[{"data":1,"prerenderedAt":100},["ShallowReactive",2],{"subject-zuo":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8935,"zuo","座","座画高清赏析","精选中国历代座题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bca19d30e0a76bc3d4b429ae861e769.jpg",0,6,[14,37,53,65,79,87],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},248793,"ti-hong-sheng-fu-wen-dai-zuo-tuo-yuan-he-yi-ming-248793","剔红绳蝠纹带座椭圆盒","清","佚名","藏地不详","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[23,24,25,26,27,28,29,7],"清代","剔红","雕刻","漆器","绳纹","蝙蝠纹","椭圆盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21cab5b335e0d7df18b6a95cd416049a.jpg","未知","Xcm*Xcm","",[],1,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":18,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":50,"material":31,"size":32,"collection":33,"collections":51,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},258138,"yong-zheng-kuan-tian-lan-you-dai-zi-you-zuo-bo-gang-yi-ming-258138","雍正款天蓝釉带紫釉座钵缸","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[18,43,44,45,46,7,47,48,49],"陶瓷","天蓝釉","紫釉","钵缸","釉色","单色釉","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff03f4cedd6bd387cd375eee91b1d69d.jpg",[],"795548",{"id":54,"slug":55,"title":56,"dynasty":18,"author":19,"museum":20,"description":21,"tags":57,"thumbUrl":63,"material":31,"size":32,"collection":33,"collections":64,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},247982,"ti-hong-san-shi-xi-qiu-tu-dai-zuo-san-ceng-yuan-tao-he-yi-ming-247982","剔红三狮戏球图带座三层圆套盒",[26,24,25,58,59,60,61,62,7],"狮","球","套盒","三层","圆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8ea4ebabcf7d8211b1c8258aacbfeb5.jpg",[],{"id":66,"slug":67,"title":68,"dynasty":18,"author":19,"museum":20,"description":69,"tags":70,"thumbUrl":77,"material":31,"size":32,"collection":33,"collections":78,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},246930,"ti-hong-shou-mian-wen-dai-zuo-shuang-er-si-zu-lu-yi-ming-246930","剔红兽面纹带座双耳四足炉","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[23,24,25,26,71,72,73,74,75,76,7],"器","礼器","兽","兽面纹","双耳","四足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96212c6dc4e1ad8085f6281e5b589bec.jpg",[],{"id":80,"slug":81,"title":82,"dynasty":18,"author":19,"museum":20,"description":69,"tags":83,"thumbUrl":85,"material":31,"size":32,"collection":33,"collections":86,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":52},246920,"ti-hong-san-shi-shou-mian-wen-dai-zuo-shuang-er-san-zu-gai-lu-yi-ming-246920","剔红三事-兽面纹带座双耳三足盖炉",[23,26,24,25,74,84,73,71,7],"三足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32ec0026e0fdd42f8d9fa8883332da48.jpg",[],{"id":88,"slug":89,"title":90,"dynasty":18,"author":19,"museum":20,"description":91,"tags":92,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":98,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":99},246776,"ti-hong-ju-hua-wen-dai-zuo-guo-pan-yi-ming-246776","剔红菊花纹带座果盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,26,24,25,93,94,7,95,96,97],"菊花","果盘","果实","纹饰","雕漆",[],"37474F",1777535750105]