[{"data":1,"prerenderedAt":47},["ShallowReactive",2],{"subject-zong-jiao-fu-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},11742,"zong-jiao-fu-shi","宗教服饰","宗教服饰画高清赏析","精选中国历代宗教服饰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa87ab77ea82f0f89517dc76c12e431fc.jpg",0,2,[14,35],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},267451,"pin-ge-se-jin-zhui-xiu-liu-tuan-si-ji-hua-wen-yuan-bu-luo-han-yi-yi-ming-267451","拼各色锦缀绣六团四季花纹圆补罗汉衣","清","佚名","藏地不详","清王朝时段推行剃发易服，顺治九年（1652），钦定《服色肩舆条例》颁行，从此废除了明朝的冠冕、礼服以及汉族的一切服饰，但满族服饰同时吸收了明朝服饰的纹理图案。明代男子一律蓄发挽髻，着宽松衣，穿长统袜、浅面鞋；清时则剃发留辫，辫垂脑后，穿瘦削的马蹄袖箭衣、紧袜、深统靴。但官民服饰一律泾渭分明。 清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[23,24,25,7,26,27],"衣帽","布料","刺绣","四季花纹","拼锦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74d957613c6660eabc2152c9d9a50880.jpg","未知","Xcm*Xcm","",[],4,"BDBDBD",{"id":36,"slug":37,"title":38,"dynasty":39,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":45,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":34},289075,"joseph-marie-vien-kneeling-figure-wearing-a-cope-yi-ming-289075","Joseph Marie Vien--Kneeling Figure Wearing a Cope","不详","这幅单色粉笔衣纹写生，以细腻笔触捕捉法衣垂坠的万千形态。画家精准拿捏布料张力与重力的博弈，肩头的衣料如瀑布倾泻，褶皱或松或紧、或宽或窄，随着隐含的躯体姿态舒卷蜷曲。淡晕的明暗层次衬出绸缎暗纹的华贵肌理，隐约勾勒出底下身形轮廓，让静止衣袍暗伏人体动态的余韵。画面留白克制，将目光尽数引向衣褶流动的韵律中，落笔松弛却不失精准，把织物的厚重柔软感尽显无疑，尽显对物象形态的透彻理解，是兼具写实功底与审美意趣的写生佳作。",[42,43,7,44,24],"素描","西洋画","衣袍",[],1,1777535793280]