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七子过关图》，均辑入《中国历代名画集》。",[57,23,25,24,58,27,91,92,93,94,59,95,96,7,97,98],"人物画","临摹","萧翼赚兰亭","历史故事","侍从","茶具","印章","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00d5e4507f97cac7a1fafa57455dce2a.jpg","未知","Xcm*Xcm",[],24,"BDBDBD",{"id":106,"slug":107,"title":108,"dynasty":18,"author":109,"museum":110,"description":111,"tags":112,"thumbUrl":117,"material":118,"size":119,"collection":66,"collections":120,"showCount":121,"zanCount":69,"manualWeight":11,"mainColor":47},220106,"shi-liu-luo-han-tu-di-shi-liu-zun-zhe-jin-da-shou-220106","十六罗汉图-第十六尊者","金大受","日本东京国立博物馆","金大受是南宋时代浙江宁波具有代表性的佛画师。本图各幅有落款“大宋明州车桥西、金大受笔”，绘于庆元元年（1195）之前，当时的宁波被称为“明州”，作为现存浙江佛画中时代最早的作品而闻名。金大受所绘的罗汉笔锋收敛，形态把握准确，其赋彩也是巧用中间色，采用协调的自然表现手法，在宁波所绘制的罗汉图中也属于佳作。作为摄州多田院的镇院之宝而传来。曾为原邦造旧蔵。16幅作品中，现已确认有东京国立博物馆馆藏的10幅，以及群马县立近代美术馆馆藏的1幅，其他5幅估计流失海外，所在不明。\n金大受所画十六罗汉计十六幅，分藏三个处所，除了东京国立博物馆藏了十幅之外，其余分别由二个私人收藏家所收藏。十六幅中，每幅均有「大宋明州车桥西金大受笔」的落款，因此一直被误认为作者是西金居士。后来才被判定为南宋宁波车桥之西的画家金大受。\n十六幅中，现藏于群马县立近代美术馆的一幅，长一一七．四公分，宽五Ｏ．四公分。尊者着偏袒右肩式僧服，外罩水田衣，微侧脸注视手中的持花，其蹙眉掀鼻，张口露齿的表情，很是特出。画中除尊者之外，另有侍者一人，以及伏在矮几的小童一人，尊者头上的圆光，以青绿色为之，背后花树盛开，树枝上倒挂一朵莲花，色彩精致，笔触细腻，采用了较幽沉的色调，却烘托出尊者和圆光的明亮。",[57,23,24,113,76,77,29,114,115,7,116,26,27],"名画","孩童","龙","盘子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafa7244c605f811ff0fb0fd51efcd27a.jpg","设色,绢本","118.8×51.7cm",[],18,{"id":123,"slug":124,"title":125,"dynasty":87,"author":19,"museum":54,"description":126,"tags":127,"thumbUrl":129,"material":66,"size":66,"collection":66,"collections":130,"showCount":131,"zanCount":11,"manualWeight":11,"mainColor":104},234378,"nu-er-ha-chi-chao-fu-xiang-zhou-yi-ming-234378","努尔哈赤朝服像轴","爱新觉罗·努尔哈赤（1559年—1626年9月30日），女真族，建州女真首领、后金第一位大汗、清朝实际奠基者。生于建州左卫（今辽宁新宾县西南），父塔克世，母喜塔喇氏，努尔哈赤为长子。\n明万历十一年（1583年），被明廷任命为建州左卫都指挥使。同年，以祖、父遗甲十三副起兵，对建州女真各部展开了兼并战争，统一了建州各部。明万历十七年（1589年），受封为都督佥事、龙虎将军。其后，经过二十余年征伐，统一了松花江流域和长白山以北的诸部女真。为适应当时政治、经济需要，建立八旗制度。设议政王大臣，与八旗旗主共议朝政。创制满文。随着军事力量的日益强大，万历四十四年（1616年），于赫图阿拉建立“大金”（后金），自立为汗，建元天命。天命三年（1618年）起兵反明。在萨尔浒之战中，采取集中兵力、各个击破的作战原则，大败明军，势力进入辽河流域。在相继攻克沈阳、辽阳和辽河以东七十余城后，于天命六年（1621年）迁都辽阳。天命十年（1625年）迁都沈阳，占领了辽东大部地区。\n天命十一年（1626年），挥军进攻宁远（今辽宁兴城）。袁崇焕誓守孤城。努尔哈赤劝降不果，命奋力攻城。激战中，努尔哈赤被明军炮火击伤。在撤围败退沈阳途中，患痛疽病死于叆鸡堡，年68岁。卒后初谥承天广运圣德神功肇纪立极仁孝武皇帝，后累次加谥为承天广运圣德神功肇纪立极仁孝睿武端毅钦安弘文定业高皇帝。庙号太祖。葬沈阳福陵。",[23,24,76,26,27,29,128,7],"衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdfc6dbe0298db1e9b8154acab15cb88.jpg",[],13,{"id":133,"slug":134,"title":135,"dynasty":87,"author":19,"museum":54,"description":136,"tags":137,"thumbUrl":10,"material":141,"size":66,"collection":66,"collections":142,"showCount":131,"zanCount":69,"manualWeight":11,"mainColor":104},215871,"qing-dai-gong-ting-ren-wu-hua-ce-2-yi-ming-215871","清代宫廷人物画册-2","画面中人物端坐于椅，衣袍纹饰繁复而精巧，蓝绿叠映间缀以朱红，祥云与禽鸟纹样似欲流转，一针一线皆显宫廷工艺之精湛。她神态娴静，眉眼间藏着温婉气度，举手投足间尽是世家贵女的端庄。坐具软垫的粉与椅身的红相映成趣，足底绣鞋亦见精巧心思。整幅画作以细腻工笔勾勒轮廓，色彩浓淡相宜，将清代宫廷女性的雍容仪态与服饰之美凝于纸上。每一处细节都流淌着古典雅致的韵味，仿佛能窥见那个时代深宫内苑的静谧时光，让观者在笔墨间感受岁月沉淀的东方美学。",[138,139,26,27,29,128,7,140],"清代","宫廷人物","册页","纸本,设色",[],{"id":144,"slug":145,"title":146,"dynasty":18,"author":147,"museum":54,"description":148,"tags":149,"thumbUrl":151,"material":100,"size":101,"collection":66,"collections":152,"showCount":153,"zanCount":11,"manualWeight":11,"mainColor":104},227940,"shi-liu-ying-zhen-tu-quan-juan-fan-long-227940","十六应真图全卷","梵隆","描绘的正是十六位罗汉在传法和生活的情景。应真是佛教中的罗汉，十六应真均是释迦牟尼的弟子，佛经上说他们常驻人间，受供养又为世人谋福音。画面上的十六位罗汉形态逼真，各具神采，他们有的经禅祐坐，有的净发挑耳，憨态可掬的笑容，怡然自得的神态，整幅画面宁静祥和，特别是罗汉自在超然的气质神韵跃然纸上。",[57,23,25,58,26,77,29,150,33,7],"松树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd10268ecf905a9121bc8da42041b337.jpg",[],7,{"id":155,"slug":156,"title":157,"dynasty":87,"author":19,"museum":158,"description":159,"tags":160,"thumbUrl":164,"material":27,"size":66,"collection":66,"collections":165,"showCount":166,"zanCount":11,"manualWeight":11,"mainColor":104},217307,"gu-xiu-wu-shi-san-can-tu-ce-9-yi-ming-217307","顾绣·五十三参图册-9","北京故宫博物院","画面分左右两帧，左帧树下雅坐者衣袍明黄，童子捧物趋近，草木疏朗间流露闲适意趣；右帧高僧跏趺石上，项背有光，小僧俯身参拜，枯树寒石衬出肃穆氛围。顾绣以针代笔，人物神态鲜活，衣纹线条流转如绘，景物勾勒细腻入微。色彩雅致和谐，黄、蓝、橙等色点缀素纸，既见华丽又不失清雅。两帧一静一动，呼应“五十三参”求法主题，于方寸间藏故事意蕴，绣工与画意交融，尽显传统工艺与绘画艺术的精妙结合，传递出古朴庄重又生动有致的审美韵味。",[161,27,162,77,29,79,32,33,163,7],"刺绣","册","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F22096797906849677cfb21ab1023f98f.jpg",[],6,{"id":168,"slug":169,"title":170,"dynasty":87,"author":88,"museum":54,"description":89,"tags":171,"thumbUrl":181,"material":100,"size":101,"collection":66,"collections":182,"showCount":183,"zanCount":11,"manualWeight":11,"mainColor":104},236038,"di-qi-ga-na-ba-long-zun-zhe-ding-guan-peng-236038","第七嘎纳巴蕯尊者",[138,26,27,91,172,173,174,175,97,176,7,177,178,179,180],"宗教题材","神态刻画","细节描绘","题跋","服饰纹样","念珠","脚踏","线描","设色细腻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfda79887b1aa8cf64de71a8ad8017f5.jpg",[],3,{"id":185,"slug":186,"title":187,"dynasty":87,"author":88,"museum":54,"description":89,"tags":188,"thumbUrl":193,"material":100,"size":101,"collection":66,"collections":194,"showCount":183,"zanCount":11,"manualWeight":11,"mainColor":47},236029,"di-shi-er-bi-na-zha-la-ba-ha-la-zhui-za-zun-zhe-ding-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