定为摹怀素书。故本帖中《香严袭灯大师智闲颂十九首》的传世，能使后学者在山谷的大草书中体悟浓烈的见性成佛，领略机锋迅捷的佛家三昧，为研究中国书法史上的特殊类型！！禅书，大开方便之门。此外，黄山谷书录杜甫诗的传世作品也十分罕见，台北「故宫博物院」尚有草书墨迹一件《寄贺兰恬》，而《郁孤台法帖》为我们保存了三首黄山谷草书杜甫诗《西郊》、《别李义》、《秦州杂诗》，弥足珍贵，因此也都收入此帖。",[2169,24,81,25,7,47],"宋代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6585ab1cf3e1f3d9f4834771cb1893c.jpg",[],{"id":2173,"slug":2174,"title":2175,"dynasty":109,"author":2176,"museum":94,"description":2177,"tags":2178,"thumbUrl":2179,"material":100,"size":101,"collection":30,"collections":2180,"showCount":2154,"zanCount":11,"manualWeight":11,"mainColor":55},228032,"song-liu-man-shi-juan-ye-lv-chu-cai-228032","送刘满诗卷","耶律楚材","耶律楚材（1190-1244）字晋卿，号湛然居士，又号玉泉老人。辽宗室。博学能文，元太袓定燕，召为相，历事两朝。耶律楚材少年时受金代文化影响至深，在赵孟頫扭转金及南宋末午书法流风之前，他的书法具有一定的代表性。《元史》本传称其：“善书，晚年所作字画尤劲健，如铸铁所成，刚毅之气，至老不衰。”他的书法继承了唐宋颜真卿，黄庭坚书风，雄放刚健、硬拙挺拔，以端严刚劲著称，有“河朔伟气”，与后来赵孟頫提倡的晋人韵味迥异。",[23,24,124,64,82,47,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b16520804b9eccfa270024c95dab57f.jpg",[],{"id":2182,"slug":2183,"title":2184,"dynasty":198,"author":483,"museum":94,"description":2185,"tags":2186,"thumbUrl":2187,"material":393,"size":2188,"collection":30,"collections":2189,"showCount":2154,"zanCount":11,"manualWeight":11,"mainColor":55},222012,"xing-shu-qian-zi-wen-juan-wen-zheng-ming-222012","行书千字文卷","文征明是明代吴门四家之一，沈周而后，在吴中艺坛执牛耳数十年。他生于1470年，与唐寅同年，卒于1559年，享年90，是艺术家中有数的寿星之一。其祖父为举人，父亲为进士，母亲祁氏亦工诗善画。文征明幼年不慧，至11岁“始能言语”，但父亲不离不弃，请当时吴中状元吴宽教授古文，号称“国朝第一”的中书舍人李应祯（祝允明的岳父）教授书法，又请吴中文人领袖沈周教授绘画。一时风云际会，文征明很快就与唐寅、祝允明、徐祯卿并名为“吴中四才子”。\n文征明是明代吴门四家之一，沈周而后，在吴中艺坛执牛耳数十年。他生于1470年，与唐寅同年，卒于1559年，享年90，是艺术家中有数的寿星之一。其祖父为举人，父亲为进士，母亲祁氏亦工诗善画。文征明幼年不慧，至11岁“始能言语”，但父亲不离不弃，请当时吴中状元吴宽教授古文，号称“国朝第一”的中书舍人李应祯（祝允明的岳父）教授书法，又请吴中文人领袖沈周教授绘画。一时风云际会，文征明很快就与唐寅、祝允明、徐祯卿并名为“吴中四才子”。",[23,124,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57df31dcac70dbd3a05a86d02807a123.jpg","31厘米x284厘米",[],{"id":2191,"slug":2192,"title":2193,"dynasty":39,"author":687,"museum":94,"description":2194,"tags":2195,"thumbUrl":2196,"material":49,"size":2197,"collection":51,"collections":2198,"showCount":2154,"zanCount":11,"manualWeight":11,"mainColor":55},221280,"wei-qing-dao-ren-tie-ye-huang-ting-jian-221280","惟清道人帖页","《惟清道人帖》中作者记录了惟清道人的操行品质及其与张商英（天觉）的交往。黄庭坚于北宋绍圣元年（1094年）在江西分宁，从帖文分析，此帖当书于其年夏日，时年51岁。帖中所提之惟清道人在《嘉泰录》卷六中有所记载，俗姓陈，南州武宁（在江西）人，为江西隆兴府黄龙寺禅师，北宋政和七年（1117年）卒。\n此帖行书行间宽绰而字间紧密，所以笔画多取横势，结体欹侧，左低右高，有峭拔之态，充分体现了黄庭坚小行书的特点，为其代表作品。\n此帖为清宫旧藏，收在《法书大观册》内。乾隆帝题赞“凌冬老干偃蹇岩壑”（《三希堂法帖》卷十三可见），后此赞墨迹及清内府藏印被挖去。\n著录于《妮古录》卷四、《平生壮观》卷二、《墨缘汇观》法书卷上。",[23,80,24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd4c125c7929f0a4b3662a02431c4c44.jpg","纵29.3厘米，横31.8厘米",[51],{"id":2200,"slug":2201,"title":2202,"dynasty":198,"author":295,"museum":111,"description":296,"tags":2203,"thumbUrl":2204,"material":67,"size":299,"collection":30,"collections":2205,"showCount":2154,"zanCount":11,"manualWeight":11,"mainColor":55},214551,"za-shu-shi-tie-juan-3-zhu-yun-ming-214551","杂书诗帖卷-3",[23,24,81,64,7,124,47,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F418c8cd04bcb84ee4f99025c18e4416d.jpg",[],{"id":2207,"slug":2208,"title":2209,"dynasty":460,"author":2210,"museum":94,"description":2211,"tags":2212,"thumbUrl":2213,"material":100,"size":101,"collection":30,"collections":2214,"showCount":2215,"zanCount":11,"manualWeight":11,"mainColor":55},288636,"mi-fei-le-xiong-tie-ti-ba-shou-juan-wu-chang-shuo-288636","米芾乐兄帖题跋手卷","吴昌硕","吴昌硕（1844年8月1日—1927年11月29日），初名俊，又名俊卿，字昌硕，又署仓石、苍石，多别号，常见者有仓硕、老苍、老缶、苦铁、大聋、缶道人、石尊者等。浙江省孝丰县鄣吴村（今湖州市安吉县）人。晚清民国时期著名国画家、书法家、篆刻家，“后海派”代表，杭州西泠印社首任社长，与厉良玉、赵之谦并称“新浙派”的三位代表人物，与任伯年、蒲华、虚谷合称为“清末海派四大家”。\n他集“诗、书、画、印”为一身，融金石书画为一炉，被誉为“石鼓篆书第一人”、“文人画最后的高峰”。在绘画、书法、篆刻上都是旗帜性人物，在诗文、金石等方面均有很高的造诣。正如北京大学教授、引碑入草开创者李志敏所说：“与同时代艺术大家比，吴昌硕是承前启后、比较全面的一位巨匠。” 吴昌硕热心提携后进，齐白石、王一亭、潘天寿、陈半丁、赵云壑、王个簃、沙孟海等均得其指授。 1927年11月29日，吴昌硕逝于上海寓所。\n吴昌硕作品集有《吴昌硕画集》《吴昌硕作品集》《苦铁碎金》《缶庐近墨》《吴苍石印谱》《缶庐印存》等，诗作集有《缶庐集》。",[24,124,64,81,82,1792,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6a5577c980b3bd7e5a286eb0bcfa8b5.jpg",[],20,{"id":2217,"slug":2218,"title":2219,"dynasty":1225,"author":401,"museum":94,"description":2220,"tags":2221,"thumbUrl":2223,"material":100,"size":101,"collection":30,"collections":2224,"showCount":2215,"zanCount":11,"manualWeight":11,"mainColor":55},288011,"cai-xiang-chi-du-qi-zhong-yi-ming-288011","蔡襄 尺牍七种","此作用笔温润遒劲，提按转合皆见法度，笔画丰腴却无肥滞之弊，兼得晋人清韵与唐楷端雅。章法疏朗错落，行气舒缓灵动，字间牵丝映带轻盈婉转，既守住单字的方正规整，又让通篇气息贯通浑融。墨色浓淡自然过渡，起笔饱满厚重，收锋渐次晕淡，尽显书写时的随性从容。作为日常尺牍，不见刻意雕琢，却将文人的雅致心性藏于笔墨细节，简淡平和间尽显行书审美意趣，将寻常闲话的信札，酿成耐品的书法小品，藏着不加修饰的笔墨真味。",[24,64,2222,47,7],"尺牍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d6377c75ef5281945fb18d4c254be22.jpg",[],{"id":2226,"slug":2227,"title":2228,"dynasty":198,"author":1527,"museum":94,"description":2229,"tags":2230,"thumbUrl":2232,"material":100,"size":101,"collection":30,"collections":2233,"showCount":2215,"zanCount":11,"manualWeight":11,"mainColor":55},287788,"you-bao-shan-ji-wang-chong-287788","游包山集","王宠（1494-1533），明代书法家，字履仁、履吉，号雅宜山人，吴县（江苏苏州）人。\n邑诸生，贡入太学。博学多才，工篆刻，善山水、花鸟。诗文声誉很高，尤以书名噪一时，书善小楷，行草尤为精妙。\n著有《雅宜山人集》，传世书迹有《诗册》《杂诗卷》《千字文》《古诗十九首》《李白古风诗卷》等。",[24,26,47,7,2231],"湖禅院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5650476ff9836e39c2fe31122cf4e6c.jpg",[],{"id":2235,"slug":2236,"title":2237,"dynasty":39,"author":1612,"museum":94,"description":2238,"tags":2239,"thumbUrl":2240,"material":30,"size":30,"collection":30,"collections":2241,"showCount":2215,"zanCount":11,"manualWeight":11,"mainColor":55},230863,"tao-sheng-tie-cai-xiang-230863","陶生帖","《病中偶书二首》是宋代诗人蔡襄所作诗词之一。\n宋 蔡襄（112－167），字君谟，原籍仙游枫亭乡东垞村，后迁居莆田蔡垞村，天圣八年（1）进士，先后在宋朝中央政府担任过馆阁校勘、知谏院、直史馆、知制诰、龙图阁直学士、枢密院直学士、翰林学士、三司使、端明殿学士等职，并出任福建路（今福建福州市）转运使，知泉州、福州、开封（今河南开封市）和杭州府事。\n卒赠礼部侍郎，谥号忠。\n主持建造了我国现存年代最早的跨海梁式大石桥——泉州洛阳桥，蔡襄为人忠厚、正真，讲究信义，而且学识渊博，书艺高深，书法史上论及宋代书法，素有“苏、黄、米、蔡”四大书家的说法。\n蔡襄书法以其浑厚端庄，淳淡婉美，自成一体。\n蔡襄传世墨迹有《自书诗帖》、《谢赐御书诗》，以及《陶生帖》《郊燔帖》、《蒙惠帖》墨迹多种，碑刻有《万安桥记》、《昼锦堂记》及鼓山灵源洞楷书 “忘归石、”“国师岩”等珍品。\n已感节候变，物态 。\n那复壮年意，如今多病身。\n净室焚香久，烘炉煮药频。\n神欢百虑解，销尽眼前尘。",[24,64,80,2169,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13fa495c119733907c887b832e87e117.jpg",[],{"id":2243,"slug":2244,"title":2245,"dynasty":18,"author":401,"museum":94,"description":2246,"tags":2247,"thumbUrl":2248,"material":2249,"size":2250,"collection":51,"collections":2251,"showCount":2215,"zanCount":11,"manualWeight":11,"mainColor":55},223397,"tang-mo-huang-ting-jing-quan-juan-yi-ming-223397","唐摹黄庭经全卷","《黄庭经》是道教经典，叙述的养身方面的，分为《外景经》和《内景经》二种，而此卷为《外景经》，卷后依次有宋代滕仲嚞、明代董其昌和元代陈绎曾题跋。本摹本书法峭快，结构稳固，字字传神，为后人学习临摹好字帖。",[23,137,80,124,26,176,24,7,47,187,507],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d3b9a8c80c061dcb0801cde82733274.jpg","纸本，楷书","40X190cm",[51],{"id":2253,"slug":2254,"title":2255,"dynasty":198,"author":295,"museum":111,"description":2048,"tags":2256,"thumbUrl":2257,"material":49,"size":2052,"collection":51,"collections":2258,"showCount":2215,"zanCount":11,"manualWeight":11,"mainColor":55},222478,"shi-tie-bai-ma-pian-zhu-yun-ming-222478","诗帖《白马篇》",[23,137,138,80,124,81,7,24,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F747861785a4e69632da691f06e6f31d3.jpg",[51],{"id":2260,"slug":2261,"title":2262,"dynasty":1225,"author":401,"museum":94,"description":2263,"tags":2264,"thumbUrl":2265,"material":100,"size":101,"collection":30,"collections":2266,"showCount":2267,"zanCount":11,"manualWeight":11,"mainColor":55},287809,"wang-xi-zhi-chi-du-ji-yi-ming-287809","王羲之尺牘集","此作用笔灵动多变，中锋侧锋交替施为，起笔斩截与圆融兼具，收笔或出锋爽利，或回锋沉凝。线条粗细藏露相映，牵丝映带间字势顾盼生姿，行气舒朗又浑然一体。墨色枯润浓淡层次分明，燥笔见清劲筋骨，湿墨显腴润质感。字形欹侧错落，随文势自然生发，将问疾探友的真切心绪寄于笔端，不拘成法、随性率真，晋人尚韵的雅致风流尽在尺幅之间，日常尺牍的简率真挚与书法艺术的洒落风神融为一体。",[24,81,2222,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd14d7a0746673c92aec83ed0e040f4a.jpg",[],19,{"id":2269,"slug":2270,"title":2271,"dynasty":18,"author":1595,"museum":94,"description":1500,"tags":2272,"thumbUrl":2273,"material":100,"size":101,"collection":30,"collections":2274,"showCount":2267,"zanCount":11,"manualWeight":11,"mainColor":55},287568,"lin-wang-xian-zhi-fei-niao-tie-zhe-sui-liang-287568","临王献之飞鸟帖",[24,176,7,47,1358,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4d85e86216ebedf08e00fe17e3ba5b5.jpg",[],{"id":2276,"slug":2277,"title":2278,"dynasty":460,"author":401,"museum":94,"description":2279,"tags":2280,"thumbUrl":2281,"material":30,"size":30,"collection":155,"collections":2282,"showCount":2267,"zanCount":11,"manualWeight":11,"mainColor":34},242174,"lan-ting-ba-zhu-tie-xi-hong-tang-ke-liu-gong-quan-lan-ting-shi-yi-ming-242174","《兰亭八柱帖》戏鸿堂刻柳公权兰亭诗","此拓本墨色沉凝乌亮，字口清劲挺括，将柳公权书法瘦硬通神的筋骨风神尽数留存。笔画斩截爽利，结体端庄开阔，尽显柳书的刚健雅正。刻工精妙入微，把笔锋的起落转折复刻无遗，虽经刻拓，却未失笔墨原初的鲜活意趣。旁侧题识笔意舒展，与帖文相映成趣，添增文韵雅致，让这件拓本兼具碑刻的金石沉浑与翰墨的灵动雅致，尽显兰亭诗帖的悠远意蕴。",[24,25,47,64,26,7,176,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ed4c57aeefb2b4f1aed893dbe676dbb.jpg",[155],{"id":2284,"slug":2285,"title":2286,"dynasty":76,"author":1126,"museum":1789,"description":2287,"tags":2288,"thumbUrl":2289,"material":30,"size":30,"collection":30,"collections":2290,"showCount":2267,"zanCount":11,"manualWeight":11,"mainColor":55},227710,"song-ta-bao-mu-tie-quan-juan-wang-xian-zhi-227710","宋搨保母帖全卷","王献之（344年－386年），字子敬，小名官奴，汉族，祖籍琅玡临沂（今山东临沂），生于会稽山阴（今浙江绍兴）。东晋著名书法家、诗人、画家，为书圣王羲之第七子、晋简文帝司马昱之婿。官至中书令，为与族弟王珉区分，人称“大令”，与其父王羲之并称为“二王”。与张芝、钟繇、王羲之并称“书中四贤”。 王献之自幼聪明好学，在书法上专攻草书隶书，也擅长绘画。他自小跟随父亲练习书法，胸有大志，后期兼取张芝，自创新体。他以行书和草书闻名，但是楷书和隶书亦有深厚功底。王献之亦善画，张彦远在《历代名画记》中目其画为“中品下”。",[23,24,25,64,124,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F230b293c4212ad01d0e3e459b678bbfa.jpg",[],{"id":2292,"slug":2293,"title":2294,"dynasty":198,"author":2295,"museum":94,"description":2296,"tags":2297,"thumbUrl":2298,"material":49,"size":30,"collection":51,"collections":2299,"showCount":2267,"zanCount":244,"manualWeight":11,"mainColor":55},222531,"li-he-shi-tie-wang-duo-222531","李贺诗帖","王铎","王铎（1592—1652年），字觉斯（之），号十樵、嵩樵、痴庵、痴仙道人、烟潭渔叟，平阳府洪洞县（今山西省洪洞县）人 。明末清初大臣、书画家，王本仁的儿子。正如李志敏所评价：“王铎的草书纵逸，放而不流，纵横郁勃，骨气深厚”。\n天启二年（1622年），考中进士，入选庶吉士，历任太子左谕德、太子右庶子、太子詹事、南京礼部尚书。弘光政权建立，出任东阁大学士。顺治元年（1644年），跟随钱谦益投降清朝，授礼部尚书、弘文院学士、太子少保。顺治九年（1652年），病逝，享年六十一岁，安葬于河南巩义县洛河边，谥号文安。\n善于书法，与董其昌齐名，有“南董北王”之称。书法作品有《拟山园帖》和《琅华馆帖》等。绘画作品有《雪景竹石图》等。\n王铎工正、行、草书，得力于钟繇、王献之、颜真卿、米芾，笔力雄健，长于布局。 [6-7] 有北宋大家之风。当时书坛流行董其昌书风，王铎与黄道周、倪元璐、傅山等人提倡取法高古，于时风中另树一帜。\n在书法上王铎是一位各体皆能、风格多样的书法全才。无论是伟岸遒劲的大楷、高古朴厚的小楷书，还是他那飞腾跳踯的行草书，在晚明书坛上都应说是一流的。正书在王铎作品中不多见，源于唐人而能自出胸襟。\n王铎降清后八、九年时间，书风更趋成熟老辣，其狂草技法已臻化境。书法成了其“贰臣”的心理矛盾和落寞情怀的排遣，故作品已失去崇祯朝的扛鼎之力和奋发之气，而转为理性和孤冷。\n《洛州香山诗轴》，在结字上把米芾的倚侧发挥到了极致，再以涨墨法略去点画改变字形，确实有“破鬼胆”之怪；再以中锋强力掠扛，轻重对比强烈，真正有神龙飞腾的不测之力。\n《明资政大夫正治上卿兵部尚书节寰袁公偕配诰封夫人宋氏合葬墓志铭》是王铎于明崇祯十年（1637年）十二月二十七日为其恩师袁可立书丹，铭文近五千字，是不能多见的王铎长篇小楷。\n《壬午临柳公权帖轴》，行草，王铎用三行布白法，写出五行书来：起首在一行空白中挤出密密的两行小字，结尾以贴零的方法在边沿空隙中挤出一行小字。完全打破了传统的章法平衡美原则。\n《王维五言诗卷》，书于崇桢十六年（1643年），绫本，楷书、草书。此诗卷后半部分的行草在王铎作品中则不乏见，章法变化丰富，行笔能纵能敛，整体感强，结体欹正莫测，点画错综复杂，线条枯实互应，故其成就被人给予很高评价。\n《临王筠帖轴》为四行书，主题三行书如空中的柳条左右摇曵飞舞，没有一处是垂直平衡和安静的，最后一行书乃落款小字，更是从左上向右下摇荡，末了还在边空贴零挤上“王铎”二字穷款。邱振中曾用“轴线连缀”的方法分析王铎每行书的左右摇摆度，以感知这种章法的平面几何关系。这种翰札书、藁草书中很常见的章法布白，一下子在大幅立轴作品中产生了前所未有的惊险效果。这正是王铎平面视觉空间构筑上贯彻其所谓“幽险狰狞”的“魔鬼美学”原则，让人在视觉上如此强烈地感受到“劈山超海，飞沙走石，天旋地转，鞭雷电而骑雄龙”的意象。王铎在书法作品平面空间构成上的美学创造，已历四百年而无人居其右\n《赠张抱一行书诗卷》和《赠张抱一草书诗卷》是王铎五十岁在怀州所书作品，这二卷分别是王铎行书和草书的精品。王铎诗宗杜甫，此二卷十数首感事伤时的诗中发出了“百感中原事，魂魂向夜生”的悲鸣，乃是离乱战火中奔波有感于生灵涂炭的“诗史”品格，因此前卷行书尤显沉雄深厚，后卷草书乃感幽怨缠绵。黄道周评价王铎书法曾有“五十自化”之说 ，这是强调生活与人格历练对书法风格成熟的审美卓见。徐悲鸿曾有一诗，用“蟠、蛟、螭”这种极尽其变的“神龙”来比拟王铎草书所塑造的形象，并赞之曰：“有明书法推第一，屈指匹敌空坤维。”他甚至还发问说：“文安诗作猛虎吼，谁执王字相雌雄？”\n《奉龚孝升书卷》为酒后佳作，行笔刚毅，元气充盈，既是晚年颓废生活偶发牢骚的写照，也是悲剧情怀的痛苦表露，堪称行书代表作之一。\n王铎画山水宗荆浩、关仝，继承了五代荆浩和关仝的风格，王铎的作品丘壑峻伟，皴擦不多，以晕染作气，傅以淡色，沉沉丰蕴，意趣自别。。同时他也吸收董源和王维的画法，主要以水墨晕染为主，皴擦不多，略施淡色，山川显得厚实雄伟，生机勃勃。他的山水画景色比较写实，山石的造型方峻，勾皴相间。他的山水画是以元人的笔墨技法画出了宋人味道。王铎的人物画极少见，而且画法比较简略、写意。间作兰、竹、梅、石，洒然有物外趣。\n王铎能画，但作品流传不多。 他的山水画仿荆浩、关仝却无大山大水的气势，《山水册》中的平冈高松，林峦深壑，空薄烟雨，曲径茅屋倒有苍秀清新之气，引人人胜。王铎善以书法之笔描写花卉枯荣盛衰的姿态，从上海博物馆藏《花卉卷》里可窥一斑。此卷作竹、兰、菊、竹叶、菊瓣及兰叶皆以中锋出之，信手写来，洒脱中含有拙味，与他纵而能敛的书法特点相统一。着意神采，不求形似，洒然有象外之意，最能流露出他文人画的情致逸趣。清顺治三年（1646年）作《渔舟萧闲图》，收入《历代名贤画粹》；清顺治七年（1650年）作《雪景山水图》，收入日本《支那名画宝鉴》；清顺治八年（1651年）罢官归里，作《兰石图》卷、《山水卷》，分别收入《新版世界美术全集》《支那名画宝鉴》。王铎善于画山水和梅兰竹石，山东省济南市博物馆收藏的《雪景竹石图》是王铎为睢阳袁枢精心创作的一幅雪竹作品。",[23,24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79fa1710ac29f4310f484eeb559b23ee.jpg",[51],{"id":2301,"slug":2302,"title":2303,"dynasty":460,"author":2304,"museum":94,"description":2305,"tags":2306,"thumbUrl":2307,"material":100,"size":101,"collection":30,"collections":2308,"showCount":2309,"zanCount":11,"manualWeight":11,"mainColor":34},290204,"zhu-zi-zhi-jia-ge-yan-huang-zi-yuan-290204","朱子治家格言","黄自元","黄自元（1837年—1918年），字敬舆，号澹叟，湖南安化县龙塘乡人，清末书法家，实业家。\n生于道光十七年（1837年），清同治六年（1867年）举于乡，次年殿试列第二（榜眼），授翰林院编修。曾任顺天乡试同考官和江南乡试副考官。民国7年（1918年）病逝。曾临摹《间架结构摘要九十二法》书帖，为该书的推广做出了重要贡献。",[26,24,7,25,2303],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a3dbc49f24783c781b285365a3b2226.jpg",[],18,{"id":2311,"slug":2312,"title":657,"dynasty":18,"author":1595,"museum":94,"description":1500,"tags":2313,"thumbUrl":2314,"material":100,"size":101,"collection":30,"collections":2315,"showCount":2309,"zanCount":11,"manualWeight":11,"mainColor":55},287572,"ni-kuan-zan-zhe-sui-liang-287572",[24,26,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28a5e185d753373b80a884082307a48d.jpg",[],{"id":2317,"slug":2318,"title":2319,"dynasty":198,"author":608,"museum":111,"description":2320,"tags":2321,"thumbUrl":2329,"material":152,"size":101,"collection":30,"collections":2330,"showCount":2309,"zanCount":11,"manualWeight":11,"mainColor":55},283715,"lin-mi-fei-wu-jiang-chui-hong-ting-zhu-tie-juan-dong-qi-chang-283715","临米芾吴江垂虹亭诸帖卷","此卷董氏节临米芾《垂虹亭诗帖》《蜀素帖》等，文字稍异。其用笔跌宕，寓颜于米，八面出锋，使转鲜明。“己酉”为1609年，董其昌时年55岁，正值其醉心宋四家尤其取法米芾阶段。",[23,24,124,64,176,7,47,2322,2323,2324,2325,2326,2327,2328],"秋景","西山","书院","黄菊","红叶","江波","樵人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28692f024e7de5bdc3b7b4593ed0b1f6.jpg",[],{"id":2332,"slug":2333,"title":2334,"dynasty":460,"author":401,"museum":94,"description":2335,"tags":2336,"thumbUrl":2337,"material":30,"size":30,"collection":51,"collections":2338,"showCount":2309,"zanCount":11,"manualWeight":11,"mainColor":34},242172,"lan-ting-ba-zhu-tie-feng-cheng-su-mo-lan-ting-xu-yi-ming-242172","《兰亭八柱帖》冯承素摹兰亭序","此帖墨色匀净沉凝，将原作秀逸风骨尽数复刻。行笔翩跹灵动，提按转折之间尽显王羲之原作的萧散雅致，把永和雅集的林下风流晕染在碑石之上。朱红鉴藏印错落排布，与乌亮墨色相映成趣，既带着法帖的端严沉静，也藏着历代递藏的厚重底蕴。刀工复刻出笔锋毫厘变化，让晋人书法的清远神韵留存于碑拓之间，复刻的是千年之前的兰亭雅韵，亦是碑刻工艺的匠心造诣，方寸间尽显古典书法与金石拓印融合的独有美感。",[24,64,176,25,47,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e19709cea513b71ce2fe7509ce25dfc.jpg",[51],{"id":2340,"slug":2341,"title":2342,"dynasty":39,"author":401,"museum":94,"description":2343,"tags":2344,"thumbUrl":2345,"material":30,"size":30,"collection":30,"collections":2346,"showCount":2309,"zanCount":11,"manualWeight":11,"mainColor":55},239660,"mi-fei-bai-zhong-yue-ming-shi-tie-juan-yi-ming-239660","米芾拜中岳命诗帖卷","此作用笔纵宕爽利，欹侧奇崛又不失沉稳，笔锋提按转合间牵丝映带，尽显随性潇洒的意趣。行书线条粗细变化自然，墨色润燥相生，将刷书的独特风神淋漓展现。\n\n诗文心境旷远静穆，和书法的逸气相融，笔墨间漫出脱尘的雅韵。整卷鉴藏朱印累累，与墨色相互映衬，晕开时光沉淀的厚重质感，尽显这件法书名迹的不凡价值与绝代风华。",[23,24,64,124,47,7,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F630f476a5fc1f672ebcd26a550f6bf3c.jpg",[],{"id":2348,"slug":2349,"title":2350,"dynasty":39,"author":2351,"museum":41,"description":2352,"tags":2353,"thumbUrl":2354,"material":2355,"size":2356,"collection":51,"collections":2357,"showCount":2309,"zanCount":11,"manualWeight":11,"mainColor":1075},239641,"da-nian-tie-ye-xue-shao-peng-239641","大年帖页","薛绍彭","释文：\n绍彭启：多日廷中不得少款为慊。晴和，想起居佳安。二画久假，上还，希检收。许借承晏、张遇墨，希示一观，千万，千万！承晏若得真完，虽《异热帖》亦可易。更俟续布，不具。绍彭再拜，大年太尉执事。廿八日。\n此帖名也作《晴和帖》。\n这是一封与藏友谈论藏品观摩与交流事宜的书信。信中首先提到归还两幅久借的绘画，然后表示希望借观对方所藏制墨名家李承晏、张遇所制名墨。并云李承晏墨如是完整的真品，愿以自藏王羲之《异热帖》与之交换。信的上款“大年太尉”，据考证应是北宋宗室、名画家赵令穰。\n此帖行笔圆健，结字安详，从容不迫，深得“二王”遗韵，是薛氏的代表作品。上钤“贞元”、“绍兴”等半印，裱工钤“许子仙鉴定印”“许烈之印”“孔氏季修”“受青”等印。\n《寓意编》、《铁网珊瑚》、《式古堂书画汇考》、《平生壮观》等书著录。",[24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F906b52ab4e543f0ab50096f3290f53fe.jpg","纸本，草书","纵25.1厘米，横34.8厘米",[51],{"id":2359,"slug":2360,"title":1336,"dynasty":18,"author":19,"museum":20,"description":2361,"tags":2362,"thumbUrl":2363,"material":30,"size":30,"collection":30,"collections":2364,"showCount":2309,"zanCount":11,"manualWeight":11,"mainColor":104},232599,"zheng-zuo-wei-tie-yan-zhen-qing-232599","《争座位帖》，又名《论座帖》《争座位稿》《与郭仆射书》，为唐广德二年（764年）十一月颜真卿致尚书右仆射、定襄郡王郭英乂的信函，是颜真卿行草书法的代表作，原迹已佚，刻石存西安碑林。\n《争座位帖》原稿用唐畿县狱状磓熟纸写就，共七页，秃笔书，有夹行小注和勾改痕迹，短行不计共六十八行，全文计一千一百九十三字。颜真卿在信中直指郭英乂于安福寺兴道会上藐视礼仪，谄媚宦官鱼朝恩，致其礼遇高于六部尚书之事，字里行间洋溢着忠义之气。该帖随意自如，挥洒有度，为历代书家所重，与王羲之的《兰亭集序》并称行书“双璧”，又与《祭侄文稿》《告伯父文稿》并称为“颜氏三稿”。\n释文:十一月日，金紫光禄大夫检校邢部尚书上柱国鲁郡开国公颜真卿，谨奉寓书於右仆射定襄郡王郭公阁下，盖太上有立德，其次有立功，是之谓不朽。抑又闻之，端揆者，百寮之师长。诸侯王者，人臣之极地，今仆射挺不朽之功业，当人臣极地。岂不以才为世出，功冠一时。挫思明跋扈之师，抗回纥无厌之请，故得身画淩烟之阁，名藏太室之廷，吁足畏也。然美则美矣，然而终之始难。故曰：满而不溢，所以长守富也。高而不危，所以长守贵也。可不儆惧乎？书曰：尔唯弗矜，天下莫与汝争功。尔唯不伐，天下莫与汝争能。以齐桓公之盛业，片言勤王，则九合诸侯，一匡天下。葵丘之会，微有振矜，而叛者九国。故曰：行百里者半九十里，言晚节未路之难也。从古至今，自我高祖太宗已来，未有行此而不理，废此而不乱者也。前者菩提寺行香，仆射指麾宰相与两省三省已下常参官并为一行坐，鱼开府及仆射率诸军将为一行坐，若一时从权，亦犹未可。何况积习更行之乎？一昨以郭令公父子之军，破犬羊凶逆之众，众情欣喜，恨不顶而戴之。是用有兴道之会，仆射又不悟前失。径率意而指麾，不顾班秩之高下，不论文武之左右，苟以取悦军容为心。曾不顾百寮之侧目，亦何异清画攫金之士哉？甚非谓也。君子爱人以礼，不窃见闻姑息。仆射得不深念之乎？真卿偶闻军容之为人，清修梵行，深入佛海，况乎收东京有殄城之业，守陕城有戴天之功，朝野之人，所共景仰，岂独有分於仆射哉。加以利衰涂割，恬然於心。固不以一毁加怒，一敬加喜。尚何半席之座咫尺之地能泊其志哉。且卿裏上齿，宗庙上爵，朝廷上位，皆有等威，以明长幼。故得彝伦叙而天下和平也。且上自宰相御史大夫两省五品以上供奉官自为一行，十二卫大将军次之。三师三公令仆射少师保傅尚书左右侍郎自为一行，九乡三监对之，从古以然，未尝参错，至如节度军将，各有本班卿监之班。将军有将军位，纵是开府特进，并是勋官，用荫即有高卑，会燕合依伦叙，岂可裂冠毁冕，反易彜伦，贵者为卑所凌，尊者为贱所逼，一至於此，振古未闻。如鱼军容阶虽开府，官即监门将军，朝廷列位，自有次叙，但以功绩既高，恩泽莫二，出入王命，众人不敢为此，不可令居本位，须别示有尊崇，只可于宰相师保座南，横安一位，如御史台众尊知难事御史，别置一榻，使百寮共得瞻仰，不亦可乎？圣皇时，开府高力士承恩傅宣，亦只如此横座，亦不闻别有礼数。亦何必令他失位，如李辅国倚承恩泽，径居左右仆射及三公之上。令天下疑怪乎？古人云：益者三友，损者三友，愿仆射与军容为直谅之友，不愿仆射为军容佞柔之友。又一昨裴仆射误欲令左右承勾尝尚书，尝时辄有训对。仆射恃贵，张目见尤，介众之中，不欲显过。今者与道之会，还尔遂非，再谒八座尚书，欲令便向下座。州县军城之礼，亦恐未然。朝廷公宴之宜，不应若此。今既若此，仆射意只应以为尚书之与仆射。若州佐之与县令乎？若以尚书同于县令，则仆射见尚书令，得如上佐事刺史乎？益不然矣。今既三厅齐列，足明不同刺史且尚书令与仆射，同是二品，只校上下之阶，六朝尚书并正三品，又非隔品致敬之类。尚书之事仆射礼数未敢有失。仆射之顾尚书，何乃欲同卑吏？又据宋书有百官志，八座同是第三品，隋及国家始升，别作二品。高自标致，诚则尊崇，向下挤排，无乃伤甚况再於公堂，猲咄常伯，当为令公初到，不欲纷披，黾勉就命，亦非理屈。朝廷纪纲，须共存立，遇尔隳坏，亦恐及身。明天子忽震电含怒，责毂彜伦之人，则仆射其将何辞以对。\n《争座位帖》是颜真卿写给郭英乂的一封书信的草稿。事情的起因是唐朝的中兴名将郭子仪凯旋还朝，代宗命文武百官于长安城举行欢迎仪式。负责安排百官排列次序的郭英乂为取悦于大宦官鱼朝恩，不顾朝廷规制，刻意将鱼朝恩的座位排在品阶比他高的几位尚书之前。对于这样露骨的献媚之举，一向以正色立朝的颜真卿愤然致书郭英乂，对其所作所为进行严词斥责。\n笔法:《争座位帖》不少笔意是从颜书楷体演化而来，写得更为疾速，更为放逸，书风跌宕浪漫，全以中锋用笔，气足意满，杀纸之气溢于纸外，似乎天地之间贯穿着股豪迈的正义力量，无坚不摧。虽是信手写来，但笔笔之中气韵饱满，静动有态，大小参差。以直笔为主，浑厚藏拙，质朴苍劲，奇伟秀拔，笔势纵横，笔力矫健，笔锋雄劲爽利。《争座位帖》笔法中的圆劲，是篆籀的生化，在圆润之中更有劲节，飞动之中更带韧性，融北朝的雄浑遒逸和中唐的肥劲宽博于一炉，劲立拔豪宕，姿态飞动。\n结体:《争座位帖》以行书为体，草书辅之。结字是正书中快写纵逸，以笔势的婉健流动为契机来发行、草之变，既富“飞动诡形异状”之态，又不失有凝重劲拔的神韵。它与《祭侄稿》一样没有刻意做作的成分，是一种在自然的倾诉式的书写中达到了书写的极则，将本我的真、艺术内质的美、空间的腾挪起伏表现融为一体。\n章法:从章法上看，《争座位帖》通篇构成了自然叠嶂、雄逸茂畅、舒和烂漫的心灵图画，一派天机之中，凛冽正义的精神凸出。使人从中可以体味出颜真卿刚强耿直、朴素敦厚的性格。因为写的是书信，是草稿书，所以信手写来，故而前松后紧，行疏字密，大小粗细相间，加上圈误补遗，多处修改，无有任何安排之意，显得自然优雅，任意奔放。\n作品评价:北宋书法家苏轼《东坡题跋·题鲁公书草》：“比公他书尤为奇特，信乎自然，动有姿态。”\n北宋书法家米芾《宝章待访录》：“秃笔，字字意相连属，飞动诡形异状，得于意外也。世之颜行第一书也。”\n清代书法家王澍《虚舟题跋》：“三稿皆公奇绝之作，《祭侄》奇古蒙宕，《告伯父》渊润从容，至《论座》则兼有《祭侄》《告伯》两稿之奇，情结不同，书随之异，所以直入神品，足为《兰亭》后劲也”\n清代学者阮元《颜鲁公争座位帖跋》：“《争座位帖》如熔金出冶，随地流走，元气浑然，不复以姿媚为念。夫不复以姿媚为念者，其品乃高，所以此帖为行书之极致。”\n清代书法家何绍基：“此帖笔法之佳，当在《兰亭》之上。”\n清末民初学者杨守敬《学书迩言》：“行书自右军后，以鲁公此帖为创格，绝去姿媚，独标古劲。”\n《争座位帖》稿本墨迹北宋时藏于长安安师文处，安氏据以摹勒刻石，后安家兄弟分家，将真迹一剖为二，其后又辗转进入内府，自此再无下落，不知所终。惟其刻石今尚存西安碑林，世称“关中本”、“陕刻本”。好事者因以该本为底本反复翻刻，翻本众多，良莠不齐，以宋拓为最珍。\n宋拓之中，据王壮弘《崇善楼笔记》载，以晚清四大藏书楼之铁琴铜剑楼藏北宋拓本为第一，惜今已不知尚存人间否。而存世之宋拓，以吴荣光、潘仕成、梁启超递藏北宋拓本为第一。翁方纲题跋定为北宋，民国七年有正书局亦作为北宋拓本影印出版，郑孝胥有跋，复为梁启超重金购藏，今入国家图书馆善本特藏部，为当今学术界公认之北宋拓本。\n此外，还有何绍基题跋宋拓本，今在上海图书馆，为国家一级文物。其次，则有启功题跋、妙鉴斋藏南宋拓本。",[24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65146d8761030d660bbf3ac73afadf05.jpg",[],{"id":2366,"slug":2367,"title":2368,"dynasty":39,"author":2140,"museum":94,"description":2369,"tags":2370,"thumbUrl":2371,"material":30,"size":30,"collection":30,"collections":2372,"showCount":2309,"zanCount":11,"manualWeight":11,"mainColor":55},230891,"tu-mu-tie-li-jian-zhong-230891","土母帖","《宋李建中书谘册》是宋代时期李建中创作的书法作品。\n所示要土母。\n今得一小笼子。\n封全谘送。\n不知可用否。\n是新安门所出者。\n复未知何所用。\n望批示。\n春冬衣历头。\n贤郎未捡到。\n其宅地基尹家者。\n根本未分明。\n难商量耳。\n见别访寻稳便者。\n若有成见宅子又如何。\n细希示及。\n（押字）。\n谘。\n孙号西行少车。\n今有旧车。\n如到彼不用。\n可货却也。\n北宋初期的 ，承袭唐人的传统，以丰肥为美。\n李建中是北宋初期的书法名家，他的书法骨肉停匀，神气清秀，对宋代书家有很深的影响。\n除了黄庭坚曾以“肥而不剩肉”的世间美女赞誉他的字之外，《宋史》本传中，也称赞他“行笔尤工，多构新体，草、隶、篆、籀、八分亦妙”。\n这幅作品又名“ ”，是李建中存世墨迹的代表作。\n天下十大行书之一， 排第十。\n作品中，字的结体紧密而修长，用笔沉着而丰腴。\n虽写的是行书，但起笔、收笔处仍见严谨的楷法笔意，可看出不少唐人书法的特质。\n此外，由于尺牍内提及“新安门”，地近洛阳，所以推测这是李建中晚年居住在洛阳时所写。\n李建中（945—11年），字得中，自称岩夫民伯，京兆（陕西西安）人，北宋初年著名书家。\n进士，曾官曹、解、颖、葵四州刺史，进金部员外郎。\n因掌西京留司御台史，世称“李西台”。\n《宋史》本传称他：“善书札，行笔尤工，多构新体，草、隶、篆籀、八分亦妙。\n人多摹习，争取以为楷法。\n”",[137,138,80,24,7,64,599,49,65,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29b80d16fd2eded94b4ea57e1d1a647b.jpg",[],{"id":2374,"slug":2375,"title":2376,"dynasty":18,"author":237,"museum":94,"description":2377,"tags":2378,"thumbUrl":2379,"material":30,"size":30,"collection":30,"collections":2380,"showCount":2309,"zanCount":11,"manualWeight":11,"mainColor":55},227083,"wen-huang-ai-ce-ye-tie-chu-sui-liang-227083","文皇哀册页帖","《文皇哀册》在传世的小楷作品中，久负盛名。相传为真迹，但文稿后並无书人落款。据古代学者考证，乃是褚遂良在公元649年为唐太宗文皇之死而作的。\n\n据唐元陵《仪注》所记唐代宗丧礼，当皇帝灵柩下葬，在灵驾往山陵引发之际，要在太极宫承天门外举行遣奠之礼，由中书令宣读哀册，然后再把哀册纳入山陵之中。唐太宗的丧礼《仪注》虽未记载，但大致推想其礼仪当与代宗李豫相似，甚至过之。太宗驾崩时，褚遂良恰好为中书令，因此由他宣读并撰文书写“哀册”便是合情合理的事了。这篇《哀册》的文字曾见载于《文苑英华》、《唐大诏令集》等。作为法书真迹，《文皇哀册》最早记载于宋高宗的藏品中。此外原真迹本后还有宋人于瑰和薛绍彭、米友仁等人的题记，以及绍兴御府印记。其中尤以米友仁的跋引人注目。米友仁跋曰：“褚遂良在唐贤诸名世士书中，为秀颖得羲之法最多者，真字有隶法，自成一家，非诸人可以比肩，此书盖其晚年笔。”米友仁为米芾之子，本身是一位著名的书画家及鉴赏家，所以《文皇哀册》被判断为褚书，可以说是权威之见。此后元末明初的宋濂、明王世贞等人亦对此帖真迹的流传作了记载。从记载中我们得知，历代收藏者有著名收藏家岳珂、郭守敬以及王世贞等，可见这幅作品的身价之高。",[24,83,26,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33af4a7d295c4b58c6b2d52909cdeb14.jpg",[],{"id":2382,"slug":2383,"title":2384,"dynasty":2385,"author":401,"museum":94,"description":2386,"tags":2387,"thumbUrl":2388,"material":30,"size":30,"collection":30,"collections":2389,"showCount":2309,"zanCount":11,"manualWeight":11,"mainColor":55},227065,"bei-wei-yuan-zhen-mu-zhi-ming-yi-ming-227065","北魏元桢墓志铭","南北朝","《元桢墓志》是元魏宗子志石时间最古的。刻于魏孝文帝太和二十年（公元496年）,是属于北魏中期的典型碑刻。17行，行18字，共306字。志高71厘米，宽71厘米。1926年夏出土于洛阳城北高沟村东南，后经于右任先生收藏并移存西安碑林至今。其笔画茂实刚劲，结体紧峻，意态恣肆，气势雄奇。",[24,25,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2ea4fc117f539264f63d3add8d31042.jpg",[],{"id":2391,"slug":2392,"title":2393,"dynasty":76,"author":401,"museum":2394,"description":2395,"tags":2396,"thumbUrl":2397,"material":100,"size":101,"collection":30,"collections":2398,"showCount":54,"zanCount":244,"manualWeight":11,"mainColor":104},287722,"wang-xi-zhi-shi-qi-tie-yi-ming-287722","王羲之十七贴","日本早稻田大学图书馆","此作用笔圆劲凝练，线条厚重又不失灵动，草书笔势牵丝萦带却爽利舒展，字字错落有致、顾盼生情。章法疏朗宽绰，气息从容萧散，将尺牍里的日常寄怀，化作笔下超逸的风神。虽为刻帖，依旧能窥见原作里晋人尚韵的风流，笔墨间藏着往来酬答的真挚意趣，尽显高古散淡的魏晋风雅，寥寥尺幅间，尽是林下之风的疏放俊逸。",[81,24,25,7,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb517725125d409c4cbbae1477a421d96.jpg",[],{"id":2400,"slug":2401,"title":2402,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":2403,"thumbUrl":2405,"material":100,"size":101,"collection":30,"collections":2406,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},283730,"yin-fu-jing-fu-jun-bei-juan-dong-qi-chang-283730","阴符经府君碑卷",[24,26,124,187,47,2404,7,80],"道家","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5364d070484396cfc55300bda7378eb6.jpg",[],{"id":2408,"slug":2409,"title":2410,"dynasty":76,"author":77,"museum":94,"description":174,"tags":2411,"thumbUrl":2413,"material":100,"size":101,"collection":30,"collections":2414,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},283637,"pin-you-ai-huo-kong-shi-zhong-you-xuan-san-tie-wang-xi-zhi-283637","频有哀祸、孔侍中、犹悬三帖",[23,24,64,81,7,2412],"哀伤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd22abba4f45a09ee811a15732747acb4.jpg",[],{"id":2416,"slug":2417,"title":2418,"dynasty":460,"author":401,"museum":94,"description":2419,"tags":2420,"thumbUrl":2421,"material":30,"size":30,"collection":51,"collections":2422,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":34},242236,"zhong-ke-chun-hua-ge-tie-yi-ming-242236","重刻淳化阁帖","此帖墨色乌莹匀净，装裱古雅沉静。右侧题注楷法端秀挺拔，与左方草书形成动静相宜的视觉韵律。\n\n所录右军草书笔势纵逸灵动，牵丝映带间尽显晋人尚韵的风流风骨，提按转折藏筋抱骨，笔墨线条自带潇洒疏朗的魏晋风神。刻工极尽精妙，将原作使转锋芒、枯湿意趣复刻传神，虽为刻本，却全然留存手札里的萧散情致，字里行间漫溢着东晋士族的散淡襟怀，让观者得以遥见当年尺牍往来的林下风雅。",[25,24,64,81,47,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faff49fe4a6b22c0b2e9328feb544c825.jpg",[51],{"id":2424,"slug":2425,"title":2426,"dynasty":39,"author":401,"museum":94,"description":2427,"tags":2428,"thumbUrl":2429,"material":30,"size":30,"collection":155,"collections":2430,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":104},242217,"quan-zhou-ben-chun-hua-ge-tie-yi-ming-242217","泉州本淳化阁帖","此拓本墨色苍润沉凝，字口锋棱宛然留存。行书笔致灵动舒展，遒劲与秀逸兼具，尽显晋人尺牍的萧散风神。\n\n字间排布错落暗含章法，笔势映带自然，将魏晋名士疏朗通脱的气质藏在点捺流转之中。虽经刊刻拓印，却未掩笔法精妙细节，提按转合间的细腻意趣清晰可见，尽显刻帖的金石意趣与书法本身的隽雅风骨，让观者得以窥见古法书韵的雅致精妙。",[24,25,7,176,64,404,98,81,26,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56713702ae43d86bbafcf427d11eb645.jpg",[155],{"id":2432,"slug":2433,"title":2434,"dynasty":460,"author":2435,"museum":94,"description":2436,"tags":2437,"thumbUrl":2438,"material":100,"size":101,"collection":30,"collections":2439,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},241670,"lin-su-shi-qian-zi-wen-juan-qian-long-241670","临苏轼千字文卷","乾隆","清高宗弘历，清朝第六位皇帝，清军入关之后的第四位皇帝，生于1711年9月24日，卒于1799年2月7日。年号“乾隆”，寓意“天道昌隆”。\n清高宗于1736年2月12日开始使用“乾隆”年号，至1796年2月8日为止。1795年10月3日，清高宗立爱新觉罗·颙琰为皇太子，并下令从1796年2月9日开始改用“嘉庆”年号 。1796年2月9日，清高宗传位于爱新觉罗·颙琰，正式退位。但是皇宫内依然用“乾隆”纪年，如乾隆帝临终医案仍为乾隆六十三年十二月。",[23,80,124,176,24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f4f5b943233bb337a9fa87703d3b5d1.jpg",[],{"id":2441,"slug":2442,"title":2443,"dynasty":109,"author":2444,"museum":41,"description":2445,"tags":2446,"thumbUrl":2447,"material":1836,"size":2448,"collection":51,"collections":2449,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},239632,"yang-wei-zhen-cheng-nan-chang-he-shi-tie-yang-wei-zhen-239632","杨维桢城南唱和诗帖","杨维桢","《城南唱和诗帖》释文\n款钤“廉夫”、“会稽杨维槙印”二方。鉴赏印有“太原颛庵王氏拙修堂收藏图书”、“王掞私印”、“西田”、“娄江王藻儒氏真赏”等，另钤孙承泽、王南屏私家藏印及嘉庆、宣统内府诸印。题跋有孙承泽、陈献章、谢肇淛、徐等家。《铁网珊瑚》、《庚子消夏录》、《石渠宝笈》三书著录。\n此卷书《城南杂咏》20首，原诗为南宋著名理学家张栻所作。张栻曾于长沙妙高峰筑城南书院，以居学者。《城南杂咏》20首即其对长沙城南诸胜景的咏怀之作。此后不久，朱熹访张栻于城南书院，和南轩诗作，遂成《城南唱和》20首。朱熹手迹经朱氏五世孙之手散出流传于世，辗转归元人虞子贤。当时张栻所书《城南杂咏》原迹已佚，虞氏遂请杨维桢追和张栻原诗，铁崖遂录张栻原诗20首。除原诗外，杨维桢又书“赘评”二则，简述为虞氏补书起因，并对张南轩诗作了评介，以为“有古风人思致”。\n在元代复古潮流中，杨维桢的书法因点画多不守常规，所以表现得格外出奇。结体上虽无珠圆玉润和儒雅精到之感，但其笔锋硬峭，筋骨强健，体势奇崛，具有一种壮美堂皇之气象。明代书法家吴宽评其书：“大将班师，三军奏凯，破斧缺斨，例载而归。廉夫书或似之。”徐有贞亦称：“铁崖狂怪不经，而步履自高。”此件作品写于杨维桢67岁时，笔势开拓，奔放不羁，风格清劲可喜。",[23,24,81,124,47,65,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea1de427f78f196ea2b5a9b77078d8eb.jpg","纵31.6厘米，横216.6厘米",[51],{"id":2451,"slug":2452,"title":2453,"dynasty":198,"author":2454,"museum":94,"description":2455,"tags":2456,"thumbUrl":2457,"material":100,"size":101,"collection":30,"collections":2458,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},228333,"si-ti-qian-zi-wen-lu-shi-ren-228333","四体千字文","陆士仁","此卷书法工整稳健，圆劲古雅。结字运笔因体取势，篆书温纯古拙，隶书沉着质朴，草、楷书起笔尖微精健，更似文徵明用笔之法。卷后陆士仁之子广明题识：“先君子幼习太史公书，片楮只字无不临摹，几于入室。",[23,80,24,124,64,404,98,26,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32cb469298bd6b4e0726b7e7658be108.jpg",[],{"id":2460,"slug":2461,"title":2462,"dynasty":39,"author":401,"museum":94,"description":2463,"tags":2464,"thumbUrl":2465,"material":30,"size":30,"collection":30,"collections":2466,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},227565,"chun-hua-ge-tie-1-10-juan-yi-ming-227565","淳化阁帖1－10卷","《淳化阁帖》，又名《淳化秘阁法帖》，简称《阁帖》，共10卷。是中国最早的一部汇集各家书法墨迹的法帖。",[2169,25,24,7,64,81,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9acf07071fde65eb01773944a9e7bb62.jpg",[],{"id":2468,"slug":2469,"title":2470,"dynasty":39,"author":979,"museum":318,"description":2471,"tags":2472,"thumbUrl":2473,"material":140,"size":2474,"collection":30,"collections":2475,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},221197,"zi-zuo-shi-juan-quan-juan-di-er-ban-lu-you-221197","自作诗卷（全卷）第二版","陆游《自作诗卷》全卷长达7.01米，共写诗八首，题为《记东村父老言》、《访隐者不遇》、《游近村》、《癸亥初冬作》、《美睡》、《渡头》和《杂书》二首。这些诗都是陆游自己创作的，而且每首诗都反映了作者怡然自得的田园生活，再配以飘逸、潇洒的书法表现出来，可以说将诗人的情感和诗的意境都体现得淋漓尽致。",[23,80,24,124,64,47,7,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1790440d694ddc8fada529f73268140f.jpg","31*7017cm",[],{"id":2477,"slug":2478,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":2479,"thumbUrl":2480,"material":1025,"size":1026,"collection":30,"collections":2481,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":30},220655,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220655",[23,25,24,64,81,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3022f8ad0aa441fb2259ee833cf194e0.jpg",[],{"id":2483,"slug":2484,"title":2485,"dynasty":2385,"author":401,"museum":94,"description":2486,"tags":2487,"thumbUrl":2488,"material":100,"size":101,"collection":30,"collections":2489,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":55},287432,"shi-ping-gong-zao-xiang-ji-bei-jing-jiu-yi-ming-287432","始平公造像记北京旧","此作为魏碑方笔之冠，笔画斩钉截铁、棱角凌厉，如刀劈斧斫般刚猛雄强。结体宽博方正，字字饱满厚重，尽显北朝石刻的朴拙豪迈气质。\n\n少见的阳刻形制让笔墨意趣与刀石质感相融，沉凝的线条裹着肃穆庄重的力量，将沉笃祈愿凝于刀锋笔痕间。斑驳拓痕带着岁月摩挲的厚重质感，金石气扑面而来，粗犷硬朗的石刻意趣跃然纸上，尽显北朝书法的雄浑气魄。",[24,25,26,1329,508,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe00ac5f33d19429fffb3a79f6826d921.jpg",[],{"id":2491,"slug":2492,"title":2493,"dynasty":39,"author":687,"museum":94,"description":2085,"tags":2494,"thumbUrl":2497,"material":100,"size":101,"collection":30,"collections":2498,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":104},287399,"jing-fu-bo-shen-ci-shi-huang-ting-jian-287399","经伏波神祠诗",[23,24,25,7,64,124,2495,2496],"诗词","伏波神祠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5f0efceaa6b2c2dd096dc4416c74f38.jpg",[],{"id":2500,"slug":2501,"title":2502,"dynasty":39,"author":401,"museum":94,"description":2503,"tags":2504,"thumbUrl":2505,"material":30,"size":30,"collection":155,"collections":2506,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":104},242214,"chun-hua-ge-tie-yi-ming-242214","淳化阁帖","此作为行书刻帖，点画灵动秀逸，提按转折间尽显二王一脉的隽永风神。结体欹正相生，字势错落又彼此顾盼，行气连贯悠长。虽为刻拓本，却精准还原原作笔墨细节，刀痕隐于笔意之下，墨色沉凝古雅，将尺牍随性自然的意趣与端雅气度相融。\n\n所录书札既有日常手翰的松弛灵动，亦不失雍容之韵，刻工精妙，完整留存了原作使转的细腻层次，尽显宋刻法帖的典型风貌，是兼具临习价值与鉴藏意义的行书佳范。",[24,25,7,64,26,188,176,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbef9d1498fc9ce60eb68e3e32cebc5f1.jpg",[155],{"id":2508,"slug":2509,"title":2510,"dynasty":39,"author":401,"museum":94,"description":2463,"tags":2511,"thumbUrl":2512,"material":30,"size":30,"collection":30,"collections":2513,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":104},227567,"chun-hua-ge-tie-di-jiu-juan-yi-ming-227567","淳化阁帖第九卷",[24,25,64,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ebc0ef4755657c5d4d44f7d512d4092.jpg",[],{"id":2515,"slug":2516,"title":2517,"dynasty":198,"author":483,"museum":61,"description":2518,"tags":2519,"thumbUrl":2520,"material":49,"size":2521,"collection":51,"collections":2522,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":55},222011,"qi-lv-shi-zi-chen-chao-xia-xi-ling-si-wen-zheng-ming-222011","七律诗紫宸朝下锡灵丝","释文：紫宸朝下锡灵丝，金水桥边拜命时。文绣自天腾五色，光华约臂结双螭。重惭潦倒随恩泽，还忝班行覩盛仪。愿得君王千万寿，日华常照衣垂。",[23,1173,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1aedd5b1f44b8115a589c2a4d9a452b.jpg","122x59cm",[51],{"id":2524,"slug":2525,"title":2526,"dynasty":39,"author":2527,"museum":2528,"description":2529,"tags":2530,"thumbUrl":2532,"material":49,"size":2533,"collection":30,"collections":2534,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":104},221475,"da-de-ming-tie-dong-fu-si-bian-e-san-ying-zhang-ji-zhi-221475","大德名帖东福寺匾额三应","张即之","日本京都东福寺","张即之书法深受唐人影响，后转师米芾，参以晋唐经书汉隶，并能“独传家学”，自成一家体系。张即之擅长楷书和榜书，尤喜作擘窠大字。楷书结构严谨、端庄，行书则用笔枯硬，近于刻露，毫无温润典雅之感。有人称之为宋书殿军",[23,24,26,82,2531,7],"匾额","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F997572b9a3b5ee49be9303989f328c2a.jpg","44.5X91厘米",[],{"id":2536,"slug":2537,"title":2538,"dynasty":18,"author":412,"museum":41,"description":413,"tags":2539,"thumbUrl":2540,"material":67,"size":416,"collection":30,"collections":2541,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":104},214510,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-4-ou-yang-xun-214510","宋拓唐虞恭公温彦博碑-4",[23,26,25,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F726e38a8def864bba39d98d5be2a3c98.jpg",[],{"id":2543,"slug":2544,"title":2545,"dynasty":18,"author":19,"museum":94,"description":777,"tags":2546,"thumbUrl":2547,"material":100,"size":101,"collection":30,"collections":2548,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":104},288124,"shu-zhang-zhang-shi-bi-fa-shi-er-yi-yan-zhen-qing-288124","述张长史笔法十二意",[24,25,7,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F368c68de7fcd227221e8646a510dbf9a.jpg",[],15,{"id":2551,"slug":2552,"title":482,"dynasty":198,"author":483,"museum":94,"description":1883,"tags":2553,"thumbUrl":2554,"material":100,"size":101,"collection":30,"collections":2555,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":2034},287564,"teng-wang-ge-xu-wen-zheng-ming-287564",[80,24,64,7,482],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F055cfe6b7db0b1ba9e7774244b5f00db.jpg",[],{"id":2557,"slug":2558,"title":134,"dynasty":109,"author":110,"museum":94,"description":2559,"tags":2560,"thumbUrl":2561,"material":100,"size":101,"collection":30,"collections":2562,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":104},287409,"luo-shen-fu-zhao-meng-fu-287409","《洛神赋》用笔精纯、圆润，结体严谨、遒媚，章法平和、潇洒。赵孟頫师法“二王”，得其笔法，又结合自身的特点，其行书呈现出清俊、典雅之风，《洛神赋》亦是将他的审美理想呈现得淋漓尽致。在《洛神赋》中，“中和”之美充斥全篇，对后世书法艺术事业的发展影响深远。",[23,24,64,7,47,1283,1158],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72e30e50d004b8cf4b03d24a4d7493f1.jpg",[],{"id":2564,"slug":2565,"title":2566,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":2567,"thumbUrl":2568,"material":100,"size":101,"collection":30,"collections":2569,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":34},287377,"lin-lan-ting-xu-ji-shi-san-ba-kuai-xue-tang-fa-shu-zhao-meng-fu-287377","临兰亭序及十三跋 (快雪堂法书)",[124,25,24,7,64,176,2041],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20b3a3f458d61ebb08fddd4724ed99ea.jpg",[],{"id":2571,"slug":2572,"title":2573,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":2574,"thumbUrl":2575,"material":100,"size":101,"collection":30,"collections":2576,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":34},287360,"lin-xiao-nv-cao-e-bei-dong-qi-chang-287360","临孝女曹娥碑",[26,24,25,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcae624a86e320a49b6db650da995cad8.jpg",[],{"id":2578,"slug":2579,"title":2580,"dynasty":39,"author":373,"museum":94,"description":2581,"tags":2582,"thumbUrl":2583,"material":100,"size":101,"collection":30,"collections":2584,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":55},287317,"tian-ji-wu-yun-tie-su-shi-287317","天际乌云帖","《天际乌云帖》又称《嵩阳帖》，苏轼诗文一章，行书，真迹曾由明代项元汴收藏，清归翁方纲，有翁氏题跋。共三十六行，计三百零七个字。藏处不详。",[24,64,7,47,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ba3db0e3996222bb048b7b5f62feece.jpg",[],{"id":2586,"slug":2587,"title":2588,"dynasty":18,"author":237,"museum":111,"description":2589,"tags":2590,"thumbUrl":2592,"material":393,"size":2593,"collection":30,"collections":2594,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":1075},287313,"chu-he-nan-lin-lan-ting-chu-sui-liang-287313","褚河南临兰亭","在历代难以数计的临摹和刻拓《兰亭》谱系中，有所谓的“领字从山本”一系，即《兰亭序》中“此地有崇山峻领，茂林修竹”的“领”字写作“岭”。在传世的冯承素、虞世南、褚遂良三大摹本（均藏北京故宫博物院），以及著名刻拓本《定武兰亭真拓本》（今藏台北故宫博物院）、《吴炳本兰亭》、《独孤本兰亭》（均藏日本东京国立博物院）等中，均为“崇山峻领”，即“领字不从山”。",[23,137,80,124,64,24,7,176,47,766,204,2591],"抒怀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f45885b45a5fa8924e85338a844a167.jpg","纵24.3cm，横70.2cm",[],{"id":2596,"slug":2597,"title":2598,"dynasty":460,"author":636,"museum":41,"description":2599,"tags":2600,"thumbUrl":2601,"material":560,"size":2599,"collection":51,"collections":2602,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":1075},239703,"lin-ping-shu-tie-zhou-liang-guo-zhi-239703","临评书帖轴","纵73.2厘米，横67.4厘米",[80,24,1173,64,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F894ef876c8e0eb306d6a3d95aa3c625c.jpg",[51],{"id":2604,"slug":2605,"title":2606,"dynasty":109,"author":110,"museum":41,"description":2607,"tags":2608,"thumbUrl":2609,"material":49,"size":2610,"collection":51,"collections":2611,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":104},239664,"er-zan-er-tu-shi-juan-zhao-meng-fu-239664","二赞二图诗卷","元代初年，书法的风貌出现很大的变化。自“宋四家”以来所开拓的文人尚意书风逐渐无以为继，要突破这个困境，唯有追本溯源，上追二王，而赵孟頫便是这一复古潮流的提倡者。在这个背景之下，他的书法倾向于蕴籍沉稳、平正秀丽的风格。赵孟頫的《二赞二图诗卷》所流露的风格却与其追慕的风貌不甚相同而较为少见。此卷款署“湖州观堂与受益外郎饮酒，一杯之余，便觉醉意横生。戏书此卷，为他日一笑之资。孟頫。”从署款可知，此卷是赵孟頫和友人于湖州观堂相众时乘着酒兴而书的。此卷纸质光滑，又为酒后兴酣之作，故写来信笔飞动，流畅圆转。卷后明代鉴藏家董其昌题跋云： “此赵文敏(孟頫)学颜鲁公(真卿)《送蔡明远叙》兼米海岳(芾)用笔，迥异平日之作”，说明此卷兼有唐代颜真卿及宋代米芾笔意，不同于赵氏的其它墨迹。",[23,137,138,80,124,64,24,47,82,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3c170d3ec939624a8380812c02f2b52.jpg","27厘米x456.3厘米",[51],{"id":2613,"slug":2614,"title":2615,"dynasty":39,"author":2351,"museum":41,"description":2352,"tags":2616,"thumbUrl":2617,"material":2355,"size":2356,"collection":30,"collections":2618,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":104},221256,"da-nian-tie-xue-shao-peng-221256","大年帖",[23,24,80,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F724c47a3271783b03c92462eed77c9b2.jpg",[],{"id":2620,"slug":2621,"title":2622,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":2624,"thumbUrl":2625,"material":49,"size":498,"collection":30,"collections":2626,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":34},214427,"da-tang-zhong-xing-song-shang-ce-3-yan-zhen-qing-214427","大唐中兴颂上册-3","由唐朝袁杰撰写，颜真卿执笔。771年6月，安禄山叛军被打败后，刻在湖南祁阳无锡河的岩壁上。左侧为素书题字，21行21字，后为黄鲁直题字，11行26-28字。铭文分两卷，共166页，每卷都是用黑色墨水在麻纸上题写的。这是第一卷。",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1ddf93327bab3a413e20139cc1efa37.jpg",[],{"id":2628,"slug":2629,"title":2630,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":2631,"thumbUrl":2632,"material":49,"size":498,"collection":30,"collections":2633,"showCount":2549,"zanCount":11,"manualWeight":11,"mainColor":34},214425,"da-tang-zhong-xing-song-shang-ce-2-yan-zhen-qing-214425","大唐中兴颂上册-2",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb76ca9858539bcfb870f6326b4eb1f3.jpg",[],{"id":2635,"slug":2636,"title":2637,"dynasty":460,"author":2304,"museum":94,"description":2638,"tags":2639,"thumbUrl":2640,"material":100,"size":101,"collection":30,"collections":2641,"showCount":2642,"zanCount":11,"manualWeight":11,"mainColor":34},288303,"jian-jia-jie-gou-zhai-yao-jiu-shi-er-fa-huang-zi-yuan-288303","间架结构摘要九十二法","《间架结构摘要九十二法》是在唐初四大书家之一欧阳询《结字三十六法》及明代李淳《大字结构八十四法》基础上系统、全面地研究剖析了汉字结构组合规律，归纳总结出九十二种汉字结体书写的方法，并各有典型例字。《间架结构摘要九十二法》是一本较为完整、实用的法帖，更对后世书者影响巨大，不仅适于初学书者临习，也可供书法爱好者参考欣赏。九十二法对初学者了解间架结构有指导意义，是初学者的启蒙导师。在清末及民国初年达到了家喻户晓、人手一册、学书之人案头必备的程度。",[24,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f0f7dedcd222402fdef07abde25514a.jpg",[],14,{"id":2644,"slug":2645,"title":2646,"dynasty":39,"author":687,"museum":94,"description":2085,"tags":2647,"thumbUrl":2651,"material":100,"size":101,"collection":30,"collections":2652,"showCount":2642,"zanCount":11,"manualWeight":11,"mainColor":104},287811,"shang-yuan-shi-tie-huang-ting-jian-287811","上苑诗帖",[64,24,7,25,47,2648,2649,2650,903],"莺","桃树","青松","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a5ad23806b74e2e30d5b627ef4ccd1d.jpg",[],{"id":2654,"slug":2655,"title":2656,"dynasty":39,"author":911,"museum":94,"description":2657,"tags":2658,"thumbUrl":2659,"material":100,"size":101,"collection":30,"collections":2660,"showCount":2642,"zanCount":11,"manualWeight":11,"mainColor":55},227327,"za-shi-tie-shou-juan-liu-duan-wu-ju-227327","杂诗帖手卷六段","南宋吴琚《杂诗帖卷》手卷,以行、草书杂录前人诗句共十则,书于十纸之上,裱为六段,其中数则有缺佚字句。",[23,24,64,124,7,47,599,49],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6fdb64e7efcad543c74255e4b492a0a.jpg",[],{"id":2662,"slug":2663,"title":2664,"dynasty":460,"author":2435,"museum":94,"description":2665,"tags":2666,"thumbUrl":2667,"material":100,"size":101,"collection":30,"collections":2668,"showCount":2642,"zanCount":11,"manualWeight":11,"mainColor":104},224113,"lin-lan-ting-qian-long-224113","临兰亭","据款署，此册于戊寅年（1758年）上巳日临于三希堂。",[23,80,24,124,176,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9ff6111fae3342a4f814c8ae36a7071.jpg",[],{"id":2670,"slug":2671,"title":2672,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":2673,"thumbUrl":2674,"material":100,"size":101,"collection":30,"collections":2675,"showCount":2676,"zanCount":11,"manualWeight":11,"mainColor":104},290885,"lin-yan-zhen-qing-gao-shen-tie-zhou-dong-qi-chang-290885","临颜真卿告身帖轴",[1173,24,176,26,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a702c680dd706df23fddda3735574fb.jpg",[],13,{"id":2678,"slug":2679,"title":2680,"dynasty":39,"author":687,"museum":94,"description":2085,"tags":2681,"thumbUrl":2685,"material":100,"size":101,"collection":30,"collections":2686,"showCount":2676,"zanCount":11,"manualWeight":11,"mainColor":34},287804,"fa-yu-huang-ting-jian-287804","法语",[23,24,25,7,124,64,81,508,47,1492,2682,2683,2650,45,204,2684],"山","云","闲适","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9c286f95b6d7727f0226168b69d6c59.jpg",[],{"id":2688,"slug":2689,"title":2690,"dynasty":18,"author":237,"museum":94,"description":2691,"tags":2692,"thumbUrl":2693,"material":100,"size":101,"collection":30,"collections":2694,"showCount":2676,"zanCount":11,"manualWeight":11,"mainColor":104},287600,"du-ren-jing-chu-sui-liang-287600","度人经","度人经全称《太上洞玄灵宝无量度人上品妙经》, 是一部道教神学作品。被后世明代《正统道藏》列为开篇经书。号称群经之首、万法之宗、一切法界之源头。是道教太上洞玄灵宝派的核心经典",[24,25,26,187,508,7,943,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7145e00f50939d2ed654596e5dd57337.jpg",[],{"id":2696,"slug":2697,"title":2698,"dynasty":39,"author":373,"museum":41,"description":1799,"tags":2699,"thumbUrl":2700,"material":140,"size":2701,"collection":51,"collections":2702,"showCount":2676,"zanCount":11,"manualWeight":11,"mainColor":55},239571,"xin-sui-zhan-qing-ren-lai-de-shu-tie-he-juan-su-shi-239571","新岁展庆、人来得书帖合卷",[24,64,124,47,1149,964,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8873c37e80c5a497c09b89ea5c7aeb53.jpg","前帖纵30.2厘米，横48.8厘米，后帖纵29.5厘米，横45.1厘米",[51],{"id":2704,"slug":2705,"title":2706,"dynasty":460,"author":2707,"museum":94,"description":2708,"tags":2709,"thumbUrl":2711,"material":49,"size":30,"collection":155,"collections":2712,"showCount":2676,"zanCount":11,"manualWeight":11,"mainColor":55},223275,"fa-tie-hong-yi-fa-shi-223275","法帖","弘一法师","李叔同（1880年10月23日－1942年10月13日），又名李息霜、李岸、李良，谱名文涛，幼名成蹊，学名广侯，字息霜，别号漱筒。\n李叔同是著名音乐家、美术教育家、书法家、戏剧活动家，是中国话剧的开拓者之一。他从日本留学归国后，担任过教师、编辑之职，后剃度为僧，法名演音，号弘一，晚号晚晴老人，后被人尊称为弘一法师。\n1913年受聘为浙江两级师范学校（后改为浙江省立第一师范学校）音乐、图画教师。1915年起兼任南京高等师范学校音乐、图画教师，并谱曲南京大学历史上第一首校歌。1942年10月13日，弘一法师圆寂于泉州不二祠温陵养老院晚晴室。\n李叔同的诗词在近代中国文学史上同样占有一席之地。他年轻时，即以才华横溢引起文坛瞩目。客居上海时，他将以往所作诗词手录为《诗钟汇编初集》，在“城南文社”社友中传阅，后又结集《李庐诗钟》。出家前夕，他将清光绪二十六至三十三年（1900—1907年）间的20多首诗词自成书卷。其中就有《留别祖国并呈同学诸子》、《哀国民之心死》等不少值得称道的佳作，表现了作者对国家命运和民生疾苦的深切关注。出家前的五六年间，他还有30余首歌词问世。这些作品，通过艺术的手法表达了人们在相同境遇中大都会发生的思想情绪，曾经风靡一时，有的成为经久不衰的传世之作。\n弘一法师对联语也有浓厚兴趣，并有极高的鉴赏和创作水平。尤其是出家后，大师为各地寺院和缁素撰写的诸多嵌字联语，更表现出他的奇思妙想和深厚的艺术功底。他在宣传佛法导引终生佛化过程中，将联语这一形式作为劝人为善的巧妙手段。他书写的那些内容深刻、极富哲理的名联，现也成为警示后人的一笔宝贵的文化艺术财富。",[23,24,26,82,47,2710,7],"对联","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7095a65f0b56772d2c979363e6860997.jpg",[155],{"id":2714,"slug":2715,"title":2716,"dynasty":198,"author":295,"museum":111,"description":2048,"tags":2717,"thumbUrl":2718,"material":152,"size":2719,"collection":51,"collections":2720,"showCount":2676,"zanCount":11,"manualWeight":11,"mainColor":55},222479,"shi-tie-kong-hou-pian-zhu-yun-ming-222479","诗帖《箜篌篇》",[23,24,81,7,124,82,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faebf9d1756ea1dc16ab54fdb95d54307.jpg","纵36.1厘米,横1147.5厘米",[51],{"id":2722,"slug":2723,"title":2724,"dynasty":198,"author":1842,"museum":94,"description":2725,"tags":2726,"thumbUrl":2727,"material":100,"size":101,"collection":30,"collections":2728,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":55},288110,"shu-sun-guo-ting-shu-pu-song-ke-288110","书孙过庭书谱","宋克（1327―1387）字仲温，一字克温，自号南宫生，长洲（今江苏苏州）人。是明代初期闻名于书坛的书法家“三宋二沈”之一。与高启等称十友，诗称十才子。\n洪武初为凤翔同知。素工草隶深得钟、王之法，笔精墨妙，风度翩翩。并工写竹，虽寸冈尺堑，而千篁万玉，雨叠烟生，萧然无尘俗之气。尝作鸡栖石业条一幅，题语有“艺成不觉自敛手”之句，谓不可复得也。书学急就章，故写竹能妙。尝于试院牍尾用朱笔扫竹，张伯雨有“偶见一枝红石竹”之句，人遂以为朱竹自宋克始。卒年六十一。宋克的书法，在明代颇享盛名，与当时擅长书法的宋璲、宋广合称三宋。",[24,81,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03af77baa07a5e2497a234d42ebc73e0.jpg",[],12,{"id":2731,"slug":2732,"title":2733,"dynasty":1225,"author":401,"museum":94,"description":2734,"tags":2735,"thumbUrl":2737,"material":100,"size":101,"collection":30,"collections":2738,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":55},287925,"bo-yuan-tie-yi-ming-287925","伯远帖","枯木虬曲瘦劲，枝桠舒展如篆籀古笔，笔法苍厚朴拙，自带萧散古意。窠石以阔笔皴擦晕染，棱线隐现，浑朴苍润，寥寥杂草轻勾，暗生机趣，简淡中见幽远意境。\n\n右侧题跋行书流丽秀雅，笔势连贯圆融，墨色干湿浓淡相映，笔意舒展自在。书画合璧，尺幅之间融绘事与文心，将文人林下清逸的审美意趣尽显无余，淡而有味，清隽耐看，尽显沉静萧散的文人风骨。",[138,80,24,64,82,1903,2736,47,7],"孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28d81274083973040679a9699e2071f8.jpg",[],{"id":2740,"slug":2741,"title":2742,"dynasty":39,"author":687,"museum":94,"description":2085,"tags":2743,"thumbUrl":2744,"material":100,"size":101,"collection":30,"collections":2745,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":104},287370,"shou-zha-can-ben-huang-ting-jian-287370","手札残本",[24,81,25,309,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5de4a906760f0df0bbd45050a6840f99.jpg",[],{"id":2747,"slug":2748,"title":2749,"dynasty":198,"author":401,"museum":94,"description":2750,"tags":2751,"thumbUrl":2752,"material":30,"size":30,"collection":155,"collections":2753,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":55},242186,"tong-zhou-sheng-jiao-xu-yi-ming-242186","同州圣教序","此作为小楷题跋，以行意融楷法，笔致清灵秀雅，笔画瘦劲温润，筋骨暗藏不显锋芒。通篇笔墨排布疏朗匀停，气息静穆恬和。\n\n题文细论碑本旧拓异同，考辨细节源流，字里行间尽显鉴藏的审慎，带着旧时文人鉴碑赏帖的雅致情致。既具明代小楷秀整娟净的典型风貌，又因金石考据的内核晕开朴厚文心，将辨伪校勘的治学用心藏入一笔一划中，是兼具书法审美意趣与金石文献价值的文人小品。",[80,24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b4180e343454cf3bb5f46eafd43081f.jpg",[155],{"id":2755,"slug":2756,"title":2757,"dynasty":39,"author":401,"museum":94,"description":2758,"tags":2759,"thumbUrl":2760,"material":100,"size":101,"collection":30,"collections":2761,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":55},241558,"nan-song-ren-lin-li-yong-huan-shang-ren-tie-juan-yi-ming-241558","南宋人临李邕奂上人帖卷","此卷四段行书，首段墨色枯淡清隽，用笔圆劲灵动，牵丝映带间暗合晋唐萧散意韵。中段题评笔墨酣畅，字形欹侧相生，筋骨挺秀，尽得评骘书法的俊逸风神。后两段题跋渐趋沉实宽博，藏锋敛锷，干湿墨色交映，兼具唐法的端雅与宋意的洒脱。朱红鉴印错落排布，古雅印泥与旧纸墨色相衬，笔墨间流转着千年书法文脉的温润余韵，藏着历代藏家的珍视意趣。",[23,24,64,176,124,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7360e6da2bf06e39aa11b7a27da041a.jpg",[],{"id":2763,"slug":2764,"title":2765,"dynasty":39,"author":2766,"museum":41,"description":2767,"tags":2768,"thumbUrl":2770,"material":30,"size":2771,"collection":51,"collections":2772,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":104},239643,"men-nei-xing-ju-tie-ye-wu-shuo-239643","门内星聚帖页","吴说","吴说（生卒年不详），钱塘人。字傅朋，号练塘，居钱塘之紫溪。宋诗纪事谓为王令之外孙。官知信州（江西上饶），绍兴间（公元1144年左右）为尚书郎。说之书，楷、行、草及榜书均佳，小楷称宋时第一。榜书深稳端润，甚得高宗之称赏。行草圆美流丽，洞天清録以其深入黄太史之室。而时作钟体，其杂体游丝书亦颇擅名，一行一笔，游丝连绵，笔意似得自古篆柳叶体，即时挥毫相赠，深自得意。",[39,24,64,49,2769,7],"册页","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F332d04d13fe6ac6be69a0beb092de2c7.jpg","纵25厘米，横45.4厘米",[51],{"id":2774,"slug":2775,"title":2776,"dynasty":198,"author":1842,"museum":41,"description":2777,"tags":2778,"thumbUrl":2779,"material":30,"size":30,"collection":51,"collections":2780,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":1075},239581,"zhang-jin-xue-jie-juan-song-ke-239581","章进学解卷","宋克（1327―1387）字仲温，一字克温，自号南宫生，长洲（今江苏苏州）人。是明代初期闻名于书坛的书法家“三宋二沈”之一。与高启等称十友，诗称十才子。\n洪武初为凤翔同知。素工草隶深得钟、王之法，笔精墨妙，风度翩翩。并工写竹，虽寸冈尺堑，而千篁万玉，雨叠烟生，萧然无尘俗之气。尝作鸡栖石业条一幅，题语有“艺成不觉自敛手”之句，谓不可复得也。书学急就章，故写竹能妙。尝于试院牍尾用朱笔扫竹，张伯雨有“偶见一枝红石竹”之句，人遂以为朱竹自宋克始。卒年六十一。宋克的书法，在明代颇享盛名，与当时擅长书法的宋璲、宋广合称三宋。\n宋克处元末明初，少年英俊，磊落清爽，常以李太白、苏东坡自比，任侠使气，闻鸡起舞。其聪慧过人，博涉经史，长于丹青，尤善画竹，今尚有《万竹图》传世。诗文亦名于时,与吴门文士高启、张羽、徐贲、陈则等为友，时称“十才子”。曾从元康里之入室弟子饶介学书，所传皆二王草法，故仲温特别钟情于草书。草书流走畅贯，挥运自如，似飞剑狂舞，潇洒纵横，十分契合于宋克任侠使气的性格。宋克学书取法甚高，楷宗钟繇，行书慕二王，章草学皇象之《急就章》，笔力清峭劲拔，笔意圆融洒脱，尤其是他的小草和章草，冠绝一代，吴宽评其书谓：“一克书出魏晋，深得钟王之法，故笔精墨妙，而风度翩翮可爱……仲温书索靖草书势，盖得其妙而无愧于靖者也。”其书出于魏晋，深得钟、王之法。擅长楷书、草书，尤精工章草，为当时第一。他的章草，延续赵孟頫、邓文原的风格又有所发展，融入了今草和行书的写法，更加流利、矫健。",[23,137,138,80,124,24,81,1378,1733,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f41c8ec7ce88088c36ba2bd84e9fbde.jpg",[51],{"id":2782,"slug":2783,"title":2784,"dynasty":198,"author":2785,"museum":41,"description":2786,"tags":2787,"thumbUrl":2788,"material":26,"size":2789,"collection":51,"collections":2790,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":104},239572,"zhong-guo-qing-shou-si-deng-shi-tie-wang-fu-239572","重过庆寿寺等诗帖","王绂","此作小楷书七言诗四首，乃王绂游览京城诸胜景时所成诗篇，并于永乐九年（1411年）为沈度书写。这一年王绂50岁，沈度55岁，二人为朝中同僚。作品以锺、王小楷为法，风格端劲清雅，与当时宫廷中盛行的“台阁体”相比，别具古澹意蕴。",[80,24,7,64,49,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4269fa91207891eeb7ac969b91f2a58.jpg","纵26.8厘米，横41.2厘米",[51],{"id":2792,"slug":2793,"title":2794,"dynasty":460,"author":2795,"museum":94,"description":2796,"tags":2797,"thumbUrl":2798,"material":100,"size":101,"collection":30,"collections":2799,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":55},230295,"lin-sheng-jiao-xu-li-hong-zhang-230295","临圣教序","李鸿章","李鸿藻（1820年2月14日—1897年7月24日），字兰荪，号石孙、砚斋，河北保定人。同光年间的清流领袖，晚清主战派重臣之一。咸丰二年（1852年）进士，选庶吉士，授编修，督河南学政。同治元年（1862年），被提拔为侍讲，深受西太后慈禧的信任，累迁内阁学士，署户部左侍郎。同治四年（1865年），再升都察院左都御史，加太子少保。光绪二年（1876年），命兼总理各国事务衙门，反对完颜崇厚擅订《里瓦几亚条约》。历任礼部尚书、协办大学士，调吏部尚书。光绪二十三年（1897年）以病乞假，旋卒，享年七十八岁，清廷予谥文正，赠太子太傅，入祀贤良祠。",[23,24,124,64,176,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F689d84932e9309fab27ff7e5a4389dad.jpg",[],{"id":2801,"slug":2802,"title":2803,"dynasty":39,"author":687,"museum":94,"description":2804,"tags":2805,"thumbUrl":2807,"material":30,"size":30,"collection":30,"collections":2808,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":55},227589,"zhi-tian-min-zhi-ming-da-zhu-bao-shu-huang-ting-jian-227589","致天民知命大主薄书","《致天民知命大主薄书》亦称《与天民知命书》，作于1095年。《致天民知命大主薄书》是一则信礼，是黄庭坚的著名行书作品之一。黄庭坚的书法作品都比较奇特，他的很多书法作品都有别名，如《御刻三希堂石渠宝笈法帖释文》称《家书》，《大观录》称《家书帖》，《墨缘汇观》称《天民知命帖》，《珊瑚网》称《手简一通》等。他的书法特点是字体结构严谨，中宫稳重。",[80,24,64,2806,47,7],"信札","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bfddde26e8363b2f92566accb871ab7.jpg",[],{"id":2810,"slug":2811,"title":2812,"dynasty":198,"author":2295,"museum":94,"description":2296,"tags":2813,"thumbUrl":2814,"material":2815,"size":2816,"collection":51,"collections":2817,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":55},222537,"lin-gu-tie-juan-wang-duo-222537","临古帖卷",[23,137,138,80,124,176,47,64,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8943bd847e7a3569198f6d6315b04432.jpg","绫本","271*91.5cm",[51],{"id":2819,"slug":2820,"title":2821,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":2822,"thumbUrl":2823,"material":49,"size":498,"collection":30,"collections":2824,"showCount":2729,"zanCount":11,"manualWeight":11,"mainColor":34},214426,"da-tang-zhong-xing-song-shang-ce-5-yan-zhen-qing-214426","大唐中兴颂上册-5",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3854b2d067159294673d97b9c89575f4.jpg",[],{"id":2826,"slug":2827,"title":2828,"dynasty":18,"author":19,"museum":94,"description":777,"tags":2829,"thumbUrl":2830,"material":100,"size":101,"collection":30,"collections":2831,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":34},288121,"san-biao-zhen-ji-yan-zhen-qing-288121","三表真迹",[24,25,7,64,47,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F416ff3ec7fb86f01c67569da0a77ff26.jpg",[],{"id":2833,"slug":2834,"title":2835,"dynasty":198,"author":401,"museum":94,"description":2836,"tags":2837,"thumbUrl":2839,"material":30,"size":30,"collection":155,"collections":2840,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":104},242200,"xing-feng-lou-tie-yi-ming-242200","星凤楼帖","此帖包首织就云龙纹锦，斑驳破损间浸漫岁月古意。题签墨笔苍劲朴拙，列兰亭、黄庭经、曹娥碑等诸帖名目，尽显汇帖的博雅气度。作为摹刻汇帖，它遴选历代法书菁华，复刻工艺精到，即便历经数百年时光，纸墨间依旧留存旧刻的清朗风骨，暗合明人刻帖追摹古雅的审美意趣。斑驳的题签与残损的封皮，都成为时光注脚，静静诉说着历代书法传承的脉络，将千年笔墨风雅凝于一册，古意盎然，是刻帖文化留存的珍贵遗存。",[2050,24,64,25,2838,7],"布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5de47c487e8868510be1b9663231caf4.jpg",[155],{"id":2842,"slug":2843,"title":2844,"dynasty":460,"author":401,"museum":94,"description":2845,"tags":2846,"thumbUrl":2847,"material":30,"size":30,"collection":155,"collections":2848,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":34},242173,"lan-ting-ba-zhu-tie-liu-gong-quan-shu-lan-ting-shi-yi-ming-242173","《兰亭八柱帖》柳公权书兰亭诗","此作用笔斩截爽利，提按之间筋骨毕现，中锋行笔凝练遒劲，侧锋取势又不失沉稳。结体欹正相生，大小错落，将柳书特有的刚硬融进行书舒展意态中，既有“柳骨”的挺拔方正，又具兰亭雅集的散淡悠然。\n\n章法之上，字间顾盼有情，行列无界格却气脉连贯，墨色乌亮莹润，虽为刻帖，仍能窥见原作风神。笔墨间漫溢着东晋修禊的雅韵，将谢万、孙绰诗中文士游赏林泉、寄情烟霞的悠然心境，淋漓展现，是碑刻书法里兼具筋骨与意趣的精品。",[24,25,64,26,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67cd7a828da7e32301e95fd2ea1a72cc.jpg",[155],{"id":2850,"slug":2851,"title":2852,"dynasty":460,"author":401,"museum":94,"description":2853,"tags":2854,"thumbUrl":2855,"material":30,"size":30,"collection":155,"collections":2856,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":34},242171,"lan-ting-ba-zhu-tie-chu-sui-liang-mo-lan-ting-xu-yi-ming-242171","《兰亭八柱帖》褚遂良摹兰亭序","此作为黑底白字刻帖，笔意灵动秀雅，尽得原帖风神。起笔收笔温润舒展，点画粗细间暗含筋骨，牵丝映带晕染出晋人萧散气韵。字势错落欹正相生，通篇章法匀净通透，将原作俯仰慨叹的文辞意绪融在笔墨节奏里。\n\n刀工藏露得宜，无斫削之痕，将临本宽和雅正的意趣尽数留存。虽为刻拓，却能传递笔墨流动的鲜活感，观之如见纸上游丝婉转，把兰亭雅集里俯仰天地的清隽风流，凝在方寸碑面之中。",[24,64,176,25,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6142a58441181ad0c9894b9c327b8d9b.jpg",[155],{"id":2858,"slug":2859,"title":2860,"dynasty":460,"author":2861,"museum":94,"description":2862,"tags":2863,"thumbUrl":2864,"material":100,"size":101,"collection":30,"collections":2865,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":55},241336,"xing-kai-qian-wen-juan-fan-zhen-241336","行楷千文卷","樊镇","樊镇，（清）道士。俗名嗣曾，字主实，号竹师，一号煮石山人，清代北通州（今北京市通州）人。住白马庙。",[23,138,80,124,24,464,26,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F516758955027818f87868c19a4cbbbe6.jpg",[],{"id":2867,"slug":2868,"title":2869,"dynasty":109,"author":2870,"museum":94,"description":2871,"tags":2872,"thumbUrl":2873,"material":30,"size":30,"collection":51,"collections":2874,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":1075},239647,"shi-tie-juan-zhang-shen-239647","诗帖卷","张绅","张绅，字士行，一字仲绅，元代末期胶州人（（宣统）《山东通志·艺文志》于其著《法书通释》下云绅为登州人）。元至正七年（1347年）与弟经、缉同领乡荐。张咏乖崖之孙。\n《四库全书总目》于其著《法书通释》下云：“《书史会要》但称为山东人，洪武中官浙江布政使，不详为山东何地之人(应为济南人，《孔子庙堂碑》古拓本中有记载)，亦不详其出身。考《明史·吴伯宗传》附载鲍恂事，称洪武十五年（1382年）吉安余诠、高邮张长年、登州绅并以明经老成为礼部主事所荐，召至京。恂、长年皆以老病辞归，惟绅授鄠县教谕，寻召为右佥都御史，终浙江布政使。则绅乃为登州人，以荐举起家也。”是以知（宣统）《山东通志》沿《明史》之误。今按（道光）《重修胶州志》于《人物志》中列张绅传，于《艺文志》中收入其《逸诗》一卷，且有“元至正七年与弟经、缉同领乡荐”之载，并加按语云：“《明史》绅登州人，《明山左诗抄》绅济南卫人，又称云门山樵，盖尝至益都，皆其生平流寓之地。” 《法书通释》分十篇：八法、结构、执使、篇段、从古、立式、辨体、名称、利器、总论。多汇集晋、唐以来名家之论，间及苏轼、黄庭坚、姜夔之说，所取古人碑帖至唐而止，然均为习见之文。立式篇“辨古无真书之名，钟、王楷书皆是隶法”一条，足正近代俗者之陋。",[23,24,124,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5e46960c1b670d0173f9d60a749a4e3.jpg",[51],{"id":2876,"slug":2877,"title":2878,"dynasty":109,"author":2879,"museum":94,"description":2880,"tags":2881,"thumbUrl":2882,"material":30,"size":30,"collection":30,"collections":2883,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":104},239642,"shi-tie-gu-lu-239642","诗帖","顾禄","此作隶法醇正古雅，用笔敦实厚重，蚕头燕尾的汉隶范式鲜明，又暗糅楷法的端稳方正，消解了汉隶的开张恣肆，平添温静秀雅的意趣。结体匀整工稳，重心沉凝，笔画波磔舒展有度，粗细变化含蓄内敛。\n\n章法排布行列齐整，字距疏朗、行距紧凑，通篇气息浑融平和，墨色沉郁饱满，尽显静穆端方的庙堂气质。既恪守复古求正的书风意趣，又在法度之内流露文人隽秀的审美品格，笔墨间古意盎然，是复古思潮下颇具代表性的隶书名迹。",[24,26,47,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84ef7f412b982583f28298b4a21e4f2a.jpg",[],{"id":2885,"slug":2886,"title":2887,"dynasty":109,"author":2888,"museum":41,"description":2889,"tags":2890,"thumbUrl":2893,"material":49,"size":2894,"collection":51,"collections":2895,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":55},239583,"yu-he-zi-shu-shi-juan-yu-he-239583","俞和自书诗卷","俞和","《自书诗》卷为俞和自作、自书七言诗8首，描写他拜僧访友、游历山水的情景。 此书中的第一首诗《次陆秀才春日幽坐韵》，俞氏曾不止一次地书写，其所书《杂诗帖》卷中的第一首也是此诗，盖其得意之作，故常为人书之。俞和之书法结体稳妥，功力深厚，学赵孟頫晚年书。陈敬宗在题跋中赞云：“俞紫芝书笔意清婉，姿态风润，盖兼得赵松雪之神魄，至不能辨其真赝，可爱也。” 此诗卷曾经明项元汴、清陈子受等收藏，清乾隆年间入内府。清卞永誉《式古堂书画汇考》、安岐《墨缘汇观》著录。",[23,137,138,80,124,64,24,47,7,188,964,1149,2891,2892],"笔","砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3c08d9bd33cc189cb73b6b68d58ab20.jpg","纵28.8cm，横216.7cm",[51],{"id":2897,"slug":2898,"title":2899,"dynasty":109,"author":2900,"museum":41,"description":2901,"tags":2902,"thumbUrl":2903,"material":2904,"size":2905,"collection":51,"collections":2906,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":55},239564,"ai-hou-tie-ye-wang-meng-239564","爱厚帖页","王蒙","释文：\n蒙顿首再拜\n德常判府相公尊契兄，恃在爱厚，輙为禀白：友人林静子山，吴兴人，亦赵氏之甥也。读书博学，多艺能，而未有成名。欲权于彼学中养赡，得三石米足矣。用是求书专注，望介注为祷。斯人年幼而多学，亦公家所当养者。王府君处意不殊此，未由晤会，万冀调攝，以膺峻擢，不具。二月廿四日，王蒙顿首再拜，余控。\n帖后钤“也园珍赏”、“世受堂”两方鉴藏印。\n无题跋。\n《爱厚帖》是王蒙存世的唯一一通尺牍，弥足珍贵。此信写给做官的朋友“德常判府”，内容是举荐他的朋友林静（赵孟頫的外孙），请求给其安排一份工作，并介绍了此人“读书博学，多艺能”等特点。德常，名张经，字德常，金坛（今镇江）人。其父张监、弟张枢与王蒙、倪瓒交往密切。元至正二十二年（1362年）张经曾任松江府判官，书中称“判府相公”，可知此信应书于至正二十二年以后，是王蒙中年的作品。\n此书学赵孟頫，不仅点画转折具赵书规模，结体也仿学极似，且笔墨圆润流畅，风格清劲飘逸。明吴宽《匏翁家藏集》云：“黄鹤山人书，当不在赵魏公下。”\n《元诸名家尺牍册》、《石渠宝笈初编》著录。",[109,64,24,80,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febd610f72ada49e0203ea8b31f3a88d5.jpg","行书，纸本","纵33.3厘米，横58.7厘米",[51],{"id":2908,"slug":2909,"title":2910,"dynasty":18,"author":412,"museum":41,"description":413,"tags":2911,"thumbUrl":2912,"material":67,"size":416,"collection":30,"collections":2913,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":104},214509,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-2-ou-yang-xun-214509","宋拓唐虞恭公温彦博碑-2",[23,25,26,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff303216d90fcaaa5016bcb12e5ca04f4.jpg",[],{"id":2915,"slug":2916,"title":2917,"dynasty":109,"author":110,"museum":94,"description":2918,"tags":2919,"thumbUrl":2920,"material":100,"size":101,"collection":30,"collections":2921,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},288160,"zhen-cao-qian-zi-wen-ce-ye-zhao-meng-fu-288160","真草千字文册页","赵孟頫临智永真草千字文现留存于世有两件，一卷藏于上海博物馆，另外便是这件藏于故宫博物院的册页，两件墨迹均无书写年月。",[24,2769,64,81,7,465],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65925b7e83e8127dd187c0e56e1630c6.jpg",[],10,{"id":2924,"slug":2925,"title":2926,"dynasty":109,"author":110,"museum":94,"description":2927,"tags":2928,"thumbUrl":2929,"material":100,"size":101,"collection":30,"collections":2930,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},287921,"dan-ba-bei-zhao-meng-fu-287921","胆巴碑","《胆巴碑》,又名《龙兴寺碑》,元赵孟頫撰并书于延祜三年（一三一六），纸本，纵三十三点六厘米，横一百六十六厘米。楷书，一百二十五行，共九百二十三字，现藏故宫博物院。《胆巴碑》是赵孟頫奉元仁宗敕命撰写的，时年六十三岁，为赵氏晚年楷书的代表作。《胆巴碑》笔法秀媚，苍劲浑厚，独具风格，于规整端严处见潇洒，点画顾盼有致，用笔沉着峻拔，充分体现了赵氏书法的风韵和神采。虽取法李邕《麓山寺碑》，但又较之舒展放松，去其险佻之势，化为端庄肃穆、雍容道美之姿",[26,24,47,7,286],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fb8d9710429ac8f7cef2741174030af.jpg",[],{"id":2932,"slug":2933,"title":2934,"dynasty":198,"author":483,"museum":94,"description":1883,"tags":2935,"thumbUrl":2936,"material":100,"size":101,"collection":30,"collections":2937,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},287857,"tai-shang-lao-jun-shuo-chang-qing-jing-jing-lao-zi-lie-zhuan-ying-yin-ben-wen-zheng-ming-287857","太上老君说常清静经老子列传（影印本）",[24,26,187,47,508,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdae8d0844e20cd87a7c5a93df35a3dab.jpg",[],{"id":2939,"slug":2940,"title":2941,"dynasty":198,"author":2942,"museum":94,"description":2943,"tags":2944,"thumbUrl":2945,"material":49,"size":30,"collection":51,"collections":2946,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},240927,"wu-kuan-deng-liu-jia-kai-shu-xie-jing-ji-li-dai-fa-shu-can-pian-ji-juan-yang-shen-240927","无款、等六家楷书写经及历代法书残片集卷","杨慎","此卷合集残片，诸家笔墨风神各异。小楷写经端雅匀整，笔致清隽静穆，带着抄经时的沉虔；行草题跋则笔势跌宕纵横，铺陈出文人抒怀的疏放不羁。纸面虽有残损漫漶，墨色依旧沉厚温润，朱印斑驳晕开，晕染出岁月的古旧质感。残片拼接之间，牵系起散佚的文脉，将数代书家的伏案心境揉入长卷，既有敬谨的抄经笔意，亦有洒脱的论书闲情，古意盎然，墨迹里沉淀着悠悠时光的余温。",[23,26,64,404,98,81,24,187,124,7,25,47,549,176,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48729af0e433bd2120beb4512ee4c60d.jpg",[51],{"id":2948,"slug":2949,"title":2950,"dynasty":109,"author":2951,"museum":41,"description":2952,"tags":2953,"thumbUrl":2954,"material":49,"size":2955,"collection":51,"collections":2956,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},239676,"ji-chen-tie-ye-yu-ji-239676","即辰帖页","虞集","释文（略）\n\n据《元史·虞集传》：“文宗崩，集在告，欲谋南还，弗果。幼君（宁宗）崩，大臣将立妥欢帖陆尔太子（惠宗），用至大故事，召诸老臣赴上都议政，集在召列。（马）祖常使人告之曰：‘御史有言，乃谢病归临川。’”此帖中提到姑苏、惠泉（惠泉在无锡），可知此时虞集已经谢病南归。帖中又说：“方今龙飞御天”，应指惠宗即位事，与文献所述时间亦合。由此推断，此帖当书于惠宗即位之后，是虞集的晚年作品。\n陶宗仪在《书史会要》中对虞集的书法有很高的评价，认为：“集真、行、草、篆皆有法度，古隶为当代第一。”《即辰帖》为楷体，兼有行书笔意。书法精道、淳古、苍劲，波澜老成，有碑版之状。\n《铁网珊瑚·卷五》、《平生壮观·卷四》等书著录。",[23,24,80,64,7,49,82,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39f7ae574ec2261810c44d0220845d3f.jpg","纵32.3厘米，横93.2厘米",[51],{"id":2958,"slug":2959,"title":2960,"dynasty":109,"author":2961,"museum":41,"description":2962,"tags":2963,"thumbUrl":2976,"material":49,"size":2977,"collection":51,"collections":2978,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},239623,"wu-gu-shi-tie-ye-zhang-yuan-239623","五古诗帖页","张渊","释文：\n云卧三十年，好闲复爱仙。蓬壶虽冥绝，鸾鹤心悠然。归来桃花岩，得憩云窗眠。对岭人共语，饮潭猿相连。时升翠微上，邈若罗浮巅。两岑抱东壑，一嶂横西天。树杂日易隐，崖倾月难圆。芳草换野色，飞萝摇春烟。入远构石室，选幽开山田。独此林下意，杳无区中缘。永辞霜台客，千载方来檐。用拙斋书。\n钤“张氏清夫”印。鉴藏印钤“仪周鉴赏”、“莲樵鉴赏”、“景贤”、“谭氏区斋书画之章”等10方。\n张渊书法学赵孟頫，用笔结字亦步亦趋，形神兼备，有相当的功力。此帖学赵孟頫中年书体，笔画清健，笔力圆劲，结体方阔，点画精美，翩翩有致。",[64,24,7,47,82,2769,1921,2682,2964,2965,2966,2967,2968,2969,2970,2971,2972,2973,2683,2974,2160,2975],"田","烟","草","日","崖","月","桃花","鹤","潭","石","峰","竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F724ec50f12966d6fdc1a11a385cc48b9.jpg","纵27.4厘米, 横52.7厘米",[51],{"id":2980,"slug":2981,"title":2982,"dynasty":198,"author":2983,"museum":41,"description":2984,"tags":2985,"thumbUrl":2986,"material":49,"size":30,"collection":51,"collections":2987,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},239586,"lun-hua-tie-ce-ye-liu-jue-239586","论画帖册页","刘珏","刘珏(1410-1472)，字廷美，号完庵，南直隶苏州府长洲(今江苏苏州)人。宣德中，苏州知府况钟举为吏，不就，得补生员，正统三年(1438)中举人，授刑部主事，迁山西按察司佥事，年五十弃官归。卒年六十三。",[138,80,83,64,47,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd148d31786a2242d48c77a2c46a482a8.jpg",[51],{"id":2989,"slug":2990,"title":2991,"dynasty":109,"author":2992,"museum":41,"description":2993,"tags":2994,"thumbUrl":2995,"material":49,"size":2996,"collection":30,"collections":2997,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},231562,"lin-shi-qi-tie-ye-kang-li-nao-nao-231562","临十七帖页","康里巎巎","释文：\n严君平、司马相如、杨子云皆有后不？胡母氏从妹平安，故在永兴居去此七十也。吾在官诸理极差，顷比复勿来示云与其婢问来信不得也。\n吾有七儿一女，皆同生，婚娶以毕，唯一少者尚未婚耳。过此一婚，便得至彼，今内外孙有十六人，足慰目前，足下情至委屈，故具示。\n云谯周有孙，高尚不出。今为所在，其人有以副此志不？令人依依，足下具示。\n此有汉时讲堂在，是汉何帝时立此？知画三皇五帝以来备有，画又精妙，甚可观也。彼有能画者不，欲因摹取，当可得不？信具告。\n诸从并数有问，粗平安。唯修载在远，音问不数，悬情。司州疾笃，不果西公，私可恨。足下所云，皆尽事势，吾无间然，诸问想足下别具，不复一一。（后楷书小字）去岁在上都时所临，殊未能得其万一耳。康里巎记。\n下钤“子山”朱文印。帖前楷书题签“康里承旨巎”。无题跋。鉴藏印钤清宋犖“宋犖审定”一方。\n《临十七帖》是康里巎巎节临晋代王羲之草书《十七帖》中的五帖。此帖为淡蓝色纸本，纸质坚凝，字体修长，笔画遒媚，转折流便，技艺娴熟，于迅疾的书写中既体现出王羲之草书的秀媚洒脱，又不失临者本人的稳健风格。",[23,24,176,81,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fbd4da4eff6d76ce89c6113a9b0dec8.jpg","纵28.5厘米，横42.6厘米、48.8厘米",[],{"id":2999,"slug":3000,"title":3001,"dynasty":109,"author":3002,"museum":94,"description":3003,"tags":3004,"thumbUrl":3005,"material":30,"size":30,"collection":30,"collections":3006,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},228074,"lin-ji-jiu-zhang-deng-wen-yuan-228074","临急就章","邓文原","《章草急就章等》，是 28年出版的图书，作者是 。\n本书是历代法书真迹萃编系列之一。\n《章草急就章等(元·邓文原法书选)》是历代法书真迹萃编系列之一。\n出版社: 黄山书社; 第1版 (28年12月1日) 丛书名: 历代法书真迹萃编 平装: 2页 正文语种: 简体中文 开本: 8 ISBN: 978754611781, 754611786 条形码: 978754611781 尺寸: .2 2.4 .8 cm 重量: 181 g 邓文原（1258-128年），元代书法家。\n字善之，一字匪石，人称素履先生。\n绵州（今四川绵阳）人。\n年十五，通《春秋》。\n至元二十七年（129），辟为杭州路儒学正。\n至治二年（122），召为集贤直学士，兼 。\n泰定二年（125），召拜翰林侍讲学士。\n谱文肃。\n翰墨擅名一代，尤工于笔札，与赵孟俯齐名。\n其正、行、草书早期法二王，后法李北海（邕），章草亦颇具特色，与皇象、索靖的质朴相比，他更流利矫健，神采飞动。\n传世书迹有：《杖锡见过帖》、《与本斋札》、章草代表作《临急就章》等。\n着有《巴西文集》、《内制集》、《素履斋藁》等。\n邓文原《章草急就章》为纸本，纵2.厘米，横98.7厘米；《行书伯夷颂帖》为纸本，纵2.7厘米，横4.9厘米；《行书家书帖》为纸本，纵24.2厘米，横29.1厘米；《行书家书帖》为纸本，纵1.2厘米，横4.5厘米。\n以上作品均藏于北京故宫博物馆。\n书法，指有较高艺术水平的书法作品。\n古代将书写于缣楮纸帛而有法度的书法作品均称“法书”，或称“书”。\n《书法三味》：“作字之要，下笔须沉着，虽一点一画之间，皆须三过其笔，方为法书。\n”北宋王安石有“好事所传玩，空残法书帖”诗句。\n今通称所作之书法作品为法书，还含有尊重作者之意。",[23,24,176,124,81,47,549,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa768e24b1772d5da23b0f42ad8116b23.jpg",[],{"id":3008,"slug":3009,"title":3010,"dynasty":39,"author":687,"museum":111,"description":3011,"tags":3012,"thumbUrl":3013,"material":30,"size":30,"collection":30,"collections":3014,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},227592,"jing-zhou-tie-huang-ting-jian-227592","荊州帖","《荆州帖》，纸本，行书，亦称《动静帖》、《致公蕴知县宣德执事尺牍》，30.4×43.5cm，现藏台北故宫博物院。\n\n公元1095年（绍圣二年）三月，黄庭坚在荆州登船离行前，以小行楷书与公蕴知县道珍重。该幅字势欹侧，结体开张，具其书风特色，所书笔法沉稳，惟笔画中之顿挫起伏较少，与大行书略有差别。此牍曾入宋元秘府，后并入《三希堂法帖》。",[24,80,64,47,7,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5615ef47c334626dd2da3323d409de86.jpg",[],{"id":3016,"slug":3017,"title":465,"dynasty":460,"author":3018,"museum":94,"description":3019,"tags":3020,"thumbUrl":3021,"material":100,"size":101,"collection":30,"collections":3022,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},224288,"qian-zi-wen-fu-shan-224288","傅山","傅山，初名鼎臣，字青竹，改字青主，又有浊翁、观化等别名，汉族，山西太原人。明清时期道家思想家、书法家、医学家。\n傅山自称为老庄之徒，他自己也在很多场合与作品中反复强调、自陈：“老夫学老庄者也”、“我本徒蒙庄”、“吾师庄先生”、“吾漆园家学”。自觉继承道家学派的思想文化。他对老庄的“道法自然”、“无为而治”、“泰初有无”、“隐而不隐”等命题，都作了认真的研究与阐发，对道家传统思想作了发展 ,常以老庄之徒自居。\n傅山于学无所不通，经史之外，兼通先秦诸子，又长于书画医学。北京大学教授、引碑入草开创者的李志敏评价：“傅山的草书圈眼多，繁而不乱，于郁勃浑脱之中，又有逸岩之态”。 著有《霜红龛集》等。一些武侠小说里，傅山被描写为武侠高手。他是著名的道家学者，哲学、医学、内丹、儒学、佛学、诗歌、书法、绘画、金石、武术、考据等无所不通。他被认为是明末清初保持民族气节的典范人物。\n傅青主与顾炎武、黄宗羲、王夫之、李颙、颜元一起被梁启超称为“清初六大师”。著有《傅青主女科》《傅青主男科》等传世之作，在当时有“医圣”之名。《清史稿》卷五百一有传。",[23,24,81,124,80,1149,47,188,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa914d3fbe1a9706062a7d66ca91061e6.jpg",[],{"id":3024,"slug":3025,"title":3026,"dynasty":198,"author":3027,"museum":41,"description":3028,"tags":3029,"thumbUrl":3030,"material":140,"size":3031,"collection":30,"collections":3032,"showCount":2922,"zanCount":11,"manualWeight":11,"mainColor":55},222127,"sheng-guang-tie-ye-shen-zhou-222127","声光帖页","沈周","释文：\n向自金仲寄至苏合丸，珍佩，珍佩！日来知德与位称，声光向隆，可见德门旧族风致自殊。卫中运士还，极言佩荷，足激乡里近时薄风，健羡，健羡！寒舍饥垫中，又以则户点解，村僮皆愚于料物托揽好耳。所司交纳利害，略不知头绪，尚有核桃一色，知待新方收，因不敢赍价去。缘僮俱非惜家者，凡百事为，恃在故旧之爱，希为指点，帲幪当铭刻不浅也。录尔尊先大夫心耕诗，请须裁教。外有小笔山水一帧，将意而已，未间伏惟为国，自玉不宣。\n署款：“婣生沈周再拜，全卿豸史亲家阁下。三月廿九日，锦帕二方伴缄。”款下钤印：“启南”。鉴藏印：“之赤”、“希曾”、“二谢”、“张珩审定真迹”、“周氏作民”。\n此帖是沈周写给亲家的一封书信，谈论一些日常生活中的琐事及对事物的看法。因是给关系比较密切的人写信，所以具有随意、自然的书写风格。此书师黄庭坚，兼及苏轼，笔力老练劲挺，结体紧凑不拘，笔画全以欹侧取势。",[23,24,64,7,47,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51f47456e0ce5dbeb104540984b501eb.jpg","纵23厘米，横40.7厘米",[],{"id":3034,"slug":3035,"title":3036,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":3037,"thumbUrl":3040,"material":100,"size":101,"collection":30,"collections":3041,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":55},289886,"dong-fang-shuo-da-ke-nan-dong-qi-chang-289886","东方朔答客难",[23,24,124,64,47,7,3038,3039],"东方朔","答客难","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8161550aa6d1879774d035652f465e5a.jpg",[],{"id":3043,"slug":3044,"title":3045,"dynasty":460,"author":3046,"museum":94,"description":3047,"tags":3048,"thumbUrl":3050,"material":100,"size":101,"collection":30,"collections":3051,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":55},288641,"lin-tie-san-zhong-yun-shou-ping-288641","临帖三种","恽寿平","恽南田（1633年—1690年），即恽寿平，原名格，字寿平，后以字行，改字正叔，号南田，别号云溪外史，晚居城东，号东园草衣，后迁居白云渡，号白云外史，明末清初著名书画家，常州画派的开山祖师，后来成为清六家之一。",[3049,24,176,64,47,7],"扇面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff346b378f723b864a89b2827e19135ed.jpg",[],{"id":3053,"slug":3054,"title":3055,"dynasty":676,"author":401,"museum":94,"description":1964,"tags":3056,"thumbUrl":3058,"material":100,"size":101,"collection":30,"collections":3059,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":104},287380,"yuan-bo-bei-yi-ming-287380","袁博碑",[404,25,24,7,3057,47],"碑刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68a35f28767612d423e51ca80a3b0977.jpg",[],{"id":3061,"slug":3062,"title":3063,"dynasty":2385,"author":401,"museum":94,"description":1327,"tags":3064,"thumbUrl":3065,"material":100,"size":101,"collection":30,"collections":3066,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":104},287327,"yuan-si-mu-zhi-yi-ming-287327","元思墓志",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6af3ec147da74388000f60fa301d9c7f.jpg",[],{"id":3068,"slug":3069,"title":3070,"dynasty":39,"author":401,"museum":94,"description":3071,"tags":3072,"thumbUrl":3073,"material":30,"size":30,"collection":155,"collections":3074,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":104},242225,"nan-yan-zhen-qing-zheng-zuo-wei-tie-yi-ming-242225","南颜真卿争座位帖","此作笔力雄肆开张，以行书拟稿，将忠义愤懑寄寓笔墨，顿挫郁勃，尽显苍劲气概。墨色沉凝斑驳，残泐痕迹藏着经年传拓的古意，牵丝映带间朴拙刚劲尽显，一改二王行书秀逸格调，以庙堂大气撑起章法骨架。\n\n结体奇崛欹正相生，字里行间恍见当庭抗辩的激昂意气。岁月磨蚀虽掩去几分锋棱，却更添古厚沉静之韵，每一处残痕都是时光镌刻的印记，让这份忠义之魂随拓本辗转流传，古雅厚重的质感直抵人心。",[24,25,64,83,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb345bd62eaa8dc325966e6733cdfb9c.jpg",[155],{"id":3076,"slug":3077,"title":3078,"dynasty":460,"author":401,"museum":94,"description":3079,"tags":3080,"thumbUrl":3081,"material":30,"size":30,"collection":155,"collections":3082,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":104},242220,"ming-mo-tuo-wu-dou-tai-shou-li-xi-xi-xia-song-mo-ya-ce-yi-ming-242220","明末拓武都太守李翕西狭颂摩崖册","此作为汉隶经典范本，结体方正宽博，笔画朴厚劲秀，方整间不失灵动意趣。通篇行列齐整，字间距疏朗开阔，静穆舒展中带着雄浑刚健的庙堂气象，又留存摩崖石刻特有的山野朴拙质感。\n\n笔墨沉凝斑驳，拓工精良，完整保留原刻的金石肌理，将大汉隶书的敦厚朴茂尽数呈现。每一字皆如沉稳端方的汉家石人，刚柔相济，把庄重典雅与自然天趣融为一体，尽显隶书成熟阶段的巅峰风貌，带着岁月摩挲的厚重古韵。",[25,24,404,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fef4b0172bcffc5b5a93beeeb9c0bd9.jpg",[155],{"id":3084,"slug":3085,"title":3086,"dynasty":460,"author":3087,"museum":94,"description":3088,"tags":3089,"thumbUrl":3090,"material":30,"size":30,"collection":155,"collections":3091,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":34},242203,"mao-qin-dian-fa-tie-kang-xi-242203","懋勤殿法帖","康熙","此作用乌泥金纸为底，银书小楷温润莹亮，华贵端凝。笔力沉实匀净，点画精整秀逸，牵丝映带暗合晋人萧散意趣，却自带端稳肃穆的气度。将《兰亭序》的林下风流，融于馆阁的端方工致里，无欹侧跳脱，全是温润平和的庙堂气象。\n\n结体舒展停匀，章法排布疏朗齐整，墨色莹润饱满，字字如芝兰列阶，静穆清雅。将王羲之的散淡风神，化作雍容正大的气度，既有法帖的严谨工丽，又带着静雅从容的书卷意蕴，是馆阁楷中的上乘之作，尽显腕底沉厚功力与静和襟怀。",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F014fc0dbfbffa0c47ce7de9cf6ae334b.jpg",[155],{"id":3093,"slug":3094,"title":3095,"dynasty":460,"author":3096,"museum":94,"description":3097,"tags":3098,"thumbUrl":3101,"material":100,"size":101,"collection":30,"collections":3102,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":55},239764,"shu-su-shi-shu-tie-dan-ye-zhou-xing-dai-239764","书苏轼书帖单页","周兴岱","周兴岱（1744—1809）字长五，一字冠三，号东屏，四川涪州（今重庆市涪陵区）人，清朝官吏，周煌次子，清代大诗人张船山岳父。乾隆三十六年进士，改庶吉士，散馆授编修。累迁侍讲学士。超授内阁学士。擢侍郎，历礼、吏、户诸部。命在南书房行走。",[3099,64,24,7,1103,80,3100,47],"清代","单页","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49379d813f4dd89dac336b572613da69.jpg",[],{"id":3104,"slug":3105,"title":3106,"dynasty":109,"author":110,"museum":94,"description":3107,"tags":3108,"thumbUrl":3109,"material":30,"size":30,"collection":30,"collections":3110,"showCount":130,"zanCount":244,"manualWeight":11,"mainColor":55},239579,"qian-zi-wen-juan-zhao-meng-fu-239579","千字文卷","此作用笔圆转遒劲，提按顿挫自带韵律，整卷如行云流水，一气呵成。草书笔势连绵缠绕，牵丝映带自然灵动，线条枯湿浓淡相映，尽显挥毫时的意气流转。\n\n字间疏密开合得宜，排布错落有致，既存晋唐草书的飘逸风神，又融温润隽秀的文人意趣，将狂放草法与雅致书卷气融为一体。俯仰之间可见笔墨流转的灵动生机，千字排布气韵贯通，笔底风神毕现，尽显草书豪放洒脱之态，又不失法度内敛的从容，观之如临松涛流云，心神随之舒展。",[23,24,64,124,65,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20233b79a047b353ad9bdc087629956c.jpg",[],{"id":3112,"slug":3113,"title":3114,"dynasty":460,"author":401,"museum":94,"description":3115,"tags":3116,"thumbUrl":3117,"material":30,"size":30,"collection":30,"collections":3118,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":104},232795,"zhuan-shu-shi-gu-wen-yi-ming-232795","篆书石鼓文","吴昌硕（1844 —1927）原名俊，字昌硕，别号缶庐、苦铁等，浙江安吉人。我国近、现代书画艺术发展过渡时期的关键人物，诗、书、画、印四绝的一代宗师，晚清民国时期著名国画家、书法家、篆刻家，与任伯年、赵之谦、虚谷齐名为清末海派四大家。吴昌硕的艺术别辟蹊径、贵于创造，最擅长写意花卉，他以书法入画，把书法、篆刻的行笔、运刀、章法融入绘画，形成富有金石味的独特画风。他以篆笔写梅兰，狂草作葡萄，所作花卉木石，笔力敦厚老辣、纵横恣肆、气势雄强，构图也近书印的章法布白，虚实相生、主体突出，画面用色对比强烈。",[98,25,24,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2125d5506b811196a7328912ad9d59f.jpg",[],{"id":3120,"slug":3121,"title":3122,"dynasty":109,"author":3123,"museum":94,"description":3124,"tags":3125,"thumbUrl":3126,"material":30,"size":30,"collection":30,"collections":3127,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":55},230876,"mo-lan-ting-xu-tie-lu-ji-shan-230876","摹兰亭叙帖","陆继善","此作用笔温润秀劲，结体端雅和融，将兰亭萧散简远的魏晋风神复刻传神。字字牵丝映带，气息悠然连贯，既恪守原作笔法骨架，又自蕴元人尚韵的温润气质。\n\n后附题跋笔意苍秀沉稳，评此摹本足胜世传唐摹，足见作者临池功力精湛。整卷以行书成篇，虽为临摹之作，却自具清雅隽永的书卷意蕴，尽显追慕晋唐、崇尚古法的风尚，笔底藏晋人疏朗散淡的林下之风，墨间晕染元人温润雅致的书卷气息，雅致动人。",[24,64,176,47,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe28cad6443a91a4dd24e603cf0928363.jpg",[],{"id":3129,"slug":3130,"title":3131,"dynasty":39,"author":373,"museum":94,"description":3132,"tags":3133,"thumbUrl":3134,"material":30,"size":30,"collection":30,"collections":3135,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":104},227502,"xin-sui-zhan-qing-ren-lai-de-shu-tie-he-juan-su-shi-227502","新岁展庆.人来得书帖合卷","《新岁展庆、人来得书帖》合卷，北宋，苏轼书，纸本，行书，前帖纵30.2厘米，横48.8厘米，后帖纵29.5厘米，横45.1厘米。\n《新岁展庆帖》释文：\n轼启：新岁未获展庆，祝颂无穷，稍晴起居何如？数日起造必有涯，何日果可入城。昨日得公择书，过上元乃行，计月末间到此，公亦以此时来，如何何如？窃计上元起造，尚未毕工。轼亦自不出，无缘奉陪夜游也。沙枋画笼，旦夕附陈隆船去次，今先附扶劣膏去。此中有一铸铜匠，欲借所收建州木茶臼子并椎，试令依样造看。兼适有闽中人便，或令看过，因往彼买一副也。乞蹔付去人，专爱护便纳上。余寒更乞保重，冗中恕不谨，轼再拜。季常先生丈阁下。正月二日。\n子由亦曾言（此字旁注），方子明者，他亦不甚怪也。得非柳中舍已到家言之乎，未及奉慰疏，且告伸意，伸意。柳丈昨得书，人还即奉谢次。知壁画已坏了，不须怏怅。但顿着润笔新屋下，不愁无好画也。\n《人来得书帖》释文：\n轼启：人来得书。不意伯诚遽至于此，哀愕不已。宏才令德，百未一报，而止于是耶。季常笃于兄弟，而于伯诚尤相知照。想闻之无复生意，若不上念门户付嘱之重，下思三子皆不成立，任情所至，不自知返，则朋友之忧盖未可量。伏惟深照死生聚散之常理，悟忧哀之无益，释然自勉，以就远业。轼蒙交照之厚，故吐不讳之言，必深察也。本欲便往面慰，又恐悲哀中反更挠乱，进退不皇，惟万万宽怀，毋忽鄙言也。不一一。轼再拜。\n另纸行书：知廿九日举挂，不能一哭其灵，愧负千万，千万。酒一担，告为一酹之。苦痛,苦痛。\n《新岁展庆》《人来得书》二帖裱于同一卷中。卷后有董其昌跋。鉴藏印有“御府书印”、“御府宝绘”、项元汴诸印、安岐诸印等。\n此二帖均是苏轼写给陈慥（季常）的书札，《新岁展庆帖》是相约陈慥与公择（李常）同于上元时在黄州相会之事；《人来得书帖》是为陈慥的哥哥伯诚之死而慰问陈慥所作。\n《东坡集》卷五十《岐亭五首序》中记载了苏轼于北宋元丰三年（1080年）五月贬谪黄州时与陈慥相见之事。并有“明年复往见之，……凡余在黄四年，三往见季常，而季常七来见余……”在《东坡集》中共有苏轼写给陈慥的十六封书札，“俱在黄州时作”。《新岁展庆帖》中所写时间（上元）与《岐亭五首序》中所记“明年复往见之”的时间与事由一致，而宋傅藻《东坡记年表》中记载，东坡于“元丰四年辛酉在黄州，正月二十日往岐亭”。由以上记载可推知，该《新岁展庆帖》应作于北宋元丰四年（1081年）春季，苏轼时年44岁。该帖在徐邦达先生的《古书画过眼要录》中有详细的考证。\n苏轼在黄州时与陈慥书信往来频繁，在与他人之信中亦常提及陈慥，可知二人友谊深厚。\n《新岁展庆》、《人来得书》二帖下笔自然流畅，劲媚秀逸，精心用意。虽为书札，却写得非常精致，字的入笔、收笔、牵连笔笔交代分明，是苏轼由早年书步入中年书的佳作。\n《墨缘汇观》、《大观录》著录。",[23,24,64,124,47,7,65],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F233edbd97200e5b0efe464964aa1c7a3.jpg",[],{"id":3137,"slug":3138,"title":3139,"dynasty":198,"author":483,"museum":94,"description":3140,"tags":3141,"thumbUrl":3142,"material":1836,"size":3143,"collection":30,"collections":3144,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":104},222005,"li-chun-jin-he-tie-you-ming-zi-zuo-shi-juan-wen-zheng-ming-222005","立春进贺贴又名自作诗卷","释文：\n立春进贺。\n王殿千官拜冕旒，紫衣京兆在前头。四时盛德初临木，先日严寒已送牛。气转苍龙当法驾，风回明庶动宸游。圣王和令思行庆，次第颁恩下九州。恭候大驾还自南郊。圣主回銮肃百灵，紫云团盖翼苍精。属车剑履星辰丽，先驾旂常日月明。十里春风传警跸，万方和气协韶韺。白头欣睹朝元盛，愿续思文颂太平。\n元旦朝贺。\n仙音缥缈协和鸾，天上春回白玉栏。日出鸡人徐唱卯，雪消风伯为驱寒。万方玉帛看王会，一岁仪文重履端。满日升平题不得，白头惭愧直金銮。内直有感。天上楼台白玉堂，白头来作秘书郎。退朝每傍花枝入，■直遥闻刻漏长。铃索萧闲青琐静，词头烂熳紫泥香。野人不识瀛洲乐，清梦依然在故乡。\n款识：徵明。",[23,124,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65e40eadee9a0e5078b69cea7f950dff.jpg","27×637cm",[],{"id":3146,"slug":3147,"title":3148,"dynasty":39,"author":3149,"museum":41,"description":3150,"tags":3151,"thumbUrl":3152,"material":140,"size":3153,"collection":30,"collections":3154,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":55},221407,"bian-di-tie-li-zhi-yi-221407","汴堤帖","李之仪","之仪再拜启。自汴堤瞻近，遽复累年。一曾投书海上，不辱报，勿勿不敢嗣音，而旧德相求。庶几未在弃黜，故役投满，谓得还□遂见□右。又尔维絷，其味可知，美绩在人固久。显部回翔，讵得为终岁计。归历严近，勤向尤属，晚春更觊善卫，前对光宠。之仪再启。\n《汴堤帖》是李之仪对友人应酬问候的信札。此帖笔画劲媚，结构紧凑，重心于上，展示了李之仪的书法特点。\n著录于《书画鉴影》卷一一《名贤手简册》之一。",[23,24,64,47,7,80,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bc1efa900493c67ec194e01da376843.jpg","纵28.cm，横5.8cm",[],{"id":3156,"slug":3157,"title":3158,"dynasty":39,"author":3159,"museum":41,"description":3160,"tags":3161,"thumbUrl":3162,"material":49,"size":3163,"collection":30,"collections":3164,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":1075},221255,"yan-ling-tie-zhang-shi-221255","严陵帖","张拭","《严陵帖》又称《游从帖》。释文：\n拭自来严陵，与令婿伯恭游从。每闻起居状，及论议详，用以自尉。兹承御祥琴，皇家急贤，除日亟下，甚尉士望。拭孤拙者，遂有联事之便，日承警诲。庶其寡悔，欣幸预深。即日春首尚寒，伏惟趣装有相，台侯动止万福。拭备数亡补，日夜悚惧，自此皆倾耳车音之日也。颛介走前，敬此承侯。敢祈冲涉珍护，以对休嘉。百怀并须面致。右谨具呈右司台坐。正月日。右承务郎、试尚书左司员外郎、兼侍讲张拭札子。\n该幅有草押一字。\n该帖为《宋代法书册》之一，内容为贺除官等事。《严陵帖》是张拭致韩元吉（无咎）的书信。文中说：“拭自来严陵，与令婿伯恭游从”，“伯恭”即吕祖谦，吕氏的丈人正是韩元吉。《宋史》载，张拭于乾道七年官尚书吏部员外郎，后兼侍读、左司员外郎，与此帖官衔正合。张拭在朝不满一年，次年出知袁州，故该帖应为1172年（南宋乾道八年）正月所书，张拭时年40岁。\n《严陵帖》书法笔工劲利，行体挺拔，字法紧俏，清高闲雅。该帖属名人简文，故不以书胜而以文拔群。",[23,24,64,7,80,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95b548ad3cfa80e2eecb79d19dcc09a4.jpg","纵33.3cm，横60cm",[],{"id":3166,"slug":3167,"title":3168,"dynasty":18,"author":19,"museum":41,"description":495,"tags":3169,"thumbUrl":3170,"material":49,"size":498,"collection":30,"collections":3171,"showCount":130,"zanCount":11,"manualWeight":11,"mainColor":104},214482,"da-tang-zhong-xing-song-xia-ce-6-yan-zhen-qing-214482","大唐中兴颂下册-6",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25c960cdb658c2011e5dbd485b7072b8.jpg",[],{"id":3173,"slug":3174,"title":3175,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":3176,"thumbUrl":3177,"material":100,"size":101,"collection":30,"collections":3178,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":104},290281,"lin-shi-qi-tie-ce-ye-zhao-meng-fu-290281","临十七帖册页",[23,24,81,2769,176,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc6c0579f6cad2d48f0b693cac2c2db4.jpg",[],8,{"id":3181,"slug":3182,"title":3183,"dynasty":1225,"author":3184,"museum":94,"description":3185,"tags":3186,"thumbUrl":3188,"material":100,"size":101,"collection":30,"collections":3189,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":55},288999,"bai-shi-shi-juan-teng-yuan-xing-cheng-288999","白氏诗卷","藤原行成","藤原行成（天禄3年（972年） - 万寿4年12月4日（1028年1月3日））是平安时代中期的朝臣。一条帝时代四纳言之一。右少将藤原义孝的儿子，藤原伊尹之孙。官居正二位・权大纳言。",[23,24,124,64,81,7,80,3187],"诗文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85dc84d6d4ca382e5d03097722f6b8b9.jpg",[],{"id":3191,"slug":3192,"title":3193,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":3194,"thumbUrl":3195,"material":100,"size":101,"collection":30,"collections":3196,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":34},283768,"zi-shu-xian-shi-gao-shen-ce-shi-qi-kai-dong-qi-chang-283768","自书先世诰身册（十七开）",[24,83,64,2838,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd21366b14f96a820dd4533de3289104a.jpg",[],{"id":3198,"slug":3199,"title":3200,"dynasty":460,"author":401,"museum":94,"description":3201,"tags":3202,"thumbUrl":3205,"material":100,"size":101,"collection":30,"collections":3206,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":104},275799,"qing-yu-yu-lin-jiu-cheng-gong-li-quan-ming-ce-yi-ming-275799","青玉御临九成宫醴泉铭册","以错金错银之技，于沉敛紫檀之上晕开金辉银芒。缠枝夔龙辗转舒展，身姿灵劲，团寿纹隐于卷草之间，蝠纹暗藏，将福寿吉意融于纹饰之中。回纹边框规整雅致，框住满幅祥瑞。\n\n下承红木束腰底座，卷云雕饰柔化冷硬，镶边绿意晕开清隽气韵。整器将细木与金属错饰工艺相融，工致富丽，把宫廷雅韵藏于方寸，尽显旧时藏珍器物的华贵雅致，尽显匠人极致工巧。",[1129,83,24,26,7,3203,3204,1130,1161],"漆器","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0f096096e0251f443bc9ea8ca37bc0d.jpg",[],{"id":3208,"slug":3209,"title":3210,"dynasty":198,"author":3211,"museum":111,"description":3212,"tags":3213,"thumbUrl":3214,"material":3215,"size":3216,"collection":51,"collections":3217,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":55},241053,"shi-he-juan-wang-feng-yuan-241053","诗合卷","王逢元","[明]字子新，號吉山。欽佩子。擅海內書名，楷法鍾繇，草法王羲之父子。",[23,80,24,64,124,47,82,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79741274da4dca2dce551b419ee6efa6.jpg","紙本","29.7×30.8cm",[51],{"id":3219,"slug":3220,"title":3221,"dynasty":109,"author":3222,"museum":41,"description":3223,"tags":3224,"thumbUrl":3225,"material":140,"size":3226,"collection":51,"collections":3227,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":55},239620,"yuan-jue-ya-tan-tie-ye-yuan-jue-239620","袁桷雅谭帖页","袁桷","释文：\n桷比者终日获接雅谭，继即探伺，且有假书之请。迺闻风帆趁潮，将促运米舟以还，繇是不果。兹审珮音琅然，方持螯高詠，视吾徒如逐臭。妙墨相遇，惜不能与玉柱惠文相聚耳。二碑岂立谈可了，明当聚首。不具。桷再拜。\n本幅有鉴藏印“安仪周家珍藏”、“莲樵鉴赏”、“景贤”、“谭氏区斋书画之章”、“赵叔彦”等12方，半印2方。\n此帖为应酬信札，故信笔书写，无拘无束，章法自然得体，用笔结字颇有法度，提按转折，刻意精致，具有米芾沉着痛快，欹侧奇险之笔势。\n《墨缘汇观·法书卷》、《三虞堂书画目》两书著录。",[24,64,7,47,80,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F45bb2338bc357d31534407d9d4f71206.jpg","纵28.3厘米, 横38.9厘米",[51],{"id":3229,"slug":3230,"title":3231,"dynasty":109,"author":3232,"museum":41,"description":3233,"tags":3234,"thumbUrl":3235,"material":49,"size":3236,"collection":51,"collections":3237,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":55},239617,"song-gan-er-shi-tie-ye-zhang-yu-239617","送柑二诗帖页","张雨","释文：\n次韵谢天镜上人送柑：肚能紧束三条篾，手亦亲栽两棵梨。尚忆黄甘三百颗，好山多在洞庭西。\n尘中谁识罗公远，一嗅黄（此字点去）香甘瓣瓣轻。不似枇杷金弹子，只供游侠打啼莺。天雨。\n钤“句曲外史”印。鉴藏印钤“安仪周家珍藏”、“莲樵鉴赏”、“景贤”、“谭敬”等11方。\n据明姚广孝《逃虚子集》记载，文中“天镜”指杭州灵隐寺僧人圆净。圆净字天镜，著有《朴园集》。\n李日华云：“伯雨书性极高，人言其请益赵魏公（元代赵孟頫），公授以李泰和（唐代李邕）《云麾碑》，书顿进。”此帖舒放俊丽，清和闲雅，有赵书遗意，但刚劲峻拔，又有李邕风格，给人以用笔精紧、遒逸清新之感。",[24,64,7,47,599],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38a53837f4c863dcfb41fc99bef941bc.jpg","纵26.5厘米, 横29.4厘米",[51],{"id":3239,"slug":3240,"title":3241,"dynasty":39,"author":3242,"museum":94,"description":3243,"tags":3244,"thumbUrl":3245,"material":100,"size":101,"collection":30,"collections":3246,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":104},227355,"chao-gao-seng-chuan-shi-meng-ying-227355","抄高僧传","释梦英","释梦英,宋代高僧。衡州(湖南)人。师号宣义。娴通《华严》,专事弘扬,周流讲化,不辞辛劳。工书法,正书学柳公权,篆书宗李阳冰。",[24,98,25,187,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24974b6602f3a7fd3c45a34c2c62f371.jpg",[],{"id":3248,"slug":3249,"title":3250,"dynasty":198,"author":483,"museum":318,"description":3251,"tags":3252,"thumbUrl":3253,"material":3254,"size":3255,"collection":30,"collections":3256,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":55},221987,"wu-yang-zi-shi-xu-wen-zheng-ming-221987","悟阳子诗叙","长叙共570字，书于明正德九年（1514年），辽宁博物馆藏。 此帖书法挺健端秀，体势流利苍劲。法度严整却温雅秀劲，实为文氏行草之力作。",[23,124,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c3d40bd2f802a88beb7ef44d7b5d53d.jpg","水墨纸本","画幅纵28.8厘米，横103.5厘米",[],{"id":3258,"slug":3259,"title":3260,"dynasty":18,"author":412,"museum":41,"description":413,"tags":3261,"thumbUrl":3262,"material":67,"size":416,"collection":30,"collections":3263,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":104},214511,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-1-ou-yang-xun-214511","宋拓唐虞恭公温彦博碑-1",[23,25,26,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F147f58a781a66e28ed2209bf3104fe07.jpg",[],{"id":3265,"slug":3266,"title":3267,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":3268,"thumbUrl":3269,"material":49,"size":498,"collection":30,"collections":3270,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":34},214418,"da-tang-zhong-xing-song-shang-ce-7-yan-zhen-qing-214418","大唐中兴颂上册-7",[24,26,25,7,507,3057],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3343d45ef8e21b8785828a9f6d7a371.jpg",[],{"id":3272,"slug":3273,"title":3274,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":3275,"thumbUrl":3276,"material":49,"size":498,"collection":30,"collections":3277,"showCount":3179,"zanCount":11,"manualWeight":11,"mainColor":34},214417,"da-tang-zhong-xing-song-shang-ce-8-yan-zhen-qing-214417","大唐中兴颂上册-8",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9ca17aae8c21c92069f29a09222e045.jpg",[],{"id":3279,"slug":3280,"title":3281,"dynasty":460,"author":3282,"museum":94,"description":3283,"tags":3284,"thumbUrl":3285,"material":100,"size":101,"collection":30,"collections":3286,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":55},290609,"lin-yan-zhen-qing-zheng-zuo-wei-tie-zhou-zhang-zhao-290609","临颜真卿争座位帖轴","张照","张照（1691～1745），字得天，号泾南，亦号天瓶居士，江南娄县人。康熙四十八年进士。清藏书家、书法家、戏曲家、书画目录整理者。",[24,1173,176,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96f2bd748ecd682f9e32d83baa303540.jpg",[],{"id":3288,"slug":3289,"title":3290,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":3291,"thumbUrl":3292,"material":100,"size":101,"collection":30,"collections":3293,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":55},290414,"lin-huang-ting-jing-fu-hui-wang-xi-zhi-xiang-juan-wei-zhao-meng-fu-290414","临黄庭经附绘王羲之像卷（伪）",[23,124,80,24,26,176,7,377,943,47,1103],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe617929bc8a67971bbaddc937e73fd1c.jpg",[],{"id":3295,"slug":3296,"title":3297,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":3298,"thumbUrl":3299,"material":100,"size":101,"collection":30,"collections":3300,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":55},290275,"dao-chang-he-shan-shi-tie-ce-ye-zhao-meng-fu-290275","道场何山诗帖册页",[23,137,80,24,64,7,2769,47,1357,1492,2971],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa12d8b44fc4e81b70fd73285cb8353ca.jpg",[],{"id":3302,"slug":3303,"title":3304,"dynasty":676,"author":401,"museum":94,"description":1327,"tags":3305,"thumbUrl":3307,"material":100,"size":101,"collection":30,"collections":3308,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":104},288151,"cui-jing-yong-mu-zhi-ming-yi-ming-288151","崔敬邕墓志铭",[26,25,24,7,3306],"墓志铭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19dc0b75e568a15af678f315b90ca522.jpg",[],{"id":3310,"slug":3311,"title":3312,"dynasty":460,"author":1169,"museum":94,"description":3313,"tags":3314,"thumbUrl":3315,"material":100,"size":101,"collection":30,"collections":3316,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":55},288097,"chong-xiu-cheng-huang-miao-bei-ji-mo-ji-ben-zheng-ban-qiao-288097","重修城隍庙碑记(墨迹本)","郑板桥（1693年－1766年），原名郑燮，字克柔，号理庵，又号板桥，人称板桥先生，江苏兴化人，祖籍苏州。清代书画家、文学家。\n康熙秀才，雍正十年举人，乾隆元年（1736年）进士。官山东范县、潍县县令，政绩显著，后客居扬州，以卖画为生，为“扬州八怪”重要代表人物。\n郑板桥一生只画兰、竹、石，自称“四时不谢之兰，百节长青之竹，万古不败之石，千秋不变之人”。其诗书画，世称“三绝”，是清代比较有代表性的文人画家。代表作品有《修竹新篁图》《清光留照图》《兰竹芳馨图》《甘谷菊泉图》《丛兰荆棘图》等，著有《郑板桥集》。",[24,64,1869,333,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf3b666ad40ab0efeaf4628198b0bc79.jpg",[],{"id":3318,"slug":3319,"title":3320,"dynasty":1225,"author":401,"museum":94,"description":3321,"tags":3322,"thumbUrl":3324,"material":100,"size":101,"collection":30,"collections":3325,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":55},287923,"yu-mo-lan-ting-xu-yi-ming-287923","虞摹兰亭序","纸色晕着旧岁昏黄，笔墨带着温润腴润质感。点画间牵丝映带，复刻出晋人萧散风神，行笔舒展灵动，将兰亭雅集里俯仰天地的旷达藏起落锋棱之中，牵丝暗连，似把流觞曲水的雅韵随着墨色晕开。\n\n虽是摹写，却精准留存了原作的飘逸姿态，每一字都带着舒展筋骨，将观照宇宙、骋怀游目的悠然，顺着古纸的肌理缓缓铺陈，让千年前的林下风雅，隔着岁月流淌至今。",[24,64,176,7,204,3323,766],"流觞曲水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee94d969c8edef8e2ea49846f525489f.jpg",[],{"id":3327,"slug":3328,"title":3329,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":3330,"thumbUrl":3333,"material":100,"size":101,"collection":30,"collections":3334,"showCount":209,"zanCount":244,"manualWeight":11,"mainColor":55},287331,"fa-wei-fu-ren-ce-dong-qi-chang-287331","法卫夫人册",[24,26,83,7,1358,3331,3332],"鸽子","大雁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51199fc860509551fb13b94c6f56282e.jpg",[],{"id":3336,"slug":3337,"title":3338,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":3339,"thumbUrl":3340,"material":100,"size":101,"collection":30,"collections":3341,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":104},283772,"ge-ti-gu-shi-shi-jiu-shou-juan-dong-qi-chang-283772","各体古诗十九首卷",[23,137,80,124,24,81,64,26,404,98,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdfbedbbbd514c6acbd12911211a88cf4.jpg",[],{"id":3343,"slug":3344,"title":3345,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":3346,"thumbUrl":3347,"material":100,"size":101,"collection":30,"collections":3348,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":55},283764,"lin-ge-jia-shu-juan-dong-qi-chang-283764","临各家书卷",[23,124,24,80,176,64,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b5fd3ef629fa2133fe9f09c08a21270.jpg",[],{"id":3350,"slug":3351,"title":3352,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":3353,"thumbUrl":3354,"material":100,"size":101,"collection":30,"collections":3355,"showCount":209,"zanCount":244,"manualWeight":11,"mainColor":55},283722,"lin-song-si-jia-shu-juan-dong-qi-chang-283722","临宋四家书卷",[23,124,24,80,176,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc456037d31b2f70c134a2c3717659281.jpg",[],{"id":3357,"slug":3358,"title":3359,"dynasty":109,"author":3360,"museum":94,"description":3361,"tags":3362,"thumbUrl":3365,"material":100,"size":101,"collection":30,"collections":3366,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":34},283622,"xing-shu-tie-xian-yu-shu-283622","行书帖","鲜于枢","鲜于枢（1246年—1302年），字伯机，号困学山民、直寄老人，晚年营室名“困学之斋”，祖籍金代德兴府（今张家口涿鹿县），生于汴梁（今河南开封），汉族，大都（今北京）人，一说渔阳（今津蓟州区）人，元代著名书法家，寓居扬州、杭州。大德六年（1302年）任太常典薄。元世祖至元年间以才选为浙东宣慰司经历，后改浙东省都事。\n鲜于枢晚年任太常典簿。好诗歌与古董，文名显于世，书法成就最著。明朱权《太和正音谱》将其列于“词林英杰”一百五十人之中。《新元史》有传。鲜于枢善诗文，工书画。尤工草书，酒酣吟诗作字，奇态横生，赵孟頫极推重之。有《困学斋杂录》、《困学斋诗集》。",[23,24,64,25,7,124,1792,3187,1357,3363,3364],"亭台","寺院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e84c1a53ca1baf82a25aee1b9826c7a.jpg",[],{"id":3368,"slug":3369,"title":3370,"dynasty":198,"author":401,"museum":94,"description":3371,"tags":3372,"thumbUrl":3373,"material":30,"size":30,"collection":155,"collections":3374,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":55},242199,"suo-ben-lan-ting-xu-yi-ming-242199","缩本兰亭序","此作用笔温润秀雅，结体舒展端稳，是明代小楷的典型风貌。点画精劲含蓄，起收一丝不苟，既恪守馆阁体的规整法度，又暗蕴文人手札的灵动意趣。行列齐整却毫无板滞之感，字里行间晕开沉静平和的书卷清气。以小楷谈论兰亭传世拓本，笔墨与文思相融，尽显书者扎实的帖学功底与雅致心性，将书法的实用功能与审美意趣自然合一，尽显雅致隽秀的明代书风神韵。",[24,64,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01ec6435f90862e85f6809c80ac85eef.jpg",[155],{"id":3376,"slug":3377,"title":3378,"dynasty":460,"author":401,"museum":94,"description":3379,"tags":3380,"thumbUrl":3381,"material":30,"size":30,"collection":155,"collections":3382,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":34},242170,"lan-ting-ba-zhu-tie-yu-shi-nan-lin-lan-ting-xu-yi-ming-242170","《兰亭八柱帖》虞世南临兰亭序","此作黑底白字，墨色匀净莹润，刀下毫芒毕现，恍若墨迹初成。笔下温润秀雅，将原作萧散冲和的意韵尽数留存，行笔舒展圆融，点画间带着平和雍容的气度，牵丝映带自然灵动，把修禊雅集里俯仰骋怀的悠然藏在锋棱之中。\n\n章法错落有致，通篇气息连贯畅达，仿佛将曲水流觞的清和风雅凝于尺幅之内，摹刻之际不失原作神韵，让晋人风流与唐楷端雅法度相融，尽显兰亭雅集里天朗气清的悠然意趣。",[24,7,25,176,64,47,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5fde375b363527dc97068be7d55f52c.jpg",[155],{"id":3384,"slug":3385,"title":3386,"dynasty":109,"author":3387,"museum":41,"description":3388,"tags":3389,"thumbUrl":3390,"material":49,"size":30,"collection":51,"collections":3391,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":55},241651,"xing-nan-cheng-yong-gu-shi-tie-nai-xian-241651","行南城詠古诗帖","迺贤","乃贤(1309-1368)， 字易之，号河朔外史，合鲁（葛逻禄）部人。合鲁部人东迁，散居各地，迺贤家族先居南阳（今属河南）。后其兄塔海仲良入仕江浙，他随之迁居四明（治今浙江宁波）。乃贤先世可能是黄金家族姻亲。其兄师事本乡儒者，中进士后任职宣慰，名重一时。乃贤则淡泊名利，退居四明山水之间，与名士诗文唱酬。",[80,24,7,124,64,82,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dea42f24285abad374f5ea0459b3fdd.jpg",[51],{"id":3393,"slug":3394,"title":3395,"dynasty":460,"author":3396,"museum":94,"description":3397,"tags":3398,"thumbUrl":3399,"material":100,"size":101,"collection":30,"collections":3400,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":1075},240826,"yuan-ji-shu-lin-jin-tang-shu-tie-juan-shi-tao-240826","原济书临晋唐书帖卷","石涛","石涛（1642年－1708年）明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等，明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[23,137,138,80,124,64,176,7,82,47,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F694240edd7e464f72a2832d04f43f0cc.jpg",[],{"id":3402,"slug":3403,"title":3404,"dynasty":109,"author":2900,"museum":94,"description":3405,"tags":3406,"thumbUrl":3407,"material":30,"size":30,"collection":51,"collections":3408,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":104},240309,"du-gong-bu-shi-tie-ye-wang-meng-240309","杜工部诗帖页","王蒙书杜工部诗帖，墨迹本。元王蒙书，无书写年月。纸本。行书。书杜甫《流落锦官城》七言古诗1首。共19行，字大六七分，行笔苍劲，书近赵孟俯，署款黄鹤山樵",[24,64,7,80,47,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb12c1290ddfcadc948c02386b1705217.jpg",[51],{"id":3410,"slug":3411,"title":3412,"dynasty":109,"author":110,"museum":41,"description":3413,"tags":3414,"thumbUrl":3415,"material":140,"size":3416,"collection":51,"collections":3417,"showCount":209,"zanCount":244,"manualWeight":11,"mainColor":55},239668,"san-duan-juan-zhao-meng-fu-239668","三段卷","释文：\n首段：昔者圣人之作《易》也，幽赞于神明而生蓍，参天两地而倚数，观变于阴阳而立卦，发挥于刚柔而生爻，和顺于道德而理于义，穷理尽性以至于命。大德九年十月十一日谒介真馆，为南谷尊师书此章。弟子赵孟頫鉴藏印。\n首段节录《周易·系辞》，署款：“大德九年十月十一日谒介真馆，为南谷尊师书此章。弟子赵孟頫。”钤“赵氏子昂”印。书于元大德九年（1305年），作者时年52岁。\n二段：玄都坛歌。故人昔隐东蒙峰，已佩含景苍精龙。故人今居子午谷，独在阴崖结茅屋。屋前太古玄都坛，青石漠漠常风寒。子规夜啼山竹裂，王母昼下云旗翻。知君此计成长往，芝草琅玕日应长。铁锁高垂不可攀，致身福地何萧爽。大德十年正月十八日，南谷尊师过我车桥之馆。要写古诗，乃书此篇。弟子吴兴松雪道人赵孟頫书。\n二段录杜甫《玄都坛歌》，署款：“大德十年正月十八日，南谷尊师过我车桥之馆。要写古诗，乃书此篇。弟子吴兴松雪道人赵孟頫书。”钤印同上。书于元大德十年（1306年），作者时年53岁。\n末段：白云从何来，乃在计筹山。山中老仙伯，翱翔白云间。结屋松竹里，开窗泉石边。焚香诵《道德》，清斋降神仙。俯仰皆自得，洗心游太玄。我欲往从之，规买山下田。艺药扫白发，栽桃映红颜。庶几林下意，期了区中缘。丹成从师去，笑拍洪崖肩。 琼山发天秀，珠泉表地灵。柔荑吐丹葩，乔林标绛英。酌醴吸冲和，汲涧漱甘清。石门开洞门，木龙走岩扃。清飚一时至，四座浮幽馨。阆风何必远，世尘空自冥。从游当有期，淹留讵无成。左手撷紫芝，右手采黄精。振衣陟崇冈，遐观散神情。长啸烟雾里，满空鸾鹤声。吾昔年为先师杜真人赋此二诗，今其弟子袁安道来索书，因写与使藏之。延祐六年十二月廿九日松雪斋书。子昂。前诗似更有二句，然老昏忘之矣。\n末段录自作诗《寄题杜尊师白云庵琼秀亭》二首，署款：“吾昔年为先师杜真人赋此二诗，今其弟子袁安道来索书，因写与使藏之。延祐六年十二月廿九日松雪斋书。子昂。”钤印亦同前。书于元延祐六年（1319年），作者时年66岁。\n赵孟頫喜与释道人物游，执弟子礼师事者，则为僧人中峰明本与道士南谷真人。南谷名杜道坚，曾住持杭州宗阳宫等道观。本卷前二段即为南谷而书；末段则系南谷殁后为其弟子袁安道而书，亦寓纪念南谷之意，是研究赵氏生平交谊的重要资料。以书法论，三段皆精心用意之作。首段奔放跌宕，二段妍润隽逸，末段遒健苍古，堪称赵氏中、晚年行书的代表作品。卷前有元人乔宇篆书引首；尾纸有元陈旅、张雨、杜本、揭傒斯、张翥等12人及明项元汴所作题识。卷中钤有明项元汴，清李肇亨、梁清标及乾隆、嘉庆、宣统内府章。",[23,137,138,80,124,24,64,82,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89b0144482e38292a3052899d495ae76.jpg","首段纵31.1厘米，横101.5厘米，二段纵31.1厘米，横100.2厘米。三段纵29.9厘米，横103厘米",[51],{"id":3419,"slug":3420,"title":3421,"dynasty":109,"author":3422,"museum":41,"description":3423,"tags":3424,"thumbUrl":3425,"material":983,"size":3426,"collection":51,"collections":3427,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":55},239616,"shi-jian-tie-lu-guang-239616","诗简帖","陆广","《诗简帖》释文（略）\n帖上钤有项元汴、孙承泽、安岐、完颜景贤、何厚琦、赵叔彦、张爰、谭敬诸家印记。\n这两首诗并信笺是写给“克用先生”即虞堪的。虞堪是南宋名相雍国公虞允文的八世孙。虞雍公曾有古剑一柄，为人叹赏，陆广第一首诗就是咏这把剑的，同时追忆虞雍公对社稷朝廷的忠勤业绩。元代文人杨维桢、倪瓒、秦文仲等人亦有咏此剑的诗篇。第二首诗陆广记述与虞堪愉快而难忘的相会。此篇书法师《曹娥碑》，风格瘦硬清劲。\n《墨缘汇观》、《三虞堂书画目》著录。",[23,24,64,47,7,82,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6947843ad4bda8ffbb8096f4970ca09a.jpg","纵29.7厘米，横32.4厘米",[51],{"id":3429,"slug":3430,"title":3431,"dynasty":39,"author":401,"museum":94,"description":3432,"tags":3433,"thumbUrl":3434,"material":30,"size":30,"collection":30,"collections":3435,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":1075},227573,"zhuan-shu-mu-lu-shi-ke-yi-ming-227573","篆书目录石刻","篆书，又称篆文、篆体，是古老的汉字书体，篆书指隶书以前的书体，又指大篆和小篆。",[98,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F014c3d09b1b37f6d865473693011a73d.jpg",[],{"id":3437,"slug":3438,"title":3439,"dynasty":3440,"author":401,"museum":94,"description":3441,"tags":3442,"thumbUrl":3443,"material":30,"size":30,"collection":30,"collections":3444,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":104},227074,"sui-su-ci-mu-zhi-ming-yi-ming-227074","隋苏慈墓志铭","隋","苏慈为陕西扶风人，历仕西魏、北周及隋。隋文帝仁寿元年(601年)逝于交州（今越南中北部），仁寿三年（603年）三月七日归葬同州（今陕西大荔县），此志当为是年所刻。原题“大隋使持节大将军工兵二部尚书司农太府卿太子左右卫率右庶子洪吉江虔饶袁抚七州诸军事洪州总管安平安公故苏使君之墓志铭”。有界格，楷书37行，行37字。书、刻均极为精美。笔姿秀润兼刚劲，结体平实寓险绝，实开初唐楷书之先河。",[25,24,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55302f65622ed86385ac4a5ffade5ee6.jpg",[],{"id":3446,"slug":3447,"title":3448,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":3451,"thumbUrl":3452,"material":25,"size":3453,"collection":30,"collections":3454,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":55},220210,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-6-liu-gong-quan-220210","神策军碑-皇帝巡幸左神策军纪圣德碑6","北京国家图书馆","《神策军碑》全称《皇帝巡幸左神策军纪圣德碑》，唐武宗会昌三年（公元843年）立于皇宫禁地，碑石大小不明，崔铉撰文，柳公权书。碑文记录了回纥汗国灭亡及安辑没斯来降等事，具有重要的历史价值。此碑由翰林学士承旨崔铉撰文，集贤院学士判院事柳公权书写，更增添了此碑的艺术价值。柳公权书写的碑文，其书法结构严整，充分体现了“柳体”楷书骨骼开张、平稳匀称的特点，加之此碑刻工精良，拓本与真迹无异，故后世奉为柳书代表作。",[24,26,25,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feceb13839d906e9eeb90a4f49d9ea0c7.jpg","58X46",[],{"id":3456,"slug":3457,"title":3458,"dynasty":18,"author":412,"museum":41,"description":413,"tags":3459,"thumbUrl":3460,"material":67,"size":416,"collection":30,"collections":3461,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":104},214505,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-9-ou-yang-xun-214505","宋拓唐虞恭公温彦博碑-9",[23,25,24,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1b5074d79ee7f381fb24e23897f9dfc.jpg",[],{"id":3463,"slug":3464,"title":3465,"dynasty":18,"author":412,"museum":41,"description":413,"tags":3466,"thumbUrl":3467,"material":67,"size":416,"collection":30,"collections":3468,"showCount":209,"zanCount":11,"manualWeight":11,"mainColor":104},214501,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-10-ou-yang-xun-214501","宋拓唐虞恭公温彦博碑-10",[23,25,26,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8cac9bf1b912a526244c8f44cf3dedb7.jpg",[],{"id":3470,"slug":3471,"title":3472,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":3473,"thumbUrl":3474,"material":100,"size":101,"collection":30,"collections":3475,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},290279,"zong-yang-gong-tie-ye-zhao-meng-fu-290279","宗阳宫帖页",[24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1e8b3a3dfb69f6b401e061496c84bfc.jpg",[],{"id":3477,"slug":3478,"title":3479,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":3480,"thumbUrl":3481,"material":100,"size":101,"collection":30,"collections":3482,"showCount":157,"zanCount":244,"manualWeight":11,"mainColor":104},290276,"wei-yuan-tie-ye-zhao-meng-fu-290276","违远帖页",[24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7cd82ad183a909abafb7f9ed32fcc157.jpg",[],{"id":3484,"slug":3485,"title":3486,"dynasty":460,"author":3487,"museum":94,"description":3488,"tags":3489,"thumbUrl":3490,"material":100,"size":101,"collection":30,"collections":3491,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},288222,"lin-yue-yi-lun-wu-yu-ru-288222","临乐毅论","吴玉如","吴玉如（1898年—1982年8月8日），字家琭，后以字行。生于南京，原籍安徽泾县茂林村，故早年号茂林居士，晚年自署迂叟。中国现当代学者、书法家。",[24,26,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbfbb9f50acbcac0a9a69e554a6d13462.jpg",[],{"id":3493,"slug":3494,"title":3495,"dynasty":198,"author":3496,"museum":94,"description":3497,"tags":3498,"thumbUrl":3499,"material":100,"size":101,"collection":30,"collections":3500,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},287947,"qian-zi-wen-mo-ji-ben-wang-ying-hua-287947","千字文(墨迹本)","王应华","王应华是明代武学教授。字崇闇，号园长，明代万历46年（1618年）举人，东莞石排埔心上汴村人氏。崇祯元年（1628年）进士。曾任明代武学教授、礼部员外郞、福建按察使、礼部侍郎。清顺治三年（1646年）降清。诗文书画皆佳。",[81,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc13f5430e969e4694126bcf070763692.jpg",[],{"id":3502,"slug":3503,"title":3504,"dynasty":1225,"author":401,"museum":94,"description":3505,"tags":3506,"thumbUrl":3509,"material":100,"size":101,"collection":30,"collections":3510,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},287896,"fa-cang-quan-jing-p2618-wei-he-yan-lun-yu-ji-jie-shou-gao-shang-juan-yi-ming-287896","法藏全景 P2618魏 何晏 論語集解手稿 上卷","纸色昏黄斑驳，残损的边角晕开时光浸洇的旧痕。行楷笔锋朴拙温润，点画排布匀停妥帖，不见刻意妍美的雕琢，尽是抄经手人伏案濡墨时的平实虔诚。\n\n作为《论语集解》古写本，浓淡错落的墨色留存着千年前的笔底呼吸，字里行间交织着儒家典籍的肃穆厚重与抄录日常的松弛从容。缺损的纸边如同被时光揉碎又展平的信笺，将千年前的诵读与书写，凝作可触摸的文脉余温，旧纸墨香里的孔门意涵，穿过悠悠岁月仍能叩动心弦。",[124,24,26,188,7,3507,49,187,3508],"古籍","儒家经典","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F182fab8496396bfb3de4b3b9ae2491c7.jpg",[],{"id":3512,"slug":3513,"title":3514,"dynasty":198,"author":1527,"museum":94,"description":2229,"tags":3515,"thumbUrl":3516,"material":100,"size":101,"collection":30,"collections":3517,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},287858,"xuan-mu-zhi-xing-tie-wang-chong-287858","玄墓之行帖",[24,81,7,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d9c30d3783697a142a1d732a7da342f.jpg",[],{"id":3519,"slug":3520,"title":3521,"dynasty":198,"author":483,"museum":94,"description":1883,"tags":3522,"thumbUrl":3523,"material":100,"size":101,"collection":30,"collections":3524,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},287856,"lian-she-tu-ji-ce-wen-zheng-ming-287856","莲社图记册",[24,26,83,47,508,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0cc1d3c61635767052d17dd50c5a936.jpg",[],{"id":3526,"slug":3527,"title":3528,"dynasty":198,"author":1527,"museum":94,"description":2229,"tags":3529,"thumbUrl":3530,"material":100,"size":101,"collection":30,"collections":3531,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},287837,"za-shu-tie-wang-chong-287837","杂书帖",[24,81,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec74f9bf52ae4fa4adadfd4b3861ba40.jpg",[],{"id":3533,"slug":3534,"title":3535,"dynasty":198,"author":1527,"museum":94,"description":2229,"tags":3536,"thumbUrl":3537,"material":100,"size":101,"collection":30,"collections":3538,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},287787,"lin-huang-ting-jing-wang-chong-287787","临黄庭经",[24,26,176,187,47,7,508],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9907a122024cb41f5fbf716b7963006d.jpg",[],{"id":3540,"slug":3541,"title":3542,"dynasty":2385,"author":401,"museum":94,"description":1327,"tags":3543,"thumbUrl":3545,"material":100,"size":101,"collection":30,"collections":3546,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":34},287328,"yuan-yi-mu-zhi-yi-ming-287328","元怿墓志",[26,25,24,3544,7],"墓志","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe63ea5a936bfbea3f3a2e504f87dbd2d.jpg",[],{"id":3548,"slug":3549,"title":30,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":3550,"thumbUrl":3551,"material":100,"size":101,"collection":30,"collections":3552,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},285304,"zhao-meng-fu-285304",[25,24,64,7,1173],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42a5d3f7f204902b4d5774725dc52f9b.jpg",[],{"id":3554,"slug":3555,"title":3556,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":3557,"thumbUrl":3559,"material":100,"size":101,"collection":30,"collections":3560,"showCount":157,"zanCount":244,"manualWeight":11,"mainColor":34},283623,"xian-xie-gong-jia-chuan-kuai-xue-tang-fa-shu-zhao-meng-fu-283623","闲邪公家传（快雪堂法书）",[23,24,25,26,7,3057,3558],"传记","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc481e9993a0704aaba1b903fff26fcd.jpg",[],{"id":3562,"slug":3563,"title":3564,"dynasty":460,"author":401,"museum":94,"description":3565,"tags":3566,"thumbUrl":3567,"material":30,"size":30,"collection":51,"collections":3568,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},242420,"tai-yuan-duan-tie-yi-ming-242420","太原段帖","此作为行草刻帖，行气纵逸跌宕，字势欹正相生。刀石摹刻间精妙留存下提按顿挫的笔情墨韵，牵丝萦带暗合章法脉络，字字错落却通篇气脉贯通。斑驳泐痕是岁月留痕，更添沉郁古拙的金石质感。笔墨使转映带间，既有草书流宕不羁的意态，亦不失行书的端稳之姿，暗合晋唐尺牍的简札意趣。虽经摹刻，仍能窥见原作放旷随性的笔致，将日常尺牍的闲散意趣与书法艺术的法度相融，古意盎然，尽显帖学书法的风神雅致。",[24,25,7,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fd94bfbd4f1c15d4751cc3609746022.jpg",[51],{"id":3570,"slug":3571,"title":3572,"dynasty":460,"author":3573,"museum":94,"description":3574,"tags":3575,"thumbUrl":3576,"material":100,"size":101,"collection":30,"collections":3577,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},240416,"nan-tang-qian-zi-wen-ce-gong-zi-zhen-240416","南唐千字文册","龚自珍","龚自珍（1792年8月22日－1841年9月26日），字璱人，号定盦（一作定庵）。汉族，浙江仁和（今杭州）人。晚年居住在昆山羽琌山馆，又号羽琌山民。清代思想家、诗人、文学家和改良主义的先驱者。\n龚自珍曾任内阁中书、宗人府主事和礼部主事等官职。主张革除弊政，抵制外国侵略，曾全力支持林则徐禁除鸦片。48岁辞官南归，次年卒于江苏丹阳云阳书院。他的诗文主张“更法”、“改图”，揭露清统治者的腐朽，洋溢着爱国热情，被柳亚子誉为“三百年来第一流”。著有《定盦文集》，留存文章300余篇，诗词近800首，今人辑为《龚自珍全集》。著名诗作《己亥杂诗》共315首。多咏怀和讽喻之作。",[24,83,26,465,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3056126e6c89fce96e300e4114f9a75f.jpg",[],{"id":3579,"slug":3580,"title":3581,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":3582,"thumbUrl":3583,"material":100,"size":101,"collection":30,"collections":3584,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},239977,"zhen-er-ti-qian-zi-wen-ce-zhao-meng-fu-239977","真二体千字文册",[137,138,80,24,26,64,83,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1578a43f85ca933804e0146f9f4dab7d.jpg",[],{"id":3586,"slug":3587,"title":3588,"dynasty":198,"author":3589,"museum":41,"description":3590,"tags":3591,"thumbUrl":3592,"material":26,"size":30,"collection":51,"collections":3593,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},239584,"qu-qiu-tie-ce-ye-zhang-fu-yi-239584","去秋帖册页","张复易","此幅小楷尺牍，笔致秀润温雅，点画工稳精致，结体舒展匀停，是明代台阁体一脉的典型佳作。\n作为私人书札，虽为日常家书，却不失庄重规整，笔意自带谦谨恭和的文人气韵。信笺暗饰雅致纹样，笔墨朱印相映，尽显明代文人尺牍的形制美感。排布错落自然，既恪守馆阁体的法度工整，又因私札属性暗含松弛灵动的细节，将奉亲敬长的诚挚心绪融于笔墨之间，是兼具实用价值与审美意趣的书法小品。",[80,24,64,83,47,2050,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F356acd7e09aafb9101d0abe76b74336f.jpg",[51],{"id":3595,"slug":3596,"title":3597,"dynasty":76,"author":77,"museum":94,"description":3598,"tags":3599,"thumbUrl":3600,"material":30,"size":30,"collection":30,"collections":3601,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},227054,"da-guan-tie-3-wang-xi-zhi-227054","大观贴-3","此帖笔力爽利遒劲，行草随心变幻，牵丝映带间尽显使转灵动，粗细俯仰间生机盎然。起笔斩截利落，收锋或峭拔出锋或内敛回护，将真性情藏在线条疾缓之中。布局疏密错落天成，整行气脉贯通如流云出岫，拓本之下仍难掩笔墨舒展俊逸。\n字字顾盼相生，既不失法度规整，又尽显萧散简远的林下之风，将晋人尚韵的风雅气度融于每一处提按顿挫，把超逸出尘的魏晋风神藏在寸缣尺素之间。",[64,25,24,7,47,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa90d7db95288c774c53bbc15056abef8.jpg",[],{"id":3603,"slug":3604,"title":3605,"dynasty":18,"author":401,"museum":94,"description":1327,"tags":3606,"thumbUrl":3607,"material":100,"size":101,"collection":30,"collections":3608,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},226541,"han-yu-li-guan-mu-zhi-yi-ming-226541","韩愈李观墓志",[23,25,24,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F467863e69f0ecaf1daa6633b8759a8de.jpg",[],{"id":3610,"slug":3611,"title":3612,"dynasty":198,"author":295,"museum":111,"description":2048,"tags":3613,"thumbUrl":3614,"material":49,"size":2052,"collection":30,"collections":3615,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},222477,"shi-tie-ming-dou-pian-zhu-yun-ming-222477","诗帖《名都篇》",[23,137,138,80,124,82,47,24,7,64,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed5fd88b77555435f37d0ebc34bb492d.jpg",[],{"id":3617,"slug":3618,"title":3106,"dynasty":198,"author":3619,"museum":94,"description":3620,"tags":3621,"thumbUrl":3622,"material":49,"size":3623,"collection":30,"collections":3624,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},222057,"qian-zi-wen-juan-zhang-rui-tu-222057","张瑞图","在明代书坛，张瑞图是一位很特殊的书法家。他人品颓喪，步入仕途即依附魏忠贤，成为“魏家阁老”成员之一，其行径为士林所不齿，《明史》将他列入“阉党”；然在书法艺术上却颇有建树，为时人所公认，与邢侗、米万钟、董其昌齐名，书史并称曰“邢张米董”。颓丧的人品居然没有淹没他的书法声誉，这在“书以人重”观点已十分流行的明代，是很特殊的例外，有明一代仅张瑞图和王铎两人，如（清）吴德旋在《初月楼论书随笔》中所评：“张果亭（张瑞图）。王觉斯（王铎）人品颓丧，而作字居然有北宋大家之风，岂得以其人而废之。”可见两人书艺必有过人之处。\n其次，张瑞图是与邢侗、米万钟、董其昌并称為“晚明四家”的，然他的书风与崇尚钟王帖学、追求柔媚格调的邢、米、董三家迥然有别，而与黄道周，倪元璐、王鐸、傅山诸人创立的奇倔狂逸风貌颇為相似，共同在钟王之外另闢蹊径。（清）粱巘在《评书帖》中即指出：“明季书学竞尚柔媚，王（鐸）张（瑞图）二家力矫积习，独标气骨，虽末入神，自足下朽。”杨守敬也认為张氏“顾其流传书法，风骨高騫，与倪鸿宝（元璐）、黄石斋（道周）伯仲。”([清]杨守敬跋张瑞图《前赤壁赋》)张瑞图之名不列入风格相伯仲的倪、黄、王流派之中，却与蹊径迥异的邢、米、董并称，这也是很特殊的现象，其书风与诸家必然存在同中之异或异中之同的复杂关係。因此，探讨张瑞图其人其书的特殊性是饶有意趣的问题。",[23,137,138,80,124,81,24,47,188,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0547e44eabdf5188bbea689e294c99af.jpg","27X923",[],{"id":3626,"slug":3627,"title":3628,"dynasty":198,"author":483,"museum":111,"description":3629,"tags":3630,"thumbUrl":3631,"material":49,"size":3632,"collection":30,"collections":3633,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},221970,"ou-shi-xi-lou-tie-wen-zheng-ming-221970","偶适溪楼帖","文征明（文徵明）（1470-1559），初名壁，字征明（徵明），四十二岁起以字行，更字征仲，因先世衡山人，故号衡山居士，世称“文衡山”，停云生。长州（今江苏苏州吴县）人，曾官翰林待诏。生于明宣宗成化六年，卒于明世宗嘉靖三十八年，年九十岁。文受业于吴宽，学书于李应祯，学画于沈周。擅长诗文书画，为“吴中三家”之一。在书法上，早年受其父知友吴宽的影响写苏体，后受他岳父李应祯的影响，学宋元的笔法较多。小楷师法晋唐，力趋健劲。文征明功力深厚，楷书法度严谨，不仅深得《黄庭经》、《乐毅论》之诣，更多地则是采用欧阳询的笔意和体势，但在用笔上又更加削劲、挺健。明·谢在杭《五杂俎·卷七》称赞文征明小楷：“无真正楷书，即钟、王所传《荐季直表》、《乐毅论》皆带行笔。洎唐《九成宫》、《多宝塔》等碑，始字画谨严，而偏肥偏瘦之病，犹然不免。至本朝文征仲先生始极意结构，疏密匀称，位置适宜。如八面观音，色相具足。于书苑中亦盖代之一人也。”他的大字有黄庭坚笔意，苍秀摆宕，骨韵兼擅。与祝允明、王宠并重当时。",[23,24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F215f7350dc63027344f13802f5fafa3b.jpg","纵24.9厘米，横18.6厘米",[],{"id":3635,"slug":3636,"title":3637,"dynasty":39,"author":2527,"museum":94,"description":3638,"tags":3639,"thumbUrl":3640,"material":49,"size":3641,"collection":30,"collections":3642,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":55},221481,"she-fu-quan-wen-di-yi-duan-zhang-ji-zhi-221481","社甫全文第一段","张即之（1186—1263年），宋代书法家，字温夫，号樗寮，历阳（今安徽和县）人。生于名门显宦家庭，为参知政事张孝伯之子，爱国词人张孝祥之侄，系中唐著名诗人张籍的八世孙。历官监平江府粮科院、将作监薄、司农寺丞。特授太子太傅、直秘阁致仕。",[23,39,24,124,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5223e88a17d7e478cf78d4498f697bdd.jpg","纵三四·六厘米，横一二八·七厘米",[],{"id":3644,"slug":3645,"title":3646,"dynasty":18,"author":401,"museum":94,"description":3647,"tags":3648,"thumbUrl":3650,"material":30,"size":30,"collection":30,"collections":3651,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},221129,"fa-hua-jing-jin-ye-zi-ge-xian-yi-ming-221129","法华经金叶子格线","此作以织锦镶边，装裱古雅沉静。墨书楷体排布严整，结体匀秀端凝，笔力温润内敛，尽显写经之人的恭谨肃穆。纸面金箔残损斑驳，恰似岁月镌刻下的痕迹，为这件写本晕开沧桑质感。规整格线框定经文，笔墨间既有宗教仪轨的庄严，又饱含唐人书法的雍容法度，字里行间藏着虔诚的信仰底色，残损金箔让时光厚重与经文神圣交融，勾勒出古写经独有的沉静美感，将大唐写经的雅致法度与岁月沉淀的古朴意蕴融为一体。",[23,508,187,24,26,3649,1103,188,80,7],"金器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f4da6fe4a3e84d9a3a388205ef3b2f2.jpg",[],{"id":3653,"slug":3654,"title":3655,"dynasty":18,"author":412,"museum":41,"description":413,"tags":3656,"thumbUrl":3658,"material":67,"size":416,"collection":30,"collections":3659,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},214503,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-12-ou-yang-xun-214503","宋拓唐虞恭公温彦博碑-12",[23,24,26,25,7,3657],"碑拓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff57096457db0ffe5dcbb6d7678029452.jpg",[],{"id":3661,"slug":3662,"title":3663,"dynasty":18,"author":412,"museum":41,"description":413,"tags":3664,"thumbUrl":3665,"material":67,"size":416,"collection":30,"collections":3666,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},214502,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-11-ou-yang-xun-214502","宋拓唐虞恭公温彦博碑-11",[23,25,26,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F998da74c7f10d9e5505339241d838b76.jpg",[],{"id":3668,"slug":3669,"title":3670,"dynasty":18,"author":412,"museum":41,"description":413,"tags":3671,"thumbUrl":3672,"material":67,"size":416,"collection":30,"collections":3673,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},214498,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-16-ou-yang-xun-214498","宋拓唐虞恭公温彦博碑-16",[23,25,24,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F588f24523344eec40f93ab5e5018694c.jpg",[],{"id":3675,"slug":3676,"title":3677,"dynasty":18,"author":19,"museum":41,"description":495,"tags":3678,"thumbUrl":3679,"material":49,"size":498,"collection":30,"collections":3680,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":104},214476,"da-tang-zhong-xing-song-xia-ce-7-yan-zhen-qing-214476","大唐中兴颂下册-7",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d61e451900656eb6f38bf2717ff275a.jpg",[],{"id":3682,"slug":3683,"title":3684,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":3685,"thumbUrl":3686,"material":49,"size":498,"collection":30,"collections":3687,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":34},214424,"da-tang-zhong-xing-song-shang-ce-6-yan-zhen-qing-214424","大唐中兴颂上册-6",[26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01aff4bcd26cba99eef8f0e07f0754f4.jpg",[],{"id":3689,"slug":3690,"title":3691,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":3692,"thumbUrl":3693,"material":49,"size":498,"collection":30,"collections":3694,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":34},214420,"da-tang-zhong-xing-song-shang-ce-12-yan-zhen-qing-214420","大唐中兴颂上册-12",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d00c991046ea6206c472c660892b072.jpg",[],{"id":3696,"slug":3697,"title":3698,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":3699,"thumbUrl":3700,"material":100,"size":101,"collection":30,"collections":3701,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},290410,"za-shu-san-duan-juan-zhao-meng-fu-290410","杂书三段卷",[23,24,124,64,80,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6405c38a5bb969e86bf22169d1b7df2a.jpg",[],{"id":3703,"slug":3704,"title":3705,"dynasty":109,"author":110,"museum":94,"description":3706,"tags":3707,"thumbUrl":3708,"material":100,"size":101,"collection":30,"collections":3709,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},290096,"jiu-de-song-juan-zhao-meng-fu-290096","酒德颂卷","有大人先生以天地为一朝，以万期为须臾，日月为扃牖，八荒为庭除。行无辙迹，居无室庐，幕天席地，纵意所如。止则摇卮执孤，动则挈榼提壶，唯酒是务，焉知其馀。有贵介公子，搢绅处士，闻吾风声，议其所以，陈说礼法，是非蠭起，奋袂攘襟，怒目切齿。先生於是方捧甖承槽，衔杯嗽醪，奋髯箕踞，枕麹藉糟，无思无虑，其乐陶陶。兀然而醉，恍尔而醒。静听不闻雷霆之声，熟视不见泰山之形。不觉寒暑之切肌，嗜欲之感情。俯观万物，扰扰焉如江海之载萍。二豪侍侧，如螺蠃之与螟蛉。延祐三年丙辰岁十一月廿一日，为瞿泽民书。子昂。",[23,137,138,80,124,24,64,82,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc108f90cfde16dfab4ac32b0c54f56a.jpg",[],{"id":3711,"slug":3712,"title":3713,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":3714,"thumbUrl":3715,"material":100,"size":101,"collection":30,"collections":3716,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},290011,"wu-yi-zhao-meng-fu-290011","无逸",[23,24,124,26,7,47,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F211a1630c10232b0fe4c4b1af6bf914a.jpg",[],{"id":3718,"slug":3719,"title":465,"dynasty":198,"author":483,"museum":94,"description":1883,"tags":3720,"thumbUrl":3721,"material":100,"size":101,"collection":30,"collections":3722,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},287941,"qian-zi-wen-wen-zheng-ming-287941",[23,64,24,7,465],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30c54a00f5c65ca52ede87092f177cda.jpg",[],{"id":3724,"slug":3725,"title":3726,"dynasty":18,"author":401,"museum":94,"description":3727,"tags":3728,"thumbUrl":3730,"material":100,"size":101,"collection":30,"collections":3731,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},287884,"yan-lu-gong-shi-pin-yi-ming-287884","颜鲁公诗品","此作为颜体大楷典范，用笔顿挫沉实，中锋行笔使线条圆厚饱满，横细竖粗对比和谐，尽显雄强骨力。字形宽博方正，外紧内松，繁复如“嵗”“讀”者排布匀停妥帖，重心沉稳开张，自带雍容庙堂气象。\n界格规整，字间行距齐整，通篇气脉贯通浑穆庄重，笔墨间凝着盛唐独有的恢弘朴茂，将颜体端严开阔的风骨尽数铺展，是体悟颜楷浑厚雄强神韵的绝佳范本。",[24,26,7,3729],"颜体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04babc3911948f9344600f9f304de0a0.jpg",[],{"id":3733,"slug":3734,"title":3735,"dynasty":1225,"author":401,"museum":94,"description":3736,"tags":3737,"thumbUrl":3738,"material":100,"size":101,"collection":30,"collections":3739,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":2034},287710,"kong-hai-feng-xin-tie-yi-ming-287710","空海风信帖","这幅行书尺牍，笔墨写意随性。右侧题字清劲爽利，字形舒展萧散，左侧落款行气圆融连贯，线条牵丝映带尽显书写时的流走心境。整体章法疏宕空灵，留白与墨痕相映成趣，没有刻意的经营排布，将日常尺牍的平实化作清雅的笔墨意趣。\n\n淡旧的笺纸衬着苍逸笔锋，墨色浓淡自然晕开，褪去了雕琢匠气，漫溢出文人日常书写的松弛质感，将寻常的问安之语，酿成了兼具实用与审美意趣的书法小品。",[24,81,1173,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F932aee71ad0a06612993447c09eb9281.jpg",[],{"id":3741,"slug":3742,"title":3743,"dynasty":2385,"author":401,"museum":94,"description":1327,"tags":3744,"thumbUrl":3745,"material":100,"size":101,"collection":30,"collections":3746,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":34},287329,"yuan-fang-mu-zhi-yi-ming-287329","元昉墓志",[26,25,24,7,3544],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26ab7bba804fa25efc1ee473e708c05b.jpg",[],{"id":3748,"slug":3749,"title":3750,"dynasty":18,"author":3751,"museum":94,"description":3752,"tags":3753,"thumbUrl":3754,"material":100,"size":101,"collection":30,"collections":3755,"showCount":193,"zanCount":244,"manualWeight":11,"mainColor":104},284977,"li-jing-bei-ce-wang-zhi-jing-284977","李靖碑册","王知敬","王知敬，唐怀州河内（今河南沁阳）人。武后时（六八四至七o四）仕为麟台少监。善署书，与殷仲容齐肩。",[83,25,24,26,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0354094f9989b529b3f96035a7b1d875.jpg",[],{"id":3757,"slug":3758,"title":3759,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":3760,"thumbUrl":3761,"material":100,"size":101,"collection":30,"collections":3762,"showCount":193,"zanCount":244,"manualWeight":11,"mainColor":55},283705,"za-shu-juan-dong-qi-chang-283705","杂书卷",[23,24,124,64,81,47,7,1792,3187,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb4135193a2c14313b4b29f85c0717d9a.jpg",[],{"id":3764,"slug":3765,"title":3766,"dynasty":460,"author":401,"museum":94,"description":3767,"tags":3768,"thumbUrl":3769,"material":100,"size":101,"collection":30,"collections":3770,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},275894,"bai-yu-yu-lin-su-shi-shi-tie-ce-yi-ming-275894","白玉御临苏轼诗帖册","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[83,7,24,1129,1130,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c4e7befea952b3a2a65f4cd4b540480.jpg",[],{"id":3772,"slug":3773,"title":3774,"dynasty":198,"author":401,"museum":94,"description":3775,"tags":3776,"thumbUrl":3777,"material":100,"size":101,"collection":51,"collections":3778,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":34},242561,"dong-shu-tang-tie-yi-ming-242561","东书堂帖","此拓本墨色沉古凝练，刻工精细传神，尽显王献之行草的妍美洒脱。笔致腴润舒展，外拓笔法流丽潇洒，行笔萦带连绵，将今草流便灵动的意趣尽数展露。字势欹正相生，暗合晋人尚韵的风流气度，布局疏朗雅致，尺牍间漫溢着散淡萧逸的古意。岁月晕染下，纸色暗褐斑驳，晕开古雅沉静的质感，刀锋复刻着原作的笔底意趣，让千年前的晋人风神，在此悠悠流传。",[24,7,26,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7f4ca01e56fae85e561960affd409da.jpg",[51],{"id":3780,"slug":3781,"title":3782,"dynasty":198,"author":401,"museum":94,"description":3783,"tags":3784,"thumbUrl":3785,"material":100,"size":101,"collection":30,"collections":3786,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},242213,"dong-han-shi-chen-bei-yi-ming-242213","东汉史晨碑","这帧尺牍以朱红笺为底，墨色浓妍鲜亮，笔致灵动爽利。行书笔画牵丝映带，行气连贯舒展，字势欹侧错落，法度与意趣相融。排布疏密得宜，笔力劲挺暗含秀雅韵致，尽显文人尺牍往来间的随性自在。墨色细微的浓淡变化，衬着朱砂底色雅致醒目，将日常寄兴的松弛心境藏于笔墨之间，是颇具闲情逸趣的行书小品。",[24,404,25,7,47,1173],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f278980065116037032c7c88b8e14e1.jpg",[],{"id":3788,"slug":3789,"title":3790,"dynasty":460,"author":401,"museum":94,"description":3791,"tags":3792,"thumbUrl":3793,"material":30,"size":30,"collection":155,"collections":3794,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":34},242198,"lan-ting-ba-zhu-tie-yi-ming-242198","兰亭八柱帖","此作墨色乌亮莹润，字口爽利明净，尽显行书妍雅灵动的意趣。点画提按顿挫富于节律，牵丝映带间藏悠然笔势，结体欹正相生，错落排布却行气贯通畅达。笔墨既留存晋人萧散玄远的风神，又因刻拓工艺添了几分刚劲质感，将兰亭雅集的清逸情致融于每一处点画之中。观之如见挥毫时的悠然情态，刚柔相济尽显文人书法隽雅风神，尽显行书艺术流转自如的绝佳韵致。",[24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d49d1d1cb7c1b03aca1e34e6a1f8fa3.jpg",[155],{"id":3796,"slug":3797,"title":3798,"dynasty":1225,"author":401,"museum":94,"description":3799,"tags":3800,"thumbUrl":3801,"material":30,"size":30,"collection":155,"collections":3802,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},242192,"jin-tang-shi-san-zhong-yi-ming-242192","晋唐十三种","题签行书朴拙厚重，小字端秀舒展，晋唐风雅蕴于毫端。此汇辑囊括一众经典小楷范本，既带着魏晋萧散简远的林下之风，又兼具唐楷端稳整饬的法度。虽为题名录稿，笔墨间自存沉静安闲的韵致，将古人作书时的悠然心境藏在笔锋起落之中，静静铺展出晋唐小楷的隽永风神，是窥见那个时代笔墨意趣的绝佳载体。",[80,24,26,64,7,187],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57c7f6cc3f0541a54b363a8c193cef31.jpg",[155],{"id":3804,"slug":3805,"title":3806,"dynasty":460,"author":3807,"museum":94,"description":3808,"tags":3809,"thumbUrl":3810,"material":100,"size":101,"collection":30,"collections":3811,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":104},241276,"ying-he-lin-tie-zhou-ying-he-241276","英和临帖轴","英和","英和（1771年－1840年），初名石桐，字樹琴，號熙斋，又号粤溪生，索綽絡氏，内务府滿洲正白旗人，进士出身，中國清朝政治人物。",[24,176,64,1173,82,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c311e634af04c79f170bc4f601b8f86.jpg",[],{"id":3813,"slug":3814,"title":3815,"dynasty":198,"author":3816,"museum":94,"description":3817,"tags":3818,"thumbUrl":3819,"material":100,"size":101,"collection":30,"collections":3820,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},240961,"lun-xue-tie-juan-li-liu-fang-240961","论学帖卷","李流芳","李流芳（1575～1629年），字长蘅，一字茂宰，号檀园、香海、古怀堂、沧庵，晚号慎娱居士、六浮道人，南直隶徽州歙县（今安徽歙县）人，侨居嘉定（今上海嘉定），明代诗人、书画家。\n三十二岁中举人，后绝意仕途。诗文多写景酬赠之作，风格清新自然。与唐时升、娄坚、程嘉燧合称“嘉定四先生”。擅画山水，学吴镇、黄公望，峻爽流畅，为“画中九友”之一，亦工书法。崇祯二年，卒于檀园，享年五十五岁。",[23,24,64,124,7,47,49],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94bd8689517bf5495fdb7d83f11f4d6b.jpg",[],{"id":3822,"slug":3823,"title":3824,"dynasty":460,"author":3825,"museum":94,"description":3826,"tags":3827,"thumbUrl":3828,"material":49,"size":30,"collection":51,"collections":3829,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},240300,"chen-yu-fang-shi-tie-zhou-chen-yu-fang-240300","陈玉方诗帖轴","陈玉方","此作为行书论书诗，用笔提按顿挫分明，线条粗细跌宕，兼具沉实厚重与秀逸灵动。起笔恭谨端凝，随文势渐次舒展，牵丝映带自然圆融，尽显书写时的流畅意趣。\n\n章法疏密相宜，纵有行而字间呼吸得当，落款小字清雅恭谨，与正文形成虚实对比。墨色干湿浓淡错落，枯笔见筋骨力道，润笔显腴润质感，将书法技法体悟化入笔底。以笔墨书书论，文与艺相融，清逸朴雅间尽显文人书卷气，是清代帖学风貌的典型体现。",[24,80,1173,64,7,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdfff3f577e4ef218e2bc604098ad544.jpg",[51],{"id":3831,"slug":3832,"title":3833,"dynasty":198,"author":295,"museum":94,"description":3834,"tags":3835,"thumbUrl":3836,"material":49,"size":30,"collection":51,"collections":3837,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},240065,"gu-shi-shi-jiu-shou-juan-zhu-yun-ming-240065","古诗十九首卷","祝允明(1460-1526) 字希哲、晞喆。因右手多生一指，故自号支指生、枝指生、枝指山人、枝山、枝山居士、枝山樵人等。世称“祝京兆”。长洲(今江苏吴县)人，自幼就聪慧过人，五岁时能写一尺见方的大字，九岁会作诗，以后博览群书，诗文有奇气。弘治五年（1429）中举，以后便久试不第， 正德九年（1514），他被授为广东兴宁县知县，在岭南五年，后升任为应天(今南京)府通判，正德十四年（1519）年称病还乡。他的仕途与他的祖辈和儿子来说，都相差甚远，实际上他是一个不得意的文人。他和唐寅等人意气相投，玩世狂放。与唐寅、文徵明、徐祯卿并称为 “吴中四才子”。晚年，他喜独居作诗文，崇尚魏晋风流和禅宗，生活更加放浪形骸而不乐拘检，甚至玩世不恭，在吴门派中，他算最具有文人特质的一位。祝允明父为徐有贞女婿，自己又是李应祯之婿，祖父祝颢为进士，曾官至山西布政司右参政，相信在这样的环境里，他受到多方面的熏染。《明史.文苑传》称其“能诗文，尤工书法，名动海内。”他的楷书早年精谨，师法赵孟頫，褚遂良，并从欧，虞而直追“二王”，其书《出师表》谨严浑朴。晚年，临写《黄庭经》不注重点画的形似，而结构疏密，转运遒逸，神韵益足。嘉靖末的书法家王樨登说：“古今临《黄庭经》者，不下十数家，然皆泥于点画形似钩环戈磔之间而已，......枝山公独能于矩绳约度中而具豪纵奔逸意气。”他的草书师法李邕，黄庭坚，米芾，功力深厚，晚年尤重变化，风骨烂熳。人称：“枝山草书天下无，妙酒岂独雄三吴！” 清代朱和羹《临池心解》认为：“祝京兆大草深得右军神理，而时露伧气；小草则顿宕纯和，行间茂密，亦复丰致萧远，庶几媲美褚(遂良)公。”代表作有《草书贾至大明宫早朝诗轴》，《箜篌引（即草书曹植诗手卷）》和《赤壁赋》等，流利洒脱，奔放不羁。《名山藏》说：“允明书出入晋魏，晚益奇纵，为国朝第一。",[23,137,138,80,124,82,47,24,81,64,7,964],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d3a954db750c98792c82776e8c12da1.jpg",[51],{"id":3839,"slug":3840,"title":3841,"dynasty":109,"author":3842,"museum":41,"description":3843,"tags":3844,"thumbUrl":3845,"material":140,"size":3846,"collection":51,"collections":3847,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},239565,"fa-jian-ye-tie-ye-li-xiao-guang-239565","发建业帖页","李孝光","释文：\n后五月十日，李孝光顿首上书，龙翔堂头笑隐和尚尊前：发建业时行遽，乃不得身自谢。又闻从者且至龙安驿，与克庄副使为别，此即相见，因得摅写情愫。比明日到龙安，则闻辞不来矣。愧戁悚息，不可胜言。心已知公仁厚，明我不敢为慢者。然建业市间，有一种人善为塗涴，万一少被毁惑，何以自解，故不得不切切言之。适吴溥泉台使来，便附上书致多谢，惟高明赐察。溥泉读书积学，明敏晓时务，善于为歌诗，又工书，得公为延誉诸公间，幸甚。未由相见，伏冀为佛法厚自爱，孝光拜覆。用章、玉峰、仲坚、清远入参，乞呼贱名致意，孝光又覆。\n此帖无题跋。首署：“李孝光顿首上书”。鉴藏印钤“槐庭清玩”、“东平”印两方。\n此为李孝光致龙翔集庆寺主持大訢（笑隐和尚）的信札。\n帖中云：“发建业时行遽，乃不得身自谢”，又云：“龙翔堂头”等，这正是大訢主持龙翔集庆寺的时候。前又云：“后五月十日”，据考证应是元至正元年（1341年）己酉闰五月，故知此帖为李孝光45岁时所书。其书学苏轼，笔画丰腴，运笔流畅，连带自然，且结体方扁，时出侧锋，具有相当高的艺术水平。",[23,24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8c906c6059d7c65244bf7feabf0eba3.jpg","纵31.2厘米，横38厘米",[51],{"id":3849,"slug":3850,"title":3851,"dynasty":198,"author":2295,"museum":318,"description":3852,"tags":3853,"thumbUrl":3854,"material":49,"size":3855,"collection":30,"collections":3856,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},232859,"san-tan-shi-juan-wang-duo-232859","三潭诗卷","释文：三潭。地灵深秘势峥嵘。倚石肃然旅魄惊。雷(声)响砰轰霖雨蓄。神共摩盪药苗荣。即观元气同开辟。岂与寒泉共死生。怪岛休将人境说。栖真玄灏有天声。予素未书隶。寓苏门始学汉体。恨年异壮。学之晚。虽然。羲之。高适五十可也。\n王铎 甲申春正月为顺後（无阝）亲丈书求教。",[24,64,124,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30053a0b6295f9524da88f105eacd750.jpg","27×158cm",[],{"id":3858,"slug":3859,"title":3860,"dynasty":198,"author":3861,"museum":94,"description":3862,"tags":3863,"thumbUrl":3864,"material":100,"size":101,"collection":30,"collections":3865,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},230848,"lin-shen-xian-qi-ju-fa-wang-shu-230848","临神仙起居法","王澍","王澍，字蒻林，号虚舟，江南金坛人。1668年生，1743年逝世，官至吏部员外郎。康熙时以善书，特命充五经篆文馆总裁官。",[80,24,176,81,82,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe347c35df1e481a897ca43a9673afa15.jpg",[],{"id":3867,"slug":3868,"title":3869,"dynasty":2385,"author":401,"museum":94,"description":3870,"tags":3871,"thumbUrl":3872,"material":30,"size":30,"collection":30,"collections":3873,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":104},227067,"bei-wei-diao-zun-mu-zhi-ming-yi-ming-227067","北魏刁遵墓志铭","《刁遵墓志》也称《刁惠公墓志》。志文楷书，共二十八行，每行三十二字，原石刻北魏熙平二年（公元五一七年）。清雍正年间在河北省南皮县出土，其一角已残缺。\n此志书法浑穆峻劲，清包世臣评其：“《刁惠公志》最茂密。予尤爱其取势排宕，结体庄和。一波磔，一起落，处处含蓄，耐人寻味，不曾此中问津者，不知也。”风格近《郑文公碑》，是北魏墓志的重要代表作之一。",[24,25,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa459cefb2e7f1d5b88e74588c3dada96.jpg",[],{"id":3875,"slug":3876,"title":3877,"dynasty":198,"author":1527,"museum":3878,"description":1528,"tags":3879,"thumbUrl":3880,"material":152,"size":3881,"collection":30,"collections":3882,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":3883},222306,"nan-hua-zhen-jing-59-wang-chong-222306","南华真经59","荣宝斋",[23,80,24,187,64,82,49,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d07fef9250403ab60e2bb622ae2f036.jpg","每开尺寸长19.1、宽12.5厘米",[],"FDD835",{"id":3885,"slug":3886,"title":3887,"dynasty":109,"author":2888,"museum":111,"description":3888,"tags":3889,"thumbUrl":3890,"material":49,"size":3891,"collection":30,"collections":3892,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":55},221748,"zhuan-li-qian-wen-ce-yu-he-221748","篆隶千文册","故宫藏有俞和墨迹《篆隶千字文册》及自书诗卷和临张芝帖等。《篆隶千字文》，纸本墨迹摺裱册页。每幅纵21厘米，横24.7厘米。凡37页，295行，正文每行7字，首尾之题字每行字数不一，共计2063字。款署“天爵贤良嗜予篆隶，因书此为赠。时至正甲午岁冬十一月三日也。清隐散人俞和识。”此册为元顺帝至正十四年（公元1354）俞和四十八岁时所书。\n此篆隶《千字文》，书法结构简练随意而无匠气，笔秀雅而挺劲，与世流行之六体千字文比较，自有书卷气。册上有清内府鉴藏印九方，并有河南商丘陈氏收藏之印多方。《石渠宝笈三编》著录。\n《篆隶千字文册》是其篆书和隶书分体间书的书法杰作。其篆书，结字简洁随意，用笔上大胆参以方笔，故有刚健清新之气；其隶书，也用汉隶的方笔，线条秀劲中有质朴也无故作修饰的匠气，因而比他秀润有余的行书来，显得更为古朴而有书卷气。这说明，俞和并不是赵孟頫的影子，也是有个性的书家。",[24,98,404,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28c3cfa62aa0fecea6e2a080b24529c8.jpg","21×24.7cm",[],{"id":3894,"slug":3895,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":3896,"thumbUrl":3898,"material":1025,"size":1026,"collection":30,"collections":3899,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":30},220654,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220654",[23,24,64,25,7,3897],"木刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fad7ff034dc690bd7d999ac3570e6b7.jpg",[],{"id":3901,"slug":3902,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":3903,"thumbUrl":3905,"material":1025,"size":1026,"collection":30,"collections":3906,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":30},220650,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220650",[23,24,64,25,7,3904,2169],"刻帖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73ebcbfd1cf101b95b0af5992e8da709.jpg",[],{"id":3908,"slug":3909,"title":3910,"dynasty":18,"author":412,"museum":41,"description":413,"tags":3911,"thumbUrl":3912,"material":67,"size":416,"collection":30,"collections":3913,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":104},214508,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-5-ou-yang-xun-214508","宋拓唐虞恭公温彦博碑-5",[23,25,26,24,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79760ba53be7edb23df0d6f8127086ce.jpg",[],{"id":3915,"slug":3916,"title":3917,"dynasty":18,"author":412,"museum":41,"description":413,"tags":3918,"thumbUrl":3919,"material":67,"size":416,"collection":30,"collections":3920,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":104},214506,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-6-ou-yang-xun-214506","宋拓唐虞恭公温彦博碑-6",[23,24,25,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2858a5d57cdd0218e8a2862a361232bd.jpg",[],{"id":3922,"slug":3923,"title":3924,"dynasty":18,"author":412,"museum":41,"description":413,"tags":3925,"thumbUrl":3926,"material":67,"size":416,"collection":30,"collections":3927,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":104},214504,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-8-ou-yang-xun-214504","宋拓唐虞恭公温彦博碑-8",[23,25,24,26,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee4ae3458d2f1abd388569c38b91899b.jpg",[],{"id":3929,"slug":3930,"title":3931,"dynasty":18,"author":412,"museum":41,"description":413,"tags":3932,"thumbUrl":3933,"material":67,"size":416,"collection":30,"collections":3934,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":104},214499,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-14-ou-yang-xun-214499","宋拓唐虞恭公温彦博碑-14",[23,25,24,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77479c55b28c2762a3d58cdfa2648ee9.jpg",[],{"id":3936,"slug":3937,"title":3938,"dynasty":18,"author":19,"museum":41,"description":495,"tags":3939,"thumbUrl":3940,"material":49,"size":498,"collection":30,"collections":3941,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":104},214481,"da-tang-zhong-xing-song-xia-ce-3-yan-zhen-qing-214481","大唐中兴颂下册-3",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c6bafa21c893f1957a1a77ac1968ad3.jpg",[],{"id":3943,"slug":3944,"title":3945,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":3946,"thumbUrl":3947,"material":49,"size":498,"collection":30,"collections":3948,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":34},214422,"da-tang-zhong-xing-song-shang-ce-9-yan-zhen-qing-214422","大唐中兴颂上册-9",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8325453539d9075c296f6e056189a7d.jpg",[],{"id":3950,"slug":3951,"title":3952,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":3953,"thumbUrl":3954,"material":49,"size":498,"collection":30,"collections":3955,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":34},214415,"da-tang-zhong-xing-song-shang-ce-14-yan-zhen-qing-214415","大唐中兴颂上册-14",[26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F360823a3c929e00ee7a9d91f4e0abfbd.jpg",[],{"id":3957,"slug":3958,"title":3959,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":3960,"thumbUrl":3961,"material":49,"size":498,"collection":30,"collections":3962,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":34},214414,"da-tang-zhong-xing-song-shang-ce-15-yan-zhen-qing-214414","大唐中兴颂上册-15",[24,26,25,7,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0bba4533b70008be63b2f2bcc7386d44.jpg",[],{"id":3964,"slug":3965,"title":3966,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":3967,"thumbUrl":3968,"material":49,"size":498,"collection":30,"collections":3969,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":34},214404,"da-tang-zhong-xing-song-shang-ce-29-yan-zhen-qing-214404","大唐中兴颂上册-29",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe47ea3273cad159cd1efac3c9875158b.jpg",[],{"id":3971,"slug":3972,"title":3973,"dynasty":109,"author":110,"museum":94,"description":1281,"tags":3974,"thumbUrl":3975,"material":100,"size":101,"collection":30,"collections":3976,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":104},290278,"guo-meng-tie-ye-zhao-meng-fu-290278","过蒙帖页",[24,64,7,47,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febc6f9c888b8ff20ba68b0c32635830e.jpg",[],{"id":3978,"slug":3979,"title":3980,"dynasty":676,"author":401,"museum":94,"description":1327,"tags":3981,"thumbUrl":3982,"material":100,"size":101,"collection":30,"collections":3983,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":104},288155,"da-wei-zhao-mi-mu-zhi-yi-ming-288155","大魏赵谧墓志",[24,25,26,7,3544],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff571935ce949d12c94aac1e32294f254.jpg",[],{"id":3985,"slug":3986,"title":3987,"dynasty":460,"author":3018,"museum":94,"description":3019,"tags":3988,"thumbUrl":3989,"material":100,"size":101,"collection":30,"collections":3990,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":104},288096,"zuo-ri-tie-fu-shan-288096","昨日帖",[24,81,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F839e90d7b111d489e02cb9a869743b4d.jpg",[],{"id":3992,"slug":3993,"title":3994,"dynasty":198,"author":2295,"museum":94,"description":3995,"tags":3996,"thumbUrl":3997,"material":100,"size":101,"collection":30,"collections":3998,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":55},288083,"lin-ge-tie-wang-duo-288083","临阁帖","王铎（1592—1652年），字觉斯（之），号十樵、嵩樵、痴庵、痴仙道人、烟潭渔叟，平阳府洪洞县（今山西省洪洞县）人。明末清初大臣、书画家，王本仁的儿子。",[64,24,176,7,508],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc62be4e1f10fe6ac7850cdbb540c8667.jpg",[],{"id":4000,"slug":4001,"title":4002,"dynasty":39,"author":4003,"museum":94,"description":4004,"tags":4005,"thumbUrl":4006,"material":100,"size":101,"collection":30,"collections":4007,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":55},287431,"chong-shi-tie-wang-shi-peng-287431","宠示帖","王十朋","王十朋（1112年11月9日—1171年8月6日），字龟龄，号梅溪，温州乐清（今浙江省乐清市）人。南宋著名政治家、诗人，爱国名臣。\n绍兴二十七年（1157年）他以“揽权”中兴为对，被宋高宗亲擢为进士第一（状元）。官秘书郎。曾数次建议整顿朝政，起用抗金将领。孝宗立，累官侍御史，力陈抗金恢复之计。历知饶、夔、湖、泉诸州，救灾除弊，有治绩，时人绘像而祠之。\n乾道七年（1171年），王十朋逝世，年六十。绍熙三年（1192年），追谥“忠文”。有《梅溪集》等。",[24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbc87fb46093bd925e1e99c4f26a3cd3.jpg",[],{"id":4009,"slug":4010,"title":4011,"dynasty":676,"author":401,"museum":94,"description":1964,"tags":4012,"thumbUrl":4013,"material":100,"size":101,"collection":30,"collections":4014,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":104},287383,"wang-she-ren-bei-yi-ming-287383","王舍人碑",[404,25,24,7,3057],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a68b2f46ff4b56d004565fc0b62c9ab.jpg",[],{"id":4016,"slug":4017,"title":4018,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":4019,"thumbUrl":4020,"material":100,"size":101,"collection":30,"collections":4021,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":55},283769,"zi-shu-chi-gao-ce-dong-qi-chang-283769","自书敕诰册",[24,83,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ac13f61d900debd7cf50cdd1ac855e5.jpg",[],{"id":4023,"slug":4024,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":4026,"thumbUrl":4027,"material":100,"size":101,"collection":30,"collections":4028,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":34},242599,"zhong-ke-chun-hua-ge-tie-yi-ming-242599","清拓《钦定重刻淳化阁帖》原本《淳化阁帖》。十卷又称《淳化秘阁法帖》、（阁贴》。系宋淳化三年（992年）太宗岀内府所藏历代古帖，命翰林侍书王著摹勒而成，共收录汉魏至唐历代名人及帝王书一百余家四百余种。但帖石置于宫中，除宣赐大臣以外，原刻拓木绝少流布人间。\n淸高宗鉴于日趋緊多的翻刻本已完全失去其本来面目，而宋王著昧于辨别，在采择古帖时有真赝混迹现象，编次标越也多处讹误，为避免贻谋后学，希望复原《淳化》旧观。于乾隆三十四年（1769年）持敕命于敏中等据内府所藏宋太宗赐毕士安本《淳化阁帖》详加考证，重新钩摹上石，仍为十卷，每卷隶书标题：“钦定重刻淳化阁帖第 X ”一行。卷末沟刻高宗行书题跋一段。各卷尾题:“乾隆三十四年岁在乙丑春二月奉敕校正宋淳化阁帖初拓摹勒上石”篆书四行。此帖考订详僖，校对精审，对原帖编次上的错误逐一厘订后，重新改编次第按时代先后为序。对草书不识之字。博参诸家释文依字旁列注，对其中互异之字附记考证于卷后。\n此帖由御书处刻工佳手钩刻摹刊至精。就其规模和质量来说均在明代诸家刻本之上。\n乾隆三十七年（1772年）帖石镌成后高宗皇帝犹恐失散即将毕士安赐本（淳化阁帖》与重刻原石一起贮于圆明园淳化轩内，至今二者都无下落、可能毁于1860年英法联军侵占北京圆明园之际，实为千古憾事。幸故宫藏有该帖拓本才得以观其原貌。此拓本为淸刻初拓，京折装，计十册，每册纵30.6厘米横35厘米，每册铃：“乾隆御览之宝”朱文椭圆印、”避暑山庄”朱文方印，装潢颇为考究，且拓工精良。虽已保存二百余年但字口锋神俱在，纸墨宛如新拓，堪称珍品。\n乾隆《钦定重刻淳化阁帖》石版，原贮于长春园淳化轩。英法联军火烧圆明园后,该摹帖版已湮没百余年。所幸的是,1993年夏季，圆明园管理处在清挖长春园水系时，从该遗址西侧河道掘得摹帖版7页（4整3残），今均陈列于园史展览馆。\n淳化法帖，原是北宋淳化三年（992年），奉宋太宗赵光义旨意，摹刻于秘阁之中的丛帖，世称《淳化阁帖》。它是我国历史上的第一部大型丛帖，被誉为诸帖之祖。《阁帖》共摹刻唐代以前99人书法名迹，包括夏禹、孔子、晋武帝、唐太宗、虞世南、 欧阳询、褚遂良、柳公权等，尤以王義之、王献之量迹最丰，独占全帖10册之半。\n清代乾隆帝弘历喜好书法，曾先后命在北海阅古楼和万寿山星妙轩，分别摹刻《三希堂法帖》及其续帖。但因二帖仅收魏晋以来墨迹，弘历颇嫌不足。后喜得《淳化阁帖》之“初拓赐本”，弘历如获至宝。命内廷翰林精审更定，选工钩摹上石，并在长春园含经堂之后新建两层轩阁，以帖名之曰“淳化轩”。帖版是在故宫懋勤殿直庐镌刻的,历时三年零两个月，至乾隆三十七年（1772年）四月，共摹竣144页贴版，遂镶嵌于堂后轩前之24间回廊壁间。原《阁帖》北宋初拓本，收藏于淳化轩内，I860年（咸丰十年）同毁于英法联军劫火。\n今出土的摹帖版,面幅为90厘米*33厘米，石厚11厘米。7页帖版的序号是三册一号、六号、 七号（残），四册八号（残），五册一号、十四号和九册三号（残）。其中除五册十四号为“释文订异”，九册三号为隋释智果书“王右军”帖、“蔡邕”帖之外， 余均为王義之墨迹，包括其“适得”、“比奉”、“七儿”、“省足”、“云谯”、“知足”、“期已”、“信云”、“不审”、“伏想”等近20幅名帖。出土帖版中，有2页残版的字迹略有侵蚀，余尚清晰。\n乾隆三十四年的《钦定重刻淳化阁帖》是一部很重要的本子,其所据的底本为明末清初孙承泽原藏的所谓毕士安本。以乾隆刻本和司空公本的第四、七、八卷相校,其底本肯定不是初拓本，因此，所谓毕士安本是不可能的。但这个底本应该是一个北宋拓本，和司空公本的年份相似，然而它是十卷本。问题是这个祖本已经消失，然而它在当时确实存在过，过去有的学者认为这个底本是虚构的，不存在的。可能是由于它不可能是所谓淳化四年的毕士安赐本的关系。\n这个所谓的毕士安赐本，在康熙时已入内府，康熙曾亲跋此本: “……此本乃赐翰林学士毕士安者……汉晋以来，翰墨风规，宛然犹在者，尚赖此帖之存也，朕幾政余闲，启帙披卷,如晤往昔，心意融洽,洵可宝而藏之也。\n到了乾隆三十四年，以此本作为底本重刻的《淳化阁帖》，乾隆在卷首题词中说:“内府旧藏淳化阁帖极多,而此毕士安所得赐本，拓最精好, 爰特敕选工钩摹上石，冀复旧观。\n这个本子到了嘉庆年间,成亲王永瑆题在现藏美国弗利尔美术馆的绍兴国子监本第十册末有:“余昔在上书房得见内府所藏宋太宗赐毕士安本, 此本楮墨正与相似，嘉庆庚午四月七日商丘陈伯恭先生携此本与贾似道重摹初拓本相见……”这说明，这个乾隆刻本的底本在1810年前不久仍然存在,其消失的原因很简单,乾隆在其重刻本的第十卷末有:“重摹淳化阁帖成,因并弃毕士安原本于淳化轩。这就是说，这个底本和重刻帖石一并存放在圆明园的淳化轩。I860年英法联军焚毁圆明园，所谓毕士安底本也必遭毁灭。\n乾隆重刻本，除了改变原刻整体程序外，也有对个别字体修正原刻的失误，如第八卷《此郡帖》的“非常”之“非”字,原刻失刻一笔，乾隆重摹即据《大观帖》补刻完整。此外，有的字体也有摹失,但其不可忽视之处在于它是从整套北宋拓本翻刻，在我们对比各《阁帖》本时有着比较重要的参考价值。\n弘历继位九年（1744 ）命臣将内府所藏书画著录《石渠宝笈》。乾隆十五年（1750）又敕命编刻《三希堂石渠宝笈法帖》三十二卷。谕曰：\n书为游艺之一，前代名迹流传，令人兴怀珍慕。是以好古者恒钩撫镌刻.以垂诸奕祀。宋《淳化阁帖》，其最著矣。厥后《大观》《淳熙》皆有续刻。其他名家摹本，至不可数。我朝秘府，初不以广购博收为尚，而法书真迹，积久颇富。朕曾命儒臣详慎审定，编为《石渠宝笈》一书。因思文人学士得佳迹数种，即钩摹入石，矜为珍玩。今取群玉之秘，寿之贞琨。足为墨宝大观，以公天下。\n《三希堂法帖》刻后十九年即乾隆三十四年（1769）,弘历又重新刻了一部《淳化阁帖》。这部帖是据赐毕士安本墓刻的，故书家与书帖和《阁帖》相同。然而不同的是：（一）除帝王帖置首卷外，其他帖完全按时代先后排列：第一，历代帝王；第二，上古至晋人；第三，第四、第五，晋王羲之；第六，晋人及王献之；第七，晋王献之；第八，晋至梁人；第九，陈至唐人；第十，唐及无名氏。（二）随文添刻楷书釋文。（三）卷末附释文考异和御制题跋。\n当时为什么要这样做呢？弘历在帖首自有说法：\n朕几余不自暇逸，典学之优，时及临池。曩曾辑内府所藏前人墨迹，刻为《三希堂》《墨妙轩》二帖，广示艺林。复念古帖流传可补墨迹所未备者，惟宋《淳化阁帖》，镌集尤为美富，远出《大观》《太清楼》诸本之上。但惜初拓与赐者绝勘，或云版寻残损，当时已为难得。后来翻刻愈繁，真意寝失。有志追摹者，末由津逮。内府旧藏《淳化阁帖》极多，而此毕士安所得赐本拓最精好。爰特敕选工钩摹上石，冀复旧观。\n第王著昧于辨别，其所排类标题，舛陋滋甚，不当听其沿讹，以误后学。因命于敏中等详加考正，以次呈阅，候朕参定，分识各卷。并命搜采诸家释文，依字旁注。其互异者折衷附记于后，以资省览。是于考文稽古之中，兼寓举坠订讹之益，用嘉惠海内操觎之士焉。\n特谕。\n乾隆三十四年（1769）二月六日，御笔。",[24,25,7,64,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7de95ff75c6e202033ddf149ce134b61.jpg",[],{"id":4030,"slug":4031,"title":4032,"dynasty":198,"author":401,"museum":94,"description":4033,"tags":4034,"thumbUrl":4035,"material":30,"size":30,"collection":155,"collections":4036,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":34},242224,"yan-lu-gong-zheng-zuo-wei-gao-yi-ming-242224","颜鲁公争座位稿","笔力雄肆苍劲，线条粗细欹正跌宕，枯润交替间尽显朴拙厚重。行笔纵逸开张，如长枪大戟破风，将愤懑刚直的胸臆倾泻毫端。\n\n章法错落天成，字势大小随心排布，牵丝映带裹挟情绪流动，毫无雕琢之感，尽显率意抒怀的自然之态。它跳脱规整法度的桎梏，以极具抒情性的笔墨语言，将朝堂上的刚正风骨展露无遗，是人格与笔墨的完美融合，尽显雄浑磅礴的盛唐书法气度与文人硬骨。",[24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8d01db196b79c19b353504fb7c1f9d4.jpg",[155],{"id":4038,"slug":4039,"title":4040,"dynasty":460,"author":4041,"museum":94,"description":4042,"tags":4043,"thumbUrl":4044,"material":100,"size":101,"collection":30,"collections":4045,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":55},241334,"lin-zhe-tie-juan-huang-cun-shu-241334","临禇帖卷","黄存恕","此作以楷书临习褚遂良笔意，通篇气息匀雅端凝，兼具褚书空灵秀逸与清馆阁体的整饬端庄。笔致清劲挺秀，点画起收有度、筋骨暗藏，结体宽绰舒展，字字排布错落合宜，墨色匀停温润。\n\n所书《汉书》赞文，以雅正的笔意承载史辞意蕴，既恪守褚法的细劲姿媚，又融入自身的端凝工稳，尽显清人临古的谨严态度与文儒意趣，精准把握初唐褚书风神，将帖学临古的雅致与台阁的端稳融于一处，尽显笔墨涵养，是清代临古书法中颇具水准的馆阁佳制。",[24,26,176,124,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87698f38f46e36f17ca713983714e348.jpg",[],{"id":4047,"slug":4048,"title":4049,"dynasty":198,"author":4050,"museum":41,"description":4051,"tags":4052,"thumbUrl":4053,"material":49,"size":4054,"collection":51,"collections":4055,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":55},240987,"lin-jie-jin-shi-juan-cai-yu-240987","临解缙诗卷","蔡羽","《临解缙诗》释文\n款署“嘉靖丙申”。丙申为明嘉靖十五年（1536年）。钤“九逵”印。\n《临解缙诗》书法深得王羲之笔意，尤其得力于《集王圣教序》和《兰亭序》。笔势遒逸俊美，流媚多姿，宛转得势，结字清秀。李日华《六研斋笔记》中云：“蔡林屋行押书，遒美有逸韵。”",[137,138,80,124,176,64,81,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5159effe01a06bec1341cac211334d52.jpg","纵29厘米，横822.2厘米",[51],{"id":4057,"slug":4058,"title":4059,"dynasty":460,"author":4060,"museum":4061,"description":4062,"tags":4063,"thumbUrl":4064,"material":393,"size":4065,"collection":51,"collections":4066,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":55},240986,"jiang-shu-zhai-lin-tie-zhou-jiang-shu-zhai-240986","姜淑斋临帖轴","姜淑斋","青岛市博物馆","姜淑斋生卒不详，活动于公元十七世纪。女，山东青岛胶州人。号广平内史。精于行草，师法二王，得力于《十七帖》。上图草书临王羲之《司州帖》,凡四行。用笔稳劲秀润，精微入神，连绵大草跌宕起伏，纵肆牵连中别具遒迈之姿。笔力矫健，不类女子。",[24,176,1173,81,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7ee28c59e0340327e76871eb5e4f959.jpg","纵224.5， 横52厘米",[51],{"id":4068,"slug":4069,"title":4070,"dynasty":460,"author":4071,"museum":94,"description":4072,"tags":4073,"thumbUrl":4074,"material":100,"size":101,"collection":30,"collections":4075,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":55},240298,"shi-tie-zhou-da-chong-guang-240298","诗帖轴","笪重光","笪重光（1623年—1692年），字在辛，号君宜，又号蟾光、逸叟、江上外史、郁冈扫叶道人，晚年居茅山学道改名传光、蟾光，亦署逸光，号奉真、始青道人，江苏丹徒句容东荆（今江苏句容白兔镇茅庄村）人（一作江苏丹徒人），清朝著名书画家。",[24,64,1173,82,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34b9e6661114584d2fa6a44acdc03a8e.jpg",[],{"id":4077,"slug":4078,"title":4079,"dynasty":198,"author":4080,"museum":94,"description":4081,"tags":4082,"thumbUrl":4083,"material":100,"size":101,"collection":30,"collections":4084,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":55},228892,"lin-shi-qi-tie-zhu-da-you-228892","临十七帖","朱大有","生卒不祥。明安徽宁国人。字伯亨，号摩诃山农。嘉靖十二年（1523）岁贡。",[23,24,80,124,176,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd321c7a624a4e022536dbfc17e26c4c7.jpg",[],{"id":4086,"slug":4087,"title":4088,"dynasty":198,"author":4089,"museum":94,"description":4090,"tags":4091,"thumbUrl":4092,"material":100,"size":101,"collection":30,"collections":4093,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":104},228745,"zi-shu-shi-juan-huang-dao-zhou-228745","自书诗卷","黄道周","黄道周（1585年3月9日—1646年4月20日 ），汉族，字幼玄， 一作幼平或幼元，又字螭若、螭平，号石斋，世人尊称石斋先生。为明末学者、书画家、文学家、民族英雄。 福建漳州府漳浦县（今福建省东山县铜陵镇）人， 祖籍福建莆田，其曾祖从莆田迁徙至漳州。\n天启二年（1622年）进士，改庶吉士，深得考官袁可立赏识。历官翰林院修撰、詹事府少詹事。南明隆武（1645年-1646年）时，任吏部尚书兼兵部尚书、武英殿大学士（首辅）。因抗清失败被俘。隆武二年（1646年）壮烈殉国，享年62岁 。隆武帝赐谥“忠烈”，追赠文明伯。清乾隆四十一年（1776年）追谥“忠端”。与刘宗周并称“二周”。\n黄道周通天文、理数诸书。工书善画，诗文、隶草皆自成一家，先后讲学于浙江大涤、漳浦明诚堂、漳州紫阳、龙溪邺业等书院，培养了大批有学问有气节的人。",[23,80,24,124,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1685b2f4977ca333713d930386fefbe.jpg",[],{"id":4095,"slug":4096,"title":4097,"dynasty":39,"author":3242,"museum":94,"description":3243,"tags":4098,"thumbUrl":4099,"material":100,"size":101,"collection":30,"collections":4100,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":55},227356,"chao-gao-seng-chuan-xu-shi-meng-ying-227356","抄高僧传序",[2169,24,25,98,26,508,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe462d6736122af8d2d9ec41196a581e6.jpg",[],{"id":4102,"slug":4103,"title":4104,"dynasty":198,"author":4105,"museum":94,"description":4106,"tags":4107,"thumbUrl":4108,"material":49,"size":4109,"collection":30,"collections":4110,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":55},222580,"shu-deng-dai-shi-ce-jiang-jie-222580","书登岱诗册","蒋杰","明代蒋杰书法欣赏。蒋杰。曾任广东副使，文采风流，雅有时誉，是当时有名的四大书法家之一。他纵情山水，足迹几半天下，所到之处，多有题咏，诗文清丽，与姑苏王遵考、天台蔡稚含、新安洪平叔、荆溪张以登结清言社，诸君子诗酒往还，即景赋诗，悠闲自得。其书法与黄道周、董其昌、米万钟当时有名的四大书法家，笔力矫健，晚年更显苍劲。著名书法家董其昌曾写诗为他祝寿。《黔诗纪略》录其诗一首。",[23,24,64,83,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb336e4e591d6b6f2148cb92d1f499dfd.jpg","30x344厘米",[],{"id":4112,"slug":4113,"title":4114,"dynasty":198,"author":483,"museum":111,"description":4115,"tags":4116,"thumbUrl":4117,"material":152,"size":4118,"collection":30,"collections":4119,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":104},222002,"pan-gu-xu-wen-zheng-ming-222002","盘谷叙","是其晚期（84岁）小楷代表作。字体疏朗开阔，骨肉停匀，清劲苍润，工整中见洒脱，秀媚中透老辣。",[23,124,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21271eed0d1ffccf043408edadb5c630.jpg","纵15.8厘米，横129.7厘米",[],{"id":4121,"slug":4122,"title":4123,"dynasty":198,"author":483,"museum":94,"description":3629,"tags":4124,"thumbUrl":4125,"material":2904,"size":4126,"collection":30,"collections":4127,"showCount":71,"zanCount":244,"manualWeight":11,"mainColor":104},221986,"yi-xi-si-shou-ci-chen-shi-jiang-yun-quan-juan-wen-zheng-ming-221986","忆惜四首次陈侍讲韵全卷",[23,124,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cf197ad5c2b199808a1c0fad8f672ef.jpg","32x485cm",[],{"id":4129,"slug":4130,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4131,"thumbUrl":4132,"material":1025,"size":1026,"collection":30,"collections":4133,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":30},220653,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220653",[23,24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc496fa15d7aaa4edb7b4002899c7993d.jpg",[],{"id":4135,"slug":4136,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4137,"thumbUrl":4138,"material":1025,"size":1026,"collection":30,"collections":4139,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":30},220652,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220652",[23,2169,24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ba0693ff1c1c6dee53a6e9004fb3626.jpg",[],{"id":4141,"slug":4142,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4143,"thumbUrl":4144,"material":1025,"size":1026,"collection":30,"collections":4145,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":30},220651,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220651",[23,24,25,64,81,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2ad780317891bae8c661599fe518713.jpg",[],{"id":4147,"slug":4148,"title":4149,"dynasty":18,"author":412,"museum":41,"description":413,"tags":4150,"thumbUrl":4151,"material":67,"size":416,"collection":30,"collections":4152,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":104},214500,"song-tuo-tang-yu-gong-gong-wen-yan-bo-bei-13-ou-yang-xun-214500","宋拓唐虞恭公温彦博碑-13",[23,25,26,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57460388fa123a138fad94b763741e00.jpg",[],{"id":4154,"slug":4155,"title":4156,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4157,"thumbUrl":4158,"material":49,"size":498,"collection":30,"collections":4159,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":104},214463,"da-tang-zhong-xing-song-xia-ce-21-yan-zhen-qing-214463","大唐中兴颂下册-21",[507,24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00f1a652a451eda15cfa11f7dd798d8b.jpg",[],{"id":4161,"slug":4162,"title":4163,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4164,"thumbUrl":4165,"material":49,"size":498,"collection":30,"collections":4166,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":104},214439,"da-tang-zhong-xing-song-xia-ce-46-yan-zhen-qing-214439","大唐中兴颂下册-46",[26,25,24,7,507],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8589c813dcdd4e9fc2fed8a436b2235d.jpg",[],{"id":4168,"slug":4169,"title":4170,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4171,"thumbUrl":4172,"material":49,"size":498,"collection":30,"collections":4173,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":34},214419,"da-tang-zhong-xing-song-shang-ce-10-yan-zhen-qing-214419","大唐中兴颂上册-10",[26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b7a5f79cfc6af2f564231db806c7413.jpg",[],{"id":4175,"slug":4176,"title":4177,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4178,"thumbUrl":4179,"material":49,"size":498,"collection":30,"collections":4180,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":34},214413,"da-tang-zhong-xing-song-shang-ce-17-yan-zhen-qing-214413","大唐中兴颂上册-17",[26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F167f7ae27f524e68b335a498a305b183.jpg",[],{"id":4182,"slug":4183,"title":4184,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4185,"thumbUrl":4186,"material":49,"size":498,"collection":30,"collections":4187,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":34},214412,"da-tang-zhong-xing-song-shang-ce-18-yan-zhen-qing-214412","大唐中兴颂上册-18",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07fad74d337739b2ccd68429a34dfc41.jpg",[],{"id":4189,"slug":4190,"title":4191,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4192,"thumbUrl":4193,"material":49,"size":498,"collection":30,"collections":4194,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":34},214410,"da-tang-zhong-xing-song-shang-ce-24-yan-zhen-qing-214410","大唐中兴颂上册-24",[24,25,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69eed4179ee2ea9d1de521d76a16750d.jpg",[],{"id":4196,"slug":4197,"title":4198,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4199,"thumbUrl":4200,"material":49,"size":498,"collection":30,"collections":4201,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":34},214408,"da-tang-zhong-xing-song-shang-ce-22-yan-zhen-qing-214408","大唐中兴颂上册-22",[24,26,25,7,3057],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cf1839cff753f5f711ff21b91bc9869.jpg",[],{"id":4203,"slug":4204,"title":4205,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4206,"thumbUrl":4207,"material":49,"size":498,"collection":30,"collections":4208,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":34},214398,"da-tang-zhong-xing-song-shang-ce-31-yan-zhen-qing-214398","大唐中兴颂上册-31",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05b52a20d30a11eecd532df88618bb86.jpg",[],{"id":4210,"slug":4211,"title":4212,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4213,"thumbUrl":4214,"material":49,"size":498,"collection":30,"collections":4215,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":34},214397,"da-tang-zhong-xing-song-shang-ce-33-yan-zhen-qing-214397","大唐中兴颂上册-33",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4211ac5910a3642b34d4f9a7e224f11b.jpg",[],{"id":4217,"slug":4218,"title":4219,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4220,"thumbUrl":4221,"material":49,"size":498,"collection":30,"collections":4222,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":34},214396,"da-tang-zhong-xing-song-shang-ce-32-yan-zhen-qing-214396","大唐中兴颂上册-32",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17f6f79e0a1118d20e51d38bd8920f40.jpg",[],{"id":4224,"slug":4225,"title":4226,"dynasty":460,"author":3282,"museum":94,"description":3283,"tags":4227,"thumbUrl":4228,"material":100,"size":101,"collection":30,"collections":4229,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},290606,"ti-wan-shi-jun-zhuo-an-01-zhang-zhao-290606","题万始君拙庵 01",[24,64,83,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae05a83187010a304e9777d66030b450.jpg",[],{"id":4231,"slug":4232,"title":4233,"dynasty":109,"author":110,"museum":94,"description":4234,"tags":4235,"thumbUrl":4236,"material":100,"size":101,"collection":30,"collections":4237,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},288336,"gao-shang-da-dong-yu-jing-mo-ji-zhao-meng-fu-288336","高上大洞玉经墨迹","赵孟頫小楷书博采众长，规模锺元常、萧子云，出入二王，取法于杨羲，以及唐代一些写经高手。随着时光推移与不懈追求，其小楷艺术也不断升华。元代至元二十八年八月，三十八岁的赵孟頫在北京为友人民瞻书写小楷《过秦论》一卷。同年十二月，著名书家鲜于枢见到民瞻带回杭州的这件小楷墨迹，在卷后题跋中写道：子昂篆、隶、正、行、颠草，俱为当代第一，小楷又为子昂诸书第一。此卷笔力柔媚，备极楷则。后之览者，岂知下笔神速如风雨耶。\n这件《高上大洞玉经》书于大德九年。全卷近4700字，无一笔懈怠，其结体妍丽，用笔遒劲，神彩飘逸。书写此卷时，书家年已五十有二，正值壮年，加之其虔心向佛，此书诚是一件传世精品之作。",[23,24,124,187,26,943,508,47,188,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27651a032ab51e0ace0d1e96ac084194.jpg",[],{"id":4239,"slug":4240,"title":4241,"dynasty":460,"author":2304,"museum":94,"description":1327,"tags":4242,"thumbUrl":4243,"material":100,"size":101,"collection":30,"collections":4244,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},288219,"yang-jun-mu-zhi-huang-zi-yuan-288219","杨君墓志",[26,24,25,7,3544],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99ac67fc3e194d6966fb09d70987f00a.jpg",[],{"id":4246,"slug":4247,"title":4248,"dynasty":676,"author":401,"museum":94,"description":1327,"tags":4249,"thumbUrl":4250,"material":100,"size":101,"collection":30,"collections":4251,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},288153,"bei-wei-gao-dao-yue-mu-zhi-yi-ming-288153","北魏 高道悦墓志",[25,24,26,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb991ddc8491518e83e85b9d54d1c195d.jpg",[],{"id":4253,"slug":4254,"title":3175,"dynasty":198,"author":4080,"museum":94,"description":4081,"tags":4255,"thumbUrl":4256,"material":100,"size":101,"collection":30,"collections":4257,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},288111,"lin-shi-qi-tie-ce-ye-zhu-da-you-288111",[24,81,176,7,2769],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab80e49f79224101282e0ce484b249bc.jpg",[],{"id":4259,"slug":4260,"title":3495,"dynasty":198,"author":483,"museum":94,"description":1883,"tags":4261,"thumbUrl":4262,"material":100,"size":101,"collection":30,"collections":4263,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},287973,"qian-zi-wen-mo-ji-ben-wen-zheng-ming-287973",[24,64,7,465],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5310546fedfc8fc1d9aba2007e085b0d.jpg",[],{"id":4265,"slug":4266,"title":4267,"dynasty":1225,"author":401,"museum":94,"description":4268,"tags":4269,"thumbUrl":4270,"material":100,"size":101,"collection":30,"collections":4271,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},287898,"yue-zi-lu-yi-juan-qian-zi-wen-kai-shu-wei-yi-ming-287898","閱紫錄儀卷千字文楷書-尾","此作用笔苍劲率意，起收不作刻意修饰，带着民间写本特有的朴野质感。结体大小欹侧富于变化，时而紧凑欹斜，时而疏朗舒展，全无刻意雕琢的法度束缚，尽显随性自在的意趣。墨色枯润相生，浓淡自然晕染，藏着书写时松弛无拘的状态。\n\n褪去精致书风的板正，将日常抄录的平实天性融于笔墨之间，旧纸泛黄的底色裹挟着岁月沉淀的厚重，通篇尽显古拙天真的天然韵味，鲜活留存下世俗书写的本真风貌。",[23,24,26,465,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc57d7b20d2b8abb8135863004663e661.jpg",[],{"id":4273,"slug":4274,"title":4275,"dynasty":198,"author":401,"museum":94,"description":4276,"tags":4277,"thumbUrl":4278,"material":100,"size":101,"collection":30,"collections":4279,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},287694,"yu-qing-zhai-fa-tie-xu-tie-yi-ming-287694","馀清斋法帖续帖","此作为小楷题跋，笔致端稳雅正，点画精劲匀停，既有晋唐小楷的隽秀遗韵，又饱含明代书法沉静内敛的书卷气息。墨色沉凝古穆，碑拓字口清晰明净，尽显刻工精妙，将原作笔锋的起伏转折复刻入微。\n\n题跋文辞清雅，记述旧藏法帖的递藏与品评，兼具书法审美与文献考据价值，静静铺陈出古时文人鉴藏赏玩的雅趣，也让后世得以窥见往昔法帖流转的脉络，是碑帖中兼具艺术美感与文史意涵的上乘之作。",[24,25,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d168817731267cda30e14bd3244521d.jpg",[],{"id":4281,"slug":4282,"title":4283,"dynasty":1225,"author":401,"museum":94,"description":4284,"tags":4285,"thumbUrl":4286,"material":100,"size":101,"collection":30,"collections":4287,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},287437,"ku-shu-fu-tai-zong-ai-ce-yi-ming-287437","枯树赋太宗哀册","此作用笔遒劲灵动，以行书挥洒，牵丝映带间暗合赋中今昔兴衰之叹。笔画提转顿挫皆具法度，既有二王行书的飘逸隽秀，亦带着沉厚朴拙的骨力。章法错落有致，字间行气贯通，虽为拓本，仍能窥见笔墨枯润变化，将赋文里物是人非的悲戚怅惘融于笔墨之间。字里行间藏着沉郁情绪，把移柳之叹、河阳之思尽数铺展，让观者在赏鉴笔墨功力之时，共情那份昔盛今衰的喟叹，是书文相生的精妙之作。",[24,25,64,7,1900],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6268aa732cf44aa7ce38856af5bfcbf.jpg",[],{"id":4289,"slug":4290,"title":4291,"dynasty":460,"author":4292,"museum":94,"description":4293,"tags":4294,"thumbUrl":4296,"material":100,"size":101,"collection":30,"collections":4297,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},285303,"shou-li-yi-lian-chi-ge-yan-yi-bing-shou-285303","绶礼义廉耻格言","伊秉绶","伊秉绶（1754-1815），字组似，号墨卿，晚号默庵，清代书法家，福建汀州府宁化县人，故人又称“伊汀州”。乾隆四十四年举人，乾隆五十四年进士，师戴联奎，历任刑部主事，后擢员外郎。\n嘉庆四年任惠州知府，因与其直属长官、两广总督吉庆发生争执，被谪戍军台，昭雪后又升为扬州知府，1802年（嘉庆七年），伊秉绶54岁时，因父病死，去官奉棺回乡，扬州数万市民洒泪送别。62岁病逝后，扬州人为仰慕其遗德，在当地“三贤祠”（祀欧阳修、苏轼、王士祯三人之祠）中并祀伊秉绶，改称“四贤祠”。在任期间，以“廉吏善政”著称。\n伊秉绶喜绘画、治印，亦有诗集传世。工书，尤精篆隶，精秀古媚。其书超绝古格，使清季书法，放一异彩。隶书尤放纵飘逸，自成高古博大气象，与邓石如并称大家。",[124,24,26,7,4295],"格言","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9514f3459efb86060c6a8efdb63f1278.jpg",[],{"id":4299,"slug":4300,"title":4301,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":4302,"thumbUrl":4306,"material":100,"size":101,"collection":30,"collections":4307,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},283765,"jie-lu-sun-guo-ting-shu-pu-juan-dong-qi-chang-283765","节录孙过庭书谱卷",[23,24,124,64,7,1180,1921,4303,4304,4305],"清逸","笔畅","神融","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F622f0412fc8aa314d0414f26fece3f0c.jpg",[],{"id":4309,"slug":4310,"title":4311,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":4312,"thumbUrl":4313,"material":100,"size":101,"collection":30,"collections":4314,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},242524,"qin-ding-zhong-ke-chun-hua-ge-tie-gou-ben-yi-ming-242524","钦定重刻淳化阁帖钩本",[24,98,47,176,7,25,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e822f629e7ca7af62ff21c56fc00849.jpg",[],{"id":4316,"slug":4317,"title":4318,"dynasty":198,"author":401,"museum":94,"description":4319,"tags":4320,"thumbUrl":4321,"material":100,"size":101,"collection":51,"collections":4322,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},242277,"wan-xiang-tang-su-shu-tie-yi-ming-242277","晚香堂苏书帖","此帖用笔温润秀劲，提按转合间尽显潇洒韵致，笔意圆活舒展，毫无板滞之感。结体疏密得宜，字形欹正相生，既有端稳沉静之态，又不失灵动跳脱之姿。乌金沉底配莹润墨色，愈发衬出字里行间的从容雅致。\n\n以《凌虚台记》为书文，笔墨与文辞相得益彰，将文中寄寓的山水襟怀，化作笔底流转的风神，观之仿若亲临终南山麓，凌虚凭眺，山水悠然之境跃然眼底，尽显文人书法的清雅意趣，是颇具东坡神韵的刻帖佳制。",[24,64,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9efe2d1d58861d109378fea9e789a25.jpg",[51],{"id":4324,"slug":4325,"title":1336,"dynasty":18,"author":401,"museum":94,"description":4326,"tags":4327,"thumbUrl":4328,"material":30,"size":30,"collection":155,"collections":4329,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},242232,"zheng-zuo-wei-tie-yi-ming-242232","此作用笔苍劲朴拙，点画浑厚开张，尽显宽博雄健的气度。字势欹正相生，章法疏密随性自然，笔墨间裹挟着直谏时的激愤意气，将忠义肝胆寄于笔端。\n墨色沉凝古雅，虽为刻拓却不失原作的酣畅气势，行笔间带着独有的雄浑风骨，把文人气节与书法意趣相融，字里行间皆是率真饱满的情绪起伏，尽显壮逸格调，是极具感染力的行草典范。",[24,25,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5037d956fd7683d70e044ca6d075c8cb.jpg",[155],{"id":4331,"slug":4332,"title":1336,"dynasty":460,"author":401,"museum":94,"description":4333,"tags":4334,"thumbUrl":4335,"material":30,"size":30,"collection":155,"collections":4336,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":34},242230,"zheng-zuo-wei-tie-yi-ming-242230","此作用笔雄健苍劲，线条跌宕恣肆，将书者朝堂据理力争的凛然风骨寄寓笔墨间。行笔纵横捭阖，墨色斑驳沉郁，尽显刻石拓本的沧桑厚重。章法欹正相生、大小错落，看似随意排布却浑然天成。\n\n笔画粗细变化极具张力，牵丝映带间融行书灵动与朴拙为一体，既不失端稳法度，又脱尽刻板拘束，以散逸不羁的姿态成为行书经典。晕染的拓痕为其添上古雅沉静的岁月质感，让观者能触摸到千年前文人的铮铮铁骨。",[24,25,64,83,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6815a8f1c8fcfebc068f7bb1d47e64f3.jpg",[155],{"id":4338,"slug":4339,"title":4340,"dynasty":198,"author":401,"museum":94,"description":4341,"tags":4342,"thumbUrl":4343,"material":30,"size":30,"collection":51,"collections":4344,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},242219,"bao-xian-tang-fa-tie-yi-ming-242219","宝贤堂法帖","此帖荟萃晋人手札，黑底白墨古雅沉静，尽显刻帖精妙质感。右侧书作笔意圆融灵动，点画顾盼生姿，将尺牍的随性自在铺陈开来，晋人散逸潇洒的风神跃然楮墨。左侧字迹纵逸奔放，牵丝映带间尽显挥毫时的畅快意气，笔墨藏着晋韵风流的审美底色。\n\n摹刻精良，忠实留存晋人行草的章法笔意，将两通信札的日常意趣与书法精妙合二为一，虽是刻本却毫发尽显笔底情致，可让观者遥想当年挥毫的自在情态，体味古法帖隽永的笔墨魅力。",[25,24,64,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3d36d092de5a51de88c73a35db58586.jpg",[51],{"id":4346,"slug":4347,"title":4348,"dynasty":460,"author":401,"museum":94,"description":4349,"tags":4350,"thumbUrl":4351,"material":30,"size":30,"collection":155,"collections":4352,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":34},242181,"yuan-jian-zhai-fa-tie-yi-ming-242181","渊鉴斋法帖","此作用笔舒展俊逸，牵丝映带尽显灵动意趣，结体疏密相宜，字势顾盼有情。墨色乌亮莹润，刻工精良妥帖，忠实还原了行笔的粗细疾徐，将笔底的儒雅意态尽数留存。\n\n整幅章法匀停平和，文辞古雅与笔墨意韵相融，尽显雍容端秀的庙堂之风，将行书的舒展雅致与刻帖的金石质感巧妙结合，藏着清人尚雅的书风意趣，尽显从容雍和的文人气韵。",[24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F324ba74e9a66e76194663d137b1acdf8.jpg",[155],{"id":4354,"slug":4355,"title":4356,"dynasty":460,"author":4357,"museum":94,"description":4358,"tags":4359,"thumbUrl":4361,"material":100,"size":101,"collection":30,"collections":4362,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},241513,"ji-bai-shou-mei-hua-shi-tie-ce-liang-wei-jia-241513","集百首梅花诗帖册","梁维佳","此作用笔温润秀雅，行书舒展灵动，兼具小楷的端稳意韵。排布疏朗匀停，墨色浓淡合宜，点画流转间尽显文人笔墨的清雅意趣。\n\n册页录咏梅诗句，笔墨与诗意相融相生，将寒梅孤高清隽的品格藏于笔端。书“彻骨清寒”时笔力沉凝，暗合梅花凌寒之姿；写花清句时笔锋秀逸，尽显梅之灵秀风神。以笔为引，寄情于字，让观者于点撇捺挑间，窥见藏在笔墨深处的爱梅之心，书卷气盎然扑面，尽显文人的清雅襟怀。",[138,80,83,64,82,4360,24,7],"梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e617c6775e414ac6a8238abe6681096.jpg",[],{"id":4364,"slug":4365,"title":4366,"dynasty":198,"author":4367,"museum":94,"description":4368,"tags":4369,"thumbUrl":4370,"material":100,"size":101,"collection":30,"collections":4371,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},241297,"lu-wen-juan-fan-feng-ren-241297","录文卷","范风仁","号梅隐，浙江嘉兴人，寄居笠泽。工画梅，自号梅影，其篆刻尤精古。",[24,81,124,82,47,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ed408b9201bb1bd084d726ea5943064.jpg",[],{"id":4373,"slug":4374,"title":4375,"dynasty":460,"author":4376,"museum":94,"description":4377,"tags":4378,"thumbUrl":4379,"material":100,"size":101,"collection":30,"collections":4380,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},240653,"lin-tie-zhou-ba-wei-zu-240653","临帖轴","巴慰祖","巴慰祖，清（一七四四―一七九三）字予藉，一字子安，号晋堂，一作隽堂，又号莲舫，徽州歙（今黄山市歙县）人。清代篆刻家，他有《四香堂摹印》《百寿图印谱》留传，能得汉印精髓。过去因他作品极少而被列为皖派，但在战后发现的原印看来，与程邃的风格是不同的。",[24,176,1173,404,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F498d6f0690eaf6b6a2c1f8a57e28189a.jpg",[],{"id":4382,"slug":4383,"title":4384,"dynasty":198,"author":4385,"museum":94,"description":4386,"tags":4387,"thumbUrl":4388,"material":100,"size":101,"collection":30,"collections":4389,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},240456,"qian-zi-wen-ce-qiu-zheng-yi-240456","千字文册","邱正谊","邱氏籍隶淮安卫，负责运送漕粮到京城。邱广业继承了这一行当，结果运了两趟，不知出了什么问题，所运漕粮损失不少，把家产房屋都赔了个罄尽。邱广业母亲程氏死得早，父亲邱永庆无法，只好以诸生代替儿子运粮，结果死于通州。这时邱广业才十七岁，困窘已极。到通州处理一切事务以后回淮，与弟弟广德一起搬到河下，依附舅舅程氏居住，发愤读书，恢复家业",[80,24,83,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7671b2eda863c7903c0025ed82a272a.jpg",[],{"id":4391,"slug":4392,"title":4393,"dynasty":198,"author":295,"museum":94,"description":1687,"tags":4394,"thumbUrl":4395,"material":30,"size":30,"collection":51,"collections":4396,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},239911,"shi-wai-zhuan-juan-zhu-yun-ming-239911","诗外传卷",[23,24,64,81,124,82,47,188,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b1ff69ebcbaddc6016658cab5a6faf6.jpg",[51],{"id":4398,"slug":4399,"title":4400,"dynasty":39,"author":401,"museum":4401,"description":4402,"tags":4403,"thumbUrl":4404,"material":30,"size":4405,"collection":30,"collections":4406,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},232626,"zhuan-shu-qian-zi-wen-yi-ming-232626","篆书千字文","美国弗瑞尔美术馆","碑额铁线篆笔致匀净秀挺，如银丝盘绕，古雅庄重。正文先篆后隶，篆法端谨工稳，字形排布齐整，笔力瘦劲通透，尽显浑穆金石气；隶意朴拙方厚，与篆书形成视觉层次，疏朗章法衬出静穆安和的气息。刀痕与笔意交融，秦篆的规整法度揉入宋人的文雅意趣，即便历经岁月磨泐，依旧可见刻工精良，石痕与墨韵相映，将千字韵文的韵律凝固于碑间，尽显古法传承的厚重质感，是篆隶合参的经典刻石。",[98,24,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe80279445652eb7c8e547448714afe7.jpg","92.7x85.7厘米",[],{"id":4408,"slug":4409,"title":465,"dynasty":1225,"author":401,"museum":94,"description":4410,"tags":4411,"thumbUrl":4412,"material":100,"size":101,"collection":30,"collections":4413,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},230557,"qian-zi-wen-yi-ming-230557","这卷草书通篇以纵逸奔放的笔势贯连始终，提按顿挫间线条粗细枯湿交织变幻，字形欹正相生、随势赋形。千字排布疏密得宜，时而遒劲厚重，时而轻盈飘逸，连绵缠绕却条理清晰，将草书抒情达意的特质尽显无余。\n\n笔墨间裹挟着肆意洒脱的文人意气，一气呵成的行气中，古雅苍劲的韵味扑面而来，把随性不羁的书写意趣融于全篇，尽显草书灵动恣肆的独特魅力。",[23,24,124,64,81,80,47,7,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21aae4faa4bc39431739617768fbe614.jpg",[],{"id":4415,"slug":4416,"title":4417,"dynasty":198,"author":3861,"museum":94,"description":3862,"tags":4418,"thumbUrl":4419,"material":100,"size":101,"collection":30,"collections":4420,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},229024,"shu-ji-shu-yan-tie-wang-shu-229024","书积书岩帖",[2050,24,98,83,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ab933b553afd9cc2f5f8fb9f32d9ec8.jpg",[],{"id":4422,"slug":4423,"title":4424,"dynasty":198,"author":483,"museum":41,"description":1883,"tags":4425,"thumbUrl":4426,"material":4427,"size":3143,"collection":30,"collections":4428,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},222327,"shi-juan-wen-zheng-ming-222327","诗卷",[23,64,24,124,47,82,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24623c74ad371bda47ff566c2b53f618.jpg","纸本手卷",[],{"id":4430,"slug":4431,"title":4432,"dynasty":198,"author":4433,"museum":111,"description":4434,"tags":4435,"thumbUrl":4436,"material":49,"size":4437,"collection":30,"collections":4438,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":34},221879,"zi-shu-shi-tie-zhou-chen-ji-ru-221879","自书诗帖轴","陈继儒","本轴行草书七言诗，错落有致，字态摇曳多姿，笔画线条多变，姸媚与朴茂并存。\n陈继儒（1558～1639）明代文学家、书画家。字仲醇，号眉公、麋公。华亭（今上海松江）人。诸生，年二十九，隐居小昆山，后居东佘山，杜门著述，工诗善文，书法苏、米，兼能绘事，屡奉诏征用，皆以疾辞。擅墨梅、山水，画梅多册页小幅，自然随意，意态萧疏。\n陈继儒从小聪颖，九岁受业于周云汀老儒，接受过正规的私塾教育。十岁便“ 毛诗书义皆通达” ，十三岁习举子艺，十四岁旁及五经子史，七岁博综六籍百家。由于长期苦读，21岁时童子试一试皆惊。可以说，当时人眼中，他走仕途是不成问题的。然而27岁参加科考，偏偏失利。“科录见遗后，以遗才观场，遂视功名如嚼蜡矣。”到丙戌（1586）29岁时，谢去青襟，彻底与仕途告别。",[24,64,1173,80,82,2050,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F333541a252f90079f81a582242c96310.jpg","纵130.1cm，48.6cm",[],{"id":4440,"slug":4441,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4442,"thumbUrl":4443,"material":1025,"size":1026,"collection":30,"collections":4444,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":30},220657,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220657",[24,7,25,64,3897,188,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a34943976fbb54c1d762f9351f8b8f5.jpg",[],{"id":4446,"slug":4447,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4448,"thumbUrl":4449,"material":1025,"size":1026,"collection":30,"collections":4450,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":30},220648,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220648",[23,64,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1dd930eff148a54c58aa7f932987386d.jpg",[],{"id":4452,"slug":4453,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4454,"thumbUrl":4455,"material":1025,"size":1026,"collection":30,"collections":4456,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":30},220642,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220642",[23,25,24,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1759f51eb4bcae26b4cd09748fda61a.jpg",[],{"id":4458,"slug":4459,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4460,"thumbUrl":4461,"material":1025,"size":1026,"collection":30,"collections":4462,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":30},220637,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220637",[23,25,64,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff25f9ee5c687e256e35ff5aae6b4e885.jpg",[],{"id":4464,"slug":4465,"title":4466,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":4467,"thumbUrl":4468,"material":25,"size":3453,"collection":30,"collections":4469,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":55},220173,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-37-liu-gong-quan-220173","神策军碑-皇帝巡幸左神策军纪圣德碑37",[507,24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F484af52ed1c0b832833121bcb070a3b0.jpg",[],{"id":4471,"slug":4472,"title":4473,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4474,"thumbUrl":4475,"material":49,"size":498,"collection":30,"collections":4476,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},214479,"da-tang-zhong-xing-song-xia-ce-4-yan-zhen-qing-214479","大唐中兴颂下册-4",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1500d7cff53c97a4865a72261e609d44.jpg",[],{"id":4478,"slug":4479,"title":4480,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4481,"thumbUrl":4482,"material":49,"size":498,"collection":30,"collections":4483,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},214468,"da-tang-zhong-xing-song-xia-ce-16-yan-zhen-qing-214468","大唐中兴颂下册-16",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F054551c4f2b82f6caa34addf9222c313.jpg",[],{"id":4485,"slug":4486,"title":4487,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4488,"thumbUrl":4489,"material":49,"size":498,"collection":30,"collections":4490,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},214461,"da-tang-zhong-xing-song-xia-ce-22-yan-zhen-qing-214461","大唐中兴颂下册-22",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa70492a8aed0b6e255502fdecc32cfb0.jpg",[],{"id":4492,"slug":4493,"title":4494,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4495,"thumbUrl":4496,"material":49,"size":498,"collection":30,"collections":4497,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},214450,"da-tang-zhong-xing-song-xia-ce-34-yan-zhen-qing-214450","大唐中兴颂下册-34",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24626cb40d32180b463701cf7ece8aa4.jpg",[],{"id":4499,"slug":4500,"title":4501,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4502,"thumbUrl":4505,"material":49,"size":498,"collection":30,"collections":4506,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},214449,"da-tang-zhong-xing-song-xia-ce-33-yan-zhen-qing-214449","大唐中兴颂下册-33",[24,26,25,7,3057,4503,4504],"唐代书法","楷书技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6efa3c7c2bf2ff2d555f9ccb680e6ccb.jpg",[],{"id":4508,"slug":4509,"title":4510,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4511,"thumbUrl":4512,"material":49,"size":498,"collection":30,"collections":4513,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},214447,"da-tang-zhong-xing-song-xia-ce-35-yan-zhen-qing-214447","大唐中兴颂下册-35",[24,25,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fa15c17677a33e57473209f8120e379.jpg",[],{"id":4515,"slug":4516,"title":4517,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4518,"thumbUrl":4519,"material":49,"size":498,"collection":30,"collections":4520,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":104},214446,"da-tang-zhong-xing-song-xia-ce-37-yan-zhen-qing-214446","大唐中兴颂下册-37",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8efa66b58b16f55f2ee74c4e2d16aca4.jpg",[],{"id":4522,"slug":4523,"title":4524,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4525,"thumbUrl":4526,"material":49,"size":498,"collection":30,"collections":4527,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":34},214416,"da-tang-zhong-xing-song-shang-ce-13-yan-zhen-qing-214416","大唐中兴颂上册-13",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a39cbe4b8f3f74e6a4bc0d368c9e761.jpg",[],{"id":4529,"slug":4530,"title":4531,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4532,"thumbUrl":4533,"material":49,"size":498,"collection":30,"collections":4534,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":34},214411,"da-tang-zhong-xing-song-shang-ce-16-yan-zhen-qing-214411","大唐中兴颂上册-16",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02161a7a74df70d015fdc42a4e81c881.jpg",[],{"id":4536,"slug":4537,"title":4538,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4539,"thumbUrl":4540,"material":49,"size":498,"collection":30,"collections":4541,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":34},214406,"da-tang-zhong-xing-song-shang-ce-19-yan-zhen-qing-214406","大唐中兴颂上册-19",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa7b1ec404d9258d9ff549a315e1bfb6c.jpg",[],{"id":4543,"slug":4544,"title":4545,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4546,"thumbUrl":4547,"material":49,"size":498,"collection":30,"collections":4548,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":34},214402,"da-tang-zhong-xing-song-shang-ce-25-yan-zhen-qing-214402","大唐中兴颂上册-25",[26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcebfd607264c344b24fd17665ce5c5ed.jpg",[],{"id":4550,"slug":4551,"title":4552,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4553,"thumbUrl":4554,"material":49,"size":498,"collection":30,"collections":4555,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":34},214400,"da-tang-zhong-xing-song-shang-ce-28-yan-zhen-qing-214400","大唐中兴颂上册-28",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09b38d8f421a3503e2d880301fc40b2f.jpg",[],{"id":4557,"slug":4558,"title":4559,"dynasty":18,"author":19,"museum":41,"description":2623,"tags":4560,"thumbUrl":4561,"material":49,"size":498,"collection":30,"collections":4562,"showCount":290,"zanCount":11,"manualWeight":11,"mainColor":34},214399,"da-tang-zhong-xing-song-shang-ce-30-yan-zhen-qing-214399","大唐中兴颂上册-30",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7303e6184859633026c66ad1800f7b53.jpg",[],{"id":4564,"slug":4565,"title":4566,"dynasty":460,"author":3282,"museum":94,"description":3283,"tags":4567,"thumbUrl":4568,"material":100,"size":101,"collection":30,"collections":4569,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},290607,"shu-shi-tie-zhou-zhang-zhao-290607","书诗帖轴",[23,1173,81,24,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc0dbc21483df5afa2490a21ef96ce4e.jpg",[],{"id":4571,"slug":4572,"title":4573,"dynasty":109,"author":4574,"museum":94,"description":4575,"tags":4576,"thumbUrl":4577,"material":100,"size":101,"collection":30,"collections":4578,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},289953,"bao-yun-zhi-yi-tie-juan-cheng-ju-fu-289953","薄云之谊帖卷","程钜夫","程钜夫（1249年5月30日－1318年8月14日），初名文海，因避元武宗海山名讳，改用字代名，号雪楼，又号远斋。建昌军（今江西南城）人，祖籍郢州京山县（今属湖北）。",[80,124,24,64,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f2da1006fce8b866800e06ffc8dae9f.jpg",[],{"id":4580,"slug":4581,"title":4582,"dynasty":198,"author":2295,"museum":94,"description":3995,"tags":4583,"thumbUrl":4584,"material":100,"size":101,"collection":30,"collections":4585,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},289732,"lin-yu-shi-nan-xian-xiong-tie-wang-duo-289732","临虞世南贤兄帖",[3049,24,176,64,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89602d849c231c18c52a7fb72190adcd.jpg",[],{"id":4587,"slug":4588,"title":4589,"dynasty":460,"author":4590,"museum":94,"description":4591,"tags":4592,"thumbUrl":4593,"material":100,"size":101,"collection":30,"collections":4594,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},288305,"yue-yuan-ge-ji-wang-ting-zhen-288305","跃渊阁记","王庭桢","无锡人。咸丰五年(一八五五)副贡，官武昌知府，恩绶子，工小楷，颇有圭峰碑神骨，兼善山水，得父传，不为枯瘦险怪之笔，天然气韻。",[26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc93816e27c769106088b3d3db76b2d10.jpg",[],{"id":4596,"slug":4597,"title":4598,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":4599,"thumbUrl":4600,"material":100,"size":101,"collection":30,"collections":4601,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},288167,"xiao-chi-bi-shi-dong-qi-chang-288167","小赤壁诗",[24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb89a0b897b1962ac1181c467e299d4e6.jpg",[],{"id":4603,"slug":4604,"title":4605,"dynasty":460,"author":4606,"museum":94,"description":4607,"tags":4608,"thumbUrl":4609,"material":100,"size":101,"collection":30,"collections":4610,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":34},288142,"zhuan-fa-bai-yun-ge-sha-qing-yan-288142","篆法百韵歌","沙青岩","《篆法百韵歌》原为清代沙青岩所撰，对初学者掌握篆书规律，深入学习篆书，探究文字来源很有好处。历来有成就的篆刻家都认为，这些文字本来并非为篆刻而定，篆刻需要的字如果《说文解字》中没有，也应根据《说文解字》中六书的准则进行艺术创造，当然，没有一定的文字修养也是创造不出的。",[24,98,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd56bf49a4c1cb077db7aaac9a3d8c8b5.jpg",[],{"id":4612,"slug":4613,"title":4614,"dynasty":198,"author":295,"museum":94,"description":1687,"tags":4615,"thumbUrl":4616,"material":100,"size":101,"collection":30,"collections":4617,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},287812,"gui-tian-fu-zhu-yun-ming-287812","归田赋",[24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2d4ccb4037a2c144dee0d3ed520c5d7.jpg",[],{"id":4619,"slug":4620,"title":4621,"dynasty":1225,"author":401,"museum":94,"description":4622,"tags":4623,"thumbUrl":4624,"material":100,"size":101,"collection":30,"collections":4625,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},287789,"ai-ce-yi-ming-287789","哀册","这件碑拓笔意清劲疏朗，右侧行书带着楷书的端凝规整，顿挫间漫出沉郁哀婉的悼亡文气，贴合载体的悼怀主题。左侧九叠篆印排布齐整匀净，线条圆融厚重，与行书形成工稳和纵逸的视觉对冲。\n\n沉厚的墨色古雅苍劲，朱红印信点缀其间，黑朱相映，既有典重肃穆的仪式感，又带着旧拓历经岁月的沧桑质感。整幅章法疏朗却意脉相连，将碑拓的金石气与哀文的悲戚感融为一体，尽显内敛古雅的碑帖美学意韵。",[24,25,98,549,47,7,4621],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f6955f851d592ff7e244357137fa838.jpg",[],{"id":4627,"slug":4628,"title":4629,"dynasty":1225,"author":401,"museum":94,"description":4630,"tags":4631,"thumbUrl":4632,"material":100,"size":101,"collection":30,"collections":4633,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},287759,"xing-fu-si-duan-bei-yi-ming-287759","兴福寺断碑","此作为行书碑刻，笔势萦带牵连，欹侧相生间尽显灵动。点画圆腴温润，既得二王萧散雅正之致，又暗含刚劲骨力。结体疏密随心铺陈，开合自在，章法行气贯通无碍。\n碑石虽残泐斑驳，却更添古旧沧桑意韵，丝毫无损其秀逸风神。将行书的流宕潇洒，与碑刻的沉厚朴拙相融，每一道拓痕里，都藏着挥毫时的行云意趣，依稀可见当年走笔落墨的疏放姿态，是行书碑刻中神采焕然的难得佳构。",[24,25,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F518afcad470e84ec6e3d1877d7c23522.jpg",[],{"id":4635,"slug":4636,"title":465,"dynasty":1225,"author":401,"museum":94,"description":4637,"tags":4638,"thumbUrl":4639,"material":100,"size":101,"collection":30,"collections":4640,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},287709,"qian-zi-wen-yi-ming-287709","此作用笔灵动爽利，提按转合间尽显潇洒意趣，牵丝映带自然圆融，字字顾盼有情。章法疏朗匀整，行列排布齐整却不失错落生机，笔画粗细变化富于韵律，或圆润遒劲，或轻盈飘逸，将行书流美雅致的特质尽数彰显。整体气息平和隽雅，笔墨间既有法度谨严的沉稳，又不失灵动舒展的随性，把词句意蕴随笔墨节奏铺陈开来，尽显传统行书的古典意韵，是一件颇具功底的书法佳制。",[24,64,7,465,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96dad744438936fdd9900e6c562ad063.jpg",[],{"id":4642,"slug":4643,"title":4644,"dynasty":1225,"author":401,"museum":94,"description":4645,"tags":4646,"thumbUrl":4648,"material":100,"size":101,"collection":30,"collections":4649,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},287547,"06-shi-qi-tie-shang-ye-ben-yi-ming-287547","06：十七帖〈上野本〉","这帧残页墨痕几近湮没，只剩星点笔意隐在灰败的纸色间。岁月剥蚀了大部书迹，却让斑驳成为时光的注脚。晋人尺牍的流畅笔意，如今只剩断续残影，仿佛还留存着当年走笔的温度。缺损的纸边如同被时光啃噬，将往昔风雅揉成残缺的诗。每一处留白与残墨都在诉说辗转流传的沧桑，不必追念全貌，这份破碎反而让笔墨余韵愈发悠长，把千年光阴凝缩在这方残纸之上，静静沉淀出旧时光的厚重与风雅。",[24,81,7,4647],"残页","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F291b7c860e9ea4ea60c1f5f61888bbec.jpg",[],{"id":4651,"slug":4652,"title":3352,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":4653,"thumbUrl":4654,"material":100,"size":101,"collection":30,"collections":4655,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},283742,"lin-song-si-jia-shu-juan-dong-qi-chang-283742",[23,24,124,176,64,81,7,2222],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58aa17031b6086581da148289ec300e7.jpg",[],{"id":4657,"slug":4658,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":4659,"thumbUrl":4660,"material":100,"size":101,"collection":30,"collections":4661,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":34},242598,"zhong-ke-chun-hua-ge-tie-yi-ming-242598",[24,7,25,64,81,26,176,47,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52e03517ae4f26ae0ff110b87a618de9.jpg",[],{"id":4663,"slug":4664,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":4665,"thumbUrl":4666,"material":100,"size":101,"collection":30,"collections":4667,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},242584,"zhong-ke-chun-hua-ge-tie-yi-ming-242584",[24,47,549,64,98,81,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febc9cefdff4b5107d1d61dbe3c88ecb7.jpg",[],{"id":4669,"slug":4670,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":4671,"thumbUrl":4672,"material":100,"size":101,"collection":30,"collections":4673,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},242581,"zhong-ke-chun-hua-ge-tie-yi-ming-242581",[24,7,25,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c1379f3c0659f1d34fb53999613ccbc.jpg",[],{"id":4675,"slug":4676,"title":3774,"dynasty":198,"author":401,"museum":94,"description":4677,"tags":4678,"thumbUrl":4679,"material":100,"size":101,"collection":30,"collections":4680,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":34},242563,"dong-shu-tang-tie-yi-ming-242563","此作黑底金字，古雅沉静，尽显刻帖的厚重质感。笔走龙蛇，线条灵动奔放，牵丝映带之间尽显笔意连贯，欹正相生。既有迅疾圆转的使转，也有沉凝朴拙的顿挫，将文人意韵的挥洒自如展露无遗。\n\n章法上字间疏密错落，行气贯通疏朗跌宕，带着萧散俊逸的风骨，虽为刻帖却保留了笔墨的流转意趣，笔画粗细变化宛然在目，将草书的抒情性表现得淋漓尽致，仿佛能窥见挥毫时的疏放襟怀，尽显古帖的隽永韵味。",[24,25,7,64,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F748131cdebf4abac5f94198277fa36d1.jpg",[],{"id":4682,"slug":4683,"title":4311,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":4684,"thumbUrl":4685,"material":100,"size":101,"collection":30,"collections":4686,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},242519,"qin-ding-zhong-ke-chun-hua-ge-tie-gou-ben-yi-ming-242519",[24,64,81,47,176,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f7a3412ecf60738a6e4952e3438e61c.jpg",[],{"id":4688,"slug":4689,"title":4311,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":4690,"thumbUrl":4691,"material":100,"size":101,"collection":30,"collections":4692,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":1075},242516,"qin-ding-zhong-ke-chun-hua-ge-tie-gou-ben-yi-ming-242516",[24,64,47,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9feece35e041408a4824fb3370af2239.jpg",[],{"id":4694,"slug":4695,"title":4696,"dynasty":460,"author":401,"museum":94,"description":4697,"tags":4698,"thumbUrl":4699,"material":30,"size":30,"collection":155,"collections":4700,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":34},242360,"san-xi-tang-fa-tie-yi-ming-242360","三希堂法帖","墨底银钩，古雅沉静。此帖摹刻王羲之尺牍，笔势灵动舒展，牵丝映带间尽显晋人萧散风流，行间错落自然，将王氏行书“飘若游云，矫若惊龙”的神韵复刻传神。朱印琳琅排布，方、圆、回文印错落点缀，朱色、银线与墨底相映成趣，金石之气与翰墨之雅交融。镌刻精细入微，毫发毕现，将原帖笔法意韵尽数留存，尽显刻帖工艺精妙，静静诉说着古人对翰墨风雅的追慕与传承。",[24,25,7,47,98,64,549,404,26,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde2c9c47d1692159600063ad0ec030cd.jpg",[155],{"id":4702,"slug":4703,"title":4704,"dynasty":109,"author":401,"museum":94,"description":4705,"tags":4706,"thumbUrl":4707,"material":100,"size":101,"collection":30,"collections":4708,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},242235,"zheng-zuo-wei-tie-ce-yi-ming-242235","争座位帖册","元初书法总的情况是崇尚复古。文宗天历初建奎章阁，专掌秘玩古物。元文宗常幸奎章阁欣赏法书名画，书法一度出现兴盛局面。赵孟頫，鲜于枢等名家，是这时期书法的代表。他们主张书画同法，注重结字的体态。但元代书坛纯是继承晋唐，没有自己风格，稍后于赵孟頫的康里巎巎还有些变化，奇崛独出于元代书坛。纵观元代书法，其成就大者还在真行草书方面。至于篆隶，虽有几位名家，但并不怎么出色。这种以真、行、草书为主流的书法，发展到了清代才得到改变。有元一代书风，仍沿宋习盛于帖学，宗唐宗晋，虽各有其妙，亦不能以一家之法立于书坛。",[24,64,25,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb30943b43ade1e850057b74b65b8c2f8.jpg",[],{"id":4710,"slug":4711,"title":1336,"dynasty":460,"author":401,"museum":94,"description":4712,"tags":4713,"thumbUrl":4714,"material":30,"size":30,"collection":155,"collections":4715,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},242231,"zheng-zuo-wei-tie-yi-ming-242231","墨色沉凝古雅，字势开张雄健。起笔苍劲厚重，行笔欹正相生，笔画粗细跌宕尽显朴拙豪迈。章法错落自然，字里行间裹挟着忠义刚直的激愤笔意，仿若可见书者当庭抗辩的凛然身姿。\n拓本墨色浓淡层次完好留存，侧边小字题跋更添古卷幽趣，将盛唐行书的雄浑气骨与文人铮铮风骨凝于纸间，尽显古拓隽永质感。",[24,25,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf8b6ddabd3d28d4f46309503b05e397.jpg",[155],{"id":4717,"slug":4718,"title":4696,"dynasty":460,"author":3123,"museum":94,"description":4719,"tags":4720,"thumbUrl":4721,"material":30,"size":30,"collection":155,"collections":4722,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":34},242202,"san-xi-tang-fa-tie-lu-ji-shan-242202","此作为小楷题跋，黑底白字愈见笔墨清隽。笔致匀停秀雅，结体端妍温婉，暗合晋唐小楷的隽逸遗韵。文辞追慕唐人摹《兰亭》之雅，笔墨间浸透对先贤法书的怀想。点画顾盼有情，行气疏朗整饬，章法严整却不失灵动意趣，将文人清雅襟怀融于笔尖。以小楷作题识，尽显书家深厚的帖学功底，把复古的文人情思寄寓笔墨，虽是题跋却自具独立审美价值，尽显清代帖学书法的雅致风神。",[24,25,64,549,176,286,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F729b08745236a9b4175702679e010b7a.jpg",[155],{"id":4724,"slug":4725,"title":1423,"dynasty":460,"author":401,"museum":94,"description":4726,"tags":4727,"thumbUrl":4728,"material":30,"size":30,"collection":155,"collections":4729,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":34},242197,"lan-ting-ba-zhu-tie-yi-ming-242197","此作为乌金拓行书，笔致灵动秀逸，深得二王行书萧散雅韵。点画之间牵丝映带，呼应自然，结体疏密得宜，欹正相生，尽显风流蕴藉。字里行间铺展出兰亭雅集的清旷襟怀，将山水间文人酬唱的雅趣诉诸笔端。墨色莹亮皎洁，与乌墨底色相映，愈发衬出笔锋的劲挺与柔婉，章法疏朗错落，通篇气息浑融统一，尽显魏晋林下风流的雅致意趣。",[24,64,25,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ae4d670dbda87139e52054e770ff1b0.jpg",[155],{"id":4731,"slug":4732,"title":4733,"dynasty":198,"author":401,"museum":94,"description":4734,"tags":4735,"thumbUrl":4739,"material":30,"size":30,"collection":155,"collections":4740,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},242193,"feng-shu-tie-yi-ming-242193","凤墅帖","此作大字开张雄阔，用笔朴拙沉厚，结体宽博方正。字里行间自带磅礴开张的庙堂气象，笔画斩截爽利，起收可见筋骨力道，捺笔舒展大气，尽显堂堂正正的沉稳姿态。黑底白字古意盎然，拓印的斑驳痕迹，更添岁月沉淀的厚重质感，将书写的笔力与刻石的劲挺融为一体，每一字都如敦实古松，沉稳刚健，尽显正大雄浑的书风气质。",[25,7,24,26,83,4736,4737,4738],"大字","刚健","雄浑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc5bddff7a947ed87cbeb401197e5b24.jpg",[155],{"id":4742,"slug":4743,"title":4744,"dynasty":460,"author":4745,"museum":94,"description":4746,"tags":4747,"thumbUrl":4748,"material":100,"size":101,"collection":30,"collections":4749,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},241622,"lai-su-tie-lin-ze-xu-241622","来苏帖","林则徐","林则徐（1785年8月30日－1850年11月22日），字元抚，又字少穆、石麟，晚号俟村老人、俟村退叟、七十二峰退叟、瓶泉居士、栎社散人等，福建侯官县人，中国清代后期政治家、文学家、思想家，民族英雄。\n林则徐是嘉庆十六年（1811年）进士，历官翰林编修、江苏按察使、东河总督、江苏巡抚、湖广总督等职。道光十九年（1839年），以钦差大臣赴广东禁烟时，派人明察暗访，强迫外国鸦片商人交出鸦片，并将没收鸦片于虎门销毁。该事件被认为是第一次鸦片战争的导火线。战争爆发不久，林则徐被构陷革职，发往新疆戍边。道光二十五年（1845年）重获起用，历任陕甘总督、陕西巡抚、云贵总督等职，加太子太保。道光三十年（1850年），林则徐在奉命镇压拜上帝会起事途中，病逝于潮州普宁。获赠太子太傅，谥号“文忠”。有《林文忠公政书》等作品传世。\n林则徐一生遍历地方，治绩卓著。虽在两广抗击西方入侵，但对于西方的文化、科技和贸易则持开放态度，主张学其优而用之。由他主持编译的《四洲志》及魏源编撰的《海国图志》，对晚清的洋务运动乃至日本的明治维新都具有启发作用。",[24,64,80,83,82,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ad5a9f1bfc767b28cadafb92d6969f3.jpg",[],{"id":4751,"slug":4752,"title":4356,"dynasty":460,"author":4357,"museum":94,"description":4753,"tags":4754,"thumbUrl":4755,"material":100,"size":101,"collection":30,"collections":4756,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},241516,"ji-bai-shou-mei-hua-shi-tie-ce-liang-wei-jia-241516","此作用笔温润秀雅，以行书成篇，结体舒展灵动，牵丝映带间流转自然，既有帖学的妍美法度，又不失文人写意的疏朗意趣。\n\n册页抄录咏梅诗章，笔墨与诗意相融，将爱梅赏梅的清逸心境诉诸笔端。墨色沉静古雅，素纸衬映之下愈显隽秀平和，字句间尽显澹泊悠然的林下之风。书文相映，尽显旧时文人诗、书合一的审美意趣，尺幅之间自带着清幽雅致的文人雅怀，是兼具文学性与艺术性的小品佳作。",[80,83,24,64,7,4360],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3546ed3676035721fc1a1d85485b76f.jpg",[],{"id":4758,"slug":4759,"title":4760,"dynasty":198,"author":608,"museum":94,"description":1763,"tags":4761,"thumbUrl":4762,"material":100,"size":101,"collection":30,"collections":4763,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},241293,"lin-wang-jiu-tie-juan-dong-qi-chang-241293","临王九帖卷",[176,64,81,24,124,47,7,82,49],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ec6c0447d7909f53d2ccb86a980ae30.jpg",[],{"id":4765,"slug":4766,"title":4767,"dynasty":460,"author":4768,"museum":94,"description":4769,"tags":4770,"thumbUrl":4771,"material":100,"size":101,"collection":30,"collections":4772,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},240982,"wu-yun-ti-lan-ting-tuo-tie-ce-wu-yun-240982","吴云题兰亭拓帖册","吴云","字少甫，号平斋、榆庭、愉庭、抱罍子，晚号退楼主人。嘉庆十六年（1811）生，光绪九年（1883）去世。浙江归安（今湖州）人，一作安徽歙县人。斋堂号有两罍轩、二百兰亭斋、敦罍斋、金石寿世之居。\n道光诸生，屡试皆困，援例任常熟通判，历知宝山、镇江。咸丰间总理江北大营营务及筹军饷，擢苏州知府。\n收藏鼎彝、碑帖、名画、古印、宋元书籍甚富，精鉴别与考据。工书法，得力於颜真卿、何绍基。偏爱王羲之《兰亭序》，藏拓本达二百数，颜其斋曰「二百兰亭斋」。亦能画，偶作山水、花鸟，随意点染，脱尽恒蹊。\n工刻印，泽古功深，用刀、布局均得古趣。\n同治时寓居上海，与海上名家周闲等合作，鬻艺为生。",[24,64,25,47,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42ed042e98c91c0dfc5f7b10ff1a9ad5.jpg",[],{"id":4774,"slug":4775,"title":4776,"dynasty":198,"author":4777,"museum":41,"description":4778,"tags":4779,"thumbUrl":4780,"material":49,"size":30,"collection":51,"collections":4781,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},239587,"zhi-shi-tie-ce-ye-liao-zhuang-239587","执事帖册页","廖庄","廖庄是明代官员，字安止，吉水人。《明史.列传第五十》载，他为人刚直，好面折人过，不拘小节。宣德五年中进士。明英宗初年，授刑科结事中。成化初年召为刑部左侍郎，逾年病死，赠尚书。",[80,24,64,2769,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76f0c4d1166ec7361d8ecda715dfd614.jpg",[51],{"id":4783,"slug":4784,"title":4785,"dynasty":460,"author":4786,"museum":94,"description":4787,"tags":4788,"thumbUrl":4789,"material":30,"size":30,"collection":30,"collections":4790,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},230288,"lin-chu-tie-juan-jin-shi-song-230288","临褚帖卷","金士松","此作用笔温润秀逸，点画之间兼具唐楷的规整谨严与灵动意趣，将褚书妍雅舒展的风神复刻得形神兼备。起收笔处可见精细提按，结构开阔舒展，通篇行气贯通从容，墨色匀净饱满，尽显临写者扎实的临摹功底，既恪守古帖形质，又带着自身内敛的书卷气，是一件颇具水准的临古佳构，尽显临古创作中的审美意趣与笔墨功力。",[80,24,124,176,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a723e361f3592b4d6317b62c58964fe.jpg",[],{"id":4792,"slug":4793,"title":4794,"dynasty":460,"author":4795,"museum":94,"description":4796,"tags":4797,"thumbUrl":4798,"material":100,"size":101,"collection":30,"collections":4799,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":3883},228923,"jian-chang-sha-tie-huang-zhuo-228923","鉴长沙帖","黄倬","清朝名士黄倬",[23,137,138,80,24,26,1103,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3760e39b105180543b2bf85995643b29.jpg",[],{"id":4801,"slug":4802,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4803,"thumbUrl":4804,"material":1025,"size":1026,"collection":30,"collections":4805,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":30},220649,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220649",[23,2169,25,24,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6d86ec68e8c56a4b342c048a43cdd66.jpg",[],{"id":4807,"slug":4808,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4809,"thumbUrl":4810,"material":1025,"size":1026,"collection":30,"collections":4811,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":30},220646,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220646",[23,24,25,7,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febc00d1229ecee71e03b6a05953b8971.jpg",[],{"id":4813,"slug":4814,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4815,"thumbUrl":4816,"material":1025,"size":1026,"collection":30,"collections":4817,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":30},220643,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220643",[23,24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c379bb392ff25ac98fac96afb24a4cd.jpg",[],{"id":4819,"slug":4820,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4821,"thumbUrl":4822,"material":1025,"size":1026,"collection":30,"collections":4823,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":30},220638,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220638",[23,24,25,7,64,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac375a9f7403626eac79b7ca8d6e925c.jpg",[],{"id":4825,"slug":4826,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4827,"thumbUrl":4828,"material":1025,"size":1026,"collection":30,"collections":4829,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":30},220632,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220632",[23,25,7,24,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe475aabeb4dfd2dc3fa82857a4901f26.jpg",[],{"id":4831,"slug":4832,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":4833,"thumbUrl":4834,"material":1025,"size":1026,"collection":30,"collections":4835,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":30},220610,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220610",[23,24,7,25,64,81,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F566dc29d9e28c26b212143e4a3ab5e49.jpg",[],{"id":4837,"slug":4838,"title":4839,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":4840,"thumbUrl":4841,"material":25,"size":3453,"collection":30,"collections":4842,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},220175,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-35-liu-gong-quan-220175","神策军碑-皇帝巡幸左神策军纪圣德碑35",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66d10d55883709e09701b59e01c0354e.jpg",[],{"id":4844,"slug":4845,"title":4846,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":4847,"thumbUrl":4848,"material":25,"size":3453,"collection":30,"collections":4849,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},220171,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-39-liu-gong-quan-220171","神策军碑-皇帝巡幸左神策军纪圣德碑39",[507,24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e0a1e3b66dc96ffc6158f751cc172ca.jpg",[],{"id":4851,"slug":4852,"title":4853,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":4854,"thumbUrl":4855,"material":25,"size":3453,"collection":30,"collections":4856,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":55},220158,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-51-liu-gong-quan-220158","神策军碑-皇帝巡幸左神策军纪圣德碑51",[26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6df1a02cf37bd4a7d8a8bcde542d85bf.jpg",[],{"id":4858,"slug":4859,"title":4860,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4861,"thumbUrl":4862,"material":49,"size":498,"collection":30,"collections":4863,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214475,"da-tang-zhong-xing-song-xia-ce-9-yan-zhen-qing-214475","大唐中兴颂下册-9",[24,25,26,2710,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc690e308de74d4a9845a177cd6d974d.jpg",[],{"id":4865,"slug":4866,"title":4867,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4868,"thumbUrl":4869,"material":49,"size":498,"collection":30,"collections":4870,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214467,"da-tang-zhong-xing-song-xia-ce-13-yan-zhen-qing-214467","大唐中兴颂下册-13",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc475d9e2782cf4ecbab87b4bfebee1ef.jpg",[],{"id":4872,"slug":4873,"title":4874,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4875,"thumbUrl":4876,"material":49,"size":498,"collection":30,"collections":4877,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214464,"da-tang-zhong-xing-song-xia-ce-20-yan-zhen-qing-214464","大唐中兴颂下册-20",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50e64a011f1902847f9fc162c7c2fe74.jpg",[],{"id":4879,"slug":4880,"title":4881,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4882,"thumbUrl":4883,"material":49,"size":498,"collection":30,"collections":4884,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214458,"da-tang-zhong-xing-song-xia-ce-25-yan-zhen-qing-214458","大唐中兴颂下册-25",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e55a114e998e5df975ecc4ea554b420.jpg",[],{"id":4886,"slug":4887,"title":4888,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4889,"thumbUrl":4890,"material":49,"size":498,"collection":30,"collections":4891,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214457,"da-tang-zhong-xing-song-xia-ce-26-yan-zhen-qing-214457","大唐中兴颂下册-26",[26,24,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23767eae1065bb6fd11c113f9202ca09.jpg",[],{"id":4893,"slug":4894,"title":4895,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4896,"thumbUrl":4897,"material":49,"size":498,"collection":30,"collections":4898,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214448,"da-tang-zhong-xing-song-xia-ce-36-yan-zhen-qing-214448","大唐中兴颂下册-36",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52432656e6712a6bb8f4b61ece56a894.jpg",[],{"id":4900,"slug":4901,"title":4902,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4903,"thumbUrl":4904,"material":49,"size":498,"collection":30,"collections":4905,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214445,"da-tang-zhong-xing-song-xia-ce-40-yan-zhen-qing-214445","大唐中兴颂下册-40",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3ed8fdce702715ce5dd483a7dbe61ce.jpg",[],{"id":4907,"slug":4908,"title":4909,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4910,"thumbUrl":4911,"material":49,"size":498,"collection":30,"collections":4912,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214444,"da-tang-zhong-xing-song-xia-ce-39-yan-zhen-qing-214444","大唐中兴颂下册-39",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc564c448eb0b6c4cb621b9da55bd0f7.jpg",[],{"id":4914,"slug":4915,"title":4916,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4917,"thumbUrl":4918,"material":49,"size":498,"collection":30,"collections":4919,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214443,"da-tang-zhong-xing-song-xia-ce-38-yan-zhen-qing-214443","大唐中兴颂下册-38",[24,25,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5b5ab5a3c327af05bd432f95defd62a.jpg",[],{"id":4921,"slug":4922,"title":4923,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4924,"thumbUrl":4925,"material":49,"size":498,"collection":30,"collections":4926,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214441,"da-tang-zhong-xing-song-xia-ce-41-yan-zhen-qing-214441","大唐中兴颂下册-41",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc878d6bcb009e139fa2cae158dc53405.jpg",[],{"id":4928,"slug":4929,"title":4930,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4931,"thumbUrl":4932,"material":49,"size":498,"collection":30,"collections":4933,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214440,"da-tang-zhong-xing-song-xia-ce-43-yan-zhen-qing-214440","大唐中兴颂下册-43",[507,26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c4619980aea79edfbd5825867b09241.jpg",[],{"id":4935,"slug":4936,"title":4937,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4938,"thumbUrl":4939,"material":49,"size":498,"collection":30,"collections":4940,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214438,"da-tang-zhong-xing-song-xia-ce-44-yan-zhen-qing-214438","大唐中兴颂下册-44",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bd929e0ef37ce984fd9500d6a3ded0c.jpg",[],{"id":4942,"slug":4943,"title":4944,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4945,"thumbUrl":4946,"material":49,"size":498,"collection":30,"collections":4947,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214437,"da-tang-zhong-xing-song-xia-ce-45-yan-zhen-qing-214437","大唐中兴颂下册-45",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77cfd32991f11eb86d4f7324e4ab4475.jpg",[],{"id":4949,"slug":4950,"title":4951,"dynasty":18,"author":19,"museum":41,"description":495,"tags":4952,"thumbUrl":4953,"material":49,"size":498,"collection":30,"collections":4954,"showCount":222,"zanCount":11,"manualWeight":11,"mainColor":104},214435,"da-tang-zhong-xing-song-xia-ce-48-yan-zhen-qing-214435","大唐中兴颂下册-48",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa56f085ec4addc75fe251cd3fccf841f.jpg",[],{"id":4956,"slug":4957,"title":4958,"dynasty":1225,"author":401,"museum":94,"description":4959,"tags":4960,"thumbUrl":4961,"material":100,"size":101,"collection":30,"collections":4962,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":34},288479,"shi-zun-si-fa-shu-si-yi-ming-288479","世尊寺法书(四)","整作用泥金书就于乌墨底上，色调浓丽庄重，尽显华贵质感。行草笔意纵逸灵动，牵丝映带间尽显流转之美。字形大小错落，欹正相生，章法疏密有致，行气贯通，似有疾风穿林之势，将心绪寄于笔墨。\n\n用笔粗细变化自然，提转顿挫皆见法度，藏露兼施，刚柔相济，既有奔放纵逸之态，亦不失内敛沉稳之姿。左侧小字题跋与主体书作呼应，整体古雅肃穆，尽显旧时书法抒情达意的笔情墨趣，藏着书写者的襟怀意绪，于浓淡明暗间诉说传统书法的隽永魅力。",[24,25,7,64,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b6a9cc200afd4cca12eb53b78761594.jpg",[],{"id":4964,"slug":4965,"title":4966,"dynasty":1225,"author":401,"museum":94,"description":4967,"tags":4968,"thumbUrl":4969,"material":100,"size":101,"collection":30,"collections":4970,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":34},288478,"shi-zun-si-fa-shu-liu-yi-ming-288478","世尊寺法书(六)","黑金配色古雅沉静，金书落于墨底之上，愈发衬出雅致华贵。假名草书笔势婉转连绵，线条柔润舒展，兼具随性与章法。字间排布疏密相宜，牵丝映带间藏着书写时的呼吸节律，将书写者的清逸意趣融在每一处笔触之中。柔缓的笔锋带着和风书道独有的温婉禅意，古旧装裱晕开岁月厚重，把东瀛书法的空灵隽秀，敛藏在这一方尺牍之中，静诉着旧时笔底的悠然心绪。",[24,81,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31440f300b5a860bbe24290adeadfd10.jpg",[],{"id":4972,"slug":4973,"title":4974,"dynasty":1225,"author":401,"museum":94,"description":4975,"tags":4976,"thumbUrl":4979,"material":100,"size":101,"collection":30,"collections":4980,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":34},288477,"shi-zun-si-fa-shu-wu-yi-ming-288477","世尊寺法书(五)","此作用笔秀逸灵动，牵丝映带温润自然，行笔遒劲舒展，将行书的韵律之美铺陈开来。字形错落排布，章法疏密相宜，乌亮墨色衬以沉暗底纸，晕开古雅沉静的书卷意韵。\n\n书文取《琵琶行》选段，笔墨贴合文辞凄清意境，笔锋回转间暗合江州秋夜的落寞愁思。提按转折皆藏情绪起伏，既保有行书的潇洒自在，又兼具碑刻的厚重质感，让文学意趣与书法美感相融相映，尽显雅致沉静的文人风骨。",[24,64,25,7,4977,4978],"乐器","琵琶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3b2d3566e08733963a448ede096155a.jpg",[],{"id":4982,"slug":4983,"title":4629,"dynasty":1225,"author":401,"museum":94,"description":4984,"tags":4985,"thumbUrl":4986,"material":100,"size":101,"collection":30,"collections":4987,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},288171,"xing-fu-si-duan-bei-yi-ming-288171","此碑虽残损斑驳，却不减笔墨神采。笔法承二王风骨，点画圆润舒展，牵丝映带自然精妙，锋棱宛然可见，尽显潇散简远的晋人风神。结体欹正相生，疏密得宜，将庙堂碑刻的端稳与行书的灵动疏朗相融。岁月浸蚀留下的残泐，更添古朴苍茫的质感，让笔墨妍美与金石沉凝交织相衬。字里行间舒展俊逸，法度与逸韵兼具，尽显行书飘逸风骨与碑刻厚重质感，留存下唐人行书承续二王笔法的精妙神采。",[25,64,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9d2f402f81104d906ad5da9fe2051a8.jpg",[],{"id":4989,"slug":4990,"title":4991,"dynasty":1225,"author":401,"museum":94,"description":4992,"tags":4993,"thumbUrl":4994,"material":100,"size":101,"collection":30,"collections":4995,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":2034},288169,"meng-fa-shi-bei-yi-ming-288169","孟法师碑","这帧题跋小字清隽秀雅，笔势舒朗挺劲，自带散淡书卷气，记述数目的文字考据严谨却不失文人情致。朱红鉴藏印错落排布，与墨色书迹相映成趣，方印古拙浑厚，朱痕晕开金石意趣，疏密间晕开旧藏文脉流传的厚重质感。笔墨与钤印相融，既有帖学雅致，又揽尽鉴藏底蕴，方寸间尽显岁月沉淀，静诉着辗转递藏的悠悠往事。",[24,25,7,26,47,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff280796364462abd2992f167f522d429.jpg",[],{"id":4997,"slug":4998,"title":950,"dynasty":1225,"author":401,"museum":94,"description":4999,"tags":5000,"thumbUrl":5001,"material":100,"size":101,"collection":30,"collections":5002,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":2034},287926,"ping-fu-tie-yi-ming-287926","此作为小楷题跋，笔致秀雅温润，结体灵动舒展，兼得晋唐小楷的端严法度与文人书写的散淡意趣。墨色苍润匀净，字距排布错落合宜，通篇气息平和疏朗。以笔墨承载考证思绪，将题识的严谨考据与书法的抒情雅致相融，寸楮之间既有金石考据的沉静文心，亦见老笔纷披的醇厚韵味，尽显旧时文人题跋的斯文风骨。",[24,64,47,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6826f3f63557cc8d3e991db18b0900c.jpg",[],{"id":5004,"slug":5005,"title":5006,"dynasty":1225,"author":401,"museum":94,"description":5007,"tags":5008,"thumbUrl":5009,"material":100,"size":101,"collection":30,"collections":5010,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},287662,"zheng-zuo-wei-gao-yi-ming-287662","争座位稿","此作用笔雄健苍劲，线条粗细跌宕，墨色枯润自然变幻。章法纵有行而横无列，字势欹侧相生，通篇气韵连贯畅达，尽显朴拙豪纵的意趣。笔墨间带着沉郁顿挫的张力，将愤懑情绪寄于笔端，刚正之气透于纸背。以笔抒情，把心绪起伏融于提按使转之间，笔墨酣畅淋漓，将行草抒情写意的特质发挥到极致，是极具感染力的行草佳构。",[24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc046f2aa9235573f5aac77afd0c3ed69.jpg",[],{"id":5012,"slug":5013,"title":5014,"dynasty":1225,"author":401,"museum":94,"description":5015,"tags":5016,"thumbUrl":5018,"material":100,"size":101,"collection":30,"collections":5019,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},287323,"qie-yun-shou-gao-yi-ming-287323","切韻手稿","此卷手稿以蝇头小楷密密排布，笔意朴拙端稳，墨色沉郁古雅，间杂朱笔校注晕开细碎时光印记。纸面虽有残损，却更添古旧质感，字字皆是古人稽考音韵的治学痕迹。通篇文字排布紧凑却不显拥塞，笔墨之间带着写经类书法的沉静气质，将中古音韵的严谨考据藏在毫厘笔锋之中，既是韵学研究的珍贵遗存，亦是古人治学日常的生动切片，残页之上定格着千年前的治学场景，尽显古典文献独有的质朴厚重之美。",[24,26,188,7,5017,964],"手稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf17ca55e0a0948cb097f36c7d5767da.jpg",[],{"id":5021,"slug":5022,"title":5023,"dynasty":39,"author":5024,"museum":111,"description":5025,"tags":5026,"thumbUrl":5027,"material":152,"size":5028,"collection":30,"collections":5029,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},284346,"zheng-yu-tie-ye-fu-yao-yu-284346","蒸燠帖页","傅尧俞","这件行楷书书法作品是傅尧俞的传世孤本，是他向友人应酬问候的一则信札。作品结体秀正方润，笔法清峻峭拔，风格上保持了较多的宋初书法的特点。作品上面的藏印有：：“江德量鉴藏印”（朱文）、“南韵斋”（朱文）、“莲樵成勋鉴赏书画之章”（朱文）、“皇十一子成亲王诒晋斋图书印”（朱文）。",[24,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35552cfebcb78d10b9fba5cd0e33726e.jpg","纵26.3厘米，横17.3厘米",[],{"id":5031,"slug":5032,"title":5033,"dynasty":198,"author":608,"museum":94,"description":5034,"tags":5035,"thumbUrl":5036,"material":100,"size":101,"collection":30,"collections":5037,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},283776,"lin-dong-po-chi-du-ce-dong-qi-chang-283776","临东坡尺牍册","本册为董氏节录苏轼尺牍七段，阮元《石渠随笔》曾载此册，记为六段，又收入《石渠宝笈续编》。金粟笺本，笔精墨妙。有脱漏或改动字句处。1612年，董文敏58岁，其时于深研二王基础上，董氏进而汲取宋四家之长，除米芾外，钻研最深的便是苏轼。董书以灵动绰约见长，虽不如苏书沉厚雄健，然圆润秀逸则过之。",[23,24,124,2769,176,64,82,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e12c84a0d1734c9157bc948508caba1.jpg",[],{"id":5039,"slug":5040,"title":5041,"dynasty":460,"author":401,"museum":94,"description":5042,"tags":5043,"thumbUrl":5045,"material":100,"size":101,"collection":30,"collections":5046,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},269380,"zi-tan-qian-yu-qian-long-yu-lin-lan-ting-ba-zhu-tie-ce-ye-di-qi-ce-yi-ming-269380","紫檀嵌玉乾隆御临兰亭八柱帖册页-第七册","此件册页以紫檀为底，木色古雅沉凝，质地细密温润。封面高浮雕双龙穿云，龙纹矫健苍劲，鳞爪分毫毕现，祥云翻卷环绕，刀工爽利遒劲，尽显皇家威仪。中心填金题签笔力浑厚端方，与浮雕纹饰相得益彰。内页以玉片复刻御笔兰亭帖诗，玉质莹洁清润，与紫檀的深褐底色冷暖相衬，将书法的笔墨意趣与玉石的温润质感相融。整器将木雕工艺的精工、书法的风雅与玉作的雅致合而为一，尽显清中期宫廷造物的极致工巧与华贵气韵，是文玩雅器与皇家审美交融的典范之作。",[83,24,7,176,1161,1130,5044,3897,64,1129,188],"木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3526a72ab46c64a1ff7794927238904.jpg",[],{"id":5048,"slug":5049,"title":5050,"dynasty":460,"author":401,"museum":94,"description":5051,"tags":5052,"thumbUrl":5053,"material":100,"size":101,"collection":30,"collections":5054,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},269379,"zi-tan-qian-yu-qian-long-yu-lin-lan-ting-ba-zhu-tie-ce-ye-di-ba-ce-yi-ming-269379","紫檀嵌玉乾隆御临兰亭八柱帖册页-第八册","此册函取紫檀为材，器面高浮雕双龙盘绕，龙身遒劲灵动，祥云迤逦相随，刀工细腻圆融，将瑞兽威仪与云气柔韵相融。中央阳刻填金题字，笔致方正端凝，金漆沉敛华贵，尽显庄重气度。\n它作为御法帖的装帧，既是文房典藏的华美外衣，亦承载着清宫顶尖匠作工艺，将文翰风雅与宫廷工美精妙结合，尽显雍容雅致的皇家审美意趣。",[83,24,7,176,64,5044,1130,1161,1129],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb33e0612cf9e0bd5158bcf034575b9ec.jpg",[],{"id":5056,"slug":5057,"title":5058,"dynasty":460,"author":401,"museum":94,"description":5059,"tags":5060,"thumbUrl":5061,"material":100,"size":101,"collection":30,"collections":5062,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},269376,"zi-tan-qian-yu-qian-long-yu-lin-lan-ting-ba-zhu-tie-ce-ye-di-san-ce-yi-ming-269376","紫檀嵌玉乾隆御临兰亭八柱帖册页-第三册","此封面以紫檀为料，剔地精雕双龙游弋于云涛之中，龙姿矫健遒劲，鳞片纹路细密灵动，云纹舒卷层叠，刀工浑朴老辣，将皇家威严的祥瑞气象凝于木作之上。中央嵌饰阴刻填金题板，字迹端稳厚重，与周边雕饰浑然一体，尽显宫廷造物的华贵规整。木质沉敛的色泽搭配耀目金彩，沉稳雅致间暗合帖作的风雅底蕴，在方寸木面之上，勾勒出庄重雍容的皇家气度，将工艺美学与文风雅韵相融无间。",[2769,5044,1130,1161,1129,24,7,176,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa907bd12f597a1666f3c719c1ae970c0.jpg",[],{"id":5064,"slug":5065,"title":5066,"dynasty":460,"author":401,"museum":94,"description":5067,"tags":5068,"thumbUrl":5070,"material":100,"size":101,"collection":30,"collections":5071,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":34},269375,"zi-tan-qian-yu-qian-long-yu-lin-lan-ting-ba-zhu-tie-ce-ye-di-si-ce-yi-ming-269375","紫檀嵌玉乾隆御临兰亭八柱帖册页-第四册","此件以沉穆细腻的紫檀为骨，榫卯勾连作围屏式册页，开合自如可案可藏。莹白玉字嵌于褐底之上，鎏金笔锋舒展灵动，复刻兰亭笔意的飘逸潇洒。\n\n将魏晋行书的文人意趣，融于宫廷精工之中，把翰墨风雅与匠造华贵融为一体，尽显清中期宫廷器物的雅致雍容，静立便自带沉静古雅的书卷意蕴。",[2769,24,7,64,5044,1130,5069],"玉器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55b6898ee2cd0169cc4a3a2c03ab2ebf.jpg",[],{"id":5073,"slug":5074,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5075,"thumbUrl":5076,"material":100,"size":101,"collection":30,"collections":5077,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},242580,"zhong-ke-chun-hua-ge-tie-yi-ming-242580",[80,25,7,64,81,98,47,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e17210a35743556fc451d0750643854.jpg",[],{"id":5079,"slug":5080,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5081,"tags":5082,"thumbUrl":5083,"material":100,"size":101,"collection":30,"collections":5084,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},242573,"dong-shu-tang-tie-yi-ming-242573","此帖拓工精湛，乌金墨色沉凝莹润，字口爽利清晰。所录唐玄宗行书，兼具二王风流与帝王雍容，笔势舒展朗润，丰腴中见灵动雅致。\n\n左侧书作笔墨流转自然，起承转合尽显潇洒风神，将闲居雅趣融于笔端；右侧御笔庄重遒稳，文辞与书韵相得益彰，盛唐雅逸气象跃然纸上。\n\n古旧装帧带着岁月痕迹，却完好留存下唐贤书风的典雅风神，刻拓工艺的精湛尽显无余，是兼具书法审美与文献价值的珍本。",[24,26,25,83,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2f738d3016f591f67cd6305fea0dc1a.jpg",[],{"id":5086,"slug":5087,"title":5088,"dynasty":198,"author":401,"museum":94,"description":5089,"tags":5090,"thumbUrl":5091,"material":30,"size":30,"collection":155,"collections":5092,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":34},242549,"bao-xian-tang-tie-yi-ming-242549","宝贤堂帖","墨色沉凝如漆，字口清朗挺括，虽经摹刻，原作的笔意风神依旧留存真切。章法排布匀整疏朗，字间行气连贯自然。\n\n此帖书法融合行书流便与楷书端严，点画圆劲温润，兼具晋人萧散韵致与唐人法度谨严。所录前代书札，笔墨兼具尺牍的随性写意，又不失刻帖的规整清雅，尽显明人尚古尊帖的意趣，于方寸楮墨间，尽显古典书法的雅致风神，是明代汇刻丛帖中颇具代表性的佳制。",[24,64,25,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F410c284691b42409ae9199b60efc2531.jpg",[155],{"id":5094,"slug":5095,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5096,"thumbUrl":5097,"material":100,"size":101,"collection":30,"collections":5098,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":34},242533,"zhong-ke-chun-hua-ge-tie-yi-ming-242533",[24,64,81,47,25,7,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85af4eb59c53a1a290a42111240fcda8.jpg",[],{"id":5100,"slug":5101,"title":4311,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5102,"thumbUrl":5103,"material":100,"size":101,"collection":30,"collections":5104,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},242521,"qin-ding-zhong-ke-chun-hua-ge-tie-gou-ben-yi-ming-242521",[24,64,47,7,176,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F401eedd4f885b4e1f4014cf662a270c3.jpg",[],{"id":5106,"slug":5107,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5108,"thumbUrl":5109,"material":100,"size":101,"collection":30,"collections":5110,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":34},242515,"zhong-ke-chun-hua-ge-tie-yi-ming-242515",[24,25,176,7,81,26,47,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb3fdf6f3706cf9b76a98180e053ae46.jpg",[],{"id":5112,"slug":5113,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5114,"thumbUrl":5115,"material":100,"size":101,"collection":30,"collections":5116,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":34},242501,"zhong-ke-chun-hua-ge-tie-yi-ming-242501",[25,24,81,47,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96c43568b83092b435d652d033dca8e9.jpg",[],{"id":5118,"slug":5119,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5120,"thumbUrl":5121,"material":100,"size":101,"collection":30,"collections":5122,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":34},242495,"zhong-ke-chun-hua-ge-tie-yi-ming-242495",[24,25,7,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e6c5d0f1de7a5140a4d26cb552c9942.jpg",[],{"id":5124,"slug":5125,"title":3564,"dynasty":460,"author":401,"museum":94,"description":5126,"tags":5127,"thumbUrl":5128,"material":30,"size":30,"collection":30,"collections":5129,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":34},242422,"tai-yuan-duan-tie-yi-ming-242422","墨色沉朴古雅，字口虽经岁月剥蚀略有斑驳，却依旧可辨笔意清劲秀逸。全篇小楷结体端雅匀整，笔画舒展灵润，既有唐人写经的端严意趣，又暗含元明小楷的妍和姿态。\n\n帖文行气连贯妥帖，通篇气息安和沉静，书写者将撰文的敬谨之意融于笔墨间，让文气与书韵相融无间。旧拓自带的苍茫金石质感，为其更添古拙厚重，藏着时光晕染出的独特意趣，是兼具书法审美与文献价值的佳本。",[25,24,64,7,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f6e44f28362e693bbe7b98e0a059e1e.jpg",[],{"id":5131,"slug":5132,"title":3564,"dynasty":460,"author":401,"museum":94,"description":5133,"tags":5134,"thumbUrl":5135,"material":30,"size":30,"collection":30,"collections":5136,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},242421,"tai-yuan-duan-tie-yi-ming-242421","此帖为行书旧拓，字势欹侧跌宕，线条枯润交织。历经岁月磨泐，字迹虽斑驳漫漶，却自带苍茫古拙的金石质感。字间错落呼应，行气连贯畅达，暗合晋唐行书的灵动意趣。\n\n拓本残损非但未减风采，反而赋予其独特的沧桑况味。笔画间顿挫牵丝仍可窥见原迹使转精妙，旧拓晕染为原本秀逸的行书添就几分厚重古雅。观者可于斑驳字迹之间，触摸往昔书法的流风神彩，沉浸在金石拓本独有的岁月余韵之中。",[7,25,24,64,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d947ada18949e2e6138cc7fd512af57.jpg",[],{"id":5138,"slug":5139,"title":1336,"dynasty":198,"author":401,"museum":94,"description":5140,"tags":5141,"thumbUrl":5142,"material":100,"size":101,"collection":30,"collections":5143,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},242234,"zheng-zuo-wei-tie-yi-ming-242234","此作用笔苍劲舒张，欹正相生，以行书挥就，笔墨间裹挟着刚直磊落的气节。线条顿挫起伏尽显雄浑气度，牵丝映带又暗蕴灵动，刚柔相济浑然天成。章法错落随性，不作刻意排布，却自带着舒展疏朗的韵律，将撰文者的愤懑坦荡全然寄寓于笔墨之中。墨色沉润朴拙，拓工精良，即便历经岁月，依旧传递出原作磅礴筋骨与凛然风神，尽显大唐行书的雄强笔意，堪称一代经典的精妙留存。",[24,25,64,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffaf053a14c4083b0a04ec253c5d63ffc.jpg",[],{"id":5145,"slug":5146,"title":5147,"dynasty":39,"author":401,"museum":94,"description":5148,"tags":5149,"thumbUrl":5150,"material":100,"size":101,"collection":30,"collections":5151,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},242212,"da-tang-zhong-xing-song-yi-ming-242212","大唐中兴颂","此作字形宽博开张，笔力苍浑厚重，尽显正大雍容之气。“金紫”“光禄”四字线条饱满沉实，起收藏锋敛锷，朴拙间带着刚健筋骨。黑底白字的拓本质感，让斑驳金石痕迹晕开岁月古意，笔画间飞白残损，皆成岁月留痕的独特韵味。结体舒展无拘，毫无局促之态，将开阔雄浑的风骨凝于笔墨方寸，庙堂庄重之感跃然纸上，每一处顿挫都带着沉郁苍劲的力量，尽显磅礴大气的厚重气象。",[24,25,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a11a24f3d4c31313c9f1e0166165edc.jpg",[],{"id":5153,"slug":5154,"title":5155,"dynasty":460,"author":401,"museum":94,"description":5156,"tags":5157,"thumbUrl":5158,"material":30,"size":30,"collection":155,"collections":5159,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},242201,"kuai-xue-tang-fa-tie-yi-ming-242201","快雪堂法帖","这帧碑拓墨色沉凝，白字如锥画沙，各段题书风神各异。有的笔致清劲端雅，带着唐楷的整饬意韵，却又暗含行书的灵动舒展；有的朴厚苍古，信笔挥就间尽显随性疏朗。\n题跋追述名帖递藏过往，兰亭摹本辗转名家之手，漂流转徙海内，把一段翰墨流传的旧事镌入石中。拓面斑驳的痕迹，是岁月摩挲的印记，将纸本笔墨的轻盈，凝作金石长存的厚重。字里行间藏着历代文人对法帖的追慕珍视，也刻录下文脉赓续的风雅往事，让千载翰墨情致，留存在这方寸拓片之上。",[25,24,26,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe74a12db3e96fee067b860470d8098d7.jpg",[155],{"id":5161,"slug":5162,"title":4356,"dynasty":460,"author":4357,"museum":94,"description":5163,"tags":5164,"thumbUrl":5165,"material":100,"size":101,"collection":30,"collections":5166,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},241515,"ji-bai-shou-mei-hua-shi-tie-ce-liang-wei-jia-241515","此作用笔灵动婉畅，行书笔意流转自如，牵丝映带间尽显章法意趣，字势顾盼相生，疏密错落恰到好处。墨色浓淡自然过渡，通篇气韵清雅连贯，将咏梅诗的清逸意境与书法笔墨融为一体。书写既有文人书法的秀雅温润，又暗含内敛刚劲的骨力，笔致凝练却不失舒展，把诗句中梅花的孤高品格借笔墨徐徐铺陈开来，尽显悠然书卷意态，是颇具意趣的书法小品。",[80,83,64,24,7,4360],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbdcc0260d15a7e0affd22e661612c3a.jpg",[],{"id":5168,"slug":5169,"title":5170,"dynasty":460,"author":5171,"museum":94,"description":5172,"tags":5173,"thumbUrl":5174,"material":100,"size":101,"collection":30,"collections":5175,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},240689,"huang-ri-qi-lin-you-jun-tie-ye-huang-ri-qi-240689","黄日起临右军帖页","黄日起","此作用笔灵动圆活，线条流转舒展，深得右军帖之雅逸风神。字势顾盼相生，章法开合有度，字间牵丝映带，将晋人萧散简远的意趣尽显无余。\n墨色富于变化，枯笔瘦劲见筋骨，润笔腴润蕴温雅，轻重缓急间尽显书写时的悠然意态。虽为临帖，却并非刻板摹写，恪守法度之余融入自我意韵，尽显雅致格调，藏着书家的笔墨襟怀。",[80,176,64,47,83,24,7,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a2b3e128ab6738f3fb9666bde0e6e61.jpg",[],{"id":5177,"slug":5178,"title":5179,"dynasty":198,"author":401,"museum":94,"description":5180,"tags":5181,"thumbUrl":5182,"material":100,"size":101,"collection":30,"collections":5183,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},240237,"guo-zi-zhi-wu-lv-shi-ye-yi-ming-240237","郭子直五律诗页","这件行书诗页笔墨苍劲灵动，行气连贯自然。用笔起落提转尽显腕底功力，线条粗细富于韵律，时而劲挺如寒藤，时而舒徐如云烟，将文人逸气藏于毫端。\n\n章法错落随心，字距疏密相映，行气随诗意起伏，开篇沉凝，渐次舒展，收尾余韵悠长。墨色浓淡燥润相生，枯笔见筋骨，湿笔蕴腴润，尽显明代行书尚态重意的风神。\n\n诗书相融无间，笔墨饱含沉静的文人意趣，可见书者浸淫晋唐帖学，又不失明人书法的放达意致，通篇疏朗雅致，古雅书卷之气扑面而来。",[198,24,64,47,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2441f9ac594602ad00f5b81efee6fdb7.jpg",[],{"id":5185,"slug":5186,"title":5187,"dynasty":198,"author":5188,"museum":94,"description":5189,"tags":5190,"thumbUrl":5191,"material":100,"size":101,"collection":30,"collections":5192,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},239904,"si-jia-lian-bi-shi-juan-huang-fu-xiao-239904","四家联璧诗卷","皇甫涍","皇甫涍（1497-1546），明诗文家。字子安，号少玄，长洲（今苏州）人。苏州府诸生。嘉靖十一年（1532）进士，除工部主事，官至浙江按察使佥事。好学工诗，颇负才名",[23,24,64,124,82,47,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5d22f2a35d41a3d9b369e97614cfce5.jpg",[],{"id":5194,"slug":5195,"title":5196,"dynasty":460,"author":5197,"museum":94,"description":5198,"tags":5199,"thumbUrl":5200,"material":100,"size":101,"collection":30,"collections":5201,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":1075},239761,"shu-hong-li-geng-zhi-shi-ce-zhou-huang-239761","书弘历耕织诗册","周煌","周煌（1714—1785年），字景垣，号绪楚，又号海珊（一作海山），四川涪州酒店乡麻堆坝（今重庆市涪陵区马武镇麻堆村）人，清朝著名官员。\n乾隆二年（1737年）进士。曾奉诏以副使身份出使琉球，出任《四库全书》总阅，官至工部尚书、兵部尚书、上书房总师傅、都察院左都御史等职。以兵部尚书加太子少傅致仕，卒赠太子太傅，谥号“文恭”。\n周煌一生能文工诗善书，笔法遒劲，著作颇丰，有《琉球国志略》、《海山诗稿》等近10种。《清史稿》有传。其有关作品收录于《益州书画录》中。",[24,26,83,47,82,7,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c2049a647af8d1926634dabf9aee199.jpg",[],{"id":5203,"slug":5204,"title":5205,"dynasty":460,"author":401,"museum":94,"description":5206,"tags":5207,"thumbUrl":5208,"material":100,"size":101,"collection":30,"collections":5209,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},230351,"hong-ji-tie-yi-ming-230351","鸿迹帖","素雅豆青色函套尽显沉静古意，古朴线装延续旧时古籍装帧的雅致风骨。朱红签条上篆书笔力沉凝端方，方正古拙的字体与浅淡底色相映，撞色间晕开内敛的文人气韵。整体没有繁复修饰，却在细节里藏着巧思，线装朱红穿带呼应签条色彩，将传统审美融于方寸之间。简约克制的装帧暗合翰墨清帖的风雅底蕴，静静诉说着旧时光里的书卷静美，尽显文人藏帖的内敛审美意趣。",[24,7,47,2838,83,1103,3099],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faad292f5bd02d908157743f8a0b6e149.jpg",[],{"id":5211,"slug":5212,"title":5213,"dynasty":198,"author":1527,"museum":3878,"description":1528,"tags":5214,"thumbUrl":5215,"material":152,"size":3881,"collection":30,"collections":5216,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":3883},222299,"nan-hua-zhen-jing-52-wang-chong-222299","南华真经52",[23,26,202,24,7,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f3ea1c55a561f7c2ba87e1c93a03aff.jpg",[],{"id":5218,"slug":5219,"title":5220,"dynasty":198,"author":1527,"museum":3878,"description":1528,"tags":5221,"thumbUrl":5223,"material":152,"size":3881,"collection":30,"collections":5224,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":3883},222295,"nan-hua-zhen-jing-48-wang-chong-222295","南华真经48",[23,24,202,7,5222],"道家典籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F399a81a538689bb964999c882d2ab74e.jpg",[],{"id":5226,"slug":5227,"title":5228,"dynasty":198,"author":1527,"museum":3878,"description":1528,"tags":5229,"thumbUrl":5231,"material":152,"size":3881,"collection":30,"collections":5232,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":3883},222251,"nan-hua-zhen-jing-4-wang-chong-222251","南华真经4",[23,202,24,7,187,188,5230,2404],"空灵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4f37185bbbeebe39c2d9a7c56ae4a3e.jpg",[],{"id":5234,"slug":5235,"title":4424,"dynasty":198,"author":483,"museum":61,"description":3629,"tags":5236,"thumbUrl":5237,"material":4427,"size":3143,"collection":30,"collections":5238,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},222009,"shi-juan-wen-zheng-ming-222009",[23,124,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdefde169c98fa5f198b0048e6428c344.jpg",[],{"id":5240,"slug":5241,"title":5242,"dynasty":198,"author":483,"museum":41,"description":3629,"tags":5243,"thumbUrl":5244,"material":49,"size":5245,"collection":30,"collections":5246,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},221963,"shu-zha-ce-14-wen-zheng-ming-221963","书札册14",[23,24,64,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd7218e7246b3f4901622a73c7a7f441.jpg","10×23.7cm",[],{"id":5248,"slug":5249,"title":5250,"dynasty":198,"author":483,"museum":41,"description":3629,"tags":5251,"thumbUrl":5252,"material":49,"size":5245,"collection":30,"collections":5253,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},221959,"shu-zha-ce-10-wen-zheng-ming-221959","书札册10",[23,24,64,83,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43de11536cc128486da3f08d40010013.jpg",[],{"id":5255,"slug":5256,"title":5257,"dynasty":198,"author":483,"museum":41,"description":3629,"tags":5258,"thumbUrl":5259,"material":49,"size":5245,"collection":30,"collections":5260,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},221957,"shu-zha-ce-8-wen-zheng-ming-221957","书札册8",[23,24,64,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37da148685bbb47fc4b6208d450ac3eb.jpg",[],{"id":5262,"slug":5263,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5264,"thumbUrl":5265,"material":1025,"size":1026,"collection":30,"collections":5266,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220647,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220647",[23,39,25,7,24,64,3904],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fdcdefe8908c5d76bc1b92bc9ea6673.jpg",[],{"id":5268,"slug":5269,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5270,"thumbUrl":5271,"material":1025,"size":1026,"collection":30,"collections":5272,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220645,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220645",[23,24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff4ca86f9120b43f570d3a2d7906021e.jpg",[],{"id":5274,"slug":5275,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5276,"thumbUrl":5277,"material":1025,"size":1026,"collection":30,"collections":5278,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220644,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220644",[23,25,24,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d9641f1b9115dbf59b93837cfb44fa8.jpg",[],{"id":5280,"slug":5281,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5282,"thumbUrl":5284,"material":1025,"size":1026,"collection":30,"collections":5285,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220641,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220641",[23,25,7,64,24,5283],"宋刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d1d4c7e336d2cabbd4440f221d1e78e.jpg",[],{"id":5287,"slug":5288,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5289,"thumbUrl":5290,"material":1025,"size":1026,"collection":30,"collections":5291,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220640,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220640",[23,24,64,25,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2008827400f9b72349c00fabf3c0c946.jpg",[],{"id":5293,"slug":5294,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5295,"thumbUrl":5296,"material":1025,"size":1026,"collection":30,"collections":5297,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220639,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220639",[23,24,25,7,64,81,26,5283,3904],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4635b547d72de1ed72a9ca3cecc53ccb.jpg",[],{"id":5299,"slug":5300,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5301,"thumbUrl":5302,"material":1025,"size":1026,"collection":30,"collections":5303,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220636,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220636",[23,25,24,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f90557901c7f740b04a172a735cdedd.jpg",[],{"id":5305,"slug":5306,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5307,"thumbUrl":5308,"material":1025,"size":1026,"collection":30,"collections":5309,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220635,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220635",[23,24,64,7,25,3904],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F175d9e342d2173b4a642a62c522cbfc3.jpg",[],{"id":5311,"slug":5312,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5313,"thumbUrl":5314,"material":1025,"size":1026,"collection":30,"collections":5315,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220633,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220633",[5283,25,7,24,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bf33705dd1a019b8eec3fa29c929761.jpg",[],{"id":5317,"slug":5318,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5319,"thumbUrl":5320,"material":1025,"size":1026,"collection":30,"collections":5321,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220631,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220631",[23,24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd79805c1573bd8c0d45852d1ffc04647.jpg",[],{"id":5323,"slug":5324,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5325,"thumbUrl":5326,"material":1025,"size":1026,"collection":30,"collections":5327,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220630,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220630",[23,64,24,25,7,5283],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e3810d14831628643a2796f319c1312.jpg",[],{"id":5329,"slug":5330,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5331,"thumbUrl":5332,"material":1025,"size":1026,"collection":30,"collections":5333,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220629,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220629",[23,24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc146c6faf34e0904416e7e279e5e7998.jpg",[],{"id":5335,"slug":5336,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5337,"thumbUrl":5338,"material":1025,"size":1026,"collection":30,"collections":5339,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220628,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220628",[23,24,25,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e6de89c00f9651733d012b72aa7c679.jpg",[],{"id":5341,"slug":5342,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5343,"thumbUrl":5344,"material":1025,"size":1026,"collection":30,"collections":5345,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220627,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220627",[23,24,64,25,7,5283,3904],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd299361720144a3b572f02ffb898e971.jpg",[],{"id":5347,"slug":5348,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5349,"thumbUrl":5350,"material":1025,"size":1026,"collection":30,"collections":5351,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220626,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220626",[23,25,24,64,7,5283],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85f767efa5690d0eea36d1720a4d712d.jpg",[],{"id":5353,"slug":5354,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5355,"thumbUrl":5356,"material":1025,"size":1026,"collection":30,"collections":5357,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220625,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220625",[23,24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89e991c9d50f45d131fbdbd06bf83aaf.jpg",[],{"id":5359,"slug":5360,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5361,"thumbUrl":5363,"material":1025,"size":1026,"collection":30,"collections":5364,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220624,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220624",[23,2169,25,24,64,7,2077,3904,5362],"汉字书写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8202ff700285245662217b46bb02547d.jpg",[],{"id":5366,"slug":5367,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5368,"thumbUrl":5369,"material":1025,"size":1026,"collection":30,"collections":5370,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220623,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220623",[23,25,7,24,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d8afa8a9ef24b99e0313526ade14805.jpg",[],{"id":5372,"slug":5373,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5374,"thumbUrl":5375,"material":1025,"size":1026,"collection":30,"collections":5376,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220622,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220622",[23,25,24,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe17845ea1dee47aa2e1a5ae20ed672b3.jpg",[],{"id":5378,"slug":5379,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5380,"thumbUrl":5381,"material":1025,"size":1026,"collection":30,"collections":5382,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220621,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220621",[23,24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F758557a592c0dbd045d416b824483b29.jpg",[],{"id":5384,"slug":5385,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5386,"thumbUrl":5387,"material":1025,"size":1026,"collection":30,"collections":5388,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220620,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220620",[23,24,25,64,7,5283],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4c76d0cefa73cc4e01899e947eca7bc.jpg",[],{"id":5390,"slug":5391,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5392,"thumbUrl":5393,"material":1025,"size":1026,"collection":30,"collections":5394,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220618,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220618",[23,2169,25,7,24,64,3904],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb63a076a89ea2774673c234fbb5533c.jpg",[],{"id":5396,"slug":5397,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5398,"thumbUrl":5404,"material":1025,"size":1026,"collection":30,"collections":5405,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220617,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220617",[23,2169,24,64,25,7,3904,65,1921,1925,1926,1927,519,5399,1929,1923,1924,5400,3057,5401,5402,5403],"使转","帖学","书迹","临帖","书风","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e9cdc584821ac371540393487be1ad7.jpg",[],{"id":5407,"slug":5408,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5409,"thumbUrl":5410,"material":1025,"size":1026,"collection":30,"collections":5411,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220616,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220616",[23,24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5994ca429900daad23e9c38d52c6a5e8.jpg",[],{"id":5413,"slug":5414,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5415,"thumbUrl":5416,"material":1025,"size":1026,"collection":30,"collections":5417,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220615,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220615",[23,24,25,7,64,47,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fceed6531c3acc0b998c595ef44eb8861.jpg",[],{"id":5419,"slug":5420,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5421,"thumbUrl":5422,"material":1025,"size":1026,"collection":30,"collections":5423,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220614,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220614",[23,25,24,7,64,26,2096],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b2f89a128e0d858c45f2b8cc4c661ae.jpg",[],{"id":5425,"slug":5426,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5427,"thumbUrl":5428,"material":1025,"size":1026,"collection":30,"collections":5429,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220613,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220613",[23,25,24,7,64,83,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b502e7dae1e9c56901624e8edc93bb9.jpg",[],{"id":5431,"slug":5432,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5433,"thumbUrl":5434,"material":1025,"size":1026,"collection":30,"collections":5435,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220612,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220612",[23,24,7,25,64,26,47,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0334193d694d2f1e839e1721aa8d766.jpg",[],{"id":5437,"slug":5438,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":5439,"thumbUrl":5440,"material":1025,"size":1026,"collection":30,"collections":5441,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":30},220611,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220611",[23,24,64,25,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6cc83a3e2f30e78cfe66eef37b399579.jpg",[],{"id":5443,"slug":5444,"title":5445,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":5446,"thumbUrl":5447,"material":25,"size":3453,"collection":30,"collections":5448,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},220205,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-10-liu-gong-quan-220205","神策军碑-皇帝巡幸左神策军纪圣德碑10",[24,26,25,7,286],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9134fa8618868df1c0b844853725ffe2.jpg",[],{"id":5450,"slug":5451,"title":5452,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":5453,"thumbUrl":5454,"material":25,"size":3453,"collection":30,"collections":5455,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},220200,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-14-liu-gong-quan-220200","神策军碑-皇帝巡幸左神策军纪圣德碑14",[24,26,25,3057,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdddefb011564e560ef6d5f817e2a2673.jpg",[],{"id":5457,"slug":5458,"title":5459,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":5460,"thumbUrl":5461,"material":25,"size":3453,"collection":30,"collections":5462,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},220198,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-16-liu-gong-quan-220198","神策军碑-皇帝巡幸左神策军纪圣德碑16",[24,25,26,7,4503],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1e84d87eb516d7dc6f4200532eb5da8.jpg",[],{"id":5464,"slug":5465,"title":5466,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":5467,"thumbUrl":5469,"material":25,"size":3453,"collection":30,"collections":5470,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},220193,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-20-liu-gong-quan-220193","神策军碑-皇帝巡幸左神策军纪圣德碑20",[24,26,25,3057,7,4503,5468],"石刻拓本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3334f1117530e351b311fecbf9198fbf.jpg",[],{"id":5472,"slug":5473,"title":5474,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":5475,"thumbUrl":5476,"material":25,"size":3453,"collection":30,"collections":5477,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},220180,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-31-liu-gong-quan-220180","神策军碑-皇帝巡幸左神策军纪圣德碑31",[24,25,26,507,3057,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4be325933ec8bcebefbf5851f83575f4.jpg",[],{"id":5479,"slug":5480,"title":5481,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":5482,"thumbUrl":5487,"material":25,"size":3453,"collection":30,"collections":5488,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},220177,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-34-liu-gong-quan-220177","神策军碑-皇帝巡幸左神策军纪圣德碑34",[24,26,25,3057,7,5483,5484,3657,5485,5486],"石刻","唐楷","书体严谨","笔法刚劲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32d7cd02db860659f15807ed0f22b0a7.jpg",[],{"id":5490,"slug":5491,"title":5492,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":5493,"thumbUrl":5494,"material":25,"size":3453,"collection":30,"collections":5495,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},220172,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-38-liu-gong-quan-220172","神策军碑-皇帝巡幸左神策军纪圣德碑38",[24,26,25,3057,7,507],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90fb0a23370643a4418e92652f460ed4.jpg",[],{"id":5497,"slug":5498,"title":5499,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":5500,"thumbUrl":5501,"material":25,"size":3453,"collection":30,"collections":5502,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},220163,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-46-liu-gong-quan-220163","神策军碑-皇帝巡幸左神策军纪圣德碑46",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd108917cffbb1485f1eef15244398c13.jpg",[],{"id":5504,"slug":5505,"title":5506,"dynasty":18,"author":990,"museum":3449,"description":3450,"tags":5507,"thumbUrl":5508,"material":25,"size":3453,"collection":30,"collections":5509,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":55},220160,"shen-ce-jun-bei-huang-di-xun-xing-zuo-shen-ce-jun-ji-sheng-de-bei-49-liu-gong-quan-220160","神策军碑-皇帝巡幸左神策军纪圣德碑49",[26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3f3cf44f4435ae0bce6e618febde91c.jpg",[],{"id":5511,"slug":5512,"title":5513,"dynasty":18,"author":19,"museum":41,"description":495,"tags":5514,"thumbUrl":5515,"material":49,"size":498,"collection":30,"collections":5516,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},214474,"da-tang-zhong-xing-song-xia-ce-8-yan-zhen-qing-214474","大唐中兴颂下册-8",[137,80,26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F772fcc749537096e0a863a5e562fd3de.jpg",[],{"id":5518,"slug":5519,"title":5520,"dynasty":18,"author":19,"museum":41,"description":495,"tags":5521,"thumbUrl":5522,"material":49,"size":498,"collection":30,"collections":5523,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},214471,"da-tang-zhong-xing-song-xia-ce-11-yan-zhen-qing-214471","大唐中兴颂下册-11",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f0b2c4a723df4499c4262babbba0358.jpg",[],{"id":5525,"slug":5526,"title":5527,"dynasty":18,"author":19,"museum":41,"description":495,"tags":5528,"thumbUrl":5529,"material":49,"size":498,"collection":30,"collections":5530,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},214470,"da-tang-zhong-xing-song-xia-ce-14-yan-zhen-qing-214470","大唐中兴颂下册-14",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc090e18a183ab77c0f1af2a14921d819.jpg",[],{"id":5532,"slug":5533,"title":5534,"dynasty":18,"author":19,"museum":41,"description":495,"tags":5535,"thumbUrl":5536,"material":49,"size":498,"collection":30,"collections":5537,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},214469,"da-tang-zhong-xing-song-xia-ce-15-yan-zhen-qing-214469","大唐中兴颂下册-15",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc683ba8620e04b41c66667e78151c288.jpg",[],{"id":5539,"slug":5540,"title":5541,"dynasty":18,"author":19,"museum":41,"description":495,"tags":5542,"thumbUrl":5543,"material":49,"size":498,"collection":30,"collections":5544,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},214466,"da-tang-zhong-xing-song-xia-ce-18-yan-zhen-qing-214466","大唐中兴颂下册-18",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff58db2e5e8f97df7d5204b1f3eebc3ed.jpg",[],{"id":5546,"slug":5547,"title":5548,"dynasty":18,"author":19,"museum":41,"description":495,"tags":5549,"thumbUrl":5550,"material":49,"size":498,"collection":30,"collections":5551,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},214465,"da-tang-zhong-xing-song-xia-ce-17-yan-zhen-qing-214465","大唐中兴颂下册-17",[26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F149807116a9f9ce1a0b0f42c305f79bc.jpg",[],{"id":5553,"slug":5554,"title":5555,"dynasty":18,"author":19,"museum":41,"description":495,"tags":5556,"thumbUrl":5557,"material":49,"size":498,"collection":30,"collections":5558,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},214462,"da-tang-zhong-xing-song-xia-ce-19-yan-zhen-qing-214462","大唐中兴颂下册-19",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7958dc3c8cfc99c07dda970840321ab8.jpg",[],{"id":5560,"slug":5561,"title":5562,"dynasty":18,"author":19,"museum":41,"description":495,"tags":5563,"thumbUrl":5564,"material":49,"size":498,"collection":30,"collections":5565,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},214460,"da-tang-zhong-xing-song-xia-ce-24-yan-zhen-qing-214460","大唐中兴颂下册-24",[24,26,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F441b912e2099bd034f2dc3f962cc197c.jpg",[],{"id":5567,"slug":5568,"title":5569,"dynasty":18,"author":19,"museum":41,"description":495,"tags":5570,"thumbUrl":5571,"material":49,"size":498,"collection":30,"collections":5572,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},214454,"da-tang-zhong-xing-song-xia-ce-30-yan-zhen-qing-214454","大唐中兴颂下册-30",[24,25,26,7,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3d813a356255513401a72075245d678.jpg",[],{"id":5574,"slug":5575,"title":5576,"dynasty":18,"author":19,"museum":41,"description":495,"tags":5577,"thumbUrl":5582,"material":49,"size":498,"collection":30,"collections":5583,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},214451,"da-tang-zhong-xing-song-xia-ce-32-yan-zhen-qing-214451","大唐中兴颂下册-32",[24,26,25,7,4503,5578,5579,5362,5580,5581],"雄浑风格","碑刻拓印","传统书法技法","楷书典范","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46a98e1b2a7e57b3d71ac186aa7a1a1b.jpg",[],{"id":5585,"slug":5586,"title":5587,"dynasty":18,"author":19,"museum":41,"description":495,"tags":5588,"thumbUrl":5594,"material":49,"size":498,"collection":30,"collections":5595,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":104},214442,"da-tang-zhong-xing-song-xia-ce-42-yan-zhen-qing-214442","大唐中兴颂下册-42",[26,24,25,7,3057,4503,5589,5590,5591,5592,5593],"颜体风格","中锋用笔","厚重雄健","方整大气","石刻拓片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0885eb16a9d38a4f41987b77e90331bf.jpg",[],{"id":5597,"slug":5598,"title":5599,"dynasty":1225,"author":401,"museum":94,"description":5600,"tags":5601,"thumbUrl":5603,"material":100,"size":101,"collection":30,"collections":5604,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},290054,"dun-huang-yi-shu-403-yi-ming-290054","敦煌遗书403","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[5602,24,81,188,187,7],"敦煌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbbcf2aa1f48d9c5d35c8d3349159c42.jpg",[],{"id":5606,"slug":5607,"title":5608,"dynasty":1225,"author":401,"museum":94,"description":5600,"tags":5609,"thumbUrl":5610,"material":100,"size":101,"collection":30,"collections":5611,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},290046,"dun-huang-yi-shu-395-yi-ming-290046","敦煌遗书395",[5602,124,24,187,26,188,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F297e10346572bee4d09f763f79ea3992.jpg",[],{"id":5613,"slug":5614,"title":5615,"dynasty":460,"author":401,"museum":94,"description":5616,"tags":5617,"thumbUrl":5618,"material":100,"size":101,"collection":30,"collections":5619,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},275909,"yu-zhi-ding-wu-lan-ting-mu-qian-yu-zi-ce-yi-ming-275909","御制定武兰亭木嵌玉字册","紫檀夹板沉静古雅，嵌贴金质签条，更衬出器物的华贵庄重。册中以玉字复刻兰亭法帖，玉质莹润清透，雕刻刀工匀净挺秀，将王羲之笔底的飘洒灵动，凝为温润可观的立体风骨。把纸上的笔墨意趣化为玉石上的隽永雕刻，寸寸玉字皆藏着对书圣法帖的极致推崇。整器装帧考究，木质的沉敛中和玉的清透，文气与匠意相融，尽显庄重雅致的典藏气韵。",[83,24,5044,1129,7,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbfbcddf4f783662abc01b55d253e46a0.jpg",[],{"id":5621,"slug":5622,"title":5623,"dynasty":460,"author":401,"museum":94,"description":3767,"tags":5624,"thumbUrl":5625,"material":100,"size":101,"collection":30,"collections":5626,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},275893,"bai-yu-qian-long-yu-bi-yue-yi-lun-ce-yi-ming-275893","白玉乾隆御笔乐毅论册",[83,24,26,7,1129,5044,1130,1161,3204,3897],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c974326625a2c9eb610219b0adcbee3.jpg",[],{"id":5628,"slug":5629,"title":5630,"dynasty":460,"author":401,"museum":94,"description":3767,"tags":5631,"thumbUrl":5632,"material":100,"size":101,"collection":30,"collections":5633,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},275868,"bai-yu-yu-lin-tang-wen-huang-tie-ce-yi-ming-275868","白玉御临唐文皇帖册",[83,24,7,5044,1130,1161,5069],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a4b78f760ea130dd71c0968ad93e7aa.jpg",[],{"id":5635,"slug":5636,"title":5637,"dynasty":460,"author":401,"museum":94,"description":5638,"tags":5639,"thumbUrl":5640,"material":100,"size":101,"collection":30,"collections":5641,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},269374,"zi-tan-qian-yu-qian-long-yu-lin-lan-ting-ba-zhu-tie-ce-ye-di-wu-ce-yi-ming-269374","紫檀嵌玉乾隆御临兰亭八柱帖册页-第五册","此作以紫檀为材，质地沉敛温润。封面满饰高浮雕双龙戏云，龙躯矫健蜿蜒，鳞爪灵动威严，祥云层叠迤逦，刀工圆劲细腻，将瑞气相融于木纹之中，尽显雕工精湛。中心嵌填金字样，笔锋端稳厚重，与木雕相得益彰，尽显宫廷御制的华贵考究。\n\n器物内纳御笔临帖，既承兰亭雅韵风骨，又蕴帝王书风威仪，是木雕工艺与书法典藏的完美合璧，古朴庄重间尽显皇家藏品的矜贵气韵，堪称精工与文心兼具的典藏佳品。",[83,24,7,64,5044,1130,1161,1129,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F524be4b4bbb3f48475937c60595cadc5.jpg",[],{"id":5643,"slug":5644,"title":5645,"dynasty":460,"author":401,"museum":94,"description":5646,"tags":5647,"thumbUrl":5649,"material":100,"size":101,"collection":30,"collections":5650,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},269373,"zi-tan-qian-yu-qian-long-yu-lin-lan-ting-ba-zhu-tie-ce-ye-di-liu-ce-yi-ming-269373","紫檀嵌玉乾隆御临兰亭八柱帖册页-第六册","此函以紫檀为材，器表高浮雕双龙游弋于流云之中，鳞爪遒劲分明，云纹舒卷灵动，刀工圆润细腻，将瑞兽的威仪与云气的仙逸完美融合。中央嵌饰填金题字，笔力沉凝端方，尽显庄重典雅的皇家气韵。\n\n其书作兼具二王行书的飘逸灵动，与御笔的雍容规整，墨色饱满匀净，结体舒展沉稳，既承续古法风神，又自带帝王笔墨的华贵气度。整器装帧考究，从函套工艺到内页书迹，皆是精工细作的典范，凝聚着工艺美学与书法艺术的双重价值，尽显皇家典藏的质感与底蕴。",[83,24,7,176,1130,1161,5044,5648,64],"嵌玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2dba95780b68d5fcb7093e207431e35.jpg",[],{"id":5652,"slug":5653,"title":5654,"dynasty":460,"author":401,"museum":94,"description":5655,"tags":5656,"thumbUrl":5657,"material":100,"size":101,"collection":30,"collections":5658,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},269370,"zi-tan-qian-yu-qian-long-yu-lin-lan-ting-ba-zhu-tie-shi-ce-yi-ming-269370","紫檀嵌玉乾隆御临兰亭八柱帖诗册","封面取紫檀为材，深浮雕双龙盘绕云海，鳞爪灵动饱满，辗转腾挪间威仪自生。题签阴刻填金，笔力端凝沉厚，古韵幽幽。\n\n内页以玉为纸镌字，玉质温莹清润，刀工细腻妥帖，将法帖的笔墨筋骨融于玉石肌理之中，既有书法的流动意趣，又兼玉雕的雅致质感。\n\n整器形制端庄华贵，是传统工艺与书法美学的绝妙合璧，尽显庄重典雅的宫廷气度，静静诉说着旧时御制文玩的匠心格调。",[83,5044,1130,1161,24,7,176,1129,64,3897],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5cac9cee3b66de4814d91fcfb929f67d.jpg",[],{"id":5660,"slug":5661,"title":5662,"dynasty":460,"author":401,"museum":94,"description":5663,"tags":5664,"thumbUrl":5665,"material":100,"size":101,"collection":30,"collections":5666,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},269369,"zi-tan-qian-yu-qian-long-yu-lin-lan-ting-ba-zhu-tie-ce-ye-di-er-ce-yi-ming-269369","紫檀嵌玉乾隆御临兰亭八柱帖册页-第二册","此作以紫檀为材，高浮雕双龙穿梭云海之间，龙身遒劲灵动，鳞爪分毫毕现，云纹舒卷自如，刀工细腻凝练，尽显庄重华贵的皇家气度。中央嵌玉题字，玉色莹润素雅，与紫檀沉郁色泽相互映衬，御笔字体端稳厚重，章法井然。整器工艺精湛考究，将木雕之浑厚与玉饰之温润融为一体，既是收纳法帖的精巧宝匣，亦是清代宫廷工艺的绝佳缩影，于方寸间尽显造物匠心，内敛中流露雍容华贵的皇家格调。",[83,24,7,176,5044,1130,1161,64,1129,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96bd39a3d0e5495f1dd0d7df43966aa1.jpg",[],{"id":5668,"slug":5669,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5670,"thumbUrl":5671,"material":100,"size":101,"collection":30,"collections":5672,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242597,"zhong-ke-chun-hua-ge-tie-yi-ming-242597",[24,25,7,64,81,47,83,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39aae1b0687f2454d100a0107051ee60.jpg",[],{"id":5674,"slug":5675,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5676,"tags":5677,"thumbUrl":5678,"material":100,"size":101,"collection":30,"collections":5679,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242593,"dong-shu-tang-tie-yi-ming-242593","此帖行书草书兼具，右页行书端雅温润，结体匀停舒展，笔画舒展间带着从容温雅的古意，将尺牍往来的平和心绪藏在笔墨起落里。左侧草书笔意纵逸连贯，牵丝萦带间尽显灵动姿致，把晋人萧散疏朗的气韵尽显纸面。\n\n虽为刻帖却摹刻精良，苍古沉静的墨色晕染在旧纸之上，带着被时光浸洗过的厚重质感。字里行间藏着旧时文人尺牍的风雅日常，把亲友间的牵念、问询都融在婉转笔墨中，让后世得以窥见往昔的翰墨风流。",[24,25,7,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9aa8fa97f57c08577458b723148f7243.jpg",[],{"id":5681,"slug":5682,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5683,"tags":5684,"thumbUrl":5685,"material":100,"size":101,"collection":30,"collections":5686,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242592,"dong-shu-tang-tie-yi-ming-242592","墨色沉郁古雅，拓本边缘晕开时光浸蚀的旧痕，藏着辗转流传的岁月温度。行笔牵丝映带，时而遒劲厚重，时而灵动舒展，排布错落间尽显晋唐行书的隽永意趣。朱印错落点缀，与乌墨底色相映成趣，金石的沉静质感与翰墨的流动生机相融。它复刻古帖风神，将往昔笔意凝于纸间，每一处顿挫转折都藏着古法传承的脉络，在斑驳旧影里晕开千载书法的氤氲气韵，静静诉说着帖学一路的风雅传承。",[24,25,64,47,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8db491d89392822945b183afa4e35f2.jpg",[],{"id":5688,"slug":5689,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5690,"tags":5691,"thumbUrl":5692,"material":30,"size":30,"collection":30,"collections":5693,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242591,"dong-shu-tang-tie-yi-ming-242591","此帖墨色沉凝乌亮，拓印精良细腻，字口朗晰，笔锋的提按转折宛然可见。小楷字形端雅秀挺，结体匀整舒和，行气贯通流畅，尽显晋唐小楷的清逸风神。\n\n泛黄的纸页裹挟着岁月痕迹，古朴装帧带着旧时光的沉静质感，虽经辗转流传，依旧完整保留了帖中笔墨的雅致意趣。笔笔恪守法度，又暗含灵动意韵，将传统帖学的含蓄雅致蕴藏其间，静静晕开跨越时光的翰墨温情。",[24,7,25,64,26,83,47,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab256754130b4059a2b81987e0d47136.jpg",[],{"id":5695,"slug":5696,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5697,"tags":5698,"thumbUrl":5699,"material":100,"size":101,"collection":30,"collections":5700,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242589,"dong-shu-tang-tie-yi-ming-242589","此帖墨色乌亮沉凝，小楷隽秀雅致，结体匀停温润，尽得晋唐尺牍的灵动意趣与端严法度。刻工精细入微，笔画间的牵丝映带分毫毕现，完整留存原作笔情墨韵。泛黄纸页裹挟着经年沧桑，将数百载翰墨风雅静静封存，每一处锋棱转折都藏着书写者的行气节奏，观者如见先贤濡毫挥运，于尺幅间体味小楷清雅韵致，尽显汇帖复刻的精巧匠心。",[83,25,7,24,26,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8486980d2cf09c7ca3d889f1c2625516.jpg",[],{"id":5702,"slug":5703,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5704,"tags":5705,"thumbUrl":5706,"material":100,"size":101,"collection":30,"collections":5707,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242588,"dong-shu-tang-tie-yi-ming-242588","此帖墨色乌亮莹润，纸墨交融间古意盎然。行间布白疏朗匀停，尽显行草流美之姿。笔画牵丝映带，圆劲灵动，既不失法度谨严，又暗含萧散简远的意趣。字字顾盼有情，行气连贯如一，将尺牍的散逸风神复刻传神。刊刻细腻忠实，笔锋转折、墨色枯润皆清晰留存，虽为刻拓，却不减挥毫时的鲜活意态，尽显精工刻帖的不俗水准，亦是窥见古帖风神的精妙范本。",[25,64,24,7,47,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F552cab259916fe6d0bec37e78e430cbd.jpg",[],{"id":5709,"slug":5710,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5711,"tags":5712,"thumbUrl":5713,"material":100,"size":101,"collection":30,"collections":5714,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242587,"dong-shu-tang-tie-yi-ming-242587","此帖以乌亮墨底衬出行书笔触，温润灵动尽显二王风神。刻工精细入微，笔画提按转折锋芒未减，牵丝映带间笔意连贯流畅，墨色历经岁月依旧匀净莹润，古意盎然。\n\n版式疏朗妥帖，字行排布错落相宜，留白恰到好处。赏读之时，能清晰感知书写的韵律节奏，笔墨间流淌出晋人尚韵的风雅气度，虽为刻帖，却精准复刻原作精妙笔法，尽显帖学刻本的考究质感，留存下古法书的神韵风骨，实为刻帖之上佳之作。",[24,25,64,83,7,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6cdf58357a3a46e364cab1e91f51d12.jpg",[],{"id":5716,"slug":5717,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5718,"tags":5719,"thumbUrl":5720,"material":100,"size":101,"collection":30,"collections":5721,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242586,"dong-shu-tang-tie-yi-ming-242586","此旧拓墨色沉凝苍古，行草笔意俊逸流畅，字势牵丝映带，尽显二王一脉的潇洒意趣。拓制精良入微，锋棱回转、细劲牵丝皆清晰可辨，虽经年岁摩挲，仍能窥见原作的灵动风神。\n\n章法疏密相宜，字间顾盼有情，行气贯通如流泉，兼具挥洒疏朗与内敛沉静，尽显帖学的典雅蕴藉。古朴装帧裹挟着岁月质感，纸墨交融间，既藏着书法线条的流动之美，也留存着拓印技艺的匠心，是帖学流传与金石拓工结合的佳构。",[24,7,25,64,26,83,188,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf5b82dd5f5d07dcd126e630da6e5b28.jpg",[],{"id":5723,"slug":5724,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5725,"thumbUrl":5726,"material":100,"size":101,"collection":30,"collections":5727,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242582,"zhong-ke-chun-hua-ge-tie-yi-ming-242582",[24,80,25,7,64,81,47,549,98,176,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6865654d6dd9013b851486566cf00e10.jpg",[],{"id":5729,"slug":5730,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5731,"tags":5732,"thumbUrl":5733,"material":100,"size":101,"collection":30,"collections":5734,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242579,"dong-shu-tang-tie-yi-ming-242579","此帖墨色乌亮莹润，镌刻精工细腻，完整留存原作笔意。小楷结体端庄秀雅，字形舒展匀停，点画间顾盼有情，兼具晋唐小楷的灵动意趣与端严法度。\n\n纸页虽因岁月经年泛着旧黄，却更衬出古雅沉静的气质，字口清晰传神，将墨迹的转折提按复刻得当。搭配古雅的论书文字，书法与文辞相得益彰，整体气息静谧安和，尽显小楷秀逸隽永之美，含蓄内敛的文人意趣浸透纸面，静静诉说着往昔的翰墨风流，是刻帖中的上乘佳构。",[24,7,25,26,1149,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea813ca0825c3cecc9a3159f46151b53.jpg",[],{"id":5736,"slug":5737,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5738,"tags":5739,"thumbUrl":5740,"material":100,"size":101,"collection":30,"collections":5741,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242577,"dong-shu-tang-tie-yi-ming-242577","此帖汇录晋唐名臣手札，摹刻精到，墨色苍浑沉润。笔画流转间尽显晋人萧散飘逸的风神，结体兼具唐楷端稳之态，将尺牍里的雅致文心尽数留存。刻工深悟原作笔意，行笔的起伏顿挫、牵丝映带都清晰可辨，即便历经拓印，依旧能窥见先贤挥毫时的灵动韵致。版面排布疏朗和谐，字间气息连贯悠然，把旧日尺牍里的缱绻心绪与文人风骨复刻传递，让后世得以遥想晋唐名士的笔墨风流。",[24,7,25,64,47,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42510cc87c4f0653fe8fa346dcd809ea.jpg",[],{"id":5743,"slug":5744,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5745,"tags":5746,"thumbUrl":5747,"material":100,"size":101,"collection":30,"collections":5748,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242576,"dong-shu-tang-tie-yi-ming-242576","此帖墨色沉凝苍润，纸面带着旧时光晕染出的泛黄痕迹。刻工精妙入微，将原作笔意尽数留存，小楷点画灵动秀雅，提转之间尽显晋人尚韵的风神，结体端稳舒展，行气匀停流畅。\n\n字口虽经传拓依旧清晰可观，既有着法帖的规整肃穆，又不失尺牍自带的萧散意趣。整帖排布疏密合宜，笔锋的粗细变化与牵丝映带皆历历在目，带着复刻古帖的隽永质感，静静铺陈出古典笔墨的雅致意趣，尽显书法传承的厚重脉络。",[80,83,25,7,24,26,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab57f291b3ee9b5f20ab0629c84367f7.jpg",[],{"id":5750,"slug":5751,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5752,"tags":5753,"thumbUrl":5754,"material":100,"size":101,"collection":30,"collections":5755,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242575,"dong-shu-tang-tie-yi-ming-242575","此为汇帖拓本，纸色泛黄晕染岁月痕迹，古意盎然。右侧开篇题识端整，其后尺牍行笔灵动婉转，牵丝映带自然随性，将晋人尺牍萧散简远的风神复刻传神。左侧字迹笔力遒劲爽朗，字形欹正相生，布局错落有致。刻工精妙入微，忠实还原原帖墨色浓淡与提按使转的细节，将行书的飘逸妍美与法度意趣平衡恰到好处，尽显魏晋尚韵的书法美学。观者可于拓痕间遥窥先贤笔底风流，它兼具临摹研习与收藏赏鉴价值，笔墨间藏着千载不散的清雅书卷意。",[24,25,7,83,64,47,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67cd3c38eb7426b33a0be52097ef1671.jpg",[],{"id":5757,"slug":5758,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5759,"tags":5760,"thumbUrl":5761,"material":100,"size":101,"collection":30,"collections":5762,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242574,"dong-shu-tang-tie-yi-ming-242574","墨色沉凝乌亮，字势端雅匀整，是典型的尚法小楷风貌。笔画清劲爽利，起收顿挫皆具法度，点画排布疏密合宜，通篇气息沉静安和，尽显明人追循晋唐笔法的书风特质。历经岁月，纸面虽残损泛黄，却更添古旧温润的质感，将帖中文字的文思与书艺完美融合，观者摩挲字迹间，可遥见昔人作书时的端严笔态，体味笔墨间承载的雅韵与悠悠文脉。",[24,26,7,25,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59ad695dd964a2020a32c2b0b0e987c7.jpg",[],{"id":5764,"slug":5765,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5766,"tags":5767,"thumbUrl":5768,"material":100,"size":101,"collection":30,"collections":5769,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242572,"dong-shu-tang-tie-yi-ming-242572","此拓本墨色沉穆匀净，黑底映出的笔痕清劲明朗。通篇行书取法魏晋尺牍，笔意灵动圆融，牵丝映带间尽显流转自如的书写意趣，字势欹正相生，毫无板滞之感。\n\n章法排布疏朗错落，行气松弛舒展，将尺牍信手写就的随性自然尽数留存。墨色枯湿浓淡的细节虽经拓印仍依稀可辨，原作书写时的起伏心绪仿佛透过纸面扑面而来，尽显文人萧散疏阔的襟怀，带着帖学特有的隽永雅致，静静诉说着古典书法的笔墨情长。",[24,25,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1449842857353f416ddba46f198dd154.jpg",[],{"id":5771,"slug":5772,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5773,"tags":5774,"thumbUrl":5775,"material":30,"size":30,"collection":30,"collections":5776,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242571,"dong-shu-tang-tie-yi-ming-242571","此帖取魏晋尺牍，行书萧散简远，尽显晋人尚韵风流。点画圆融灵动，牵丝映带细腻妥帖，结体欹正相生，笔势舒展自在，将魏晋名士疏放襟怀藏于笔墨之间。\n\n刻工精妙，拓制精良，墨色乌亮莹润，忠实还原原作意趣，虽为刻帖却不失手札的鲜活意态，纸墨交融间，将晋唐法书的隽逸雅秀留存下来。展卷观之，仿佛能窥见古人挥毫时的从容自在，尽显丛帖刻拓的匠心与古法书的清逸风神。",[24,7,25,83,64,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc8678b2398c5d0bd923830ac05dc701.jpg",[],{"id":5778,"slug":5779,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5780,"tags":5781,"thumbUrl":5782,"material":100,"size":101,"collection":30,"collections":5783,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242570,"dong-shu-tang-tie-yi-ming-242570","墨色如漆莹润匀净，银钩铁画跃然楮间，字字裹挟汉家笔墨的朴茂古雅。笔画筋骨内含，牵丝映带暗合书写时的流转气韵，结体端稳又不乏舒展意趣，将古帖风神复刻传神。版式疏朗沉静，虽为刻帖，却最大程度留存原作笔墨温度，纸面晕开的旧痕晕染出岁月沉淀的温雅质感，尽显复刻经典、传承翰墨的深心。",[24,7,25,64,3904,3507],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b1ee2a2e6b7878cc3fc0c876029bf1f.jpg",[],{"id":5785,"slug":5786,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5787,"tags":5788,"thumbUrl":5789,"material":100,"size":101,"collection":30,"collections":5790,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242569,"dong-shu-tang-tie-yi-ming-242569","此帖墨色乌亮沉润，黑底白字镌刻精工，最大限度留存了原迹意趣。书风端雅灵动，兼具魏晋小楷的隽秀意蕴与唐楷的谨严法度，行笔温润秀劲，起收转合皆见法度，笔画排布疏密得宜，字字舒展雅致。通篇气息匀净安和，字距行距错落谐调，虽经镌刻，却未失笔墨原初的灵动意韵，清雅书卷之气扑面而来，尽显古帖静穆雅致的风神，堪称刻帖中的精良之作，将传统小楷端庄秀逸之美尽显无遗。",[24,26,7,25,2050],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86eea1411778f3908e76d2e09b4a77c6.jpg",[],{"id":5792,"slug":5793,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5794,"tags":5795,"thumbUrl":5796,"material":100,"size":101,"collection":30,"collections":5797,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242568,"dong-shu-tang-tie-yi-ming-242568","此帖荟萃魏晋名臣法书，刻拓精工雅致，墨色沉凝如古潭寒玉。左侧羊欣行草萧疏散淡，线条舒展如流云出岫，将暮春感怀的澹然心绪融于笔墨，尽显晋人简远萧散的林下之风。右侧王献之书作笔势开张奇逸，牵丝映带间跌宕相生，结体欹侧灵动，藏露锋互见，既有法度谨严之态，又不失俊爽疏朗之姿。刻工将原作的提按转折、墨色枯润悉数留存，黑底白字古雅沉静，把魏晋尺牍的风神意韵复刻传神，尽显明人汇帖的精湛水准，是追慕魏晋书风的绝佳范本。",[24,25,7,64,81,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9dee3a729b9a52355a03a1291f4928a6.jpg",[],{"id":5799,"slug":5800,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5801,"tags":5802,"thumbUrl":5803,"material":100,"size":101,"collection":30,"collections":5804,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242567,"dong-shu-tang-tie-yi-ming-242567","此帖墨色乌沉莹润，刻工精妙入微，尽得唐贤行书神髓。开篇题字端雅周正，尺牍书法则灵动舒展，牵丝映带间流转晋唐风流。笔势或敛或舒，随性自然却不失法度，将文人尺牍的闲散意趣尽显无余。古旧纸面带着岁月浸蚀的斑驳痕迹，更衬出帖中笔墨的清雅韵味，既复刻出唐贤笔意的婉转风神，也彰显出汇帖刻拓的精湛水准，让千年前的文人笔墨意趣，在拓本中辗转留存至今。",[2050,24,25,7,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b08e1cab57bf7aebd0e4147c30fa250.jpg",[],{"id":5806,"slug":5807,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5808,"tags":5809,"thumbUrl":5810,"material":100,"size":101,"collection":30,"collections":5811,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242565,"dong-shu-tang-tie-yi-ming-242565","墨色沉凝古雅，是汇帖刻本的典型风貌。行列排布匀整疏朗，字间气脉连贯，虽经镌刻，依旧保留原作笔墨意趣。行笔从容舒展，提按转折尽显晋人尺牍萧散风神，尺牍套语亦写得雍和雅致，毫无板滞之感。刻工精良细致，将原迹枯润粗细的细节变化尽数复刻，黑底间字口清晰劲挺，融合金石质感与翰墨柔韵。\n整页尽显魏晋士人温婉恭谨的书信仪制，让后世得以窥见晋代名臣法帖的隽秀风神，是颇为精到的汇帖刻本。",[24,25,7,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa83b36fe2a136f4a8c148ce2fe6c841d.jpg",[],{"id":5813,"slug":5814,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5815,"tags":5816,"thumbUrl":5817,"material":100,"size":101,"collection":30,"collections":5818,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242564,"dong-shu-tang-tie-yi-ming-242564","此帖墨色沉凝如古砚寒潭，银字劲挺，尽现刻拓工艺的精妙。所选唐人行书笔意舒展灵动，结体舒朗雅致，提按转合间自带朝堂文臣的端方气度，又藏着文人挥毫的潇洒意趣。刻工细致入微，将原作的笔墨起伏悉心留存，虽经拓印复刻，却未失行书的婉转韵律，通篇气息绵连贯通，带着旧时光摩挲过的沉静质感，尽显古法帖的隽永风华，字里行间晕开千年前的翰墨风流。",[24,26,47,188,1103,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa218ae83c1c66d55dfd83df7d57094ad.jpg",[],{"id":5820,"slug":5821,"title":3774,"dynasty":198,"author":401,"museum":94,"description":5822,"tags":5823,"thumbUrl":5824,"material":100,"size":101,"collection":30,"collections":5825,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242562,"dong-shu-tang-tie-yi-ming-242562","此帖墨色莹润如乌漆，金字灿然醒目。所录草书取法晋唐，笔画牵丝映带、流转自如，结体欹正相生，将章草古雅意趣与今草流便姿态相融，笔力道劲又不失秀逸。行间布白匀停，字势顾盼有情，摹刻极尽精微，原作的笔意起伏、墨痕层次皆被悉心留存，虽为刻帖，却能传递出书写时的灵动气韵，尽显刻帖工艺与书法审美的精妙融合，藏有雅致隽永的古典意韵。",[24,7,25,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F134d2d6dca7f23269cf5e643df89aa1c.jpg",[],{"id":5827,"slug":5828,"title":5088,"dynasty":198,"author":401,"museum":94,"description":5829,"tags":5830,"thumbUrl":5831,"material":100,"size":101,"collection":30,"collections":5832,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242559,"bao-xian-tang-tie-yi-ming-242559","此作为漆地填白榜书，二字从右观为“清事”。用笔雄放苍劲，中锋行笔凝练厚重，大开大合间尽显朴拙气度。“清”字竖画斩截利落，撇捺开张如古松探云，欹正相生间雅意暗藏。“事”字笔势连贯圆劲，转折老辣，筋骨尽显。漆色沉黑与填白形成强烈视觉对比，岁月浸漫下漆面斑驳开裂，更添苍浑古旧质感，将文人寄怀清逸雅事的襟怀，融于磅礴笔墨之中，尽显狂放又不失沉厚的独特韵致。",[2050,25,24,7,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ff2f5c0ea0b09cf5933f8c3777c811a.jpg",[],{"id":5834,"slug":5835,"title":5088,"dynasty":198,"author":401,"museum":94,"description":5836,"tags":5837,"thumbUrl":5838,"material":100,"size":101,"collection":30,"collections":5839,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242557,"bao-xian-tang-tie-yi-ming-242557","此帧汇录晋人尺牍，行草笔致流宕舒展，牵丝映带间尽得晋人尚韵风神。刻工精严，乌亮墨色凝厚沉古，虽经岁时磨泐，仍忠实复刻出晋人笔墨的使转提按，将尺牍里的萧散简远一一铺陈开来。\n\n字里行间漫溢魏晋名士的通脱自在，版式疏朗雅致，让尺牍里的日常意趣跃然楮间，既留存下晋人法书的真意，也尽显汇刻丛帖承载古法、传递书脉的珍贵价值，是追慕魏晋书风的绝佳范本。",[24,64,25,47,2050,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff504e36dbaca80f0b17fd0a9053c6268.jpg",[],{"id":5841,"slug":5842,"title":5088,"dynasty":198,"author":401,"museum":94,"description":5843,"tags":5844,"thumbUrl":5845,"material":100,"size":101,"collection":30,"collections":5846,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242556,"bao-xian-tang-tie-yi-ming-242556","此作为行草书刻帖，墨色沉郁古雅，刊刻精工细致，将原作笔意风神留存真切。线条灵动舒展，牵丝映带间尽显笔势连贯畅达，字势顾盼相生，既有草书的流宕快意，又不失行书的沉稳端雅。\n\n章法排布匀停疏朗，字间行气贯通浑成，笔墨的枯湿浓淡经由刻拓隐约可辨，即便复刻亦不减笔墨生动之趣，尽显晋人尺牍的萧散简远。字里行间自带旧时文人翰札往来的散淡情致，让人得以遥想彼时尺素传情的风雅意趣，是复刻晋人书风的精良范本。",[25,24,7,64,26,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cc52885f2001b96cb47eb6b90c34d74.jpg",[],{"id":5848,"slug":5849,"title":5088,"dynasty":198,"author":401,"museum":94,"description":5850,"tags":5851,"thumbUrl":5852,"material":100,"size":101,"collection":30,"collections":5853,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242555,"bao-xian-tang-tie-yi-ming-242555","此帖以刀锋追摹右军笔意，线条圆劲灵动，牵丝映带间尽显草书使转之精妙，将王羲之草法的潇洒韵致凝于石上。行气疏朗跌宕，字势欹正相生，把晋人尚韵的风神尽数留存。\n\n作为集古法帖，虽为刻本却忠实复刻了笔法的提按起伏，墨色苍古沉静，带着旧拓的朴拙质感。观之如见右军挥毫时的自在神采，将东晋草书的妍美放达与文人雅趣完美复刻，尽显帖学传承的深厚底蕴。",[80,25,81,47,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde6631ede1996abb541a4c971f6d8841.jpg",[],{"id":5855,"slug":5856,"title":5088,"dynasty":198,"author":401,"museum":94,"description":5857,"tags":5858,"thumbUrl":5859,"material":100,"size":101,"collection":30,"collections":5860,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242552,"bao-xian-tang-tie-yi-ming-242552","此行书刻帖笔势酣畅灵动，结体欹正相生。苏轼书迹雄放中见秀逸，提按顿挫尽显跌宕意趣，牵丝连带婉转自如，将东坡居士疏朗旷达的性情寄寓笔墨间。整幅章法错落有致，字间呼吸自然，墨色虽经拓印沉凝古雅，却不减原作舒展潇洒的风神。刻工精良，将笔锋粗细变化、墨色枯润过渡细致复刻，留存宋贤书法风韵，尽显刻帖技艺精湛，让后世得以窥见彼时名家书法的疏宕雅致。",[24,25,64,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5458890541473b19b1f0a3cf06d11e69.jpg",[],{"id":5862,"slug":5863,"title":5088,"dynasty":198,"author":401,"museum":94,"description":5864,"tags":5865,"thumbUrl":5866,"material":100,"size":101,"collection":30,"collections":5867,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242551,"bao-xian-tang-tie-yi-ming-242551","此页草书刻拓沉凝乌亮，字口清劲分明，将原作笔意妥帖留存。行笔纵逸跌宕，牵丝映带间流转自然，字势欹正相生，既有晋人草书简淡玄远的风神，又带着刻拓朴拙的质感。\n\n以古贤尺牍为内容，章法错落疏朗，行间留白萧散，尽显魏晋士人通脱放旷的意态。笔墨粗细变化历历可见，使转提按皆藏韵致，虽经刻拓未掩疏放意趣，读之如晤古贤，可窥彼时尺牍往来的风雅，兼具艺术审美与文献意趣。",[25,24,7,64,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbea2b6bfff4f8f09cabc97067fdd8733.jpg",[],{"id":5869,"slug":5870,"title":5088,"dynasty":198,"author":401,"museum":94,"description":5871,"tags":5872,"thumbUrl":5873,"material":100,"size":101,"collection":30,"collections":5874,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242550,"bao-xian-tang-tie-yi-ming-242550","此帖以草书为体，笔势灵动奔放，牵丝映带间尽显晋人尚韵的风流格调。字势欹侧跌宕，线条粗细变化自然随性，将草书写意抒情的特质挥洒得淋漓尽致。整体排布疏密有致，行气贯通无碍，虽字字独立却气脉相连，足以窥见书写时的畅达心境。刻工精熟高妙，将原作笔墨的枯润浓淡较好复刻留存，虽经传拓，依然能品味到原迹的潇洒风神，尽显古帖流传过程里的金石韵味与书法美学价值。",[24,25,64,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c43a191981be3325fc8af474c99b1ea.jpg",[],{"id":5876,"slug":5877,"title":5878,"dynasty":460,"author":401,"museum":94,"description":5879,"tags":5880,"thumbUrl":5881,"material":100,"size":101,"collection":30,"collections":5882,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242547,"qing-chu-tuo-bao-xian-tang-fa-tie-yi-ming-242547","清初拓宝贤堂法帖","此拓本墨色乌莹，字口朗润劲挺。所镌草书笔势灵动俊逸，牵丝映带间尽显晋人尚韵风流。提按转折皆见筋骨，线条舒展自在，将草书遒美健秀的特质展露无遗。\n\n整帖行气贯通，布局匀停，虽为刻本却留存原作笔墨使转之态。字势欹正相生、疏密相宜，每字皆具姿态，洒脱自在的魏晋风神跃然纸上，尽显挥毫时的疏放意趣，是复刻晋贤笔意的精良范本。",[24,25,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94d940631214cf85f09cf660d8c23561.jpg",[],{"id":5884,"slug":5885,"title":5878,"dynasty":460,"author":401,"museum":94,"description":5886,"tags":5887,"thumbUrl":5888,"material":100,"size":101,"collection":30,"collections":5889,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242544,"qing-chu-tuo-bao-xian-tang-fa-tie-yi-ming-242544","墨色苍润匀净，纸底乌亮莹润，尽显旧拓的沉静古意。此帖为王羲之行书尺牍，笔势流转自然，牵丝映带如行云流水，笔画粗细跌宕，刚柔并济，将晋人萧散疏朗的风神藏于方寸笔墨间。整帖布局疏密相宜，字势欹正相生，虽经刻拓，原作使转的锋芒意趣依旧鲜活留存。末尾朱红鉴藏印与乌墨相映，为帖页更添厚重的典藏底蕴，金石气与书卷气相融，尽显法帖隽永的书法魅力与传世旧拓的古雅质感。",[24,25,64,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70ca48c8455749d149e1825a1ab9497f.jpg",[],{"id":5891,"slug":5892,"title":5878,"dynasty":460,"author":401,"museum":94,"description":5893,"tags":5894,"thumbUrl":5895,"material":100,"size":101,"collection":30,"collections":5896,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242543,"qing-chu-tuo-bao-xian-tang-fa-tie-yi-ming-242543","此帖以乌金拓就，黑底留白间尽显行草风流。笔势舒展灵动，线条圆劲飘逸，将王羲之萧散超逸的魏晋风神尽显无遗。章法错落自然，字间顾盼生姿，牵丝萦带间尽显笔墨流转之妙，藏露、疾徐相得益彰，把王氏行书潇洒出尘的气度诠释尽致。\n\n墨色沉凝匀净，拓工精良细致，忠实还原原作的笔锋神韵，字里行间带着金石古雅韵味，朱红钤印点缀其上，黑白朱三色相映，更添古雅端方之气，尽显法帖典藏价值，可从中窥览魏晋书法审美意趣，是兼具艺术审美与收藏价值的佳拓。",[24,25,64,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffddb58f47b29504a6533381a711218e6.jpg",[],{"id":5898,"slug":5899,"title":5878,"dynasty":460,"author":401,"museum":94,"description":5900,"tags":5901,"thumbUrl":5902,"material":30,"size":30,"collection":30,"collections":5903,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242541,"qing-chu-tuo-bao-xian-tang-fa-tie-yi-ming-242541","此作用笔纵逸灵动，行草交织间尽显潇洒风神。提按转合暗藏筋骨，牵丝映带串联章法，字势欹正相生，既有奔涌的笔墨意趣，又不失内敛法度。\n\n墨色沉凝古雅，碑拓晕染出岁月厚重质感，笔画枯润浓淡兼具，将晋人尚韵书风尽致展现。行气连贯通脱，字字俯仰呼应，随性自然间抒怀写意，亦见世家清雅风骨，尽显晋人疏朗散淡的审美意趣。",[25,24,81,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d0b8aa23af6ca2aa9f6de6f11547d3b.jpg",[],{"id":5905,"slug":5906,"title":5878,"dynasty":460,"author":401,"museum":94,"description":5907,"tags":5908,"thumbUrl":5910,"material":100,"size":101,"collection":30,"collections":5911,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242539,"qing-chu-tuo-bao-xian-tang-fa-tie-yi-ming-242539","此作为行书刻帖，字势灵动舒展，刚柔并济。笔墨粗细变化自然，牵丝映带间笔意连贯，行气舒朗流畅，尽显书写者清逸散淡的文人意趣。\n\n整帖排布匀整，乌亮拓墨与留白相映，既有手写原作的潇洒韵致，又因刻拓工艺晕染出苍朴厚重的金石质感，精妙复刻出原迹的笔墨细节。\n\n字里行间浸透清雅书卷气，尽显明清刻帖复刻古法的功力，在方寸之间留存下古帖的笔墨风神，是兼具审美意趣与帖学价值的刻本佳作。",[25,24,7,64,26,404,98,81,47,1492,5909,2736],"星河","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47e36128f7ce1719b889445ed60f1080.jpg",[],{"id":5913,"slug":5914,"title":5878,"dynasty":460,"author":401,"museum":94,"description":5915,"tags":5916,"thumbUrl":5917,"material":100,"size":101,"collection":30,"collections":5918,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242536,"qing-chu-tuo-bao-xian-tang-fa-tie-yi-ming-242536","此帖为行书拓本，尽得苏字风神。右页字形开张宕逸，行笔粗细变幻随性自然，将东坡尺牍的疏放萧散尽显无余。左页笔意朴茂温厚，牵丝映带间藏着疏朗雅致的文人意趣，点捺起落皆是从容气度。\n\n墨色乌亮莹润，朱红鉴印错落点缀，衬得黑底字痕愈发清劲分明，尽显拓工精湛水准。尺幅之内，日常尺牍的闲散意趣与书法的雄放风骨融为一体，既有手写的灵动鲜活，又留存金石拓本的沉静质感，尽显帖学雅致风貌。",[25,24,64,98,549,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c685ab2bc34cde9483879140abd6b74.jpg",[],{"id":5920,"slug":5921,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5922,"thumbUrl":5923,"material":100,"size":101,"collection":30,"collections":5924,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242534,"zhong-ke-chun-hua-ge-tie-yi-ming-242534",[24,7,25,47,81,64,176,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a1a9b6b3e7a2b8c80d45f905222cc19.jpg",[],{"id":5926,"slug":5927,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5928,"thumbUrl":5929,"material":100,"size":101,"collection":30,"collections":5930,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242531,"zhong-ke-chun-hua-ge-tie-yi-ming-242531",[24,64,81,25,47,176,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa356b04a62c2e247ad07175d3aef956.jpg",[],{"id":5932,"slug":5933,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5934,"thumbUrl":5935,"material":100,"size":101,"collection":30,"collections":5936,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242530,"zhong-ke-chun-hua-ge-tie-yi-ming-242530",[24,25,7,176,47,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdfdfdeb45e14bad6545155ed90919845.jpg",[],{"id":5938,"slug":5939,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5940,"thumbUrl":5941,"material":100,"size":101,"collection":30,"collections":5942,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242527,"zhong-ke-chun-hua-ge-tie-yi-ming-242527",[24,25,47,64,81,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F482f46e0124920f911982c21c306fd90.jpg",[],{"id":5944,"slug":5945,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5946,"thumbUrl":5947,"material":100,"size":101,"collection":30,"collections":5948,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242526,"zhong-ke-chun-hua-ge-tie-yi-ming-242526",[24,25,81,64,47,176,7,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8774d059913ecec88e9512fb8fab6f3.jpg",[],{"id":5950,"slug":5951,"title":4311,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5952,"thumbUrl":5953,"material":100,"size":101,"collection":30,"collections":5954,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},242525,"qin-ding-zhong-ke-chun-hua-ge-tie-gou-ben-yi-ming-242525",[24,80,64,81,176,47,83,7,25,1149],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6c10973ed89f3c847a44a0a2262a3ed.jpg",[],{"id":5956,"slug":5957,"title":4311,"dynasty":460,"author":401,"museum":94,"description":5958,"tags":5959,"thumbUrl":5960,"material":30,"size":30,"collection":30,"collections":5961,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242523,"qin-ding-zhong-ke-chun-hua-ge-tie-gou-ben-yi-ming-242523","淡绿笺面匀净雅致，泥金晕染牡丹枝叶，柔婉的花色枝叶暗作底衬，晕出古雅书卷氛围。行书题跋随笔势流转舒展，笔画秀润间暗含劲挺骨力，牵丝映带自然灵动，尽得帖学娟秀雅逸之韵。文辞随笔墨铺展，将重镌心得娓娓道来，笔墨与题识相生相融，尽显追摹法帖的文人意趣，书画合璧，是兼具鉴藏意涵与雅致格调的小品佳构。",[80,24,64,47,7,176,1103,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe41cc4824af059d4dc7b3a26fe91db27.jpg",[],{"id":5963,"slug":5964,"title":4311,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5965,"thumbUrl":5966,"material":100,"size":101,"collection":30,"collections":5967,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242522,"qin-ding-zhong-ke-chun-hua-ge-tie-gou-ben-yi-ming-242522",[24,64,176,47,7,25,83,460],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc03d70ea6941e3134fad8b29f9227232.jpg",[],{"id":5969,"slug":5970,"title":4311,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5971,"thumbUrl":5972,"material":100,"size":101,"collection":30,"collections":5973,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},242518,"qin-ding-zhong-ke-chun-hua-ge-tie-gou-ben-yi-ming-242518",[24,7,25,64,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F685acdd6f4777b921930b44549a7da7f.jpg",[],{"id":5975,"slug":5976,"title":4311,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5977,"thumbUrl":5978,"material":100,"size":101,"collection":30,"collections":5979,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":1075},242517,"qin-ding-zhong-ke-chun-hua-ge-tie-gou-ben-yi-ming-242517",[80,24,7,25,176,47,64,81,26,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba6c857e1e1aae099c32fb627dfe5c64.jpg",[],{"id":5981,"slug":5982,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5983,"thumbUrl":5984,"material":100,"size":101,"collection":30,"collections":5985,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242514,"zhong-ke-chun-hua-ge-tie-yi-ming-242514",[24,25,7,64,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c19b332e5e63405514f47b6492e6eec.jpg",[],{"id":5987,"slug":5988,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5989,"thumbUrl":5990,"material":100,"size":101,"collection":30,"collections":5991,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242513,"zhong-ke-chun-hua-ge-tie-yi-ming-242513",[24,7,25,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd38aaaf379d59927d88212e376ec6396.jpg",[],{"id":5993,"slug":5994,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":5995,"thumbUrl":5996,"material":100,"size":101,"collection":30,"collections":5997,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242512,"zhong-ke-chun-hua-ge-tie-yi-ming-242512",[24,98,25,176,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e4916e40200ab1acde576f01d571e0f.jpg",[],{"id":5999,"slug":6000,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6001,"thumbUrl":6002,"material":100,"size":101,"collection":30,"collections":6003,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242511,"zhong-ke-chun-hua-ge-tie-yi-ming-242511",[24,64,81,176,25,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52849ef62c1fa2dd6473afabadcdb989.jpg",[],{"id":6005,"slug":6006,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6007,"thumbUrl":6008,"material":100,"size":101,"collection":30,"collections":6009,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242510,"zhong-ke-chun-hua-ge-tie-yi-ming-242510",[24,25,7,47,81,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a329453753a0823338bc87cf60ebda2.jpg",[],{"id":6011,"slug":6012,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6013,"thumbUrl":6014,"material":100,"size":101,"collection":30,"collections":6015,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242509,"zhong-ke-chun-hua-ge-tie-yi-ming-242509",[80,24,7,25,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30844180dc88647b18e1ba0b7051534b.jpg",[],{"id":6017,"slug":6018,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6019,"thumbUrl":6020,"material":100,"size":101,"collection":30,"collections":6021,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242508,"zhong-ke-chun-hua-ge-tie-yi-ming-242508",[24,25,7,64,81,26,404,47,176,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28d987a4b395d326bf4656224c3fd935.jpg",[],{"id":6023,"slug":6024,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6025,"thumbUrl":6026,"material":100,"size":101,"collection":30,"collections":6027,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242507,"zhong-ke-chun-hua-ge-tie-yi-ming-242507",[24,25,7,64,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fe9535d6772b5a4663b3294577adcc6.jpg",[],{"id":6029,"slug":6030,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6031,"thumbUrl":6032,"material":100,"size":101,"collection":30,"collections":6033,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242506,"zhong-ke-chun-hua-ge-tie-yi-ming-242506",[24,25,7,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66b972a5b4061c90cdbcbb6e8e4f663a.jpg",[],{"id":6035,"slug":6036,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6037,"thumbUrl":6038,"material":100,"size":101,"collection":30,"collections":6039,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242505,"zhong-ke-chun-hua-ge-tie-yi-ming-242505",[24,64,81,47,176,25,83,549,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d4c4a2c20de834069151fb0e3a09eda.jpg",[],{"id":6041,"slug":6042,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6043,"thumbUrl":6044,"material":100,"size":101,"collection":30,"collections":6045,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242503,"zhong-ke-chun-hua-ge-tie-yi-ming-242503",[24,25,176,47,64,81,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc92459bcc300debe7dbf6789514c7683.jpg",[],{"id":6047,"slug":6048,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6049,"thumbUrl":6050,"material":100,"size":101,"collection":30,"collections":6051,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242497,"zhong-ke-chun-hua-ge-tie-yi-ming-242497",[3099,25,24,64,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99633d2bacc918e5166f68a932d6a8ad.jpg",[],{"id":6053,"slug":6054,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6055,"thumbUrl":6056,"material":100,"size":101,"collection":30,"collections":6057,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242494,"zhong-ke-chun-hua-ge-tie-yi-ming-242494",[24,25,7,26,64,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23b23ab3d2d587dc3320f4ff4ef78c65.jpg",[],{"id":6059,"slug":6060,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6061,"thumbUrl":6062,"material":100,"size":101,"collection":30,"collections":6063,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242493,"zhong-ke-chun-hua-ge-tie-yi-ming-242493",[24,81,25,47,7,3897,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e51c9367284d24971a8c6b7523c32c0.jpg",[],{"id":6065,"slug":6066,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6067,"thumbUrl":6068,"material":100,"size":101,"collection":30,"collections":6069,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242492,"zhong-ke-chun-hua-ge-tie-yi-ming-242492",[80,24,83,25,7,64,81,47,176,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ac936112760263631393263bb8087c6.jpg",[],{"id":6071,"slug":6072,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6073,"thumbUrl":6074,"material":100,"size":101,"collection":30,"collections":6075,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242491,"zhong-ke-chun-hua-ge-tie-yi-ming-242491",[24,80,25,7,47,81,64,176,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1fc7391ac8e718313e99700c0ef36cbd.jpg",[],{"id":6077,"slug":6078,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6079,"thumbUrl":6080,"material":100,"size":101,"collection":30,"collections":6081,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242489,"zhong-ke-chun-hua-ge-tie-yi-ming-242489",[24,98,25,47,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb0e84a05dc0a2b7b6d38e8f881cab8a.jpg",[],{"id":6083,"slug":6084,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6085,"thumbUrl":6086,"material":100,"size":101,"collection":30,"collections":6087,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242488,"zhong-ke-chun-hua-ge-tie-yi-ming-242488",[24,7,25,47,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61cd025d5eea546bd918505ef3e198ef.jpg",[],{"id":6089,"slug":6090,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6091,"thumbUrl":6092,"material":100,"size":101,"collection":30,"collections":6093,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242486,"zhong-ke-chun-hua-ge-tie-yi-ming-242486",[80,24,25,7,47,64,81,83,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ac1aa51a5236fa6e6a440ab24b64bb4.jpg",[],{"id":6095,"slug":6096,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6097,"thumbUrl":6098,"material":100,"size":101,"collection":30,"collections":6099,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242485,"zhong-ke-chun-hua-ge-tie-yi-ming-242485",[24,7,176,25,47,549,64,81,98,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff87cdcb42b52a1ad30d741dc04d2ec9f.jpg",[],{"id":6101,"slug":6102,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6103,"thumbUrl":6104,"material":100,"size":101,"collection":30,"collections":6105,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242484,"zhong-ke-chun-hua-ge-tie-yi-ming-242484",[25,47,81,64,176,24,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F521a6693208d8820634b5e3538e8b107.jpg",[],{"id":6107,"slug":6108,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6109,"thumbUrl":6110,"material":100,"size":101,"collection":30,"collections":6111,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242483,"zhong-ke-chun-hua-ge-tie-yi-ming-242483",[24,7,25,81,47,549,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8de0fd3fa92a57bff8c45b1b22bcfb19.jpg",[],{"id":6113,"slug":6114,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6115,"thumbUrl":6116,"material":100,"size":101,"collection":30,"collections":6117,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242482,"zhong-ke-chun-hua-ge-tie-yi-ming-242482",[24,80,64,81,25,7,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F166a9593aa5b4aa36f5227334be27560.jpg",[],{"id":6119,"slug":6120,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6121,"thumbUrl":6122,"material":100,"size":101,"collection":30,"collections":6123,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242481,"zhong-ke-chun-hua-ge-tie-yi-ming-242481",[24,25,64,81,47,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdfcc87f6ed61c46689962eb07c185ba0.jpg",[],{"id":6125,"slug":6126,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6127,"thumbUrl":6128,"material":100,"size":101,"collection":30,"collections":6129,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242478,"zhong-ke-chun-hua-ge-tie-yi-ming-242478",[7,25,24,64,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4898efda972bed501992dfd1b0cccc0.jpg",[],{"id":6131,"slug":6132,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6133,"thumbUrl":6134,"material":100,"size":101,"collection":30,"collections":6135,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242471,"zhong-ke-chun-hua-ge-tie-yi-ming-242471",[80,24,25,7,176,47,64,81,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6ee94fe4ac74589dff65d201bab30977.jpg",[],{"id":6137,"slug":6138,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6139,"thumbUrl":6140,"material":100,"size":101,"collection":30,"collections":6141,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242470,"zhong-ke-chun-hua-ge-tie-yi-ming-242470",[24,98,47,25,176,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F803a721ecf492289b01b3148eba1d1d6.jpg",[],{"id":6143,"slug":6144,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6145,"thumbUrl":6146,"material":100,"size":101,"collection":30,"collections":6147,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242468,"zhong-ke-chun-hua-ge-tie-yi-ming-242468",[25,176,24,7,81,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac80e5ae20c3effe110a6147c469b8c4.jpg",[],{"id":6149,"slug":6150,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6151,"thumbUrl":6152,"material":100,"size":101,"collection":30,"collections":6153,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242467,"zhong-ke-chun-hua-ge-tie-yi-ming-242467",[24,25,7,47,81,64,176,98,549,3897],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb96b2b6b0472980e5d6202b1de6695a.jpg",[],{"id":6155,"slug":6156,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6157,"thumbUrl":6158,"material":100,"size":101,"collection":30,"collections":6159,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242466,"zhong-ke-chun-hua-ge-tie-yi-ming-242466",[24,25,176,64,47,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d771f6f4be7f6a64888dbe9507ae6e5.jpg",[],{"id":6161,"slug":6162,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6163,"thumbUrl":6164,"material":100,"size":101,"collection":30,"collections":6165,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242465,"zhong-ke-chun-hua-ge-tie-yi-ming-242465",[81,47,25,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2bdc968030e5375b257fb43bfcb265c.jpg",[],{"id":6167,"slug":6168,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6169,"thumbUrl":6170,"material":100,"size":101,"collection":30,"collections":6171,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242464,"zhong-ke-chun-hua-ge-tie-yi-ming-242464",[24,7,25,47,64,81,98,404,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e84e0ed30b33095b336bcde58756d15.jpg",[],{"id":6173,"slug":6174,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6175,"thumbUrl":6176,"material":100,"size":101,"collection":30,"collections":6177,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242463,"zhong-ke-chun-hua-ge-tie-yi-ming-242463",[3099,25,7,24,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd47e52416ba562067f8957cd44b33ac7.jpg",[],{"id":6179,"slug":6180,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6181,"thumbUrl":6182,"material":100,"size":101,"collection":30,"collections":6183,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242459,"zhong-ke-chun-hua-ge-tie-yi-ming-242459",[80,24,3897,47,549,64,81,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd530dd0091c42d77f45945c4f3b37d35.jpg",[],{"id":6185,"slug":6186,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6187,"thumbUrl":6188,"material":100,"size":101,"collection":30,"collections":6189,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242458,"zhong-ke-chun-hua-ge-tie-yi-ming-242458",[98,25,24,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30b95318514db655d043c19e84c7983c.jpg",[],{"id":6191,"slug":6192,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6193,"thumbUrl":6194,"material":100,"size":101,"collection":30,"collections":6195,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242452,"zhong-ke-chun-hua-ge-tie-yi-ming-242452",[24,7,25,64,81,47,176,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F202ed01b5b61bebbb627a47005cfb3d3.jpg",[],{"id":6197,"slug":6198,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6199,"thumbUrl":6200,"material":100,"size":101,"collection":30,"collections":6201,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242450,"zhong-ke-chun-hua-ge-tie-yi-ming-242450",[24,64,25,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbea386836f3d322d2da94b0b65e32c1f.jpg",[],{"id":6203,"slug":6204,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6205,"thumbUrl":6206,"material":100,"size":101,"collection":30,"collections":6207,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242449,"zhong-ke-chun-hua-ge-tie-yi-ming-242449",[24,80,25,47,176,64,81,549,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7cab8955ec08be25f9c12e31d7b3b14.jpg",[],{"id":6209,"slug":6210,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6211,"thumbUrl":6212,"material":100,"size":101,"collection":30,"collections":6213,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242447,"zhong-ke-chun-hua-ge-tie-yi-ming-242447",[24,7,25,47,64,81,26,176,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6007e343cd8b25fd857a41e0d3d58526.jpg",[],{"id":6215,"slug":6216,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6217,"thumbUrl":6218,"material":100,"size":101,"collection":30,"collections":6219,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242445,"zhong-ke-chun-hua-ge-tie-yi-ming-242445",[24,25,47,81,64,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1946fe09085ae3538488f3f0ad9308d2.jpg",[],{"id":6221,"slug":6222,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6223,"thumbUrl":6224,"material":100,"size":101,"collection":30,"collections":6225,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242444,"zhong-ke-chun-hua-ge-tie-yi-ming-242444",[24,7,25,81,64,47,176,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0982fff6139ab9872de7f9fe7bc921bb.jpg",[],{"id":6227,"slug":6228,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6229,"thumbUrl":6230,"material":100,"size":101,"collection":30,"collections":6231,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242441,"zhong-ke-chun-hua-ge-tie-yi-ming-242441",[24,64,25,47,7,2710],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b26dca7f867691cf832cc40fd744e55.jpg",[],{"id":6233,"slug":6234,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6235,"thumbUrl":6236,"material":100,"size":101,"collection":30,"collections":6237,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242440,"zhong-ke-chun-hua-ge-tie-yi-ming-242440",[24,80,83,64,81,25,176,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2108a6d532b3f8118f28a74e5b150f55.jpg",[],{"id":6239,"slug":6240,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6241,"thumbUrl":6242,"material":100,"size":101,"collection":30,"collections":6243,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242439,"zhong-ke-chun-hua-ge-tie-yi-ming-242439",[24,64,47,25,7,2710],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea8a1723e3b1b606a6d19f37025d7032.jpg",[],{"id":6245,"slug":6246,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6247,"thumbUrl":6248,"material":100,"size":101,"collection":30,"collections":6249,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242438,"zhong-ke-chun-hua-ge-tie-yi-ming-242438",[25,24,7,176,64,81,47,549,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62a8cf03a5d2f1fd28de75f3fd230543.jpg",[],{"id":6251,"slug":6252,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6253,"thumbUrl":6254,"material":100,"size":101,"collection":30,"collections":6255,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242436,"zhong-ke-chun-hua-ge-tie-yi-ming-242436",[98,25,47,176,24,7,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdf61c4738bb4cbd442276a4540feb87.jpg",[],{"id":6257,"slug":6258,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6259,"thumbUrl":6260,"material":100,"size":101,"collection":30,"collections":6261,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242435,"zhong-ke-chun-hua-ge-tie-yi-ming-242435",[80,24,83,25,7,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb29c93db9a74c38b7263164dd2da351.jpg",[],{"id":6263,"slug":6264,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6265,"thumbUrl":6266,"material":100,"size":101,"collection":30,"collections":6267,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242433,"zhong-ke-chun-hua-ge-tie-yi-ming-242433",[24,25,7,176,64,81,26,404,98,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9dcf1271bba0b6541bc8666907d6282.jpg",[],{"id":6269,"slug":6270,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6271,"thumbUrl":6272,"material":100,"size":101,"collection":30,"collections":6273,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242432,"zhong-ke-chun-hua-ge-tie-yi-ming-242432",[24,80,83,25,176,64,81,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dd304d8c947150418463f2508d13248.jpg",[],{"id":6275,"slug":6276,"title":2418,"dynasty":460,"author":401,"museum":94,"description":6277,"tags":6278,"thumbUrl":6279,"material":30,"size":30,"collection":30,"collections":6280,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242431,"zhong-ke-chun-hua-ge-tie-yi-ming-242431","此作为刻拓法帖，以乌金底托出白亮书迹，尽显晋人草书尺牍的简远风神。笔势峭拔灵动，牵丝映带间藏着魏晋尚韵的疏朗气度，古帖隽秀风骨在刻痕里宛然留存。旁侧小楷释文端整清雅，与草书的纵逸相映成趣，朱红印鉴错落点缀，黑白朱三色交织，晕开古雅沉静的氛围。刻工精到，复刻出原作笔墨的细微意趣，将魏晋名士的简淡襟怀凝于拓面之中，让千年翰墨的风流意韵得以在此传延。",[24,64,81,25,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4fae4f6cd712be3ba1779d150190611.jpg",[],{"id":6282,"slug":6283,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6284,"thumbUrl":6286,"material":100,"size":101,"collection":30,"collections":6287,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242430,"zhong-ke-chun-hua-ge-tie-yi-ming-242430",[24,98,25,47,3904,7,6285,3099],"黑底白字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda7b6c30ddb957c53802bd00acbf08e5.jpg",[],{"id":6289,"slug":6290,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6291,"thumbUrl":6292,"material":100,"size":101,"collection":30,"collections":6293,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242427,"zhong-ke-chun-hua-ge-tie-yi-ming-242427",[25,24,47,176,549,81,98,64,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5465a87a1d3a2610fbfde52f58af157f.jpg",[],{"id":6295,"slug":6296,"title":2418,"dynasty":460,"author":401,"museum":94,"description":6297,"tags":6298,"thumbUrl":6299,"material":30,"size":30,"collection":30,"collections":6300,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242425,"zhong-ke-chun-hua-ge-tie-yi-ming-242425","墨色沉凝如古砚寒潭，朱印鲜亮似丹砂落纸，黑底白字晕开沉静古雅的气韵。所刻晋人草书，笔势流转俊逸，牵丝映带间尽得晋人萧散风神。刻工精妙入微，将原作使转提按的毫末意趣复刻传神，毫无板滞之感。朱印错落排布，既添庄重古拙之气，也暗合尺牍往来的风雅意境。\n\n虽为重刻，却忠实地留存了晋人法帖的隽永韵味，黑、白、朱三色交织，沉稳里裹挟灵动，仿佛能窥见当年笺牍传情的林下风流，尽显刻帖金石质感与晋人草书飘逸雅致的相融之美，复刻出古典帖学的极致审美意趣。",[24,25,7,64,81,98,47,549,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc031d776143087c98fde846bbd752e5.jpg",[],{"id":6302,"slug":6303,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6304,"thumbUrl":6305,"material":100,"size":101,"collection":30,"collections":6306,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242424,"zhong-ke-chun-hua-ge-tie-yi-ming-242424",[24,64,81,98,25,47,176,7,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53565915164732cabc437bb99a87c5e4.jpg",[],{"id":6308,"slug":6309,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6310,"thumbUrl":6311,"material":100,"size":101,"collection":30,"collections":6312,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242419,"zhong-ke-chun-hua-ge-tie-yi-ming-242419",[24,25,47,64,81,26,404,98,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb126e4dec44b319e24f7c0a89d2c5cb9.jpg",[],{"id":6314,"slug":6315,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6316,"thumbUrl":6317,"material":100,"size":101,"collection":30,"collections":6318,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242418,"zhong-ke-chun-hua-ge-tie-yi-ming-242418",[3099,3897,24,7,188,98,26,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1bc40d56c5a51c462bad62ba179570a.jpg",[],{"id":6320,"slug":6321,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6322,"thumbUrl":6323,"material":100,"size":101,"collection":30,"collections":6324,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242415,"zhong-ke-chun-hua-ge-tie-yi-ming-242415",[24,25,64,81,47,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a396fec3d36732fcf0a6176a523a36f.jpg",[],{"id":6326,"slug":6327,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6328,"thumbUrl":6329,"material":100,"size":101,"collection":30,"collections":6330,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242414,"zhong-ke-chun-hua-ge-tie-yi-ming-242414",[24,25,47,64,81,98,404,26,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a5b578253378f1fca59ae41108c27da.jpg",[],{"id":6332,"slug":6333,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6334,"thumbUrl":6335,"material":100,"size":101,"collection":30,"collections":6336,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242413,"zhong-ke-chun-hua-ge-tie-yi-ming-242413",[24,7,25,81,64,47,176,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F689f2377f96441f8e07bb78cd5322691.jpg",[],{"id":6338,"slug":6339,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6340,"thumbUrl":6341,"material":100,"size":101,"collection":30,"collections":6342,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242412,"zhong-ke-chun-hua-ge-tie-yi-ming-242412",[24,25,47,64,81,26,176,549,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0645608a28b3a6fcfa36e6877902f61.jpg",[],{"id":6344,"slug":6345,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6346,"thumbUrl":6347,"material":100,"size":101,"collection":30,"collections":6348,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242410,"zhong-ke-chun-hua-ge-tie-yi-ming-242410",[24,64,81,25,176,47,7,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc38e998ba8bf9492c184e013f41a834.jpg",[],{"id":6350,"slug":6351,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6352,"thumbUrl":6353,"material":100,"size":101,"collection":30,"collections":6354,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242408,"zhong-ke-chun-hua-ge-tie-yi-ming-242408",[24,81,64,47,25,176,549,3897,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc48e1cea39d31529503779f712fac868.jpg",[],{"id":6356,"slug":6357,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6358,"thumbUrl":6359,"material":100,"size":101,"collection":30,"collections":6360,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242407,"zhong-ke-chun-hua-ge-tie-yi-ming-242407",[24,7,25,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc8e46935d0051357d9d524691af9712.jpg",[],{"id":6362,"slug":6363,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6364,"thumbUrl":6365,"material":100,"size":101,"collection":30,"collections":6366,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242405,"zhong-ke-chun-hua-ge-tie-yi-ming-242405",[24,7,25,176,64,81,47,549,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb02afaa3e891e11544e398286bc953d.jpg",[],{"id":6368,"slug":6369,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6370,"thumbUrl":6371,"material":100,"size":101,"collection":30,"collections":6372,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242404,"zhong-ke-chun-hua-ge-tie-yi-ming-242404",[24,7,25,176,64,81,47,188,3897],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F307dd88053721776ae15628d6bace2f6.jpg",[],{"id":6374,"slug":6375,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6376,"thumbUrl":6377,"material":100,"size":101,"collection":30,"collections":6378,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242403,"zhong-ke-chun-hua-ge-tie-yi-ming-242403",[25,24,64,81,47,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd2d3fd3cc62165706f7c7c7998e7a6b.jpg",[],{"id":6380,"slug":6381,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6382,"thumbUrl":6383,"material":100,"size":101,"collection":30,"collections":6384,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242402,"zhong-ke-chun-hua-ge-tie-yi-ming-242402",[24,25,81,64,47,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3cf80ac4c678348a725bcfc2e3d638d.jpg",[],{"id":6386,"slug":6387,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6388,"thumbUrl":6389,"material":100,"size":101,"collection":30,"collections":6390,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242400,"zhong-ke-chun-hua-ge-tie-yi-ming-242400",[24,25,7,176,64,81,26,47,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2ab448b84006c18d634fa57ae284577.jpg",[],{"id":6392,"slug":6393,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6394,"thumbUrl":6395,"material":100,"size":101,"collection":30,"collections":6396,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242399,"zhong-ke-chun-hua-ge-tie-yi-ming-242399",[24,25,64,47,83,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e41e68ea8174146cca2a6181e081427.jpg",[],{"id":6398,"slug":6399,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6400,"thumbUrl":6401,"material":100,"size":101,"collection":30,"collections":6402,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242395,"zhong-ke-chun-hua-ge-tie-yi-ming-242395",[24,25,47,176,7,64,81,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F379dcd5655d5f8071b8ee5b8a84b7d86.jpg",[],{"id":6404,"slug":6405,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6406,"thumbUrl":6407,"material":100,"size":101,"collection":30,"collections":6408,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242393,"zhong-ke-chun-hua-ge-tie-yi-ming-242393",[25,24,64,81,47,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9a492de2f3323fd105591f745b5cc9e.jpg",[],{"id":6410,"slug":6411,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6412,"thumbUrl":6413,"material":100,"size":101,"collection":30,"collections":6414,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242392,"zhong-ke-chun-hua-ge-tie-yi-ming-242392",[25,24,81,64,47,83,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff85e8e885469a3e7cec92b375080545c.jpg",[],{"id":6416,"slug":6417,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6418,"thumbUrl":6419,"material":100,"size":101,"collection":30,"collections":6420,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242391,"zhong-ke-chun-hua-ge-tie-yi-ming-242391",[24,64,81,7,25,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe07bf87474169770f7eab15db6571c06.jpg",[],{"id":6422,"slug":6423,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6424,"thumbUrl":6425,"material":100,"size":101,"collection":30,"collections":6426,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242390,"zhong-ke-chun-hua-ge-tie-yi-ming-242390",[24,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9caa63fd8e11caa674aadae36e6bf791.jpg",[],{"id":6428,"slug":6429,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6430,"thumbUrl":6431,"material":100,"size":101,"collection":30,"collections":6432,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242389,"zhong-ke-chun-hua-ge-tie-yi-ming-242389",[24,7,25,64,47,176,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e91b53ece87618d6aafc17da6742ad2.jpg",[],{"id":6434,"slug":6435,"title":2418,"dynasty":460,"author":401,"museum":94,"description":6436,"tags":6437,"thumbUrl":6438,"material":30,"size":30,"collection":30,"collections":6439,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242388,"zhong-ke-chun-hua-ge-tie-yi-ming-242388","此拓墨色乌莹如漆，镌刻工致入微，将右军草书的奔放纵逸尽数留存。提按使转间，笔底牵丝映带清晰可见，晋人萧散疏朗的风流意气扑面而来。侧旁小楷释文端稳匀整，与草书形成动静相和的韵律。朱红钤印沉敛古雅，为乌墨素拓晕开一抹亮色，更添沉静古拙的意蕴。刻工精妙还原书圣笔下的偃仰向背，即便重刻，也未失原作尚韵的气度，展卷可见千载笔底风神，是传拓与镌刻技艺相融的佳构，静静铺展着帖学传承的脉络。",[80,24,7,25,176,81,47,98,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31b5b5d55279e9889a06feefec02abaf.jpg",[],{"id":6441,"slug":6442,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6443,"thumbUrl":6444,"material":100,"size":101,"collection":30,"collections":6445,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242387,"zhong-ke-chun-hua-ge-tie-yi-ming-242387",[24,98,25,176,47,549,3897,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F868e8cdb32165b79f989c6778808c88e.jpg",[],{"id":6447,"slug":6448,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6449,"thumbUrl":6450,"material":100,"size":101,"collection":30,"collections":6451,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242386,"zhong-ke-chun-hua-ge-tie-yi-ming-242386",[24,25,7,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff26e265e153ba5b622766b325bc2b1df.jpg",[],{"id":6453,"slug":6454,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6455,"thumbUrl":6456,"material":100,"size":101,"collection":30,"collections":6457,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242385,"zhong-ke-chun-hua-ge-tie-yi-ming-242385",[25,64,81,47,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21d4c30e13b2b5aa9d7a3dbc2a0aa696.jpg",[],{"id":6459,"slug":6460,"title":2418,"dynasty":460,"author":401,"museum":94,"description":6461,"tags":6462,"thumbUrl":6463,"material":30,"size":30,"collection":30,"collections":6464,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242384,"zhong-ke-chun-hua-ge-tie-yi-ming-242384","此帖乌底银书，尽现大令草书流妍纵逸之态。行笔牵丝映带，筋骨暗藏，将破体书风的放达风神复刻尽致。字势欹侧相生，或开阖如长风出谷，或收束似幽泉凝潭，刀痕与墨趣交融，将原作使转起伏留存硬牍之上。\n\n双行小注排布错落，与草书虚实相衬，既有法帖的规整肃穆，亦不失尺牍的随性雅致。刀石之间留住晋人尚韵风流，千载之下仍可摩挲彼时翰墨的疏朗散淡。",[24,7,25,176,64,81,26,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce46ce49cee0fb38aafcf0195392ac88.jpg",[],{"id":6466,"slug":6467,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6468,"thumbUrl":6469,"material":100,"size":101,"collection":30,"collections":6470,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242383,"zhong-ke-chun-hua-ge-tie-yi-ming-242383",[24,25,64,81,47,176,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff310e60ede86264278ec89cc03155229.jpg",[],{"id":6472,"slug":6473,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6474,"thumbUrl":6475,"material":100,"size":101,"collection":30,"collections":6476,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242382,"zhong-ke-chun-hua-ge-tie-yi-ming-242382",[24,25,7,64,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7a882017df3c25f27cf6e934201201c.jpg",[],{"id":6478,"slug":6479,"title":2418,"dynasty":460,"author":401,"museum":94,"description":6480,"tags":6481,"thumbUrl":6482,"material":30,"size":30,"collection":30,"collections":6483,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242381,"zhong-ke-chun-hua-ge-tie-yi-ming-242381","此帖镌刻精工，墨色乌亮莹润，字口爽利明净。以行草为主，笔势婉转灵动，提按顿挫间将王羲之笔法的飘逸妍妙复刻传神，尽显东晋书风的飘洒跌宕。\n\n帖文排布匀整清雅，栏界舒朗，既忠实保留原帖的书法意趣，又带着清代刻帖的精工气质，是摹刻晋人法书的佳制，可观书圣笔底的韵致风神，体悟晋韵流风的隽永雅致。",[24,64,81,98,25,7,176,47,83,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F784616cb797ed6144a664051bf98b209.jpg",[],{"id":6485,"slug":6486,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6487,"thumbUrl":6488,"material":100,"size":101,"collection":30,"collections":6489,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242379,"zhong-ke-chun-hua-ge-tie-yi-ming-242379",[24,98,25,47,176,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58cce727a79bf2d834b87a9356657004.jpg",[],{"id":6491,"slug":6492,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6493,"thumbUrl":6494,"material":100,"size":101,"collection":30,"collections":6495,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242377,"zhong-ke-chun-hua-ge-tie-yi-ming-242377",[83,25,24,7,176,64,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69927e868ea48375d4d596e2f6f4e98f.jpg",[],{"id":6497,"slug":6498,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6499,"thumbUrl":6500,"material":100,"size":101,"collection":30,"collections":6501,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242376,"zhong-ke-chun-hua-ge-tie-yi-ming-242376",[3099,176,25,64,81,47,24,7,83,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b6b8bfebca2aedd444bafdad29e43e4.jpg",[],{"id":6503,"slug":6504,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6505,"thumbUrl":6506,"material":100,"size":101,"collection":30,"collections":6507,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242375,"zhong-ke-chun-hua-ge-tie-yi-ming-242375",[24,7,25,47,64,81,26,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F190eb1074e17ca2992533a730a7fa6a4.jpg",[],{"id":6509,"slug":6510,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6511,"thumbUrl":6512,"material":100,"size":101,"collection":30,"collections":6513,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242374,"zhong-ke-chun-hua-ge-tie-yi-ming-242374",[3099,24,25,7,64,81,98,47,176,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0bd5740731d82420386a68864706b6c7.jpg",[],{"id":6515,"slug":6516,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6517,"thumbUrl":6518,"material":100,"size":101,"collection":30,"collections":6519,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242373,"zhong-ke-chun-hua-ge-tie-yi-ming-242373",[24,25,64,81,47,7,176,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74484aacc8bcf62c23f557e828dd2ea5.jpg",[],{"id":6521,"slug":6522,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6523,"thumbUrl":6524,"material":100,"size":101,"collection":30,"collections":6525,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242372,"zhong-ke-chun-hua-ge-tie-yi-ming-242372",[24,25,7,47,81,64,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba6b48a3d41f906ce6e938f6947c6925.jpg",[],{"id":6527,"slug":6528,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6529,"thumbUrl":6530,"material":100,"size":101,"collection":30,"collections":6531,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242371,"zhong-ke-chun-hua-ge-tie-yi-ming-242371",[24,25,7,47,64,81,176,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2eddcdeb0631c86178e9de4d73ac8a2.jpg",[],{"id":6533,"slug":6534,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6535,"thumbUrl":6536,"material":100,"size":101,"collection":30,"collections":6537,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242369,"zhong-ke-chun-hua-ge-tie-yi-ming-242369",[24,7,25,176,64,47,549,83,3897,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ebd266962227d4710bc1d415aedbf3f.jpg",[],{"id":6539,"slug":6540,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6541,"thumbUrl":6542,"material":100,"size":101,"collection":30,"collections":6543,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242368,"zhong-ke-chun-hua-ge-tie-yi-ming-242368",[25,7,24,81,64,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F780185a11dee38aa1cb8d31c1d783c39.jpg",[],{"id":6545,"slug":6546,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6547,"thumbUrl":6548,"material":100,"size":101,"collection":30,"collections":6549,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242367,"zhong-ke-chun-hua-ge-tie-yi-ming-242367",[24,25,7,47,64,81,26,404,98,176,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1db984ea95ae865fcf6079d7368bc0e8.jpg",[],{"id":6551,"slug":6552,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6553,"thumbUrl":6554,"material":100,"size":101,"collection":30,"collections":6555,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242366,"zhong-ke-chun-hua-ge-tie-yi-ming-242366",[24,7,25,64,81,47,176,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd4a3eff4faf76dee340d05ff7d4a711.jpg",[],{"id":6557,"slug":6558,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6559,"thumbUrl":6560,"material":100,"size":101,"collection":30,"collections":6561,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242365,"zhong-ke-chun-hua-ge-tie-yi-ming-242365",[24,7,25,176,47,64,81,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83c4bfe4991a8b1bb8e1d25dffc13644.jpg",[],{"id":6563,"slug":6564,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6565,"thumbUrl":6566,"material":100,"size":101,"collection":30,"collections":6567,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242364,"zhong-ke-chun-hua-ge-tie-yi-ming-242364",[24,25,64,81,47,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9572a582b4b073d01479edf10d8eaae.jpg",[],{"id":6569,"slug":6570,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6571,"thumbUrl":6572,"material":100,"size":101,"collection":30,"collections":6573,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242363,"zhong-ke-chun-hua-ge-tie-yi-ming-242363",[24,81,25,47,176,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F646f3350537f3ee9a8b798ab97913bda.jpg",[],{"id":6575,"slug":6576,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6577,"thumbUrl":6578,"material":100,"size":101,"collection":30,"collections":6579,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242362,"zhong-ke-chun-hua-ge-tie-yi-ming-242362",[25,24,64,81,47,176,7,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbe79780f518dd9cc7cb89cfabfe482b.jpg",[],{"id":6581,"slug":6582,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6583,"thumbUrl":6584,"material":100,"size":101,"collection":30,"collections":6585,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242361,"zhong-ke-chun-hua-ge-tie-yi-ming-242361",[24,7,25,176,81,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa732127535e99e985244d961ba1bf921.jpg",[],{"id":6587,"slug":6588,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6589,"thumbUrl":6590,"material":100,"size":101,"collection":30,"collections":6591,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242359,"zhong-ke-chun-hua-ge-tie-yi-ming-242359",[24,25,7,176,64,81,47,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e4d545e62c72ef3dfb9c64207259430.jpg",[],{"id":6593,"slug":6594,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6595,"thumbUrl":6596,"material":100,"size":101,"collection":30,"collections":6597,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242358,"zhong-ke-chun-hua-ge-tie-yi-ming-242358",[24,25,7,81,64,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c1df6d59b74b7d8139067bd048508bc.jpg",[],{"id":6599,"slug":6600,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6601,"thumbUrl":6602,"material":100,"size":101,"collection":30,"collections":6603,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242357,"zhong-ke-chun-hua-ge-tie-yi-ming-242357",[24,80,7,25,176,47,83,64,81,26,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffed064fab26e5b21093c44c65be2cde4.jpg",[],{"id":6605,"slug":6606,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6607,"thumbUrl":6608,"material":100,"size":101,"collection":30,"collections":6609,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242356,"zhong-ke-chun-hua-ge-tie-yi-ming-242356",[24,7,25,64,176,47,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17258169a846c1f156300002bf41c4b0.jpg",[],{"id":6611,"slug":6612,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6613,"thumbUrl":6614,"material":100,"size":101,"collection":30,"collections":6615,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242355,"zhong-ke-chun-hua-ge-tie-yi-ming-242355",[24,25,7,98,176,47,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ae9c01269b419ed0482ee14bb9a062a.jpg",[],{"id":6617,"slug":6618,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6619,"thumbUrl":6620,"material":100,"size":101,"collection":30,"collections":6621,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242354,"zhong-ke-chun-hua-ge-tie-yi-ming-242354",[24,25,7,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed735d04bc7b8e09c6b01a909ba401f0.jpg",[],{"id":6623,"slug":6624,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6625,"thumbUrl":6626,"material":100,"size":101,"collection":30,"collections":6627,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242352,"zhong-ke-chun-hua-ge-tie-yi-ming-242352",[24,25,7,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf40a4beea9ca49808eadd597292566c.jpg",[],{"id":6629,"slug":6630,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6631,"thumbUrl":6634,"material":100,"size":101,"collection":30,"collections":6635,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242351,"zhong-ke-chun-hua-ge-tie-yi-ming-242351",[24,25,7,64,81,47,176,6632,6633,3904],"拓片","书法作品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F919d15e1b635189c2c7ebb3586071e19.jpg",[],{"id":6637,"slug":6638,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6639,"thumbUrl":6640,"material":100,"size":101,"collection":30,"collections":6641,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242350,"zhong-ke-chun-hua-ge-tie-yi-ming-242350",[24,7,25,64,81,47,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0056bd8fbc64e485ae44a5d820bd0176.jpg",[],{"id":6643,"slug":6644,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6645,"thumbUrl":6646,"material":100,"size":101,"collection":30,"collections":6647,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242349,"zhong-ke-chun-hua-ge-tie-yi-ming-242349",[24,7,25,81,47,83,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c0c2da5d8eeb9a0faec0f633c612c60.jpg",[],{"id":6649,"slug":6650,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6651,"thumbUrl":6652,"material":100,"size":101,"collection":30,"collections":6653,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242348,"zhong-ke-chun-hua-ge-tie-yi-ming-242348",[24,7,25,64,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde1812d66952a3c5ad12f4514dac2ca1.jpg",[],{"id":6655,"slug":6656,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6657,"thumbUrl":6658,"material":100,"size":101,"collection":30,"collections":6659,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242347,"zhong-ke-chun-hua-ge-tie-yi-ming-242347",[24,25,7,64,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03cd45ba3a51652d47b7052a45823cca.jpg",[],{"id":6661,"slug":6662,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6663,"thumbUrl":6664,"material":100,"size":101,"collection":30,"collections":6665,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242346,"zhong-ke-chun-hua-ge-tie-yi-ming-242346",[24,7,25,47,64,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc96941151a805e236a68dc8a1c8ac7e6.jpg",[],{"id":6667,"slug":6668,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6669,"thumbUrl":6670,"material":100,"size":101,"collection":30,"collections":6671,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242345,"zhong-ke-chun-hua-ge-tie-yi-ming-242345",[98,25,24,7,47,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff75e04f00ed125c6e172af44a976dc0f.jpg",[],{"id":6673,"slug":6674,"title":5155,"dynasty":460,"author":401,"museum":94,"description":6675,"tags":6676,"thumbUrl":6677,"material":100,"size":101,"collection":30,"collections":6678,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242344,"kuai-xue-tang-fa-tie-yi-ming-242344","此作为小楷刻帖，墨色匀净乌亮，字势俊雅舒展。虽为刻本，却精妙留存米芾小楷的端谨风骨，褪去其行书的跳脱，尽显晋唐小楷的散淡冲和。笔画瘦劲爽利落，结体匀停秀雅，书录《东皇太一》时，将辞章的肃穆意蕴融于笔锋起落，自带清雅文气。\n黑底白字愈显沉静古雅，金石质感裹挟宋人的书法风神，尽显刻帖工艺精湛，将宋书的灵动雅致定格于石板之上，是清代刻帖中留存宋书风貌的上乘之作。",[80,24,25,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96a2da4fab5f52ad0455168fa0ade449.jpg",[],{"id":6680,"slug":6681,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6682,"thumbUrl":6683,"material":100,"size":101,"collection":30,"collections":6684,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242343,"zhong-ke-chun-hua-ge-tie-yi-ming-242343",[24,25,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f4976417dea3d1f66868599e38f9345.jpg",[],{"id":6686,"slug":6687,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6688,"thumbUrl":6693,"material":100,"size":101,"collection":30,"collections":6694,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242342,"zhong-ke-chun-hua-ge-tie-yi-ming-242342",[25,24,81,64,404,98,7,6689,47,6690,6691,6692],"阁帖","钩摹","释文","考证","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4dfd4640050acefc38060e1553f1030.jpg",[],{"id":6696,"slug":6697,"title":5155,"dynasty":460,"author":401,"museum":94,"description":6698,"tags":6699,"thumbUrl":6700,"material":100,"size":101,"collection":30,"collections":6701,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242341,"kuai-xue-tang-fa-tie-yi-ming-242341","此作为行书册页，黑底白字，愈衬出字迹清劲雅致。行笔流丽婉转，结体舒展灵动，筋骨内含，既有赵孟頫式温润秀雅，又具董其昌般萧散简淡。\n文字详述刻帖原委，笔墨与文辞相得益彰，可见作书者深谙法帖源流。通篇排布疏朗匀停，气息平和安闲，尽显清代题跋书法的典型风貌，笔墨间内敛沉静的文人意趣跃然纸上，是兼具文献价值与审美价值的书法小品。",[24,25,7,64,26,81,98,404],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b3fd4bf234db96341a32354371ad6f6.jpg",[],{"id":6703,"slug":6704,"title":6705,"dynasty":460,"author":401,"museum":94,"description":6706,"tags":6707,"thumbUrl":6708,"material":100,"size":101,"collection":30,"collections":6709,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242340,"kuai-xue-tang-tie-lian-ju-yi-ming-242340","快雪堂帖联句","此作为乌金拓本，银字耀于墨底，缠枝纹边框环绕，雅致端方。小楷点画工整流丽，是典型馆阁笔意，筋骨藏于娟秀之间。\n联句追怀名帖传世掌故，将墨帖千年流传的传奇、刻石成堂的风雅尽数咏入诗中。刀工精妙入微，把笔锋的起落转折完美复刻在拓纸上，让小楷的秀润意蕴分毫毕现。\n整体既有金石考据的沉静质感，又带着文人雅集题咏的清逸意趣，尽显对古法帖的追慕与雅致文心。",[25,24,26,7,3897,188,549,2710],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa288eb5a62ad6df91049978217926a59.jpg",[],{"id":6711,"slug":6712,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6713,"thumbUrl":6714,"material":100,"size":101,"collection":30,"collections":6715,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242339,"zhong-ke-chun-hua-ge-tie-yi-ming-242339",[25,24,7,64,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b8317de79315ff4443749e7cbb91466.jpg",[],{"id":6717,"slug":6718,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6719,"thumbUrl":6720,"material":100,"size":101,"collection":30,"collections":6721,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242338,"zhong-ke-chun-hua-ge-tie-yi-ming-242338",[24,7,25,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa383bfd01651fce24b0119f2bb67968b.jpg",[],{"id":6723,"slug":6724,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6725,"thumbUrl":6726,"material":100,"size":101,"collection":30,"collections":6727,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242337,"zhong-ke-chun-hua-ge-tie-yi-ming-242337",[98,25,24,7,47,549,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e592c3108a033acc62cf121a6136d8e.jpg",[],{"id":6729,"slug":6730,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6731,"thumbUrl":6732,"material":100,"size":101,"collection":30,"collections":6733,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242336,"zhong-ke-chun-hua-ge-tie-yi-ming-242336",[24,25,7,64,81,26,404,98,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb78c3a123bea135c9ce8f52ee494770b.jpg",[],{"id":6735,"slug":6736,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6737,"thumbUrl":6738,"material":100,"size":101,"collection":30,"collections":6739,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242335,"zhong-ke-chun-hua-ge-tie-yi-ming-242335",[81,25,24,7,47,3904],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3c9e62d23e02b5bf3489c676f188302.jpg",[],{"id":6741,"slug":6742,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6743,"thumbUrl":6744,"material":100,"size":101,"collection":30,"collections":6745,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242334,"zhong-ke-chun-hua-ge-tie-yi-ming-242334",[24,25,7,47,64,81,176,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefbccf5d54834b0684cf799b496ef73d.jpg",[],{"id":6747,"slug":6748,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6749,"thumbUrl":6750,"material":100,"size":101,"collection":30,"collections":6751,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242333,"zhong-ke-chun-hua-ge-tie-yi-ming-242333",[24,25,7,81,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a727c36bbf2c71e38d2afe699ca111e.jpg",[],{"id":6753,"slug":6754,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6755,"thumbUrl":6756,"material":100,"size":101,"collection":30,"collections":6757,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242332,"zhong-ke-chun-hua-ge-tie-yi-ming-242332",[24,25,64,7,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd2b684296041e13679b0b1cd9edafd9.jpg",[],{"id":6759,"slug":6760,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6761,"thumbUrl":6762,"material":100,"size":101,"collection":30,"collections":6763,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242331,"zhong-ke-chun-hua-ge-tie-yi-ming-242331",[24,81,64,25,7,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1daed9ee6a3d5807d2c3d2ec20b3f9a.jpg",[],{"id":6765,"slug":6766,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6767,"thumbUrl":6768,"material":100,"size":101,"collection":30,"collections":6769,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242330,"zhong-ke-chun-hua-ge-tie-yi-ming-242330",[24,25,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d62944bbb6a49ebb4014564a7bd053c.jpg",[],{"id":6771,"slug":6772,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6773,"thumbUrl":6774,"material":100,"size":101,"collection":30,"collections":6775,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242329,"zhong-ke-chun-hua-ge-tie-yi-ming-242329",[25,24,7,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e95b6b1e644bb0d6c652c8518385277.jpg",[],{"id":6777,"slug":6778,"title":2418,"dynasty":1225,"author":401,"museum":94,"description":4025,"tags":6779,"thumbUrl":6780,"material":100,"size":101,"collection":30,"collections":6781,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242328,"zhong-ke-chun-hua-ge-tie-yi-ming-242328",[24,25,7,64,81,26,404,98,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F709b2a4de2630d997adba6ab8d82b944.jpg",[],{"id":6783,"slug":6784,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6785,"thumbUrl":6786,"material":100,"size":101,"collection":30,"collections":6787,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242327,"zhong-ke-chun-hua-ge-tie-yi-ming-242327",[24,7,25,47,64,81,26,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd9be313f2121fd0ef409592d752504b.jpg",[],{"id":6789,"slug":6790,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6791,"thumbUrl":6792,"material":100,"size":101,"collection":30,"collections":6793,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242326,"zhong-ke-chun-hua-ge-tie-yi-ming-242326",[24,25,7,64,81,26,404,98,176,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2db6ffb7680d9ac62c7505c601eeaa4.jpg",[],{"id":6795,"slug":6796,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6797,"thumbUrl":6798,"material":100,"size":101,"collection":30,"collections":6799,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242325,"zhong-ke-chun-hua-ge-tie-yi-ming-242325",[98,25,7,24,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14032ea668c07f564e58be554d5292dc.jpg",[],{"id":6801,"slug":6802,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6803,"thumbUrl":6804,"material":100,"size":101,"collection":30,"collections":6805,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242324,"zhong-ke-chun-hua-ge-tie-yi-ming-242324",[24,81,64,26,7,25,47,176,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F482e22170fc3cd1884e4d11663c04a91.jpg",[],{"id":6807,"slug":6808,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6809,"thumbUrl":6810,"material":100,"size":101,"collection":30,"collections":6811,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242323,"zhong-ke-chun-hua-ge-tie-yi-ming-242323",[24,25,7,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3576d2b1210c46bee434753c82867748.jpg",[],{"id":6813,"slug":6814,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6815,"thumbUrl":6816,"material":100,"size":101,"collection":30,"collections":6817,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242322,"zhong-ke-chun-hua-ge-tie-yi-ming-242322",[25,24,64,81,7,176,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5736b29950d2dfb49b41b45989e6eec.jpg",[],{"id":6819,"slug":6820,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6821,"thumbUrl":6822,"material":100,"size":101,"collection":30,"collections":6823,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242321,"zhong-ke-chun-hua-ge-tie-yi-ming-242321",[24,25,7,64,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feea890069b4edcaa7a9437671b067ef2.jpg",[],{"id":6825,"slug":6826,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6827,"thumbUrl":6828,"material":100,"size":101,"collection":30,"collections":6829,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242320,"zhong-ke-chun-hua-ge-tie-yi-ming-242320",[3099,24,25,7,64,26,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0b59c2faa75770fc24273852d716c93.jpg",[],{"id":6831,"slug":6832,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6833,"thumbUrl":6834,"material":100,"size":101,"collection":30,"collections":6835,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242319,"zhong-ke-chun-hua-ge-tie-yi-ming-242319",[24,25,7,176,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F240e3d916c000d5add84b7ea9a311f6b.jpg",[],{"id":6837,"slug":6838,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6839,"thumbUrl":6840,"material":100,"size":101,"collection":30,"collections":6841,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242318,"zhong-ke-chun-hua-ge-tie-yi-ming-242318",[98,25,24,7,176,47,549,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0642fd75c80c564797b2138ef557311.jpg",[],{"id":6843,"slug":6844,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6845,"thumbUrl":6846,"material":100,"size":101,"collection":30,"collections":6847,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242317,"zhong-ke-chun-hua-ge-tie-yi-ming-242317",[24,25,7,176,64,26,81,404,98,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F013fdbec539ef420b07ec25c6f766647.jpg",[],{"id":6849,"slug":6850,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6851,"thumbUrl":6852,"material":100,"size":101,"collection":30,"collections":6853,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242316,"zhong-ke-chun-hua-ge-tie-yi-ming-242316",[24,7,25,176,64,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7862675ae1f111c7b7e6f000eec47e98.jpg",[],{"id":6855,"slug":6856,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6857,"thumbUrl":6858,"material":100,"size":101,"collection":30,"collections":6859,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242315,"zhong-ke-chun-hua-ge-tie-yi-ming-242315",[24,7,25,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2b83776f38d32a97e2e41521347d816.jpg",[],{"id":6861,"slug":6862,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6863,"thumbUrl":6864,"material":100,"size":101,"collection":30,"collections":6865,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242314,"zhong-ke-chun-hua-ge-tie-yi-ming-242314",[24,7,25,81,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee00b3524ae06a88cfc1d6b3f044064a.jpg",[],{"id":6867,"slug":6868,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6869,"thumbUrl":6870,"material":100,"size":101,"collection":30,"collections":6871,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242313,"zhong-ke-chun-hua-ge-tie-yi-ming-242313",[24,7,25,81,64,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7dd303cc823037f0ffa464849e751544.jpg",[],{"id":6873,"slug":6874,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6875,"thumbUrl":6876,"material":100,"size":101,"collection":30,"collections":6877,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242312,"zhong-ke-chun-hua-ge-tie-yi-ming-242312",[24,25,7,64,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9c239a471df9881b209bd486bf6768e.jpg",[],{"id":6879,"slug":6880,"title":6881,"dynasty":198,"author":401,"museum":94,"description":6882,"tags":6883,"thumbUrl":6884,"material":100,"size":101,"collection":30,"collections":6885,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242311,"xi-hong-tang-tie-yi-ming-242311","戏鸿堂帖","此帖复刻东坡笔意，墨色乌亮莹润，尽显宋尚意书风的隽永雅致。开篇大字端稳厚重，笔力沉实朴拙，自带庙堂文书的整饬庄重；后续小字行笔流转自然，牵丝映带之间如行云流水，将苏轼书法丰腴浑厚、舒展雍容的风神复刻得传神入微。\n\n章法排布疏密得当，字距错落合宜，既不失制诰文书的规整，又暗合文人书法的萧散意趣。碑刻工艺精良，笔画的粗细提按清晰留存，将东坡书法的韵致风骨凝于寸楮，是明代刻帖中的上乘之作，把宋人写意抒怀的笔墨意趣定格，历经岁月依旧灵动耐看。",[24,80,7,25,64,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6794d83a0a731128bafbce7cedb3b53.jpg",[],{"id":6887,"slug":6888,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6889,"thumbUrl":6890,"material":100,"size":101,"collection":30,"collections":6891,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242310,"zhong-ke-chun-hua-ge-tie-yi-ming-242310",[24,25,7,81,64,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fca6dbb992056e9f783664a33202965.jpg",[],{"id":6893,"slug":6894,"title":2418,"dynasty":460,"author":401,"museum":94,"description":6895,"tags":6896,"thumbUrl":6897,"material":30,"size":30,"collection":30,"collections":6898,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242309,"zhong-ke-chun-hua-ge-tie-yi-ming-242309","此作以精整小篆摹刻法帖题识，线条匀净婉通，字形端雅规整，将上古至晋人书迹的题跋以篆法重塑，尽显古雅庄重的金石气韵。排版疏朗有序，释文与篆字排布和谐妥帖，既保留了阁帖的古朴金石质感，又以篆体赋予旧帖焕然新意。刻工精细，将小篆的对称之美与匀净笔意尽数呈现，观者可于一笔一画间，触摸跨越千年的书法脉络，品味篆籀文字的典雅厚重，是兼顾书法美学与文献留存的刻帖佳制。",[98,47,7,25,24,176,549,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8a8d9e99310c1950220420d5bbcf5be.jpg",[],{"id":6900,"slug":6901,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":6902,"thumbUrl":6903,"material":100,"size":101,"collection":30,"collections":6904,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242308,"zhong-ke-chun-hua-ge-tie-yi-ming-242308",[24,25,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d134132c18ddee7be1715e56d2f5a18.jpg",[],{"id":6906,"slug":6907,"title":6908,"dynasty":198,"author":401,"museum":94,"description":6909,"tags":6910,"thumbUrl":6911,"material":30,"size":30,"collection":155,"collections":6912,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":1075},242305,"yu-gang-zhai-tie-yi-ming-242305","郁冈斋帖","此帖行书节录《九辩》，笔致婉畅灵动，牵丝映带间尽显行书舒展意趣，结体疏密欹正，藏着开合自如的章法巧思。乌金墨色沉凝古雅，拓工精良，字里行间漫溢着沉静书卷气。\n\n书法意绪与赋文悲秋怀思相融，笔势随文辞起伏沉郁，将悱恻怅惘暗合在提按转束中。版式匀整端方，字列排布错落有序，既保有行书的挥洒之态，亦不失刻帖的端雅矜重，让辞文的哀婉与笔墨的隽秀融为一体，墨痕里漫溢着古典文韵的悠长余味。",[24,64,7,25,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc71401457f2e938fd84bd27597f8f936.jpg",[155],{"id":6914,"slug":6915,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6916,"tags":6917,"thumbUrl":6918,"material":100,"size":101,"collection":30,"collections":6919,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242304,"wan-xiang-tang-su-shu-tie-yi-ming-242304","此作为阴刻行书帖本，墨色沉敛静穆，字口清润劲挺。\n\n左侧书迹舒展跌宕，带着东坡行书特有的丰腴意趣，将湖桥闲步的幽隐之趣藏在笔墨的牵丝顿挫间，笔意从容萧散；右侧题额古雅朴拙，园池诗的书迹疏朗自在，把文人寄情林泉的雅致尽显无余。刻工精妙入微，忠实还原苏书舒展旷达的笔底风神，将北宋文人的林下风流凝在方寸拓纸间，虽经传刻却不减自在书卷气，尽显东坡书法里那份旷达疏朗的意韵。",[24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcb363f9c78eafb26a92c6ac94e438f59.jpg",[],{"id":6921,"slug":6922,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6923,"tags":6924,"thumbUrl":6925,"material":100,"size":101,"collection":30,"collections":6926,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242303,"wan-xiang-tang-su-shu-tie-yi-ming-242303","此帖以乌色为底，笔锋莹润亮眼。行书取法东坡意趣，行笔舒展灵动，笔画圆劲丰润，藏锋敛锷却姿态横生。\n\n字字排布错落随性，暗含章法，笔画间牵丝映带，将诗文意绪融于笔墨起伏中。开篇从容铺陈，字句随文气缓急收放，既有文人简淡禅意，又藏尺牍私语的松弛。墨色匀净细腻，把提按粗细尽致展现，瘦处见劲、肥处见妍，尽显“端庄杂流丽，刚健含婀娜”的书法风神。\n\n整幅书卷气盎然，观之如晤旧友漫话闲情，将宋代文人的雅致意趣，凝于这方寸拓本之间。",[24,25,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93f209b9f81aa391ec536207a1b0d9ab.jpg",[],{"id":6928,"slug":6929,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6930,"tags":6931,"thumbUrl":6932,"material":100,"size":101,"collection":30,"collections":6933,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242302,"wan-xiang-tang-su-shu-tie-yi-ming-242302","墨底烫金，雅致端凝，尽显东坡行书舒展俊逸之态。用笔随性自然，起收锋毫无滞碍，结体疏密错落，于散淡间暗藏沉厚筋骨，将苏轼独有的文人旷达意趣晕染纸上。\n\n帖中录东坡咏梅诗作，笔墨与诗意相融，词句清隽，书风疏朗，尽显东坡疏放雅致的精神气象。刻工精湛细致，最大程度还原了原作的笔墨神韵，虽为刻本，却精妙留存了苏轼行书的灵动意态，诗书相映，是兼具赏鉴与收藏价值的书法佳刻。",[24,64,25,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f3ca61fe92b6689eab71ad60d6ac43d.jpg",[],{"id":6935,"slug":6936,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6937,"tags":6938,"thumbUrl":6940,"material":100,"size":101,"collection":30,"collections":6941,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242301,"wan-xiang-tang-su-shu-tie-yi-ming-242301","此作为行书刻帖，笔墨取法东坡意趣，乌墨沉润如漆，尽得尚意书风之妙。用笔丰腴跌宕，藏锋处温润内敛，露锋时爽利劲挺，点画间带着宋人独有的散淡疏朗。\n\n所书东坡诗作，结体大小随性错落，章法排布匀整却不失灵动，字间行气连贯自然，将诗中山林清居的悠然襟怀融于笔墨流转。虽为刻帖，依旧能窥见原迹的潇洒风神，尽显追摹宋贤的雅致意趣，把东坡笔下的林下闲逸，凝在寸尺墨纸之间。",[24,64,25,7,6939],"牛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44f84a9f101300be44a2c73fd7b2257b.jpg",[],{"id":6943,"slug":6944,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6945,"tags":6946,"thumbUrl":6947,"material":100,"size":101,"collection":30,"collections":6948,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242300,"wan-xiang-tang-su-shu-tie-yi-ming-242300","此帖以泥金书就于乌金笺上，墨色沉凝与金彩明丽相互映衬，视觉清逸雅致。书取苏轼笔意，结体宽博舒展，笔力劲挺温润，将东坡书法的雍容浑厚与明刻帖的精工秀润融为一体。字字排布匀停疏朗，点画间尽显从容温雅的文人意趣，起承转合皆见法度，既不失苏字的萧散风神，又带着刻本独有的整饬质感，将宋代文人的翰墨雅致精妙留存，是一件颇具韵味的法帖佳本。",[24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d5c985b165ff21a26b8aac5afbc8e2a.jpg",[],{"id":6950,"slug":6951,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6952,"tags":6953,"thumbUrl":6954,"material":100,"size":101,"collection":30,"collections":6955,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242299,"wan-xiang-tang-su-shu-tie-yi-ming-242299","此作为苏书刻帖，墨色乌亮莹润，字势灵动舒展。左侧录东坡日常尺牍，笔意随性洒脱，提按转折间尽显行书舒展自然的意趣，将修闸琐事化作笔下疏朗的线条，带着家常信札松弛自在的烟火气，无半点刻意雕琢的板滞。\n\n右侧题名朴拙率真，刻工细致入微，将苏轼手札的笔墨温度凝于刀锋之下，把文人日常闲散心事藏于方寸拓纸，尽显宋人尺牍萧散简远的风雅韵味，在墨色与纸底的明暗之间，晕开旧时光里的文人情致，平淡语汇里浸透东坡超逸的笔墨风神。",[24,64,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bd2e6384e39c3e5b12e18d5598360f9.jpg",[],{"id":6957,"slug":6958,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6959,"tags":6960,"thumbUrl":6961,"material":100,"size":101,"collection":30,"collections":6962,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242298,"wan-xiang-tang-su-shu-tie-yi-ming-242298","此作用行书录陶渊明《饮酒》名句，笔墨意态追摹东坡风神，结体宽绰舒展，笔力浑厚遒劲又不失灵动潇洒。线条粗细合宜，牵映顾盼间自带萧散悠然之致，与诗文隐世淡远的意境相融相合。碑刻金字沉凝温润，虽经刻拓，依旧留存了原作书写时的松弛快意，将东坡行书雍容跌宕的气质尽显无遗，把陶诗里东篱采菊、悠然忘机的林下风雅，以书法的形式诠释得淋漓尽致，尽显文人淡远出尘的书卷意趣。",[24,64,25,7,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb3addc26317f63045808c53f5687270.jpg",[],{"id":6964,"slug":6965,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6966,"tags":6967,"thumbUrl":6968,"material":100,"size":101,"collection":30,"collections":6969,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242297,"wan-xiang-tang-su-shu-tie-yi-ming-242297","此作为苏书刻帖，墨底朱字，古雅沉静。笔致丰腴跌宕，尽显东坡行书舒展散淡的宋韵风神。刻工精妙，将原作的牵丝映带、结体意趣复刻传神，既有文人书法的雅致疏朗，亦带着碑刻特有的金石朴拙质感。\n\n所录《洞庭春色赋》片段，笔墨间藏着闲适意趣，字里行间漫溢出东坡文辞里的林下风致，明刻复刻颇为得法，在墨色沉凝与朱笔挺秀的反差中，让古帖的书卷气与金石气相融，是复刻苏字的佳妙刻本之一。",[24,25,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ff81935ef65ff68458e43811b237704.jpg",[],{"id":6971,"slug":6972,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6973,"tags":6974,"thumbUrl":6975,"material":100,"size":101,"collection":30,"collections":6976,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242296,"wan-xiang-tang-su-shu-tie-yi-ming-242296","此作为行书刻帖，墨底题金，古意盎然。取法东坡笔意，笔画丰腴舒展，藏锋裹气，尽显苏氏行书的朴茂浑厚。章法错落随性，字间行气贯通，欹正相生，还原了宋人尺牍的散淡意趣。\n刻工精良，金字在沉郁墨底上锋芒隐现，复刻出原帖的笔墨层次，将尺牍中随性旷达的文士襟怀尽显无余，看似信手挥洒的文辞笔墨，藏着北宋文人潇洒疏放的风神，让观者窥见宋人尺牍往来的雅致日常，虽为刻本却不失原作天真烂漫的意韵。",[24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffe248a4381c430fd17d0b4ac6d23391.jpg",[],{"id":6978,"slug":6979,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6980,"tags":6981,"thumbUrl":6982,"material":100,"size":101,"collection":30,"collections":6983,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242295,"wan-xiang-tang-su-shu-tie-yi-ming-242295","此作为行书刻帖，节取《归去来兮辞》开篇。乌金底板衬起银字愈见清雅隽秀，刻工精良至极。笔墨取法苏轼行书意趣，点画圆劲丰腴，字势舒展灵动，将东坡书法特有的旷达萧散复刻传神。\n\n即便经刊刻转拓，依旧保留着原作笔墨起伏的随性舒展，以苏字疏宕从容的风韵，尽显陶潜归园田居的澹泊襟怀，字字融着文人散淡天真的意绪，是颇具意趣的刻帖佳制。",[24,25,7,64,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F84c30d6620a963fbe45587d758d4b2f8.jpg",[],{"id":6985,"slug":6986,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6987,"tags":6988,"thumbUrl":6989,"material":100,"size":101,"collection":30,"collections":6990,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242294,"wan-xiang-tang-su-shu-tie-yi-ming-242294","此帖墨色乌亮莹润，刻工精妙，尽显苏轼书风神髓。左侧诗文楷行相融，用笔舒展沉厚，结体宽博雍容，既具楷书端稳筋骨，又不失行书灵动意趣，笔墨间沉郁怀古之意尽显。右侧题署朴拙舒展，藏巧于拙，丰腴笔画内含骨力，是典型的东坡书风。\n整帖将笔墨风神与诗文意境相融，既有文人疏朗雅致，又带着沉雄厚重笔力，虽为刻帖，却完整留存原作精神，尽显宋韵书法意韵悠长，朴茂雄浑中隽秀自生。",[24,25,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59a62b3dfa5b819d2355a5ec2fab81d9.jpg",[],{"id":6992,"slug":6993,"title":4318,"dynasty":198,"author":401,"museum":94,"description":6994,"tags":6995,"thumbUrl":6996,"material":100,"size":101,"collection":30,"collections":6997,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242293,"wan-xiang-tang-su-shu-tie-yi-ming-242293","此帖集录东坡书迹，韵致卓然。开篇题字古雅厚朴，行书笔势舒展雍容，带着苏轼标志性的丰腴圆劲，骨力潜于丰肌之中，尽显文人旷达意致。\n\n后接小楷《心经》，结体匀整端雅，笔墨温静安和，静穆间漫出禅意，将东坡书法兼具的萧散简远与端雅沉凝复刻传神。朱印浓艳映于乌墨黑底之上，朱墨撞色让古雅更添灵动，刻工精妙，将苏轼笔底的疏朗意趣留存下来，字里行间既有文人心境，又含出世禅味，是极具赏鉴价值的法帖。",[24,64,25,187,47,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8dc3aa4188d6aeec68afa0e8f9bfbe0.jpg",[],{"id":6999,"slug":7000,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7001,"tags":7002,"thumbUrl":7003,"material":100,"size":101,"collection":30,"collections":7004,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242290,"wan-xiang-tang-su-shu-tie-yi-ming-242290","此作为集苏轼行书刻帖，墨地填金，愈显古雅沉静。字法承袭东坡行书典型意韵，笔致丰腴跌宕，圆劲灵动，结体欹侧奇崛却舒展自然，尽显苏轼随性旷达的风神。\n\n帖中内容为东坡养生闲谈，将寻常起居服药之语，以风雅笔墨书就。整幅章法匀整疏朗，字间呼吸相宜，精细复刻出东坡笔墨意趣，泥金与乌墨相映，让宋贤的笔墨风神被妥帖留存，尽显刻帖的隽永质感与宋人的雅致意趣。",[24,25,7,64,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99ec6c4d0ea3c26cacfce2f91f0e6207.jpg",[],{"id":7006,"slug":7007,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7008,"tags":7009,"thumbUrl":7010,"material":100,"size":101,"collection":30,"collections":7011,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242289,"wan-xiang-tang-su-shu-tie-yi-ming-242289","此作墨色乌亮如漆，字口清隽朗润，尽显行书飘逸沉凝之姿。用笔提按转折自在随心，笔画舒展灵动，既有丰腴浑厚的笔力，又不失劲挺爽利的镌刻意趣，将尚意风神藏于起收之间。\n章法错落疏朗，字间疏密得宜，行气贯通畅达。笔墨间裹挟着禅意文思，每一字都晕染着雅致高古的书卷气，虽经刊刻却未失笔墨本真，将文人的疏俊襟怀尽数融于笔锋起落，观之如沐清风，尽显书法里的高古意趣。",[2050,64,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce4213b59a9cec88b61c6aa8596d08f0.jpg",[],{"id":7013,"slug":7014,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7015,"tags":7016,"thumbUrl":7017,"material":100,"size":101,"collection":30,"collections":7018,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242288,"wan-xiang-tang-su-shu-tie-yi-ming-242288","此作为黑底嵌金的刻帖，雅致沉静。右侧开篇以古雅篆字题引，其后小楷书《黄庭内景经》，笔致清劲端雅，舒展灵动，自带晋人飘逸散淡的气韵，提按转折皆细腻可观。左侧小楷行气匀整，笔画温润秀雅，将经文清虚出尘的气质融于笔墨之中。\n\n刻工精妙入微，把原作的笔墨意趣完整复刻，乌亮莹润的墨底间，金字愈发隽秀雅致，虽为拓本，却留存下原作的秀逸风神。整体气息静穆内敛，翰墨与经文相融，观之涤荡尘心，沉浸在古雅清虚的韵致之中，是颇见功力的刻帖佳制。",[2050,25,24,64,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f9ca76fd4ff09efa3f4b30f18c516f8.jpg",[],{"id":7020,"slug":7021,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7022,"tags":7023,"thumbUrl":7024,"material":100,"size":101,"collection":30,"collections":7025,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242287,"wan-xiang-tang-su-shu-tie-yi-ming-242287","此帖行书意态温雅舒展，尽得东坡书法神韵。墨色沉凝古雅，刀刻细致还原笔墨提按转折，将纸墨间的氤氲意韵凝于金石，未失笔墨原有的灵动生机。\n\n帖文为东坡谈风物食养的随笔短札，书法与文辞相映成趣，字里行间漫溢出东坡居士寄情日常的散淡疏朗。笔画间既有宋代文人的萧散风神，又藏着明代刻工的精巧用心，复刻出苏字的旷达疏放，带着江南风物的清隽意趣，尽显宋人尺牍的闲雅情致。",[2050,24,25,7,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb532973604adf3da4e3e56d08408dc3e.jpg",[],{"id":7027,"slug":7028,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7029,"tags":7030,"thumbUrl":7031,"material":100,"size":101,"collection":30,"collections":7032,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242286,"wan-xiang-tang-su-shu-tie-yi-ming-242286","此帖节录宋玉《九辩》悲秋开篇，行书取东坡笔意，以铁线精摹勒石，墨色乌亮莹润，古意盎然。行笔舒展灵动，结体疏密得宜，既存东坡行书的丰腴雍容，又不失飘逸隽秀之姿，将苏书尚意的神韵复刻精妙。笔墨与文辞相融，萧瑟秋意寄于婉转笔锋，沉郁雅致的书卷气漫溢纸面。刻工精良，笔画转折间筋骨暗藏，尽显宋明递嬗之际，文人对苏式书风的追慕与传承，是兼具文辞意趣与书法美学的精巧刻帖之作。",[80,24,64,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6a23d5caee2e08933f687e7f87445fc.jpg",[],{"id":7034,"slug":7035,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7036,"tags":7037,"thumbUrl":7038,"material":100,"size":101,"collection":30,"collections":7039,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242285,"wan-xiang-tang-su-shu-tie-yi-ming-242285","墨底金书古雅沉静，此帖尽得东坡行书神髓。笔画圆劲舒展，结体欹侧不失端稳，将苏轼书法丰腴跌宕、散朗萧散的意韵复刻传神。尺牍文句自带文人酬唱的松弛随性，刻工精细入微，把笔墨间的起伏转折留存完好，虽为刻帖却近乎还原了原作的笔墨气韵，尽显宋代文人书法的隽逸风骨，可让观者触摸到东坡行书的疏朗雅致，是摹刻苏字的精良范本。",[24,7,25,64,176,80],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd035a2e43fd0d6584dd2b4e6da914b63.jpg",[],{"id":7041,"slug":7042,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7043,"tags":7044,"thumbUrl":7045,"material":100,"size":101,"collection":30,"collections":7046,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242284,"wan-xiang-tang-su-shu-tie-yi-ming-242284","此帖墨色沉凝乌亮，左右分栏排布，章法疏朗安和。左侧苏书笔致舒展俊逸，结体跌宕，尽显东坡行书丰腴旷达的意趣，笔墨间带着宋代文人疏宕的风神。右侧题额古拙厚重，金石朴茂之气盎然，与行书形成刚柔相映的奇妙张力。整作拓工精良，字口清晰分明，将苏轼书法的灵动意韵复刻传神，碑刻与行书意趣相融，尽显法帖雅致厚重的质感，凝练出书法传承里的隽永意趣。",[24,25,64,7,47,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69314e089f45bd0a13bc407b5cdfcdde.jpg",[],{"id":7048,"slug":7049,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7050,"tags":7051,"thumbUrl":7052,"material":100,"size":101,"collection":30,"collections":7053,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242283,"wan-xiang-tang-su-shu-tie-yi-ming-242283","此作用墨底金字装裱，古雅沉静。书风兼融行书舒展与小草简省，行气匀停疏朗，字间映带自然。提按顿挫富于节律，点画灵动爽利，如“羈、忘”诸字，草意盎然却不失法度。\n所书诗文清雅淡远，笔墨与文辞相得益彰，尽显幽居林壑、寄情山水的文人意趣。整体意韵萧散简远，妍美流便中带着沉静古雅气质，将书写的抒情性与诗文意境相融，是兼具审美价值与文心雅趣的佳构。",[24,64,25,7,2710],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe55f73e920f006e63c9ca3723c1c4007.jpg",[],{"id":7055,"slug":7056,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7057,"tags":7058,"thumbUrl":7059,"material":100,"size":101,"collection":30,"collections":7060,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242282,"wan-xiang-tang-su-shu-tie-yi-ming-242282","此作为墨底金字行书刻帖，格调古雅沉静。取法东坡行书风神，点画丰腴跌宕，藏锋敛锷又不失舒展开张。字间气脉连贯，欹正相生，既带着文人的疏朗散淡，亦具遒劲骨力。\n\n所书为山林幽居之语，笔墨与文辞相融，尽显林下风流。章法排布匀称，行气疏朗宽绰，字距行间留白得当，通篇气息平和萧散，暗合文中山林问道、幽潭寄怀的意趣。虽为刻帖，却将东坡书法的烂漫天真与沉郁温厚完美复刻，仍能传递出原迹的笔墨情韵，尽显行书雅致风神。",[2050,24,25,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce1de56a9f786e92276c7f3cdf16281d.jpg",[],{"id":7062,"slug":7063,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7064,"tags":7065,"thumbUrl":7066,"material":100,"size":101,"collection":30,"collections":7067,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242281,"wan-xiang-tang-su-shu-tie-yi-ming-242281","此行书刻帖取法东坡笔意，字形欹正错落，肥扁间自带雄迈沉郁的气度。起笔朴拙开张，而后行笔渐次舒展，牵丝映带间尽显萧散随性的文人意趣。\n\n墨色虽经拓印，仍能分辨润燥浓淡，粗笔沉厚如坠石，细笔轻盈若游丝。刻工将挥毫时的疏放襟怀传神复刻，碑石的苍茫质感晕染在笔墨意趣中，尺牍式的章法连贯通透，字字呼应间藏着宋人尚意的风雅。率性挥洒间流露出行云流水的自然韵致，将东坡书法的疏放襟怀凝结在金石拓片之上。",[24,64,25,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8782cd8e5cb1166fd71eb6ccf1896fa8.jpg",[],{"id":7069,"slug":7070,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7071,"tags":7072,"thumbUrl":7073,"material":100,"size":101,"collection":30,"collections":7074,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242280,"wan-xiang-tang-su-shu-tie-yi-ming-242280","此帖墨色苍润沉古，草书笔意纵逸跌宕。线条舒展奔涌，牵丝映带间流转自然，字势开合相生，欹正错落尽显随性疏狂。章法匀整不失灵动，两列排布行气贯通，如行云流水一气呵成，将诗中酣饮酒意化入笔底，把东坡疏旷襟怀藏于点画。刻工精良，不失原作笔墨意趣，金石质感衬出书风雄放，既有宋人意韵，又含刻帖的古雅质感，通篇浑然舒展，尽显潇洒疏朗的文人意气。",[24,80,7,25,64],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27671664f0c50f24dc337b69ff847b52.jpg",[],{"id":7076,"slug":7077,"title":4318,"dynasty":198,"author":401,"museum":94,"description":7078,"tags":7079,"thumbUrl":7080,"material":30,"size":30,"collection":30,"collections":7081,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242279,"wan-xiang-tang-su-shu-tie-yi-ming-242279","此作为苏书刻帖，墨色乌莹沉厚，开篇以古雅篆题领起，通篇行书取势舒展灵动，尽显东坡手札随性自然的意趣。\n线条圆劲丰润、骨肉停匀，字形欹正相生，藏着东坡“我书意造本无法”的创作主张，将日常信札里松弛朴拙的笔墨情态精妙复刻。刻工精湛，忠实还原了苏轼行书雄放又不失秀逸的质感，把尺牍里的家常语化作笔下动人的书法意韵，尽显宋人尚意的风雅神采，复刻出东坡书法的风神襟度，是留存苏书面貌的上好刻本。",[24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F106408f1787d362c10406466ead4d8b7.jpg",[],{"id":7083,"slug":7084,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7085,"thumbUrl":7086,"material":100,"size":101,"collection":30,"collections":7087,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242278,"zhong-ke-chun-hua-ge-tie-yi-ming-242278",[25,24,7,64,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b1f636bc38cb909541dc3cff57dd51b.jpg",[],{"id":7089,"slug":7090,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7091,"thumbUrl":7092,"material":100,"size":101,"collection":30,"collections":7093,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242276,"zhong-ke-chun-hua-ge-tie-yi-ming-242276",[24,7,25,176,47,64,81,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a225a617821dcd157cc4770f7f47d3d.jpg",[],{"id":7095,"slug":7096,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7097,"thumbUrl":7098,"material":100,"size":101,"collection":30,"collections":7099,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242275,"zhong-ke-chun-hua-ge-tie-yi-ming-242275",[24,7,25,64,81,47,176,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0bd763b3fb2a7fb41bf7f100f745b9b2.jpg",[],{"id":7101,"slug":7102,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7103,"thumbUrl":7104,"material":100,"size":101,"collection":30,"collections":7105,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242274,"zhong-ke-chun-hua-ge-tie-yi-ming-242274",[24,25,7,64,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf23ee2a7b22bb6727e105651b3b6340.jpg",[],{"id":7107,"slug":7108,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7109,"thumbUrl":7110,"material":100,"size":101,"collection":30,"collections":7111,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242273,"zhong-ke-chun-hua-ge-tie-yi-ming-242273",[24,25,64,81,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2b2cb6470bc0353ac121d5a04b3a163.jpg",[],{"id":7113,"slug":7114,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7115,"thumbUrl":7116,"material":100,"size":101,"collection":30,"collections":7117,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242272,"zhong-ke-chun-hua-ge-tie-yi-ming-242272",[24,25,7,98,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcef32d265c307007205576365237b845.jpg",[],{"id":7119,"slug":7120,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7121,"thumbUrl":7122,"material":100,"size":101,"collection":30,"collections":7123,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242271,"zhong-ke-chun-hua-ge-tie-yi-ming-242271",[24,25,7,64,81,26,176,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79ae5de262ddbc2329cb11360990aee6.jpg",[],{"id":7125,"slug":7126,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7127,"thumbUrl":7128,"material":100,"size":101,"collection":30,"collections":7129,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242270,"zhong-ke-chun-hua-ge-tie-yi-ming-242270",[24,25,7,64,81,26,176,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a659ab8e1deb9cf51b3109e6df75723.jpg",[],{"id":7131,"slug":7132,"title":2418,"dynasty":460,"author":401,"museum":94,"description":7133,"tags":7134,"thumbUrl":7135,"material":30,"size":30,"collection":30,"collections":7136,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242269,"zhong-ke-chun-hua-ge-tie-yi-ming-242269","这帧大字行书拓本，用笔雄健苍劲，线条浑厚饱满极具张力。“名”字起笔藏锋敛势，转折圆劲沉稳，下部宽舒开张，尽显疏朗气度；“寓”字上紧下松，宝盖头宽博大气，下部笔画错落呼应，拙朴灵动兼具。\n\n整作以乌金底托出润白书迹，对比强烈，右上角小朱印点缀，虚实相生，章法疏朗开阔。笔墨间既有唐楷端稳之态，又不失行书的灵动意趣，尽显榜书的磅礴开阔，将传统刻帖的金石质感与书法艺术的气韵完美融合，尽显沉雄洒脱的书法意韵。",[24,7,25,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f6ecc981941925c2eeaec233cf1e8c9.jpg",[],{"id":7138,"slug":7139,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7140,"thumbUrl":7141,"material":100,"size":101,"collection":30,"collections":7142,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242268,"zhong-ke-chun-hua-ge-tie-yi-ming-242268",[24,7,25,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d4041694fd3b94e8acda1a9e5180d4a.jpg",[],{"id":7144,"slug":7145,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7146,"thumbUrl":7147,"material":100,"size":101,"collection":30,"collections":7148,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242267,"zhong-ke-chun-hua-ge-tie-yi-ming-242267",[24,7,25,176,47,64,81,26,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda8c8106af11b7a471f3c75329ab3e9a.jpg",[],{"id":7150,"slug":7151,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7152,"thumbUrl":7153,"material":100,"size":101,"collection":30,"collections":7154,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242266,"zhong-ke-chun-hua-ge-tie-yi-ming-242266",[24,25,7,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5cd051d06def15e8ece6575cb44f603b.jpg",[],{"id":7156,"slug":7157,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7158,"thumbUrl":7159,"material":100,"size":101,"collection":30,"collections":7160,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242265,"zhong-ke-chun-hua-ge-tie-yi-ming-242265",[24,7,25,81,64,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F798d51df9270e29c1f2441d8f6f024f5.jpg",[],{"id":7162,"slug":7163,"title":2418,"dynasty":460,"author":401,"museum":94,"description":7164,"tags":7165,"thumbUrl":7166,"material":30,"size":30,"collection":30,"collections":7167,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242264,"zhong-ke-chun-hua-ge-tie-yi-ming-242264","此帖墨色沉凝乌亮，刻工精妙入微，将唐草的纵逸风神尽数留存。字势连绵缠绕，线条灵动跌宕，提按转合间尽显狂放洒脱的笔底意趣。右侧小楷释文与左侧草书形成疏密对照，虚实相映，章法错落有致，既还原了古帖的笔墨情致，又带着复刻本特有的沉静质感。笔下藏着晋唐书法的跌宕心绪，每一处牵丝映带都传递出古人挥毫时的酣畅快意，让观者得以触摸千年前的书法造诣，是复刻法帖里留存古法风貌的上乘之作。",[24,25,7,81,64,176,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6fd2940eee4ff503f986ed4281a9780.jpg",[],{"id":7169,"slug":7170,"title":2418,"dynasty":460,"author":401,"museum":94,"description":7171,"tags":7172,"thumbUrl":7173,"material":30,"size":30,"collection":30,"collections":7174,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242263,"zhong-ke-chun-hua-ge-tie-yi-ming-242263","此草书刻帖笔势圆劲流转，牵丝映带自然浑成，字间行气连贯畅达。刻工精良，墨色沉凝匀净，将原作使转提按的细腻笔意尽数留存。\n单字或欹或正，错落生姿。大开大合如“趣”“憂”，尽现放逸跌宕之态，内敛收敛者亦见温婉雅致。旁侧小字释文排布规整，与草书形成疏密对比，章法疏朗协调，层次分明。\n刀笔之间复刻古帖笔墨情致，兼具魏晋草书的潇洒风神，让观者得以遥想原作灵动韵致，触摸跨越时光的书法传承脉络。",[25,24,7,176,64,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca85b49cf34072ae5f07b6b04c25e71f.jpg",[],{"id":7176,"slug":7177,"title":2418,"dynasty":460,"author":401,"museum":94,"description":7178,"tags":7179,"thumbUrl":7180,"material":30,"size":30,"collection":30,"collections":7181,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242262,"zhong-ke-chun-hua-ge-tie-yi-ming-242262","此帖以摹刻晋人尺牍为本，笔势圆劲流转，牵丝映带间尽显晋人萧散简远的气度。点画粗细变化自然灵动，将王珣尺牍的跌宕意趣复刻传神。\n\n小字释文排布妥帖，与草书本体相映成趣，整体版式疏朗沉静，墨色匀净苍润。虽为刻帖，却最大程度保留了原作的笔墨情致，尽显魏晋尚韵的书法美学，可让观者遥想魏晋名士的风雅襟怀，是复刻古法的佳制。",[24,25,7,64,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a5b5ac2e19a39e26f6dcd7eaafe891f.jpg",[],{"id":7183,"slug":7184,"title":2418,"dynasty":460,"author":401,"museum":94,"description":7185,"tags":7186,"thumbUrl":7187,"material":30,"size":30,"collection":30,"collections":7188,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242261,"zhong-ke-chun-hua-ge-tie-yi-ming-242261","此作为刻帖精品，乌亮墨底衬出银钩草书，线条婉转舒展，将王献之笔法的飘逸风流尽数复刻。刻工精湛细腻，字口爽利清晰，毫厘间还原晋人尚韵的灵动笔意，原作的使转牵丝、俯仰开合都历历可见。\n\n版式疏朗沉静，旁附工稳释文排布妥帖和谐，既便于识读草法，也平衡了视觉节奏。整体气息古雅沉静，兼具书法艺术的笔墨意趣与刻帖工艺的金石质感，尽显晋人法帖的隽永风神。",[24,25,7,81,64,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F225ed41350a0bdc6580b318bc01809c1.jpg",[],{"id":7190,"slug":7191,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7192,"thumbUrl":7193,"material":100,"size":101,"collection":30,"collections":7194,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242260,"zhong-ke-chun-hua-ge-tie-yi-ming-242260",[24,25,7,64,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F948e08c0927fe1f181eeae96e65cb988.jpg",[],{"id":7196,"slug":7197,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7198,"thumbUrl":7199,"material":100,"size":101,"collection":30,"collections":7200,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242259,"zhong-ke-chun-hua-ge-tie-yi-ming-242259",[24,25,7,64,81,26,98,404,176,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4173f7e543a4947d1a6eef4f4f4e3f2c.jpg",[],{"id":7202,"slug":7203,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7204,"thumbUrl":7205,"material":100,"size":101,"collection":30,"collections":7206,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242258,"zhong-ke-chun-hua-ge-tie-yi-ming-242258",[24,7,25,98,47,549,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2c4e16309dce0f6efc44512dcee0e5d.jpg",[],{"id":7208,"slug":7209,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7210,"thumbUrl":7211,"material":100,"size":101,"collection":30,"collections":7212,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242257,"zhong-ke-chun-hua-ge-tie-yi-ming-242257",[24,25,7,176,64,81,26,404,98,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3384bab728d8fad52c16152e6c07dd6b.jpg",[],{"id":7214,"slug":7215,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7216,"thumbUrl":7217,"material":100,"size":101,"collection":30,"collections":7218,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242256,"zhong-ke-chun-hua-ge-tie-yi-ming-242256",[24,25,7,176,64,81,26,98,404,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fecc111dc2885fc8ed0db1ba934b96aa4.jpg",[],{"id":7220,"slug":7221,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7222,"thumbUrl":7223,"material":100,"size":101,"collection":30,"collections":7224,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242255,"zhong-ke-chun-hua-ge-tie-yi-ming-242255",[24,25,7,64,81,26,47,176,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9dc6680170f4722cd8ec8f41dedf075c.jpg",[],{"id":7226,"slug":7227,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7228,"thumbUrl":7229,"material":100,"size":101,"collection":30,"collections":7230,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242254,"zhong-ke-chun-hua-ge-tie-yi-ming-242254",[24,7,25,176,64,81,26,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe24000416e2ffde525b81d1feebbd244.jpg",[],{"id":7232,"slug":7233,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7234,"thumbUrl":7235,"material":100,"size":101,"collection":30,"collections":7236,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242253,"zhong-ke-chun-hua-ge-tie-yi-ming-242253",[24,7,25,64,81,26,47,176,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F368fe8789daa4de1abdc4333061e3042.jpg",[],{"id":7238,"slug":7239,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7240,"thumbUrl":7244,"material":100,"size":101,"collection":30,"collections":7245,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242252,"zhong-ke-chun-hua-ge-tie-yi-ming-242252",[98,7,25,24,549,176,83,47,7241,7242,3904,7243,65,286],"重刻","帖本","文字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2219e56217c5484ede575cfa0a4d8478.jpg",[],{"id":7247,"slug":7248,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7249,"thumbUrl":7250,"material":100,"size":101,"collection":30,"collections":7251,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242251,"zhong-ke-chun-hua-ge-tie-yi-ming-242251",[24,25,64,7,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4b9010f6b6e807717809fa4b1188b99.jpg",[],{"id":7253,"slug":7254,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7255,"thumbUrl":7256,"material":100,"size":101,"collection":30,"collections":7257,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242250,"zhong-ke-chun-hua-ge-tie-yi-ming-242250",[24,25,7,81,64,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3882ba743ae67871638954dec2c4e030.jpg",[],{"id":7259,"slug":7260,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7261,"thumbUrl":7262,"material":100,"size":101,"collection":30,"collections":7263,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242249,"zhong-ke-chun-hua-ge-tie-yi-ming-242249",[25,7,24,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a16032cccfa3e80cfd13f9d0f18611b.jpg",[],{"id":7265,"slug":7266,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7267,"thumbUrl":7268,"material":100,"size":101,"collection":30,"collections":7269,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242248,"zhong-ke-chun-hua-ge-tie-yi-ming-242248",[24,25,7,176,64,81,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac88653bb6eb82e20d971c85dd318615.jpg",[],{"id":7271,"slug":7272,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7273,"thumbUrl":7274,"material":100,"size":101,"collection":30,"collections":7275,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242247,"zhong-ke-chun-hua-ge-tie-yi-ming-242247",[24,25,7,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d346f313a03093f26b9d42c6c2fed63.jpg",[],{"id":7277,"slug":7278,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7279,"thumbUrl":7280,"material":100,"size":101,"collection":30,"collections":7281,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242246,"zhong-ke-chun-hua-ge-tie-yi-ming-242246",[24,25,7,64,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88d37a9880576cd390cc7e91fa3b176f.jpg",[],{"id":7283,"slug":7284,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7285,"thumbUrl":7286,"material":100,"size":101,"collection":30,"collections":7287,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242245,"zhong-ke-chun-hua-ge-tie-yi-ming-242245",[24,25,7,64,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4a7a163ce9fd1635d45a73a85dc0284.jpg",[],{"id":7289,"slug":7290,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7291,"thumbUrl":7292,"material":100,"size":101,"collection":30,"collections":7293,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242244,"zhong-ke-chun-hua-ge-tie-yi-ming-242244",[24,25,7,64,26,404,98,81],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e410ec73fb1be393adbb5a0aa16272c.jpg",[],{"id":7295,"slug":7296,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7297,"thumbUrl":7298,"material":100,"size":101,"collection":30,"collections":7299,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242243,"zhong-ke-chun-hua-ge-tie-yi-ming-242243",[25,7,24,64,81,26,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cb4828cf191f227c01f81ba81dc105b.jpg",[],{"id":7301,"slug":7302,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7303,"thumbUrl":7304,"material":100,"size":101,"collection":30,"collections":7305,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242242,"zhong-ke-chun-hua-ge-tie-yi-ming-242242",[24,7,25,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9099fa7ba001cb883794d7494301f4e0.jpg",[],{"id":7307,"slug":7308,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7309,"thumbUrl":7310,"material":100,"size":101,"collection":30,"collections":7311,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242241,"zhong-ke-chun-hua-ge-tie-yi-ming-242241",[25,24,64,81,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae71561e18a20a53bf00d96e0bd00174.jpg",[],{"id":7313,"slug":7314,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7315,"thumbUrl":7316,"material":100,"size":101,"collection":30,"collections":7317,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242240,"zhong-ke-chun-hua-ge-tie-yi-ming-242240",[24,7,25,176,47,83,64,81,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdda91f21b7b3a40e41a50cccedc4b1d6.jpg",[],{"id":7319,"slug":7320,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7321,"thumbUrl":7322,"material":100,"size":101,"collection":30,"collections":7323,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242239,"zhong-ke-chun-hua-ge-tie-yi-ming-242239",[24,25,47,81,64,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdad9569edc2944aed12e74d1fe47011c.jpg",[],{"id":7325,"slug":7326,"title":2418,"dynasty":460,"author":401,"museum":94,"description":7327,"tags":7328,"thumbUrl":7329,"material":30,"size":30,"collection":30,"collections":7330,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242238,"zhong-ke-chun-hua-ge-tie-yi-ming-242238","此帖取法晋唐草书意趣，行笔流转圆融，牵丝映带尽显使转之妙。右侧题识笔锋劲挺爽利，排布疏朗有致；左侧草书本篇，字字顾盼映带，章法错落和谐，将沉郁笔势与灵动行气相融，把沉挚牵念藏进笔墨起伏之中。\n\n墨色乌亮莹润，刻工精湛入微，将原作的锋棱起伏、枯湿浓淡尽数还原。虽为刻帖，却精准传递出晋人草书萧散简远的风神，尽显重韵尚法的审美意趣，是复刻晋唐草法的精良之作。",[24,25,7,64,81,47,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb32ea0b2ec80e0ab08afff87aa15c6c6.jpg",[],{"id":7332,"slug":7333,"title":2418,"dynasty":460,"author":401,"museum":94,"description":4025,"tags":7334,"thumbUrl":7335,"material":100,"size":101,"collection":30,"collections":7336,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242237,"zhong-ke-chun-hua-ge-tie-yi-ming-242237",[98,25,7,24,47,83,176],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56f089dd205e73a9dc1a26b39b8b53a2.jpg",[],{"id":7338,"slug":7339,"title":4340,"dynasty":198,"author":401,"museum":94,"description":7340,"tags":7341,"thumbUrl":7342,"material":30,"size":30,"collection":30,"collections":7343,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242233,"bao-xian-tang-fa-tie-yi-ming-242233","墨色沉凝古雅，尽显刻帖风神。开篇笔致舒展萧散，结体欹正随心，牵丝映带间流转尺牍的随性闲适，将日常寄怀的松弛藏在笔画起落里。左侧书迹朴厚温润，收放有度，既有端凝静穆，又不失行书灵动意趣。乌金拓墨色匀净莹润，字口清晰锐劲，复刻原作使转提按分毫毕现，可见刻工精妙匠心。古纸旧拓晕着岁月沉淀的沉静质感，让千年前的笔墨意趣跨越时光，留存下帖学流传的脉脉余韵。",[24,25,83,64,81,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8e952e6170162ca55a58bc124f261d0.jpg",[],{"id":7345,"slug":7346,"title":4340,"dynasty":198,"author":401,"museum":94,"description":7347,"tags":7348,"thumbUrl":7349,"material":30,"size":30,"collection":30,"collections":7350,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242229,"bao-xian-tang-fa-tie-yi-ming-242229","此作草书笔势灵动跳脱，牵丝映带自然圆融，尽显书写时的随性快意。整幅章法匀停舒展，行气连贯如一，乌亮莹润的墨色衬出拓工的精良细腻，将原作的提按使转尽数还原。\n\n字里行间浸着尺牍的闲散意韵，虽是随性挥毫，却暗合草书章法准则。疏密开合间，率意挥洒中藏着法度谨严，把文人间尺牍往来的雅致情致，与草书抒情写意的特质融为一体，尽显刻帖复刻墨迹风神的高超功力，让观者得以遥见彼时书写者的萧散襟怀。",[24,25,64,81,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F23d3ce2928a8d4b3fdbf9551cac4644d.jpg",[],{"id":7352,"slug":7353,"title":4340,"dynasty":198,"author":401,"museum":94,"description":7354,"tags":7355,"thumbUrl":7356,"material":30,"size":30,"collection":30,"collections":7357,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242228,"bao-xian-tang-fa-tie-yi-ming-242228","此帖笔意纵横跌宕，线条圆劲灵动，将草书流美与骨力相融。牵丝映带间字势顾盼生姿，如行云流水自在舒展。整幅行气连贯，字间疏密相生，时而敛锋收紧，时而铺毫舒展，尽显书写时的心绪起伏。\n\n行笔遒劲中见飘逸，转折利落不失厚重，将尺牍随性与精妙法度相融。虽经拓印墨色沉凝，却仍可窥见原作枯湿浓淡的韵律变化，提按之间暗合章法。通篇气韵浑融，尽显尚韵的风雅意趣，把尺素私语化作纸上笔墨风流，将随性挥洒与文雅风骨合二为一。",[25,24,64,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fecc9d37f3b35542aa9e236a266d65f08.jpg",[],{"id":7359,"slug":7360,"title":7361,"dynasty":39,"author":401,"museum":94,"description":7362,"tags":7363,"thumbUrl":7364,"material":30,"size":30,"collection":155,"collections":7365,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242227,"zheng-zuo-wei-tie-ce-yi-ming-242227","争坐位帖册","此作用笔恣肆开张，笔力沉凝劲悍，点画如长枪大戟，带着朴拙雄强的真气。起笔藏露互生，行笔绞翻提按之间，将郁勃意气凝注于笔墨。字势欹侧错落，行距疏密相生，似有风雷之气盈溢纸面。\n\n通篇燥润相间，枯笔如老树盘藤，苍劲老辣；润笔似惊涛拍岸，酣畅淋漓。字间牵丝映带，却不失朴茂厚重的古意，尽显率意自然的抒怀之态，将激愤难平的心绪随笔墨喷薄而出。虽为刻帖，仍能窥见原作雄浑气度，书法筋骨与文人刚正风骨相融，千载之下，字里行间的刚正气场依旧撼人心神。",[137,138,80,83,64,25,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F122a301e7c96bc9d5e60d5550c1f548f.jpg",[155],{"id":7367,"slug":7368,"title":4340,"dynasty":198,"author":401,"museum":94,"description":7369,"tags":7370,"thumbUrl":7371,"material":30,"size":30,"collection":30,"collections":7372,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242223,"bao-xian-tang-fa-tie-yi-ming-242223","这两帧擘窠大字枯润相济，笔力雄强苍古。“清”“事”二字形神兼备，起笔重挫、收锋劲爽，转折处筋骨尽显。飞白笔触如老树枯藤，苍茫朴拙却暗藏灵动，墨色沉厚处凝实雄浑，枯淡处见空灵韵致。\n\n章法疏宕开阔，黑底白字对比强烈，铺陈出磅礴的视觉张力，尽显豪迈拙朴的气度，将榜书大开大合的风神发挥到极致，足见书者运笔把控的深湛功力。",[24,25,7,64,83],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2738a57db2ba82b2458edfdd462ee947.jpg",[],{"id":7374,"slug":7375,"title":4340,"dynasty":198,"author":401,"museum":94,"description":7376,"tags":7377,"thumbUrl":7378,"material":30,"size":30,"collection":30,"collections":7379,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},242222,"bao-xian-tang-fa-tie-yi-ming-242222","此帖草书笔势灵动跌宕，行气贯通流转，尽显晋人尚韵的清雅风神。笔画粗细变化自然，牵丝映带精妙入微，字字顾盼生姿，将草书的飘逸放达与内敛法度相融无间。黑底白字的刻帖质感独特，刀痕留存了笔墨的使转意趣，又添朴拙厚重。布局疏朗匀停，通篇气息舒缓雅致，即便历经镌刻流转，依旧能窥见原作笔墨间的潇洒意态，尽显古帖的隽永韵味。",[25,24,81,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5627ff5a23aebda877d55aa1e174b026.jpg",[],{"id":7381,"slug":7382,"title":1423,"dynasty":460,"author":401,"museum":94,"description":7383,"tags":7384,"thumbUrl":7385,"material":30,"size":30,"collection":155,"collections":7386,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},242196,"lan-ting-ba-zhu-tie-yi-ming-242196","此作用笔爽利舒展，行书笔意流转自然，牵丝映带间尽显章法疏朗之美。开篇字势顾盼生姿，将春游记怀的雅兴藏在起落转合之中，圆融转折不失筋骨力道。\n\n碑刻墨色乌亮如漆，笔画饱满劲挺，既有晋人萧散玄远的林下风流，又兼具摹刻的精工质感。字字错落排布，把曲水宴饮的清旷高致凝于尺幅，观之便如身临雅集，墨痕间漫溢出兰亭雅集的清逸玄远，尽显帖学精髓与摹刻匠心。",[24,64,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0090c8dc2df7a0d7453da1d0b8852745.jpg",[155],{"id":7388,"slug":7389,"title":7390,"dynasty":460,"author":4745,"museum":94,"description":4746,"tags":7391,"thumbUrl":7392,"material":100,"size":101,"collection":30,"collections":7393,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},241629,"bei-chuang-tie-lin-ze-xu-241629","悲怆帖",[24,64,82,83,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc1bd92e5f21ff147c0153e13c0a0c3a.jpg",[],{"id":7395,"slug":7396,"title":7397,"dynasty":460,"author":7398,"museum":94,"description":7399,"tags":7400,"thumbUrl":7401,"material":100,"size":101,"collection":30,"collections":7402,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},241044,"bi-dao-yuan-lin-jiang-tie-ping-zhou-bi-dao-yuan-241044","毕道远临绛帖屏轴","毕道远","毕道远，字仲任，号东河。山东淄川县万家庄（今淄博市周村区王村镇万家庄）人。 明代辽东巡抚毕自肃九世孙，沛县知县毕靖之七世孙。精于经史、文学，长于经济。",[24,64,176,1173,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2a7a69c4553f69591cc02e14d50ccdd.jpg",[],{"id":7404,"slug":7405,"title":7406,"dynasty":460,"author":7407,"museum":94,"description":7408,"tags":7409,"thumbUrl":7410,"material":100,"size":101,"collection":30,"collections":7411,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},240903,"lin-mi-tie-cheng-shan-zhang-ting-ji-240903","临米帖成扇","张廷济","张廷济(1768—1848)，清代金石学家、书法家。原名汝林，字顺安，号叔未，一字说舟，又字作田，又号海岳庵门下弟子，晚号眉寿老人，浙江嘉兴新篁人。嘉庆三年（一七九八）解元，以后几次会试未中，遂家居从事学术研究和艺术创作。工诗词，风格朴质，善用典故，精金石考据之学，尤擅长文物鉴赏，一碑一器都能辨其真伪，别其源流。喜收藏各类古器文物，收藏鼎彝、碑版及书、画甚多。",[3049,176,64,47,24,80,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4e75d4faba6c74297964c52950c77ce.jpg",[],{"id":7413,"slug":7414,"title":7415,"dynasty":460,"author":401,"museum":94,"description":7416,"tags":7417,"thumbUrl":7419,"material":100,"size":101,"collection":30,"collections":7420,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},239789,"er-ge-gou-tian-lan-ting-xu-ce-yi-ming-239789","二格钩填兰亭叙册","此作为行书钩填兰亭，笔墨温润秀雅，字形舒展灵动，墨色匀净沉静，将晋人萧散风神藏于点画之中。笔锋起落皆有法度，既恪守原作的飘逸简淡，又带着摹填时的谨严工稳，尽得永和雅集的清旷气韵。\n\n朱红古印错落点缀，与墨色相映成趣，晕开古雅意趣。字里行间漫溢着林下风流，虽经钩填，却未失原作疏朗散淡的文人意致，将兰亭修禊的清和雅致，凝练成卷上的笔墨风华，书卷气扑面而来。",[24,64,176,7418,47,83,7],"钩填","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92412137c7bd16d4516f302ea034c6eb.jpg",[],{"id":7422,"slug":7423,"title":7424,"dynasty":39,"author":401,"museum":94,"description":7425,"tags":7426,"thumbUrl":7427,"material":30,"size":30,"collection":30,"collections":7428,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},239719,"song-xian-yi-han-ce-lu-wei-chao-ju-tie-yi-ming-239719","宋贤遗翰册-陆囗朝裾帖","此作为行书尺牍，行笔灵动舒展，牵丝映带间暗合章法韵律，随性却不失雅致。墨色枯湿浓淡错落，循着书写节奏自然晕化，尽显信手挥毫时的松弛意趣，带着宋人尺牍独有的日常温情，褪去刻意雕琢，全然是士人平素往复的笔墨风流。泛黄斑驳的古纸晕开岁月痕迹，将彼时文人寄友的平实心绪静静封存，字里行间漫溢出闲散萧散的书卷之气，把宋代文人笔下的日常意韵温柔留存。",[39,64,24,83,7,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faeb2d6decca32cf70c6dd3d25ca7c961.jpg",[],{"id":7430,"slug":7431,"title":7432,"dynasty":460,"author":401,"museum":94,"description":7433,"tags":7434,"thumbUrl":7435,"material":30,"size":30,"collection":30,"collections":7436,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},239696,"er-ge-gou-xuan-ji-yuan-jin-ce-yi-ming-239696","二格钩璇玑鸳锦册","此作为篆法示范册页，左右开页朱墨相映。右页玉筋篆取法李阳冰，线条匀挺圆融，温润劲直，结体端庄舒展，尽显小篆雅正之姿。左页奇字古奥诡谲，字形奇崛朴拙，尽显商周古文的瑰异神采。\n\n每页篆文旁配以小字释解，辨析字形流变与笔法传承，既是精妙书法范本，亦是古文字考据小品。朱墨二色静雅清隽，装裱素净古雅，尽显复古谨严的治学审美意趣，将金石考据与书法雅好相融，朴茂静穆间尽显文士沉潜向古的风骨。",[80,24,98,47,83,1103,176,7,549],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb47a3ffb8c1942260f8506f92e06d72d.jpg",[],{"id":7438,"slug":7439,"title":7440,"dynasty":460,"author":7441,"museum":41,"description":7442,"tags":7443,"thumbUrl":7444,"material":30,"size":30,"collection":30,"collections":7445,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},234512,"lin-mi-tie-ye-wang-hong-xu-234512","临米帖页","王鸿绪","王鸿绪（1645年-1723年），清代官员、学者、书法家。初名度心，中进士后改名鸿绪。字季友，号俨斋，别号横云山人，华亭张堰镇（今属上海金山）人。康熙十二年进士，授编修，官至工部尚书。曾入明史馆任《明史》总裁，与张玉书等共主编纂《明史》，为《佩文韵府》修纂之一。后居家聘万斯同共同核定自纂《明史稿》三百一十卷，献与康熙帝，才得以刊行。一生精于鉴藏书画。书学米芾、董其昌，具遒古秀润之趣。\n董其昌再传弟子，著有《横云山人集》等。",[460,24,64,176,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27f5d29fff48bf554eda7e36131550df.jpg",[],{"id":7447,"slug":7448,"title":7449,"dynasty":198,"author":1527,"museum":3878,"description":1528,"tags":7450,"thumbUrl":7451,"material":152,"size":3881,"collection":30,"collections":7452,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":55},222253,"nan-hua-zhen-jing-6-wang-chong-222253","南华真经6",[23,80,24,64,2050,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96207f399bc59b66b34abd0452b29cdb.jpg",[],{"id":7454,"slug":7455,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":7456,"thumbUrl":7457,"material":1025,"size":1026,"collection":30,"collections":7458,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":30},220656,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220656",[5283,24,7,25,64,47,3897,188],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcba36e26461f4dceda54a55a85cb7e47.jpg",[],{"id":7460,"slug":7461,"title":1019,"dynasty":39,"author":1020,"museum":1021,"description":1022,"tags":7462,"thumbUrl":7463,"material":1025,"size":1026,"collection":30,"collections":7464,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":30},220634,"song-ke-mi-fei-ying-guang-tang-tie-mi-fei-yue-ke-220634",[7,25,24,64,3897],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6048f98f4fc319f2b5ea5ffafc9e6f40.jpg",[],{"id":7466,"slug":7467,"title":7468,"dynasty":460,"author":7469,"museum":94,"description":7470,"tags":7471,"thumbUrl":7472,"material":49,"size":30,"collection":30,"collections":7473,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":104},215712,"mo-wu-dao-zi-sheng-xian-xiang-zan-tu-ce-79-wu-gao-zeng-215712","摹吴道子圣贤像赞图册-79","吴高增","黑底如漆凝，白字若银绽，笔锋起落间藏着摹古的敬慎与笔墨的灵韵。每一道线条都似在对话圣贤——既追摹原画中人物的清峻气象，又以文字的庄重传递对古贤的仰止之心。笔力挺劲却含温厚，墨色沉实而透微光，仿佛字间能映出圣贤的身影，让图像的神韵化作笔墨的余韵。此作虽为摹本，却以己意续文脉，将画中风骨凝于笔端，让那份对圣贤的敬慕随字迹流转，动人心扉。",[23,24,26,25,176,83,377,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8f4a9fc31d4149b8d6574cfbdfdfab9.jpg",[],1777535696247]