[{"data":1,"prerenderedAt":94},["ShallowReactive",2],{"subject-zuo-dian":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3107,"zuo-dian","坐垫","坐垫画高清赏析","精选中国历代坐垫题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed188d7380173ff127512dc022e92d08.jpg",0,3,[14,53,71],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":45,"material":46,"size":47,"collection":48,"collections":49,"showCount":50,"zanCount":51,"manualWeight":11,"mainColor":52},222992,"hong-lou-meng-117-sun-wen-222992","红楼梦117","清","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[23,24,25,26,27,28,29,30,31,32,33,34,7,35,36,37,38,39,40,41,42,43,44],"高清","工笔","设色","重彩","人物","室内场景","家具","屏风","桌椅","对联","衣帽","镜子","地砖","室内装饰","古装人物","跪姿人物","站立人物","坐像人物","器物","红色织物","彩色服饰","工笔人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd16ff9d69ff438ca69c1c2cca252e1f.jpg","绢本","纵43.3厘米、横76.5厘米","",[],21,1,"795548",{"id":54,"slug":55,"title":56,"dynasty":18,"author":57,"museum":58,"description":59,"tags":60,"thumbUrl":10,"material":25,"size":48,"collection":48,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":70},217289,"gu-xiu-wu-shi-san-can-tu-ce-26-yi-ming-217289","顾绣·五十三参图册-26","佚名","北京故宫博物院","绣线如笔，勾勒出一方禅意清境。老者席地而坐，衣纹细腻宛转，尽显悠然之态；童子俯身趋前，神态恭谨，似在聆听教诲。旁侧枝桠垂落，花叶错落有致，云霞轻卷于天际，红日晕染出暖光。顾绣以针代墨，将笔墨韵致凝于丝缕之间，人物情态生动传神，景物层次分明。淡雅的色彩晕染，细腻的针脚排布，把五十三参故事中的虔诚与宁静悄然铺展，每一处细节都藏着匠心，仿佛能透过绣面，触碰到那份古雅的禅意与对善知识的敬仰。",[61,25,24,27,62,63,64,65,66,67,7],"刺绣","孩童","老者","树","云","日","草",[],6,"BDBDBD",{"id":72,"slug":73,"title":74,"dynasty":18,"author":75,"museum":76,"description":77,"tags":78,"thumbUrl":88,"material":89,"size":90,"collection":48,"collections":91,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":93},236032,"di-shi-wu-guo-ba-ga-zun-zhe-ding-guan-peng-236032","第十五锅巴嘎尊者","丁观鹏","藏地不详","丁观鹏，生卒年不详（生于康熙晚期，约卒于乾隆三十五年[1770年]以后），清代画家，艺术活动于康熙末期至乾隆中期，顺天（今北京）人。丁观鹏雍正四年（1726）进入宫廷成为供奉画家，他擅长画人物、道释、山水，亦能作肖像，画风工整细致，受到欧洲绘画的影响，其弟丁观鹤同时供奉内廷。\n丁观鹏擅长画道释人物，也善画山水。曾与弟弟观鹤同供奉于南熏殿。他的画作清宫收藏很多。与陈枚等六家合作《庆丰图》卷，《太平春市图》卷，与陈枚、孙硝合作《丹台春晓图》卷等，均辑入《石渠宝笈》。传世作品有：《摹宋人雪渔图》和《仿韩 七子过关图》，均辑入《中国历代名画集》。",[79,80,81,82,83,24,25,27,84,85,7,86,87],"名画","国画","书画","立轴","宗教","孤石","衣袍","鞋子","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F812ef70a8bc1f8e633dc4ddf0adb9e60.jpg","未知","Xcm*Xcm",[],2,"F48FB1",1777535770213]