[{"data":1,"prerenderedAt":139},["ShallowReactive",2],{"subject-zong-jiao-jian-zhu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},5229,"zong-jiao-jian-zhu","宗教建筑","宗教建筑画高清赏析","精选中国历代宗教建筑题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5bf7ef1785cad16a85044a88dddab1f.jpg",0,7,[14,45,59,77,98,114,127],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":38,"material":39,"size":40,"collection":41,"collections":42,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},226016,"rouen-cathedral-the-portal-harmony-in-brown-1894-mo-nai-226016","Rouen Cathedral, The Portal, Harmony in Brown, 1894","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[23,24,25,26,27,28,29,30,31,32,33,7,34,35,36,37],"印象派","油画","光影捕捉","笔触灵动","色调和谐","棕色调","大教堂","哥特式建筑","拱门","钟楼","建筑立面","石质建筑","建筑细节","光影变化","色彩融合","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f70d98627db3fa5b7a38c6859855f46.jpg","未知","Xcm*Xcm","油画精选",[41],12,"795548",{"id":46,"slug":47,"title":48,"dynasty":18,"author":19,"museum":20,"description":21,"tags":49,"thumbUrl":10,"material":39,"size":40,"collection":41,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":44},226098,"the-portal-harmony-in-brown-1892-1894-mo-nai-226098","The Portal, Harmony in Brown, 1892-1894",[23,24,50,51,37,52,53,30,31,54,55,7,56],"光影表现","笔触松动","色彩层次","教堂门廊","塔楼","石材质感","户外场景",[41],9,{"id":60,"slug":61,"title":62,"dynasty":18,"author":63,"museum":20,"description":64,"tags":65,"thumbUrl":72,"material":39,"size":40,"collection":73,"collections":74,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":76},289031,"louis-jean-desprez-view-of-the-portal-and-principal-entrance-yi-ming-289031","Louis Jean Desprez--View of the Portal and Principal Entrance","佚名","这幅钢笔淡彩以哥特建筑群铺展纵深感，高耸双塔刺破柔色晕染的天际，飞卷旌旗为冷硬石材添上灵动暖意。拱廊串联起楼宇，精准的线条勾勒雕花与层叠结构，光影在券洞间渐变晕开，衬出建筑的庄严厚重。\n\n下方市集人头攒动，暖调烟火升腾，将宗教建筑的肃穆揉进鲜活市井气里。朦胧水色晕开复古质感，仿佛能听见街巷的喧嚷、猎猎旗风，让静态街景拥有了鲜活叙事感，将中世纪庆典的鲜活与古建的庄重融为一体。",[66,67,7,32,31,68,69,70,71],"水彩画","西洋画","城市街景","人群","旗帜","淡彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa94c3a69cd263571b0519f468a2af7b3.jpg","",[],2,"BDBDBD",{"id":78,"slug":79,"title":80,"dynasty":18,"author":81,"museum":20,"description":82,"tags":83,"thumbUrl":96,"material":39,"size":40,"collection":73,"collections":97,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":44},232537,"mi-lai-si-81-yue-han-ai-fu-li-te-mi-lai-si-232537","米莱斯81","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[24,84,85,86,87,88,89,70,90,91,92,93,69,94,7,95],"设色","写实","人物","教堂","拱形窗","木梁","座椅","武器","历史服饰","室内场景","讲台","建筑内部","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e4f39f8636b0b362c575129219604e7.jpg",[],{"id":99,"slug":100,"title":101,"dynasty":18,"author":63,"museum":20,"description":102,"tags":103,"thumbUrl":111,"material":39,"size":40,"collection":73,"collections":112,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":76},289491,"bernardo-bellotto-padua-from-the-east-with-san-francesco-and-the-salone-yi-ming-289491","Bernardo Bellotto--Padua from the East, with San Francesco and the Salone","以松弛简练的钢笔线条铺展城郊全景，近坡的小人物与野趣植被开篇，晕开日常烟火气。错落的屋舍顺着地势铺陈，教堂尖顶利落刺破天际，撑起画面骨架。空阔的天际间，云絮以疏淡线条漫卷，留白处烘托出老城舒展松弛的氛围。\n\n没有繁复晕染，仅以线条疏密区分建筑体量与草木层次，将漫步途中偶遇的片刻风景随性定格，质朴留存下老城平缓慵懒的日常质感，带着随手速写的鲜活意趣，把宁静松弛的老城烟火藏进每一笔线条中。",[104,105,106,7,107,108,109,86,110],"白描","素描","城镇风景","民居","天空","云朵","郊外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca9dd0608b18d1940cced02dd4d44b00.jpg",[],1,{"id":115,"slug":116,"title":117,"dynasty":18,"author":63,"museum":20,"description":118,"tags":119,"thumbUrl":125,"material":39,"size":40,"collection":73,"collections":126,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":76},289490,"bernardo-bellotto-san-simeone-piccolo-venice-seen-from-the-grand-canal-yi-ming-289490","Bernardo Bellotto--San Simeone Piccolo, Venice, Seen from the Grand Canal","以柔波运河铺展前景，细密线条勾勒出水纹漾动的质感，贡多拉穿梭其上，船夫与临河人物的动态鲜活细腻，晕开威尼斯日常松弛的烟火气。穹顶主建筑占据画面核心，古典柱廊与三角楣庄重规整，排线交织出石材的厚重肌理。两侧民居层叠错落，窗牖墙面的细节被细致捕捉，线条疏密张弛间，自然区分出光影层次。\n\n暖棕底色带着岁月沉淀的痕迹，将建筑的肃穆与水城的柔婉相融，以写实笔触定格下运河边的午后瞬间，既留存下城市场景的真实样貌，又带着手绘的灵动温度，尽显旧时光里水城独有的雅致与鲜活。",[105,120,67,121,122,123,87,107,124,86,7],"线描","城市风景","水城","运河","船只","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F796c5611ffc14bf309c30eab25950a80.jpg",[],{"id":128,"slug":129,"title":130,"dynasty":18,"author":63,"museum":20,"description":131,"tags":132,"thumbUrl":137,"material":39,"size":40,"collection":73,"collections":138,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":76},289273,"pierre-le-lu-the-church-of-sao-martinho-in-sintra-portugal-yi-ming-289273","Pierre Lélu--The Church of Sao Martinho in Sintra, Portugal","淡墨晕染出氤氲的乡野潮气，近景乡间小径上，农妇携幼缓步而行，将烟火气揉进山风里。中景植被错落交织，枝桠舒展的意趣被细腻线条一一铺陈，朦胧灰度晕开山野的鲜活生机。\n\n山坡高处的教堂静立林间，硬朗的建筑线条被柔化在繁茂绿意中，庄重古朴的形制与周遭的松弛生机相融。松弛的笔触定格下山城的悠然日常，将古寺肃穆与乡野温情温柔缝合，仿佛能听见山风掠过树梢的轻响，把这方天地的宁静恬淡封存在纸面之上。",[105,71,133,7,87,134,86,135,110,136],"风景","树木","小径","犬","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F782ec6ad079224300215ea2d66f2fe4e.jpg",[],1777535744094]