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2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[46,43,27,48,7,69],"佛像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe413a83ca1579776f58e50df3d2b3048.jpg",[],77,{"id":74,"slug":75,"title":76,"dynasty":66,"author":19,"museum":43,"description":67,"tags":77,"thumbUrl":79,"material":31,"size":32,"collection":33,"collections":80,"showCount":81,"zanCount":36,"manualWeight":11,"mainColor":61},226179,"ku-zhu-shi-dong-pi-yi-ming-226179","窟主室东披",[46,43,27,7,48,69,78],"菩萨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff34234637a2c315ee37628394c09a5f.jpg",[],58,{"id":83,"slug":84,"title":85,"dynasty":86,"author":87,"museum":88,"description":89,"tags":90,"thumbUrl":97,"material":98,"size":33,"collection":33,"collections":99,"showCount":100,"zanCount":36,"manualWeight":11,"mainColor":37},218379,"da-sui-qiu-tuo-luo-ni-lun-man-cha-luo-ban-hua-wang-wen-zhao-218379","大随求陀罗尼轮曼茶罗版画","宋","王文沼","大英博物馆","轮盘如密语织就的星河，层层经文环伺中心神祇，每一笔线条都藏着梵呗的韵律。纤细却骨力内含的刻线，将密教曼茶罗的繁复仪轨凝于一纸：中心陀罗尼轮盘旋绕无尽真言，四周边框纹饰与护法形象相映，祥云缭绕间似有梵音流动。宋代版画的精湛工艺在此尽显，线条疏密有致，神祇姿态庄严，经文排布规整如律。黑白之间，千年虔诚仿佛仍在纸上游走，每处纹路都是通往秘境的密钥，静穆中透着震慑人心的力量——它不仅是宗教仪轨的视觉化，更是刻工匠心与信仰温度的永恒凝结。",[91,92,26,93,94,95,7,96,53],"宋代","版画","木刻","白描","文字","圆形图案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F624a1ab5fbe51925afc91fa4c06efe10.jpg","纸本",[],51,{"id":102,"slug":103,"title":104,"dynasty":18,"author":105,"museum":106,"description":107,"tags":108,"thumbUrl":10,"material":120,"size":121,"collection":33,"collections":122,"showCount":123,"zanCount":11,"manualWeight":11,"mainColor":37},223092,"hua-dong-fang-chi-guo-tian-wang-xiang-zhou-yao-wen-han-223092","画东方持国天王像轴","姚文瀚","台北故宫博物院","姚文瀚（公元18世纪）清代画家。号濯亭，顺天（今北京）人，生卒年不详。乾隆时供奉内廷，工道释、人物、山水、界画。传世作品有《四序图》卷。",[109,110,26,111,48,112,113,114,115,116,117,118,7,119],"高清","清代","工笔","立轴","祥云","树木","山石","飞鸟","乐器","印章","小鬼","轴 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Lomi--Saint Hyacinth Receiving the Dominican Habit","这幅素描以棕褐笔线铺陈，打稿网格可见创作时的严谨构思。画面下方是仪式核心，主教抬手肃穆授衣，圣徒躬身垂首，虔敬神态顺着沉坠的衣褶漫溢而出，围观者或凝神瞩目、或私语侧望，神态各有章法。\n云端的天使环伺环绕，灵动舒展的身姿与下方的庄重氛围形成柔刚对冲，角落嬉闹的小天使，为这场神圣晕染出鲜活暖意。\n线条兼具力量感与柔润度，精准勾勒出人物的体态情绪，将宗教仪式的庄严肃穆，与天国的轻盈灵动自然糅合，在素朴的稿纸上晕开虔诚又不失温度的氛围感。",[26,49,94,191,192,193,194,7,195],"素描","宗教仪式","天使","神职人员","人物群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cf256756d9c52e15306495e73c6da00.jpg",[],{"id":199,"slug":200,"title":201,"dynasty":42,"author":19,"museum":20,"description":202,"tags":203,"thumbUrl":206,"material":31,"size":32,"collection":33,"collections":207,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289523,"aurelio-luini-the-martyrdom-of-saint-lawrence-yi-ming-289523","Aurelio Luini--The Martyrdom of Saint Lawrence","这幅素描淡彩稿构图铺陈饱满，以明暗层次区分画面场域。左侧平民或信众哀恸惶恐，有人蜷缩在地，有人伸手呼号，将殉难的悲戚尽数流露。画面中央，身着朱红法衣的教会显贵神情肃穆，抬手的动作仿佛在传递最后的祷念，旁侧素色修士垂首静立，满含悲悯。右侧士兵倨傲冷漠，倚坐打量着这场悲剧，神色毫无波澜。\n\n淡彩晕开衣袍褶皱，线条既勾勒出人物的肌理情态，也将城邦街景晕染得极具氛围感。细腻笔触刻画出不同阶层的神态反差，把殉道时刻的神圣与悲怆定格，叙事张力十足，虽为稿本却情绪饱满厚重。",[26,29,48,191,7,204,205,194],"殉道场景","城市建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbc826af976cb0d4799d99672a9a66cb.jpg",[],{"id":209,"slug":210,"title":211,"dynasty":42,"author":19,"museum":20,"description":212,"tags":213,"thumbUrl":217,"material":31,"size":32,"collection":33,"collections":218,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":61},289522,"avanzino-nucci-the-mystic-marriage-of-saint-catherine-of-alexandria-yi-ming-289522","Avanzino Nucci--The Mystic Marriage of Saint Catherine of Alexandria","柔和棕调晕开圣洁静谧的氛围，松弛又精准的线条勾勒出人物温婉神态。圣母垂首托举圣子，圣凯瑟琳虔诚牵起孩童的手，将宗教盟约的庄重，融在温柔的互动里。背景小天使与乐师隐在朦胧晕染中，为仪式添上轻灵暖意。\n\n笔调明暗过渡自然柔和，衣褶褶皱带着流动质感，用单色层次铺陈出饱满叙事感，把古典宗教题材的神圣，揉进细腻笔触里，晕开旧时代独有的人文温情，让这场神秘婚礼的虔诚与温柔，跃然纸面。",[214,29,191,215,193,7,117,216],"宗教画","淡彩","神秘婚姻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6215e5df914ca5c4407b82a581c9273.jpg",[],{"id":220,"slug":221,"title":222,"dynasty":42,"author":19,"museum":20,"description":223,"tags":224,"thumbUrl":228,"material":31,"size":32,"collection":33,"collections":229,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289512,"bartolomeo-biscaino-saint-michael-the-archangel-and-another-figure-recommending-yi-ming-289512","Bartolomeo Biscaino--Saint Michael the Archangel and Another Figure Recommending","这幅红棕素描以虚实交织的构图铺展救赎的图景。右上方的神域里，圣母子依偎安坐，光晕隐在柔化的云气中，静谧而圣洁，四周圣徒身影朦胧浮现。下方大天使身姿挺拔，引着懵懂的灵魂朝向天国祈愿，小天使穿梭云海，牵起凡世祷告与神域的联结。\n\n灵动的排线晕染明暗，松弛的线条留存着创作的即兴张力，云霭柔化了天地的界限，将悲悯与救赎融在朦胧氛围里。笔锋起落间，凡俗祈望与天国慈悲交汇，让神圣叙事藏在虚实留白之中，轻盈笔触托举着厚重的精神内核，肃穆与温柔漫溢纸面。",[214,191,29,193,225,226,227,7],"圣米迦勒","圣母子","孩童","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6ffca1c921a4ca38d24769fe20069ae.jpg",[],{"id":231,"slug":232,"title":233,"dynasty":42,"author":19,"museum":20,"description":234,"tags":235,"thumbUrl":239,"material":31,"size":32,"collection":33,"collections":240,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289510,"bartolome-carducho-st-jerome-penitent-recto-accounts-verso-yi-ming-289510","Bartolomé Carducho--St. Jerome Penitent (recto); Accounts (verso)","枯瘦的苦修者垂立林下，骨节毕现的躯体浸满忏悔的沉郁，左手托住骷髅，右手垂落器物，隐在浓墨晕开的树荫里。远景牧群淡如烟痕，右侧的小人仓皇趋走，淡墨晕染的林野朦胧漫漶。\n\n钢笔淡墨的笔触粗粝松弛，枯笔勾画出苦修者的清癯虔诚，明暗晕染带着即兴的张力。潦草却精准的笔意，将苦修的孤寂揉入荒疏野境，未完成的随性笔触里藏着克制的悲悯，把虔敬的忏悔和荒野的沉寂融为一体，肃穆的苦修氛围跃然纸上。",[214,49,94,191,236,237,238,7],"忏悔","荒野","羊群","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1d7177b1bcf49deb825f274f463dba4.jpg",[],{"id":242,"slug":243,"title":244,"dynasty":42,"author":19,"museum":20,"description":245,"tags":246,"thumbUrl":250,"material":31,"size":32,"collection":33,"collections":251,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289496,"bernard-van-orley-the-resurrection-yi-ming-289496","Bernard van Orley--The Resurrection","画面以细密的蚀刻线条铺陈神迹，复活的基督周身圣光迸发，右手高举昭示新生，左手紧握十字宝杖踏于石间。下方守卫的士兵们惊骇溃散，狼狈的姿态与基督的沉静庄严形成强烈反差，肌肉的虬结线条、衣袍褶皱的凌厉刻画，尽显躯体张力与慌乱情绪。\n左侧小景补绘守墓士兵目击亡灵显现的片段，补全复活叙事的侧面视角。整幅作品以冷峻写实的笔法，借明暗层次烘托出超自然的神圣氛围，将宗教神迹的威严与凡人面对神性时的惶惑，细腻铺陈在刀笔线条之间，尽显宗教版画的叙事张力与人文写实质感。",[214,92,94,247,7,248,115,249],"耶稣复活","士兵","建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff20b438980189013fb7e376ba2eff79c.jpg",[],{"id":253,"slug":254,"title":255,"dynasty":42,"author":19,"museum":20,"description":256,"tags":257,"thumbUrl":262,"material":31,"size":32,"collection":33,"collections":263,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289494,"bernardino-poccetti-saint-antoninus-kneeling-before-the-crucifix-yi-ming-289494","Bernardino Poccetti--Saint Antoninus Kneeling before the Crucifix","这幅素描以克制却灵动的线条铺陈教堂内的虔敬图景。穹顶之下的礼拜堂中，左侧信众列队垂首静立，姿态沉凝庄重，中央跪伏的身影向着祭台苦像全心祷祝，简练笔触将敬慕与赤诚传递尽致。右侧妇孺依偎观望，柔缓的线条晕开寻常信众的平和安然。作品以疏密有致的排线交代空间纵深，利落轮廓清晰区分群像与祭台陈设，未以繁复敷色修饰，仅凭借明暗层次，便烘托出圣堂静谧庄严的氛围，将宗教场域的肃穆虔敬藏于每一处线条起落，尽显素描语言叙事传情的力量。",[26,94,191,29,258,259,260,261,7],"十字架","跪拜","教堂","室内场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34839885bd23d52532b53256e5a94bf9.jpg",[],{"id":265,"slug":266,"title":267,"dynasty":42,"author":19,"museum":20,"description":268,"tags":269,"thumbUrl":271,"material":31,"size":32,"collection":33,"collections":272,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289493,"bernardino-poccetti-saint-philip-benizzi-converting-two-wicked-women-at-todi-yi-ming-289493","Bernardino Poccetti--Saint Philip Benizzi Converting Two Wicked Women at Todi","这幅手绘以素描淡晕铺陈画面，中心场景聚焦信仰的感召时刻。圣徒身姿庄重，正引着两名女子褪去顽劣，跪地信众俯首显露出全然的虔诚，右侧女子由最初的疏离渐渐生出动容。背景崖间的围观人群、错落建筑，将这场布道延展为众人瞩目的公共事件。\n排线与晕染兼具体积塑造与氛围烘托，明暗层次将视线牢牢锚定在救赎场景之上，松弛笔触精准传递出肃穆温柔的信仰张力，让古典宗教叙事的感染力在简约手绘中尽显无余。",[214,49,191,7,270],"宗教故事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F779056d92c3c7a3ea9bff275fb8835d2.jpg",[],{"id":274,"slug":275,"title":276,"dynasty":42,"author":19,"museum":20,"description":277,"tags":278,"thumbUrl":284,"material":31,"size":32,"collection":33,"collections":285,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":61},289488,"bernardo-strozzi-study-for-st-francis-of-assisi-adoring-the-cross-yi-ming-289488","Bernardo Strozzi (–)-Study for St Francis of Assisi adoring the cross","粗粝的排线扫过蓬乱须发，顺着眉骨、颧肌的起伏揉擦出明暗层次，将脖颈拉伸的紧绷感全然铺展。人物目光竭力向上扬起，眉峰攒起的褶皱牵动着眼角纹路，微张的嘴唇仿佛正吐露出无声的祷念。\n\n厚重的炭色揉出须发的蓬松粗野，却用细腻晕染柔化了面部肌肉的震颤，把仰望时的悲戚与崇敬一并刻入纸面。光影顺着鼻梁与下颌线流淌，精准勾勒出仰颈时肌肉的拉扯感，将那份近乎屏息的虔诚，凝练成静态却极具张力的动容瞬间。",[191,279,26,7,280,281,282,283],"人物肖像","圣方济各","写实","虔诚","男性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8021cc0f17c639cd3d9a95526c0079b.jpg",[],{"id":287,"slug":288,"title":289,"dynasty":42,"author":19,"museum":20,"description":290,"tags":291,"thumbUrl":294,"material":31,"size":32,"collection":33,"collections":295,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289483,"biagio-pupini-the-transfiguration-after-raphael-yi-ming-289483","Biagio Pupini--The Transfiguration, after Raphael","画面以上下分层铺陈神迹时刻，上方圣人身姿舒展，衣褶线条沉厚肃穆，神性的威严感呼之欲出。下方凡人信众动态各异，或跪拜惶惑，或交头接耳，满是直面神迹的震撼无措。\n\n创作者以细腻排线晕染明暗，勾勒出凡俗与神圣的鲜明界限，把显圣瞬间的张力藏在笔锋之中，复刻出原作的庄严悲悯。明暗对比拉扯出超脱的氛围感，将信仰降临的悸动定格，让观者仿佛能窥见那一刻的敬畏与震颤。",[214,29,191,94,292,7,293],"临摹","基督变容","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2cb5715511ef148606aa826d25de2732.jpg",[],{"id":297,"slug":298,"title":299,"dynasty":42,"author":19,"museum":20,"description":300,"tags":301,"thumbUrl":305,"material":31,"size":32,"collection":33,"collections":306,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":61},289480,"camillo-procaccini-martyrdom-of-a-female-saint-yi-ming-289480","Camillo Procaccini--Martyrdom of a Female Saint","以棕调素描铺陈叙事，明暗拉扯出极强戏剧张力。前景铠甲武士的冷硬线条，与中心人物的柔和虔诚形成强烈对冲，拥挤的人群烘托出殉道时刻的肃穆沉凝。\n上方垂落的光束锚定神性降临的瞬间，围观者神情各异，或垂首悲戚或漠然旁观，层次错落间铺展众生百态。衣褶排线流畅厚重，衬出人物饱满体积感，带着巴洛克式的动感韵律，将死亡将至的紧绷与神圣感召的庄严揉合一处，让静态纸面涌动着直击人心的叙事冲击力，把殉道的悲情与神性辉光定格在方寸之间。",[214,29,191,302,7,303,304],"女圣徒殉道","狗","古典场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5ea4f4fb5f2182a34f0029bec179b00.jpg",[],{"id":308,"slug":309,"title":310,"dynasty":42,"author":19,"museum":20,"description":311,"tags":312,"thumbUrl":314,"material":31,"size":32,"collection":33,"collections":315,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289287,"parmigianino-nine-studies-of-the-moses-in-the-steccata-yi-ming-289287","Parmigianino--Nine Studies of the Moses in the Steccata","这九幅稿本以饱满张力刻画摩西形象，每一尊都姿态各异，或扛举碑刻、拧身振臂，贲张的肌肉在棕褐墨色中跃动，揉合神性威严与凡人力感。\n作者以晕染层次区分光影，潦草却精准的排线顺着躯干走势铺陈，勾勒衣褶褶皱起伏，将肢体昂扬的瞬间张力定格。作为大型宗教创作的推敲草图，每一幅都反复打磨神性形象的精神气场，让律法的庄严顺着昂扬的肢体传递，将高踞神坛的宗教人物化为鲜活有力的具象。带着未完成的粗粝质感，却藏着最蓬勃的创作灵光，把宗教叙事的肃穆揉入充满力量感的动态中。",[26,29,191,94,313,7],"习作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e1892f329a5c0c881aa84e0f5b177f4.jpg",[],{"id":317,"slug":318,"title":319,"dynasty":42,"author":19,"museum":20,"description":320,"tags":321,"thumbUrl":324,"material":31,"size":32,"collection":33,"collections":325,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":61},289267,"pietro-malombra-the-emperor-frederick-barbarossa-submitting-yi-ming-289267","Pietro Malombra--The Emperor Frederick Barbarossa Submitting","以红黑粉笔铺陈画面，炭笔排线皴出衣褶的沉郁阴影，红粉笔晕开衣袍的暖调光泽。焦点落于中心的臣服仪式，跪拜者身形低伏将皇权的俯首具象化，旁侧人物垂眼敛容，带着审视的沉静肃穆。\n\n右侧侍从以松散线条虚化错落，弱化个体来烘托群像的庄重氛围。整幅画未作精描细摹，却用松弛又精准的笔触，借明暗对比收拢视线，将这场权力交叠时刻的沉凝威仪尽数铺展，让纸面流转出厚重的历史张力，静述着皇权俯首的肃穆瞬间。",[49,191,48,322,7,323,259,195],"历史画","帝王","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2520b588b7d8b54eca3968de716198a.jpg",[],{"id":327,"slug":328,"title":329,"dynasty":42,"author":19,"museum":20,"description":330,"tags":331,"thumbUrl":336,"material":31,"size":32,"collection":33,"collections":337,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289244,"prince-and-dervish-yi-ming-289244","Prince and Dervish","画面里两人相对席地而坐，氛围恬然松弛。年轻人俯身托举酒盏，神态恭谦温顺；长髯老者捻须垂眸，沉静淡然，似在静悟交谈。背景花树悬坠鲜果，晕染出幽然世外的闲趣。\n\n整幅画作线条柔婉流畅，衣褶晕染细腻柔和，人物神情刻画入微，边框缠枝纹样繁复秀雅，烘托出古典静谧的氛围感，将贤者对坐的悠然禅意缓缓铺陈，传递出超脱世俗的闲适意境，尽显东方古典美学的沉静雅致。",[29,332,48,7,333,114,334,335],"细密画","贵族","对坐","饮酒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F326697e5c29aa04550a1bebf97a2ca02.jpg",[],{"id":339,"slug":340,"title":341,"dynasty":42,"author":19,"museum":20,"description":342,"tags":343,"thumbUrl":344,"material":31,"size":32,"collection":33,"collections":345,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289224,"giulio-romano-apparition-of-saint-andrew-in-glory-yi-ming-289224","Giulio Romano--Apparition of Saint Andrew in Glory","以棕调线条在灰底上晕染铺陈，圣安德鲁跪坐云间，肩扛十字苦像，沉穆的神情间带着悲悯，探手向下，似将救赎的温柔播撒向凡世。两侧天使灵动呼应，左侧天使高举信物，神态激昂虔诚，右侧天使俯身凝望，满是崇敬。\n画师以疏密线条勾勒衣褶的厚重肌理，明暗晕染揉出云层的蓬松柔润，借单色层次铺陈出天国的缥缈与神性的庄严，在沉静的色调里烘托出静谧神圣的氛围，将宗教题材特有的肃穆救赎之力融于笔端，尽显古典宗教创作的典雅质感。",[214,29,191,193,258,7,113],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa759fe377562c02ddf237858e3a0862c.jpg",[],{"id":347,"slug":348,"title":349,"dynasty":42,"author":19,"museum":20,"description":350,"tags":351,"thumbUrl":352,"material":31,"size":32,"collection":33,"collections":353,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289218,"giuseppe-bottani-the-departure-of-saint-paula-and-saint-eustochium-yi-ming-289218","Giuseppe Bottani--The Departure of Saint Paula and Saint Eustochium","这是一幅带有转印网格的红粉笔素描，上半拱顶的天界形象朦胧悠远，衬得下半部分的尘世场景愈见肃穆。中心人物沉静悲悯，衣褶在红调笔触下带着柔和韵律，将端庄气质娓娓道来。环绕的信众神态各异，或躬身垂首流露不舍，或注目仰望满含敬慕，情绪真挚动人。\n松弛却精准的线条勾勒出人物体积，明暗晕染烘托出沉静的宗教氛围，底稿网格藏着创作的严谨，让画面比例妥帖和谐。宗教题材的庄严感，被细腻笔触揉进了真挚的人文温度，是兼具创作实用性与艺术感染力的古典素描佳作。",[214,29,191,161,195,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98ec0bca94d9336061a28788855c1e01.jpg",[],{"id":355,"slug":356,"title":357,"dynasty":42,"author":19,"museum":20,"description":358,"tags":359,"thumbUrl":366,"material":31,"size":32,"collection":33,"collections":367,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289216,"giuseppe-cades-the-virgin-immaculate-with-the-christ-child-yi-ming-289216","Giuseppe Cades--The Virgin Immaculate with the Christ Child","淡彩晕染出朦胧柔和的基调，明暗层次晕化出静谧神圣的氛围。画面中心，圣母垂眸含着悲悯，宝冠衬得她神情愈发庄严，怀拥圣婴静立在镰刀之上，寓意着超脱时间洪流。惶惑的亚当立于崖岸，圣母以轻柔姿态安抚，消解着他的不安，右侧天使虔诚托举宝盘，奉呈世间的馈赠与敬慕。云雾间灵动的小天使，让肃穆的画面添了几分轻盈。衣褶线条舒展且富有韵律，勾勒出织物蓬松柔软的质感，将神性救赎的主题静缓铺陈，于素雅色调里，传递出厚重绵长的精神力量。",[214,29,191,215,360,361,193,7,362,363,364,365],"圣母","圣婴","岩石","翅膀","王冠","云气","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F617232c7a9111d042b3d6d9997316db3.jpg",[],{"id":369,"slug":370,"title":371,"dynasty":42,"author":19,"museum":20,"description":372,"tags":373,"thumbUrl":376,"material":31,"size":32,"collection":33,"collections":377,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":61},289060,"karl-rudolphe-henrich-lehmann-study-for-the-figure-of-sarah-yi-ming-289060","Karl-Rudolphe-Henrich Lehmann--Study for the figure of Sarah","这帧素描以白粉笔在灰蓝纸面上铺陈，灵动的线条捕捉住女性侧身舒展的瞬间。头巾垂覆的曲线柔缓贴合轮廓，舒展的手臂带着松弛的韵律感。衣褶用笔虚实相生，简练线条精准交代出布料的垂坠重量，既勾勒躯体起伏，又烘托出温婉沉静的气质。淡去的边缘让人物仿佛晕融在背景里，留白恰到好处，带着速写独有的鲜活质感，将动态凝固在松弛的笔触间，寥寥几笔就赋予人物鲜活的呼吸感。",[191,29,374,7,161,375],"女性","衣袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95e93aae1cc5fd62d17cf1e1537f60b7.jpg",[],{"id":379,"slug":380,"title":381,"dynasty":42,"author":19,"museum":20,"description":382,"tags":383,"thumbUrl":388,"material":31,"size":32,"collection":33,"collections":389,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289056,"lambert-van-noort-st-george-and-the-sorcerer-of-dacian-yi-ming-289056","Lambert van Noort--St. George and the Sorcerer of Dacian","淡蓝排线晕开肃穆氛围，圆形画框收拢着满溢的戏剧张力。画面中央的核心人物被众人环伺，军士持戟神色紧绷，跪拜者俯身满含虔诚，围观者或惊叹或议论，各色神态铺陈出饱满的故事感。\n\n细密精准的线条勾勒出衣料的垂坠厚重，硬朗的块面刻画出人物肌肉的紧实质感，带着古典写实的叙事特质。远景行进的队伍烘托出仪式的盛大，将宗教叙事的庄重，凝缩为这一瞬充满冲突的视觉定格，让纸面跃动着鲜活的情绪流转。",[214,29,94,215,7,384,385,248,386,117,387],"圣乔治","巫师","柱廊","宗教场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20764e7e8b726e58dbf1ea157e6f9cd5.jpg",[],{"id":391,"slug":392,"title":393,"dynasty":42,"author":19,"museum":20,"description":394,"tags":395,"thumbUrl":398,"material":31,"size":32,"collection":33,"collections":399,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":61},289044,"leonardo-da-vinci-the-head-of-the-virgin-in-three-quarter-yi-ming-289044","Leonardo da Vinci--The Head of the Virgin in Three-Quarter","这副素描以细腻入微的笔触，将女性的柔婉圣洁尽数铺陈。蓬松的卷发以疏密有致的排线勾勒，发丝卷曲的蓬松感呼之欲出，层次迭见。面部以柔和的晕染过渡明暗，贴合骨骼肌理缓缓铺陈光影，低垂的眉眼敛着静谧温柔，唇线轻抿，仿佛浸着虔诚安然的情绪。朦胧的晕染让面容仿若笼着柔光，褪去锐利的线条，将古典女性的温婉虔诚揉进每一处细节里，静穆又带着动人的柔意，尽显素描语言的细腻表现力。",[396,191,29,7,374,397],"名画","温婉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c6cb5f50367525e2fbb77ce2d87fbee.jpg",[],{"id":401,"slug":402,"title":403,"dynasty":42,"author":19,"museum":20,"description":404,"tags":405,"thumbUrl":410,"material":31,"size":32,"collection":33,"collections":411,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289029,"louis-joseph-le-lorrain-frontispiece-for-a-suite-yi-ming-289029","Louis Joseph Le Lorrain--Frontispiece for a Suite","这幅棕褐淡彩速写以古典瓮瓶为视觉核心，浮雕缠枝与人面饰纹精细典雅，稳稳镇住画面重心。郊野林木层叠掩映，石台斑驳铭文带着岁月沉迹，让庄重古物融于山野静境。前景处，旅人斜卧休憩，修士垂首祝祷，两种日常情态悄然晕开松弛又肃穆的氛围。单色素调铺陈出复古沉静的质感，把怀古幽思藏进郊野一隅，让古典庄重与乡野闲意温柔相融，漫开旧时光的沉静余韵。",[406,407,215,161,408,114,7,409],"西洋画","插画","古器物","户外场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ad183b931de9cbeac2fa50466a821f5.jpg",[],{"id":413,"slug":414,"title":415,"dynasty":42,"author":19,"museum":20,"description":416,"tags":417,"thumbUrl":421,"material":31,"size":32,"collection":33,"collections":422,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288895,"giovanni-battista-tiepolo-illustration-for-a-book-meeting-between-a-pope-and-doge-yi-ming-288895","Giovanni Battista Tiepolo--Illustration for a Book Meeting Between a Pope and Doge","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[191,407,49,26,7,418,419,420,194,94],"教皇","总督","会面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc57e8228993496a890364430b92258c3.jpg",[],{"id":424,"slug":425,"title":426,"dynasty":42,"author":19,"museum":20,"description":416,"tags":427,"thumbUrl":431,"material":31,"size":32,"collection":33,"collections":432,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288887,"giovanni-battista-tiepolo-illustration-for-a-book-scene-of-peacemaking-yi-ming-288887","Giovanni Battista Tiepolo--Illustration for a Book Scene of Peacemaking",[191,94,428,29,429,7,430,386,406],"书籍插图","群体人物","和平调解","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf46907a9aa36d073bd985d3c5663239.jpg",[],{"id":434,"slug":435,"title":436,"dynasty":42,"author":19,"museum":20,"description":416,"tags":437,"thumbUrl":441,"material":31,"size":32,"collection":33,"collections":442,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288878,"giovanni-battista-tiepolo-illustration-for-a-book-supplicants-imploring-an-emperor-for-peace-yi-ming-288878","Giovanni Battista Tiepolo--Illustration for a Book Supplicants Imploring an Emperor for Peace",[191,29,438,439,323,440,7],"历史题材","请愿","和平","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F009f3b77db50acf077dabcedcbc7425c.jpg",[],{"id":444,"slug":445,"title":446,"dynasty":42,"author":19,"museum":20,"description":447,"tags":448,"thumbUrl":451,"material":31,"size":32,"collection":33,"collections":452,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288825,"pedro-orrente-thomas-of-villanova-archbishop-of-valencia-distributing-alms-yi-ming-288825","Pedro Orrente--Thomas of Villanova, Archbishop of Valencia Distributing Alms","这幅红褐素描以质朴笔触铺陈出满溢慈悲的场景。前景中主教俯身递出施舍，指尖相触的瞬间定格了温厚善意，赤贫的乞者垂首承接，嶙峋脊背写尽困顿里的谦卑与感激。\n\n背景街巷里人群涌动，神职者将赈济递向簇拥的流民，喧闹烟火气与前景的静谧共情形成对照，让善举从个体温情延伸为普惠的悲悯。\n线条松弛却精准，主教衣褶的垂坠感勾勒出庄重气度，流民粗糙肌理以简笔带过，明暗晕染烘托出柔和光影层次，没有刻意修饰，却将信仰中的人道关怀刻入每一处细节，让慈善的温度跃然纸面。",[26,29,191,449,194,450,7],"施舍","平民","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7775fcacbad573507be7004fb0c2e5d8.jpg",[],{"id":454,"slug":455,"title":456,"dynasty":42,"author":19,"museum":20,"description":457,"tags":458,"thumbUrl":462,"material":31,"size":32,"collection":33,"collections":463,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288806,"peter-paul-rubens-presentation-in-the-temple-yi-ming-288806","Peter Paul Rubens--Presentation in the Temple","彼得·保罗·鲁本斯（Peter Paul Rubens）（1577年6月28日—1640年5月30日），教名伯多禄·保禄·鲁宾斯，17世纪佛兰德斯画家，西班牙哈布斯堡王朝外交使节。鲁本斯是佛兰德斯画家，是巴洛克画派早期的代表人物。\n鲁本斯出生于德国锡根，在他的父亲去世后，12岁的鲁本斯跟随母亲回到了西班牙统治下的家乡安特卫普，并在那里接受了天主教洗礼。而宗教也成为鲁本斯画家生涯中十分重要的一个主题。",[214,29,191,459,460,7,461,195],"速写","淡墨","圣殿呈献","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F296a8be0b100f9a3a17169ab2594ac60.jpg",[],{"id":465,"slug":466,"title":467,"dynasty":42,"author":19,"museum":20,"description":468,"tags":469,"thumbUrl":473,"material":31,"size":32,"collection":33,"collections":474,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288792,"pierre-hubert-subleyras-st-benedict-resuscitating-an-infant-yi-ming-288792","Pierre Hubert Subleyras--St. Benedict Resuscitating an Infant","这是一幅充满创作温度的速写草稿，松快灵动的铅笔线条精准定格了神圣救赎的瞬间。画面以俯身施救的老者为视觉中心，寥寥数笔便勾勒出他的专注悲悯。周遭人物神态各异，有人虔诚祈祷、有人屏息凝望，有人难掩动容，简括的线条便撑起了饱满的情绪层次。\n\n浅淡排线铺陈光影，烘托出静穆庄重的氛围，未完成的留白反而留存下创作时的鲜活感，将神迹叙事的肃穆松弛融合，尽显古典宗教题材速写的表现力，于随性笔触间传递出悲悯温情的内核。",[191,56,29,7,470,471,472],"圣本笃","救婴场景","线稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e604c8c6d9e53adc35e12b9293b332b.jpg",[],{"id":476,"slug":477,"title":478,"dynasty":42,"author":19,"museum":20,"description":479,"tags":480,"thumbUrl":483,"material":31,"size":32,"collection":33,"collections":484,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288785,"pierre-puget-design-for-a-tabernacle-yi-ming-288785","Pierre Puget--Design for a Tabernacle","这幅设计稿带着浓郁的巴洛克张力，顶部十字架锚定神圣内核，涡卷状雕饰缠绕出华丽韵律，将建筑与雕塑精妙融合。\n\n中央圣龛被灵动翻飞的天使与健硕的古典人像簇拥，云团中迸绽的线条模拟圣光，烘托出庄严神性。排线细腻的素描技法精准铺陈明暗层次，让石材的厚重与人体的柔润呼之欲出，古典人文意趣与宗教肃穆感相融，每一处细节都在平衡仪式感与装饰性，仿佛能窥见这座圣体柜落成后，在光影下流淌的灵动气韵。",[26,94,191,193,258,7,481,249,482],"兽","宗教器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff116b934f26d5d792d208483d4e0fdc4.jpg",[],{"id":486,"slug":487,"title":488,"dynasty":42,"author":19,"museum":20,"description":489,"tags":490,"thumbUrl":493,"material":31,"size":32,"collection":33,"collections":494,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288780,"pietro-damini-saint-louis-of-france-saint-francis-yi-ming-288780","Pietro Damini--Saint Louis of France, Saint Francis","棕褐色素描晕染出沉静肃穆的氛围，上方云间的小天使们嬉闹玩赏，柔化了宗教主题的厚重感。\n下方三位圣徒各怀神态，左侧圣者抬手作祈祷状，神色恭谨，中轴圣徒怀拥十字架，眉眼间沉凝着信仰的重量。右侧女性圣者垂首低眉，衣袍褶皱以利落排线勾勒，将布料垂坠质感刻画得细腻真切。\n画面以线条疏密区分光影层次，淡扫的云雾串联起上下场景，灵动笔触为庄严的宗教叙事注入呼吸感，寥寥笔力间，将圣徒们笃诚沉静的精神内核精准勾勒，在简约的素描语言里，晕开宗教题材下的人文温度。",[214,29,191,7,193,491,492],"圣徒","单色画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffebec3d2735565a4ebbf57bd74b9b359.jpg",[],{"id":496,"slug":497,"title":498,"dynasty":42,"author":19,"museum":20,"description":499,"tags":500,"thumbUrl":503,"material":31,"size":32,"collection":33,"collections":504,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288765,"salvator-rosa-st-paul-hermit-yi-ming-288765","Salvator Rosa--St. Paul, Hermit","幽寂荒野之中，苦修者枯长褴褛的须发与身形融为一体，肢体舒展，仿佛正迎向穿透云霭的灵启之光。晕染的墨色铺陈出诡谲翻涌的云气与虬曲苍劲的林木，明暗拉扯间烘托出沉郁肃穆的神秘张力。\n\n粗粝奔放的线条刻画出苦修者饱经风霜的沧桑模样，将其对信仰的赤诚与执念尽数揉入笔端。远山隐现的朦胧光晕晕开天启的神圣感，让荒蛮野性的自然底色，与澄澈坚定的神性感召形成强烈碰撞，潦草却极具表现力的笔触，定格下隐士在孤寂修行中迎来神性昭示的瞬间，粗朴画面里满溢着虔诚厚重的宗教氛围感。",[214,7,501,502,29,191,114,115,237],"圣保禄","隐士","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F991396b6636bc46787f8d172983c7303.jpg",[],{"id":506,"slug":507,"title":508,"dynasty":42,"author":19,"museum":20,"description":509,"tags":510,"thumbUrl":514,"material":31,"size":32,"collection":33,"collections":515,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288724,"valentin-lefebvre-david-chooses-three-days-of-pestilence-yi-ming-288724","Valentin Lefebvre--David Chooses Three Days of Pestilence","褐棕水彩晕开帷幔的垂坠褶皱，跪坐的圣者仰首向天，光晕环衬他虔诚惶惑的面容。云端天使振翼持械，充满力量感的肌肉线条裹挟着神性威严破空而来。古典拱门的背景，将神域与凡世悄然分割，器物细节暗藏宿命抉择的隐喻。明暗交叠间，巴洛克式戏剧张力拉满，将天启降临时的震颤瞬间定格，让观者直面信仰之中的惊惧与赤诚。",[214,29,191,215,193,7,511,512,249,259,513],"云朵","帷幔","狮像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6446478d209163e07b51b39a1fc6407.jpg",[],{"id":517,"slug":518,"title":519,"dynasty":42,"author":19,"museum":20,"description":520,"tags":521,"thumbUrl":522,"material":31,"size":32,"collection":33,"collections":523,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288627,"jean-baptiste-marie-pierre-st-charles-borromeo-distributing-communion-yi-ming-288627","Jean-Baptiste Marie Pierre--St. Charles Borromeo Distributing Communion","画面以阶梯分割出两个情绪场域，下方民众或瘫倒在地气息奄奄，或伸臂哀号，将灾厄中的困顿与绝望刻画得入木三分。台阶之上的人物衣褶厚重沉稳，动作轻柔庄重，带着悲悯肃穆的质感，与下方悲苦形成强烈对冲。画家以排线与晕染铺陈明暗层次，精准勾勒出不同人物的神情张力，将施舍的神圣暖意，揉进受者的濒死绝望之中，让慈悲救赎的主题在素色纸面间震颤。",[191,214,29,192,7,281],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc5cc6b4de2cc7917dd20ce4214fdb14.jpg",[],{"id":525,"slug":526,"title":527,"dynasty":42,"author":19,"museum":20,"description":528,"tags":529,"thumbUrl":534,"material":31,"size":32,"collection":33,"collections":535,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},288565,"attributed-to-lorenzo-de-ferrari-ceiling-design-with-the-glorification-yi-ming-288565","attributed to Lorenzo de' Ferrari--Ceiling Design with the Glorification","这是一幅充满神性张力的天顶设计稿，以棕调明暗铺陈天国幻境。中心圣光迸发，如瀑的射线刺破云海，天使簇拥环绕，抬举象征神圣的礼器。武神身披铠甲立在云峦之上，与身旁圣徒遥遥呼应，衣袂褶皱随云气翻涌舒展。下方修士昂首仰望，凡俗与天国在此联结。\n画家以灵动线条勾勒出羽翼振颤、云浪奔涌的动感，明暗晕染铺就悬浮纵深感，将信仰的崇高具象为缥缈恢弘的圣境，仿佛能听见天国颂歌在云间盘旋，尽显这类装饰稿的浪漫与庄严。",[191,56,530,193,7,531,532,29,533],"天顶画","云","光晕","古典风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e820653d60857ce1736eb89bf4803a8.jpg",[],{"id":537,"slug":538,"title":539,"dynasty":42,"author":540,"museum":20,"description":541,"tags":542,"thumbUrl":551,"material":31,"size":32,"collection":33,"collections":552,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},232526,"he-er-bai-yin-185-he-er-bai-yin-232526","荷尔拜因185","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[7,191,281,543,544,545,546,547,548,52,549,550],"古典建筑","古典柱式","拱门","服饰","剑","容器","衣褶","黑白","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96991739a4ecb15792d2273b517d74d7.jpg",[],{"id":554,"slug":555,"title":556,"dynasty":42,"author":540,"museum":20,"description":541,"tags":557,"thumbUrl":563,"material":31,"size":32,"collection":33,"collections":564,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},232501,"he-er-bai-yin-160-he-er-bai-yin-232501","荷尔拜因160",[26,49,94,249,558,545,53,361,360,559,560,561,7,562],"柱式","服饰褶皱","古典建筑细节","素描线条","建筑装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F632b6584b83162a9ec7903481129b9da.jpg",[],{"id":566,"slug":567,"title":568,"dynasty":18,"author":19,"museum":20,"description":175,"tags":569,"thumbUrl":573,"material":31,"size":32,"collection":33,"collections":574,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},275095,"qian-long-kuan-lv-di-fen-cai-ci-qi-zhen-nan-bao-yi-ming-275095","乾隆款绿地粉彩瓷七珍-男宝",[178,177,7,570,571,572],"七珍","男宝","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29a6bc63cb22d149d8ed2f469491389f.jpg",[],{"id":576,"slug":577,"title":578,"dynasty":18,"author":19,"museum":20,"description":579,"tags":580,"thumbUrl":585,"material":31,"size":32,"collection":33,"collections":586,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":184},275065,"tong-qi-zhen-jiang-jun-bao-yi-ming-275065","铜七珍-将军宝","鎏金莹润厚重，整器以仰覆莲座为底，手柄錾刻缠枝宝相花，延展至如意莲瓣造型的龛框，祥云纹环围出嵌龛。龛内将军骑狮而立，甲胄严整，握持威怒法器，瑞狮鬃毛飞扬、獠牙毕露，凛凛威严尽显护法神威。\n\n整器纹饰繁而不紊，刚劲肃穆的护法造像与柔曼婉转的卷草祥云形成鲜明反差，将藏传佛教的庄严感与工艺美学融于一体，静穆中带着慑邪的刚猛之力，是藏传供器中兼具宗教意蕴与匠心的精巧之作，尽显清代造像供器的上乘水准。",[581,582,583,26,27,572,570,584,7],"铜制","金器","雕刻","神兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F043b9c572fb5daf6ec4fe061b97398bc.jpg",[],{"id":588,"slug":589,"title":590,"dynasty":18,"author":19,"museum":20,"description":591,"tags":592,"thumbUrl":596,"material":31,"size":32,"collection":33,"collections":597,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},274894,"yin-du-jin-tuo-hua-gong-yang-pu-sa-yi-ming-274894","银镀金托画供养菩萨","水滴形鎏金佛龛内，菩萨安坐莲台，莹白法身环饰璎珞，神态慈悲自在。蓝底嵌饰细密匀净，托出菩萨明丽衣色与宝相，色彩古雅沉静，尽显殊圣安然。\n\n下方银质莲台舒展层叠，卷草缠枝纹饰柔婉灵动，与鎏金龛沿的繁复雕花彼此呼应。素银冷冽光泽与鎏金华贵金芒相融，藏地造像的雄浑气质与精工巧思交织，将信仰凝注于寸厘工艺中，静静诉说着清净庄严的供养之心，尽显藏地供具的独特美学意涵。",[26,593,582,583,78,48,594,131,595,7],"银器","绘画","工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5d8fb5c0f366d5e012b7fb49546ea94.jpg",[],{"id":599,"slug":600,"title":601,"dynasty":18,"author":19,"museum":20,"description":602,"tags":603,"thumbUrl":605,"material":31,"size":32,"collection":33,"collections":606,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},274879,"yin-tai-qian-fa-lang-gong-yang-yi-ming-274879","银胎嵌珐琅供养","银胎錾刻出层叠莲台与缭绕祥云，纹路柔婉细密，托举起中心的珐琅造像。珐琅釉色明润清透，底色如晴空漾开，以浓丽彩料晕绘尊像，衣袂舒展灵动，宝相慈悲安和。金属的冷冽质感搭配珐琅的明妍光泽，两种工艺相融共生，将宗教造像的庄严与装饰美学的华美合为一体，沉静夺目间尽显匠人的巧思匠心。",[593,604,26,583,131,113,7],"琺瑯器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50cf66c64467e822fd6d3febc1705975.jpg",[],{"id":608,"slug":609,"title":601,"dynasty":18,"author":19,"museum":20,"description":610,"tags":611,"thumbUrl":615,"material":31,"size":32,"collection":33,"collections":616,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},274859,"yin-tai-qian-fa-lang-gong-yang-yi-ming-274859","此作以银胎塑底座，分莲台、缠枝云纹柱身与卷云底台，层叠镂雕，纹路辗转灵动，尽显錾刻精工。嵌珐琅为龛心，天青地色明净莹润，护法天王身着宝胄，持戟端坐，衣袂翩然舒展，设色浓丽古雅，红彩衬出威仪，金彩勾描宝饰细节，藏地造像的肃穆厚重与珐琅彩的柔润鲜亮相融，将护法天王的威严气度晕染得恰到好处，尽显汉藏工艺合璧的手工匠心之美。",[593,612,7,583,613,26,614],"珐琅器","莲座","供器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb12aabdff59d3a7aa65d7bf2d0d6f586.jpg",[],{"id":618,"slug":619,"title":620,"dynasty":18,"author":19,"museum":20,"description":621,"tags":622,"thumbUrl":626,"material":31,"size":32,"collection":33,"collections":627,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},272428,"liu-yuan-yu-xiang-mo-bei-ye-mo-yi-ming-272428","刘源御香墨-贝叶墨","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[623,624,7,118,625],"墨","文房用具","贝叶形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0555da0c77b29b3efa8268f0d38263a.jpg",[],{"id":629,"slug":630,"title":631,"dynasty":18,"author":19,"museum":20,"description":632,"tags":633,"thumbUrl":636,"material":31,"size":32,"collection":33,"collections":637,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},267349,"xiu-mi-le-fo-sheng-jie-zhou-yi-ming-267349","绣弥勒佛圣界轴","此件以精妙刺绣铺陈净土胜境，画面中心主次分明，弥勒圣界诸佛、菩萨与护法错落排布，宝刹莲台掩映祥云之间，灵动饱满的造像尽显净土祥和殊胜。四周以朱红地满织梵文真言，烘托出庄严肃穆的宗教氛围。\n\n配色浓丽鲜亮，衣纹璎珞以金线勾勒，光华华贵，针脚细密平整，晕染自然柔润，将织绣工法与宗教意趣完美融合，以匠心织就极乐图景，尽显精湛工艺水准，让神圣佛国以绣色之美具象浮现。",[112,634,27,635,214,7],"刺绣","弥勒佛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f560c205b85bb407b42135897ef89a1.jpg",[],{"id":639,"slug":640,"title":641,"dynasty":642,"author":19,"museum":20,"description":643,"tags":644,"thumbUrl":647,"material":31,"size":32,"collection":648,"collections":649,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":184},260624,"de-hua-yao-bai-you-mi-le-xiang-yi-ming-260624","德化窑白釉弥勒像","明","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为"象牙白"、"奶白"或 "天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[178,645,635,7,583,646],"白釉","喜悦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fecac8b09959f659bed84ae27860d6ce3.jpg","瓷器精选",[648],{"id":651,"slug":652,"title":653,"dynasty":86,"author":19,"museum":20,"description":654,"tags":655,"thumbUrl":660,"material":31,"size":32,"collection":33,"collections":661,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},252772,"mu-diao-sun-san-sheng-zao-luo-han-zuo-xiang-yi-ming-252772","木雕孙三盛造罗汉坐像","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[656,583,657,658,7,659,49],"木雕","木质","罗汉","圆雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F035961b8c2b47e53f46c163693b6efc3.jpg",[],1777535708448]