[{"data":1,"prerenderedAt":78},["ShallowReactive",2],{"subject-zong-jiao-chang-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7397,"zong-jiao-chang-jing","宗教场景","宗教场景画高清赏析","精选中国历代宗教场景题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc5a121154c298c777cb412daa09b664.jpg",0,4,[14,40,52,62],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},289056,"lambert-van-noort-st-george-and-the-sorcerer-of-dacian-yi-ming-289056","Lambert van Noort--St. George and the Sorcerer of Dacian","不详","佚名","藏地不详","淡蓝排线晕开肃穆氛围，圆形画框收拢着满溢的戏剧张力。画面中央的核心人物被众人环伺，军士持戟神色紧绷，跪拜者俯身满含虔诚，围观者或惊叹或议论，各色神态铺陈出饱满的故事感。\n\n细密精准的线条勾勒出衣料的垂坠厚重，硬朗的块面刻画出人物肌肉的紧实质感，带着古典写实的叙事特质。远景行进的队伍烘托出仪式的盛大，将宗教叙事的庄重，凝缩为这一瞬充满冲突的视觉定格，让纸面跃动着鲜活的情绪流转。",[23,24,25,26,27,28,29,30,31,32,7],"宗教画","人物画","白描","淡彩","宗教人物","圣乔治","巫师","士兵","柱廊","乐器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20764e7e8b726e58dbf1ea157e6f9cd5.jpg","未知","Xcm*Xcm","",[],1,"BDBDBD",{"id":41,"slug":42,"title":43,"dynasty":18,"author":19,"museum":20,"description":44,"tags":45,"thumbUrl":50,"material":34,"size":35,"collection":36,"collections":51,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},289018,"ludovico-carracci-the-last-communion-of-saint-jerome-yi-ming-289018","Ludovico Carracci--The Last Communion of Saint Jerome","浅淡方格布满纸面，是为复刻而做的底稿排布。松散却精准的线条，将群像的哀恸与庄重揉在一处。中心人物佝偻的身形牵引着视线，围拢的信众低垂眉眼，沉恸顺着衣袍褶皱漫开。\n\n寥寥排线勾勒出肌肤起伏，用最克制的笔痕定格住临别的凝滞瞬间。未完成的淡痕留住了创作时的鲜活思考，朦胧间将肃穆悠长的氛围晕染开来，带着半成品独有的松弛张力，把告别的沉郁藏在每一笔轮廓里。",[46,47,48,25,49,7],"宗教","人物","素描","圣杰罗姆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4790b889e0609aea5a19c724ffc9289f.jpg",[],{"id":53,"slug":54,"title":55,"dynasty":18,"author":19,"museum":20,"description":56,"tags":57,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":61,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},288874,"giovanni-battista-tiepolo-illustration-for-a-book-two-scenes-of-coronation-yi-ming-288874","Giovanni Battista Tiepolo--Illustration for a Book Two Scenes of Coronation","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[48,58,59,47,7,60],"铅笔画","书籍插图","加冕仪式",[],{"id":63,"slug":64,"title":65,"dynasty":18,"author":66,"museum":20,"description":67,"tags":68,"thumbUrl":75,"material":34,"size":35,"collection":36,"collections":76,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":77},232397,"he-er-bai-yin-56-he-er-bai-yin-232397","荷尔拜因56","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[69,23,24,70,71,72,73,74,7],"油画","基督教","耶稣","墓地","树木","岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3c8aa2e65a7e2ef6e9b7ee3261b5c2b.jpg",[],"37474F",1777535763881]