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釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 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"天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[18,84,60,85,86,41,7],"德化窑","刻花","玉兰纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec198ff4399eb1f8a3a5a66fe6f984fe.jpg","瓷器精选",[88],{"id":91,"slug":92,"title":93,"dynasty":18,"author":19,"museum":20,"description":94,"tags":95,"thumbUrl":99,"material":29,"size":30,"collection":31,"collections":100,"showCount":101,"zanCount":11,"manualWeight":11,"mainColor":77},261890,"qing-hua-hai-shui-jiao-ye-wen-zun-yi-ming-261890","青花海水蕉叶纹尊","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[41,96,97,98,7],"青花","海水纹","蕉叶纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88f03b874f5006fd3cfe3b8f65e01b8c.jpg",[],2,{"id":103,"slug":104,"title":105,"dynasty":39,"author":19,"museum":20,"description":106,"tags":107,"thumbUrl":114,"material":29,"size":30,"collection":88,"collections":115,"showCount":101,"zanCount":11,"manualWeight":11,"mainColor":34},258678,"qian-long-kuan-yao-bian-you-dai-gai-ying-xiong-zun-yi-ming-258678","乾隆款窑变釉带盖英雄尊","烧造瓷器，凡在开窑后发现不是预期的形状或釉色，以至于传世瓷器有时发生特异的情况者，都可说是“窑变”。《稗史汇编》说：“瓷有同是一质，遂成异质，同是一色，遂成异色者，水土所合，非人力之巧所能加，是之谓窑变。”总而言之，窑变大致可分为变形、变色、变质等数种。\n窑变釉，顾名思义，是器物在烧成过程中出现了意想不到的釉色效果。由于窑中含有多种呈色元素，经氧化或还原作用，瓷器在出窑后可能呈现出意外的釉色效果。因由窑变釉出现出于偶然，形态特别，人们又不知其原理，只知于窑内焙烧过程变化而得，故称之为“窑变釉”，俗语有“窑变无双”，就是指窑变釉的变化莫测，独一无二。",[41,108,59,109,110,111,7,112,113],"窑变釉","兽","清代","带盖","双耳","釉色变化","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe28c6d1630edf1d9c8b991fe2234261a.jpg",[88],{"id":117,"slug":118,"title":119,"dynasty":39,"author":19,"museum":20,"description":120,"tags":121,"thumbUrl":125,"material":29,"size":30,"collection":31,"collections":126,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":77},261695,"dong-qing-you-fen-cai-zhe-zhi-hua-die-wen-zun-yi-ming-261695","冬青釉粉彩折枝花蝶纹尊","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[41,43,122,123,7,124],"折枝花","花蝶","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F310a70906ae6758c8fd6d1f224e505c8.jpg",[],1,{"id":129,"slug":130,"title":131,"dynasty":39,"author":19,"museum":20,"description":94,"tags":132,"thumbUrl":135,"material":29,"size":30,"collection":31,"collections":136,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":34},260578,"qing-hua-you-li-hong-zun-yi-ming-260578","青花釉里红尊",[41,133,7,134],"青花釉里红","牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F338109959dac9e989118025d973ef6af.jpg",[],{"id":138,"slug":139,"title":140,"dynasty":18,"author":19,"museum":20,"description":94,"tags":141,"thumbUrl":145,"material":29,"size":30,"collection":31,"collections":146,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":147},260287,"ge-you-qing-hua-jia-cai-hua-hui-wen-zun-yi-ming-260287","哥釉青花加彩花卉纹尊",[41,142,143,144,7],"开片","青花加彩","花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F262d4daac50af939e227309165360b75.jpg",[],"BDBDBD",{"id":149,"slug":150,"title":151,"dynasty":39,"author":19,"museum":20,"description":69,"tags":152,"thumbUrl":156,"material":29,"size":30,"collection":31,"collections":157,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":77},259655,"fang-ge-you-shou-huan-er-zun-yi-ming-259655","仿哥釉兽环耳尊",[41,153,154,155,7],"仿哥釉","开片纹","兽环耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F657a7f3ec674b2d0e73498679993b9db.jpg",[],{"id":159,"slug":160,"title":161,"dynasty":39,"author":19,"museum":20,"description":69,"tags":162,"thumbUrl":166,"material":29,"size":30,"collection":31,"collections":167,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":77},259623,"kong-que-lv-you-xian-wen-zun-yi-ming-259623","孔雀绿釉弦纹尊",[41,163,164,7,165],"孔雀绿釉","弦纹","瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F676bc80b694a8aa36f14dc574f87e4dd.jpg",[],{"id":169,"slug":170,"title":171,"dynasty":39,"author":19,"museum":20,"description":21,"tags":172,"thumbUrl":178,"material":29,"size":30,"collection":31,"collections":179,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":34},243063,"jiao-ye-wen-zun-yi-ming-243063","蕉叶纹尊",[173,7,174,175,98,176,177,59],"青铜器","饮酒器","盛酒器","铜制","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ee854de1d4e6c02262c35a76723d7e9.jpg",[],{"id":181,"slug":182,"title":183,"dynasty":39,"author":19,"museum":20,"description":21,"tags":184,"thumbUrl":186,"material":29,"size":30,"collection":31,"collections":187,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":147},274763,"tong-xi-er-zun-yi-ming-274763","铜牺耳尊",[173,176,59,46,7,185,175],"礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4aef017f7f4e2440b28508179737029c.jpg",[],{"id":189,"slug":190,"title":191,"dynasty":39,"author":19,"museum":20,"description":192,"tags":193,"thumbUrl":198,"material":29,"size":30,"collection":31,"collections":199,"showCount":11,"zanCount":11,"manualWeight":11,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